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Editor Dale Baskin chose the wide angle Laowa 15mm F2 Zero-D lens as his favorite gear of the year. In his opinion, it provides a great balance of size, price and optical performance. He's still on the hunt for the perfect photo of the northern lights.
A bring-everywhere flying smartphone camera is the best $400 you can spend on a piece of gear this year, says editor Dan Bracaglia. Which is why he's picked the DJI Mavic Mini as his gear of the year.
Senior Editor Barney Britton's second Gear of the Year pick is the lens that changed his perspective on what a 'nifty fifty' could be.
The compact form factor, fast and versatile lens, and pop-up viewfinder made Canon's PowerShot G5 X II an easy pick for DPReview editor Jeff Keller's favorite camera of the year.
The Olympus OM-D E-M5 Mark III is the company's latest Micro Four Thirds camera; it looks great, feels great, and takes beautiful photos. There's a lot to like, but there are a few things we'd change. Find out more in our full review.
Yep, we're doing it.
Looking to get in on the instant camera fun? We tried every model and think the Fujifilm Instax Mini 70 strikes the right balance between price and feature - the Instax Wide 300 is our choice if you crave a larger format.
We've rounded up some of the best deals on cameras, lenses and accessories from around the web.
This year, plenty of amazing cameras, lenses, accessories and other products came through our doors. As 2019 winds down, we're highlighting some of our standout products of the year. Check out the winners of the 2019 DPReview Awards!
With the EOS M6 Mark II, Canon has taken its midrange mirrorless game up a notch. Offering the highest-res APS-C sensor on the market, 4K video, super-fast burst shooting and comfortable ergonomics, the M6 II is compact and a real pleasure to shoot with. Get all the details in our full review.
The PowerShot G7 X Mark III doesn't stray from the formula that made its predecessors well-liked, at least on the outside. Its feature set, however, has been greatly improved, with live YouTube streaming being the highlight.
The Fujifilm X-Pro3's new viewfinder, new screen and titanium construction all make for an appealing camera, but perhaps only for a certain type of photographer.
It's not every day you get to speak to the man who's had a hand in the design of every professional Canon SLR since the T90.
It's been four years since the launch of Leica's first full-frame mirrorless interchangeable lens camera, and the new SL2 updates its predecessor in every important way.
The EOS M200 is Canon's new entry-level mirrorless camera. It's easy to use, takes great photos, and crams a big APS-C sensor into one of the smallest camera bodies on the market. We think that's a recipe for success – get all the details in our full review.
Sony's a6100 adds powerful autofocus and a touchscreen to its low-cost mirrorless camera. But little inconsistencies mean it's not quite the excellent beginners camera it could be.
Comparing these three compact camera lenses head-to-head-to-head reveals the Sony to be more consistently sharp – at the cost of a lot of aperture offered by the Canons.
The Nikon Z50 is here. Nikon's latest Z-series camera features an APS-C sensor and is being launched alongside two DX-format kit zooms. Take a closer look at the Z50 in this hands-on article.
The a9 II is a camera that the average DPReview reader will probably neither need nor buy. And Sony knows it. But that's fine - here's why.
The Sony a9 II updates the company's sports-oriented camera with a refined body reminiscent of the a7R IV, improved AF algorithms and a host of features for the working pro.
What's the best camera for travel? Good travel cameras should be small, versatile, and offer good image quality. In this buying guide we've rounded-up several great cameras for travel, and recommended the best.
The Canon RF 85mm F1.2L USM is one of the most impressive lenses released for the nascent RF system, and we've just updated our gallery of sample images.
The Canon G5 X Mark II earns a Silver Award with its very good image quality, flexibility and the overall engaging experience of using the camera. However, if you need the very best in autofocus and video, other options may suit you better. Find out all the details in our full G5 X II review.
The a7R IV represents our first chance to analyze Sony's new 61MP backside-illuminated sensor. Take a look at what it's capable of.
Phase One's new XT camera system incorporates the company's IQ4 series of digital backs with up to 151MP of resolution and marries them to a line of Rodenstock lenses using the new XT camera body. The result is an impressively small package for one of the largest image sensors currently on the market - take a closer look here.
We've got boots on the ground at Sony's a6600 and a6100 launch event in New York City, and are fast at work getting some impressions of Sony's new duo of APS-C cameras. Check out the updated designs and new features here.
The S1H is a full frame mirrorless camera designed with videographers in mind and includes advanced features like 6K video capture, 4:2:2 10-bit internal recording, improved video scopes, high frame rate recording, Panasonic Varicam color science and more.
The Apple iPad has always been a tempting tool for photographers on the go: slim, lightweight, and now with the current iPad Pro models, powerful enough to do most photo tasks you'd accomplish on the desktop. The software isn't quite there yet, but the next release of iPadOS should bridge that gap.
