The S1 and S1R are Panasonic's first full-frame mirrorless cameras so there's a plenty to talk about. We've taken a look at the design and features of both cameras and have some initial impressions, as well.
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The Olympus OM-D E-M1X is a more powerful dual-grip evolution of the E-M1 II. Aimed at sports shooters it promises improved AF, including advanced subject recognition, along with the highest-ever rated image stabilization system.
One of three lenses launched alongside the Nikon Z6 and Z7, on the face of it the Z 50mm F1.8 S might appear the most pedestrian of the group, but it might just be the niftiest fifty we've ever seen.
Professional commercial photographer Moe Lauchert shares an incredible gallery of film photographs he captured on Ilford HP5 with a Nikonos 5 while serving as a diver at NASA's Neutral Buoyancy Laboratory in Houston, Texas.
The Nikon Z6 may not offer the incredible resolution of its sibling, the Z7, but its excellent video quality and faster performance make it an impressive camera at a considerably lower price.
The Panasonic Lumix DC-LX100 Mark II is a rather belated update to one of our favorite enthusiast compact cameras. Is it enough of a refresh to keep up with the times?
Sony had the full-frame mirrorless market to itself for nearly five years, but it's no longer alone – the Nikon Z6 and Canon EOS R have both arrived priced to compete with the a7 III. We take a head to head to head look at these three cameras.
With a nickname like 'bokeh master,' we had to see what the Sigma 105mm F1.4 was all about. Take a look at our gallery of samples shot with the Sony a7R III.
This year, plenty of amazing cameras, lenses, accessories and other products came through our doors. As 2018 winds down, we're highlighting some of our standout products of the year. Check out the winners of the 2018 DPReview Awards!
Canon's EOS R, the company's first full-frame mirrorless camera, impresses us with its image quality and color rendition. But it also comes with quirky ergonomics, uninspiring video features and a number of other shortcomings. Read our full review to see how the EOS R stacks up in today's full-frame mirrorless market.
No Nikon camera we've tested to date balances stills and video capture as well as the Nikon Z7. Though autofocus is less reliable than the D850, Nikon's first full-frame mirrorless gets enough right to earn our recommendation.
Nikon's Coolpix P1000 has moved the zoom needle from 'absurd' to 'ludicrous,' with an equivalent focal length of 24-3000mm. While it's great for lunar and still wildlife photography, we found that it's not suited for much else.
As a stills camera the Fujifilm X-T3 is a pleasant update to one of our favorite APS-C cameras, significantly improving the autofocus. If you're interested in stills and video, though, it's knockout.
The GFX 50R is a 50MP rangefinder-style mirrorless camera. It borrows heavily from the existing 50S model but in a smaller body and at a lower price. How does it differ?
We've had a little time to shoot with Sony's new wide/fast prime, both close to home and on the water in San Francisco. Check out our initial sample images.
Just two weeks after Nikon introduced its Z-system, Canon has joined the full-frame mirrorless club with its new RF-mount system, with the first camera being the EOS R. This DSLR-shaped camera has a 30MP sensor, Dual Pixel AF, 4K/30p video capture and a customizable touchpad.
'Go unannounced' is the tagline that Leica is using for the new M10-P, which has been introduced alongside the standard M10. We've had a little time with the new camera – take a look at what's new (and what's not).
Now that Nikon has entered the full-frame mirrorless camera market, the natural question that comes up is how its first model, the Z7, compares to Sony's high resolution king, the a7R III. We take a look at how these two cameras stack up against one another.
The higher resolution Z7 might be getting most of the attention, but Nikon's new Z 6 also has a lot going for it. We're at the launch of the Z system in Tokyo, where we took a closer look at the Z6 and three forthcoming S-line lenses.
The Nikon Z7 is here and we've had the chance to shoot with a pre-production model here in Seattle. Take a look at our first sample images.
With Nikon's entry into the full-frame mirrorless game, there's an awful lot to take in: a new mount, new lenses, new features and more. Get caught up quick with everything you need to know about the new, high-resolution Nikon Z7 right here.
The new Z-mount may be the big story for Nikon's new Z6 and Z7 cameras, but there's over 100 million F-mount Nikkor lenses floating around the world. Nikon's FTZ Adapter gives those old lenses a new lease on life, and we've had the chance to give it a go and see how it performs.
Join us behind the scenes for this special episode of DPReview TV as we go hands-on with the new Nikon Z7 mirrorless camera. After a couple days of intense shooting, we're ready to share our first impressions of this exciting new product.
Panasonic's Lumix DC-GX9 is a 20MP rangefinder-style mirrorless camera that aims to do a bit of everything. It borrows features from both the GX8 and the smaller GX80 / GX85, but does it strike the right balance?
A veteran wildlife photographer and typically a Nikon shooter, Aaron Baggenstos took the Sony a9 on a recent trip to the Alaskan Wilderness. Find out his impressions of the camera and see some of the incredible images he was able to capture.
