The Olympus OM-D E-M1X is a more powerful dual-grip evolution of the E-M1 II. Aimed at sports shooters it promises improved AF, including advanced subject recognition, along with the highest-ever rated image stabilization system.
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Professional commercial photographer Moe Lauchert shares an incredible gallery of film photographs he captured on Ilford HP5 with a Nikonos 5 while serving as a diver at NASA's Neutral Buoyancy Laboratory in Houston, Texas.
Sony had the full-frame mirrorless market to itself for nearly five years, but it's no longer alone – the Nikon Z6 and Canon EOS R have both arrived priced to compete with the a7 III. We take a head to head to head look at these three cameras.
This year, plenty of amazing cameras, lenses, accessories and other products came through our doors. As 2018 winds down, we're highlighting some of our standout products of the year. Check out the winners of the 2018 DPReview Awards!
Canon's EOS R, the company's first full-frame mirrorless camera, impresses us with its image quality and color rendition. But it also comes with quirky ergonomics, uninspiring video features and a number of other shortcomings. Read our full review to see how the EOS R stacks up in today's full-frame mirrorless market.
Just two weeks after Nikon introduced its Z-system, Canon has joined the full-frame mirrorless club with its new RF-mount system, with the first camera being the EOS R. This DSLR-shaped camera has a 30MP sensor, Dual Pixel AF, 4K/30p video capture and a customizable touchpad.
Now that Nikon has entered the full-frame mirrorless camera market, the natural question that comes up is how its first model, the Z7, compares to Sony's high resolution king, the a7R III. We take a look at how these two cameras stack up against one another.
The higher resolution Z7 might be getting most of the attention, but Nikon's new Z 6 also has a lot going for it. We're at the launch of the Z system in Tokyo, where we took a closer look at the Z6 and three forthcoming S-line lenses.
With Nikon's entry into the full-frame mirrorless game, there's an awful lot to take in: a new mount, new lenses, new features and more. Get caught up quick with everything you need to know about the new, high-resolution Nikon Z7 right here.
The new Z-mount may be the big story for Nikon's new Z6 and Z7 cameras, but there's over 100 million F-mount Nikkor lenses floating around the world. Nikon's FTZ Adapter gives those old lenses a new lease on life, and we've had the chance to give it a go and see how it performs.
Join us behind the scenes for this special episode of DPReview TV as we go hands-on with the new Nikon Z7 mirrorless camera. After a couple days of intense shooting, we're ready to share our first impressions of this exciting new product.
A veteran wildlife photographer and typically a Nikon shooter, Aaron Baggenstos took the Sony a9 on a recent trip to the Alaskan Wilderness. Find out his impressions of the camera and see some of the incredible images he was able to capture.
The Hasselblad X1D-50c is a mirrorless medium format camera from one of the most famous camera brands of the 20th century. Following a series of feature-enhancing firmware updates we've been able to complete our review.
The Fujifilm X-T100 is the company's least expensive X-series camera to include an electronic viewfinder. It shares most of its guts with the entry-level X-A5, including its hybrid AF system and 24MP sensor and, unfortunately, its 4K/15p video mode.
The Leica APO-Summicron-SL 90mm F2 ASPH is a high-quality short telephoto prime lens for the company's full-frame SL mirrorless interchangeable lens camera. We've been shooting with it for a few days, to see what it can do.
Samsung's flagship Galaxy S9+ comes with comprehensive photography features like dual optically stabilized rear cameras, smooth 4K video and of course, beauty filters for your selfies. But is it the best smartphone camera for you? Find out how it compares against the likes of Apple's iPhone X and Google's Pixel 2 in our full review.
The Tamron 28-75mm F2.8 Di III RXD is an affordable F2.8 standard zoom for full frame Sony E-mount cameras. What's it like, what are the trade-offs, and what are the alternatives? Chris and Jordan take a closer look...
Every photographer knows about APS-C sensors, but what about APS film? This week, Chris and Jordan take a stroll down memory lane and try out the original APS format, a technology that promised to streamline the film workflow, but which ultimately lost out to digital technology.
Panasonic's premium compact DC-ZS200 (TZ200 outside of North America) boasts a 24-360mm equiv. F3.3-6.4 zoom lens, making it the longest reaching 1"-type pocket camera on the market. There are tradeoffs that come with that big lens, however. Find out all the details in our in-depth review.
The Sony a7 III sets a new benchmark for full-frame cameras thanks to its compelling combination of value and capability. It's at home shooting everything from sports to portraits, and is one of the most impressive all-around cameras we've seen in a long while. Find out all the details in our full review.
For a few years now we've been recommending the Nikon D750 to enthusiasts and semi professionals needing the most reliable camera for the money. But it might finally be time to change that recommendation...
A few days testing Huawei's new flagship device has us convinced that it's the most advanced smartphone camera to date.
Shooting with the Leica Monochrom on a trip to Japan turned out to be an exercise in frustration, patience and plain old humility for DPR Senior Editor Barney Britton.
The Rokinon AF 35mm F2.8 FE is a budget-friendly option for users of Sony's a7-series that are looking to get into the 35mm focal length.
We've been shooting with Sigma's new 14-24mm F2.8 Art, both close to home and in Yokohama, Japan. Its dust- and splash-proof design, 'Art' series pedigree and attractive $1300 price tag have made it one of the more hotly anticipated lenses debuting this spring.
Lensbaby’s newest lens, the Burnside 35, is a Petzval-inspired lens that offers swirly bokeh in a 35mm lens, plus an additional creative control of a vignetting slider. We wanted to see what it's all about.
|The sights this window has seen! by NPW UK|
from Creative Window
|Tacking Point Light House by photoman555|
from Nikon Challenge