The Sony Cyber-shot DSC-RX100 VII is the most capable pocket camera currently on the market thanks to a combo of good image quality, smooth stabilized 4K and an industry-leading autofocus implementation. For these reasons it receives our gold award.
Sony's FE 35mm F1.8 answers a lot of a7-series photographers' prayers. But was it worth the wait? Find out in our full review.
In this video, award-winning photographer Max Lowe goes to Hawaii to meet adventurer and educator Austin Kino. To capture the experience, we gave Max a Panasonic Lumix DC-S1R, and the entire video was shot with the Lumix DC-S1.
The GF 50mm F3.5 is the closest you'll find to a pancake lens for Fujifilm's GFX medium format system. This 40mm equiv. is dust and weather-sealed, lightweight and most importantly, very sharp.
The Panasonic Lumix DC-G95 (G90 outside North America) is a 20MP mid-range mirrorless camera aimed at both stills and video shooters, but it faces some pretty stiff competition. Find out how it performs in our in-depth review.
The Nikon Z 35mm F1.8 S is one of a trio of optics unveiled right at the start of the Z system – and with a classic focal length and usefully wide aperture, its appeal should be broad. But is it any good?
The Fujifilm GFX 100 combines the highest resolution we've ever tested with features such as image stabilization, on-sensor phase detection and 4K video capture that you don't usually find in medium format cameras. Does this make it the ultimate do-everything camera?
The Panasonic Lumix DC-S1R is a big, high-resolution mirrorless camera with pro-level build and controls. We've completed our full review of the S1R's image quality, autofocus and more - take a look.
We've been eager to continue shooting with the brand-new Sony FE 35mm F1.8. As a result, our sample gallery has been updated with a fresh batch of images.
We've got a lot more shooting to do with the a7R IV, but in the meantime, here are our very first shots with the 61MP beast.
In a world dominated by increasingly large smartphones, one woman clings to her tiny iPhone SE and cries out for justice.
The Sigma fp is the world's smallest full-frame camera. We got a chance to get out hands on it at the launch in Japan. Here's what we found.
Sony has just announced its FE 35mm F1.8 lens for its full-frame E-mount cameras. Its combination of focal length, aperture and light weight make it the perfect lens to keep permanently mounted on your Alpha-series camera. We took it out for a spin, to see how it performs.
Sony, Nikon and Panasonic all now make 24MP full frame mirrorless cameras, but each has its specific strengths. The best choice for you depends what you're planning to shoot (and which lenses you need).
The Canon RF 35mm F1.8 IS STM Macro is a lightweight, versatile lens for Canon's new EOS R system. Promising good close focus capabilities and built-in stabilization, is this the perfect lens for EOS R and RP shooters? Find out in our full review.
The Panasonic S1 is not only the best-built 24MP full-frame mirrorless camera on the market (though it is heavy), it keeps up with the best of its competitors in most respects. We've reviewed the S1 first, as we felt that this less expensive stills/video model will have broader appeal.
The latest version of Hasselblad's CFV digital back and the new super-slim 907X camera body make a beautiful combination – take a closer look.
Canon's EOS Rebel SL3 / EOS 250D is the latest in the company's line of diminutive DSLRs. Despite its compact dimensions and fairly modest price, it has a modern sensor and produces great photographs - find out if it's right for you in our full review.
Panasonic's new Leica DG Vario-Summilux 10-25mm F1.7 ASPH is designed to cover five fixed focal lengths in a single, fast lens, according to the company. Click through to learn more about this Micro Four Thirds lens, as well as the pair of full-frame L-mount teleconverters announced alongside it.
The Leica Q2 is an impressively capable fixed-lens, full-frame camera with a 47MP sensor and a sharp, stabilized 28mm F1.7 Summilux lens. It's styled like a traditional Leica M rangefinder and brings a host of updates to the hugely popular original Leica Q (Typ 116) that was launched in 2015.
Now that we've wrapped up our final review of Sony's mid-range a6400, we're taking it into account as a whole; here's how we think it stacks up for some common photographic use cases.
Are you searching for the best image quality in the smallest package? Well, the GR III has a modern 24MP APS-C sensor paired with an incredibly sharp lens and fits into a shirt pocket. But it's not without its caveats, so read our full review to get the low-down on Ricoh's powerful new compact.
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| Be-200 at MAKS 2019 by Kulverstukas from Firefighting aircraft | "Still waiting for the band to start up" by giants from "High School" by Kelsea Ballerini | Common Kingfisher by Birdman50 from Best Photo of the Week... | Afterburner by NEX51855 from Loud |