The Hasselblad X1D-50c is a mirrorless medium format camera from one of the most famous camera brands of the 20th century. Following a series of feature-enhancing firmware updates we've been able to complete our review.
The Fujifilm X-T100 is the company's least expensive X-series camera to include an electronic viewfinder. It shares most of its guts with the entry-level X-A5, including its hybrid AF system and 24MP sensor and, unfortunately, its 4K/15p video mode.
The instant camera market is heating up, and with four formats and 15+ cameras to choose from, we felt it was high time to examine them all and pick our favorite.
The Leica APO-Summicron-SL 90mm F2 ASPH is a high-quality short telephoto prime lens for the company's full-frame SL mirrorless interchangeable lens camera. We've been shooting with it for a few days, to see what it can do.
The Tamron 70-210mm F4 Di VC USD is a lightweight telephoto zoom lens for DSLR cameras that comes in at an MSRP of $799. How does it perform? Find out in our full review.
Samsung's flagship Galaxy S9+ comes with comprehensive photography features like dual optically stabilized rear cameras, smooth 4K video and of course, beauty filters for your selfies. But is it the best smartphone camera for you? Find out how it compares against the likes of Apple's iPhone X and Google's Pixel 2 in our full review.
The Tamron 28-75mm F2.8 Di III RXD is an affordable F2.8 standard zoom for full frame Sony E-mount cameras. What's it like, what are the trade-offs, and what are the alternatives? Chris and Jordan take a closer look...
Every photographer knows about APS-C sensors, but what about APS film? This week, Chris and Jordan take a stroll down memory lane and try out the original APS format, a technology that promised to streamline the film workflow, but which ultimately lost out to digital technology.
Panasonic's premium compact DC-ZS200 (TZ200 outside of North America) boasts a 24-360mm equiv. F3.3-6.4 zoom lens, making it the longest reaching 1"-type pocket camera on the market. There are tradeoffs that come with that big lens, however. Find out all the details in our in-depth review.
The follow-up to the original K-1 is here, built like a tank like its predecessor, with improvements to AF Tracking. However, we find that image quality takes a bit of a hit with the tweaks Pentax has made.
We took the Canon variant of Rokinon/Samyang's AF 14mm F2.8 for a spin to see how this affordable wide-angle option performs out-and-about.
Kicking off our new video series, Chris and Jordan take an in-depth look at the Sony a7 III's performance in the field – from landscapes in the Canadian Rockies to low-light portraits at a local pinball spot.
The Sony a7 III sets a new benchmark for full-frame cameras thanks to its compelling combination of value and capability. It's at home shooting everything from sports to portraits, and is one of the most impressive all-around cameras we've seen in a long while. Find out all the details in our full review.
For a few years now we've been recommending the Nikon D750 to enthusiasts and semi professionals needing the most reliable camera for the money. But it might finally be time to change that recommendation...
Canon's new EOS M50 mirrorless camera offers 4K video capture, expanded Dual Pixel AF coverage and improved connectivity. We've taken a closer look at these features and more in our in-depth review.
A few days testing Huawei's new flagship device has us convinced that it's the most advanced smartphone camera to date.
Shooting with the Leica Monochrom on a trip to Japan turned out to be an exercise in frustration, patience and plain old humility for DPR Senior Editor Barney Britton.
Having debuted just about a month ago, the Canon EOS M50 has made its way into our office where we put it straight to work. Take a look at some of our first sample images.
If you're on a budget and looking to get into Fujifilm's X-system, the X-A5 is likely on your radar. We've been out shooting with this updated entry-level camera.
The Rokinon AF 35mm F2.8 FE is a budget-friendly option for users of Sony's a7-series that are looking to get into the 35mm focal length.
Spending time in Japan for CP+ also means that we've been able to get out and take some photos on the vibrant streets of Yokohama. With a 20MP 1" sensor and 24-360mm equiv. zoom, the Panasonic ZS200 / TZ200 was up to the task.
We've just updated our Sony a7 III sample gallery with a new batch of photos, including downloadable Raw files. There are no new photos of hipsters with beards and banding. We promise.
We've been shooting with Sigma's new 14-24mm F2.8 Art, both close to home and in Yokohama, Japan. Its dust- and splash-proof design, 'Art' series pedigree and attractive $1300 price tag have made it one of the more hotly anticipated lenses debuting this spring.
Lensbaby’s newest lens, the Burnside 35, is a Petzval-inspired lens that offers swirly bokeh in a 35mm lens, plus an additional creative control of a vignetting slider. We wanted to see what it's all about.
The Sony a7 III brings many of the advanced features of Sony's a9 flagship into a "basic" model that—to be fair—is anything but basic. Check out our results with the camera so far.
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| The sights this window has seen! by NPW UK from Creative Window | Tacking Point Light House by photoman555 from Nikon Challenge |
