Sony has announced its latest G-Master lens: the ultra-wide 14mm F1.8 GM. At nearly a third the weight of its nearest peer for the system, it's an incredibly compact and lightweight prime for E-mount shooters. Read on for a closer look at what it offers, including a preliminary look at its optical performance.
Articles tagged "hands-on"
Canon has announced two new telephoto prime lenses for the RF mount: the RF 400mm F2.8L IS USM and 600mm F4L IS USM. Click through for a closer look at these two new telephoto options for RF.
Fujifilm's latest prime, the XF 18mm F1.4 R LM WR, is a solidly built lens that we've really enjoyed shooting with. It's also a big departure from Fujifilm's previous 18mm F2 prime lens – get a sense of how it handles right here.
The Instax Mini 40 combines ease of use with cool classic styling, resulting in a camera that's both fun to shoot and fun to show off.
Sigma's fp L is one of the most compact full-frame cameras on the market, and its new optional electronic viewfinder adds to its versatility. But how does it handle? Find out right here.
Sony recently announced a set of three compact full-frame E-mount prime lenses: the 24mm F2.8G, the 40mm F2.5G, and the 50mm F2.5G. Learn more about them in our detailed hands-on first impressions article.
Billed by Sigma as 'a more compact but still high-performing alternative to the existing 24-70mm F2.8 DG DN | Art' its new 28-70mm F2.8 DG DN is indeed considerably smaller and lighter than it's 'Art' series contemporary. Click through for a closer look at Sigma's newest zoom lens.
The Lumix S 70-300mm F4.5-5.6 Macro OIS is a tele-zoom lens designed for Panasonic's full-frame mirrorless cameras. We've been using one for a few days - click through to learn more.
The new a1 is absolutely chock-full of the latest and greatest tech that Sony has to offer. Come take our tour of how this high-speed, high-megapixel machine operates and handles.
Alongside the announcement of the new GFX 100S and X-E4 cameras, Fujifilm released a trio of lenses. Click through to learn more about the new GF 80mm F1.7 and XF 70-300 F4-5.6, and the updated XF 27mm F2.8.
Coming (relatively) hot on the heels of the groundbreaking GFX 100, Fujifilm's latest medium-format camera brings 100MP to the masses. We've had a preproduction GFX 100S in our hands for a few days: keep reading to learn more about Fujifilm's newest medium-format camera.
Leica's SL2-S might not look like it breaks any ground at a casual glance, but on the inside, its 24MP sensor promises better video performance than its higher resolution sister model. Find out what it's like to handle in our hands-on look.
Sigma's new primes promise very good performance and light weight, when paired with L-mount and Sony E-mount mirrorless interchangeable lens cameras. Take a closer look.
We've known that the Olympus 150-400mm F4.5 TC1.25x was coming for a long time, and mockups have been on display here and there at trade shows for a year or so, but now it's official. Here's everything you need to know about this intriguing lens.
Canon has just taken the wraps off two new lenses for its mirrorless RF system: The RF 50mm F1.8 STM and RF 70-200mm F4 L IS USM. Click through for a closer look.
The Fujifilm X-S10 is perhaps best described as a modern hybrid of several Fujifilm cameras. You get a deep grip in a compact body, in-body stabilization and a mode dial instead of a shutter speed dial. Follow along with us on our guided tour of the X-S10 right here.
The Panasonic Lumix DC-S5 is a smaller, more affordable addition to the line of full-frame mirrorless cameras. Its video spec is similar to that of the S1 with V-Log upgrade, its autofocus (particularly for stills) is improved, but it's both smaller and less expensive than the S1.
Sirui's second anamorphic lens for mirrorless cameras is a slightly wider model than the original, and is aimed at Micro Four Thirds, Nikon Z, Sony E and Canon EF-M filmmakers. It offers letterbox aspect ratios as wide as 2.35:1, and it carries on the principles of being compact, light and affordable.
The Sigma 85mm F1.4 DG DN Art is the latest in the company's 'DN' (Digital Native) lens lineup, designed specifically for use with mirrorless interchangeable lens cameras. Click through this article for a closer look at Sigma's latest portrait prime lens.
The a7S III promises to be Sony's best mirrorless camera for video to date. Instead of winning a battle of spec sheets, it focuses on delivering robust, high quality 4K video. What do we think so far? Watch our hands-on preview to find out.
The Nikon Z5 is an entry-level full-frame mirrorless camera that looks a lot like the Z6, handles a lot like the Z6, and offers a lot of the same features. So what makes it different, and why is it cheaper? Read on to find out more.
ON1 joins the ecosystem game with ON1 360, a subscription service and mobile app for iOS and Android that syncs the photos you choose between devices and ON1 Photo RAW on the desktop. Here are our first impressions using it.
Alongside the EOS R5 and R6, Canon has announced a brace of lenses, all in the short to long telephoto range. Filling out the 'long' end are one L-series zoom, and two innovative primes.
Panasonic's Lumix DC-G100 interchangeable lens camera is ultra-compact and aimed at those who want to film themselves doing just about anything. But it also lends itself to other types of videography (and photography) as well, so check it out in our hands-on slideshow and find out if its a match for you.
Compact and affordable, the new Sirui 50mm anamorphic lens comes in options for three camera mounts – so we tried it on each of them. See the lens in more detail and read about the benefits of using it on each system.
After an announcement last summer and a confirmation last fall, we finally got a chance to see all three of Sigma's new 'Contemporary' prime lenses with EF-M mounts in person at WPPI in Las Vegas. These small lenses are big news for users of Canon's mirrorless APS-C system.
Nikon's brought the new Z-mount Nikkor 20mm F1.8S, Z 24-200mm F4-6.3 and AF-S 120-300mm F2.8E for F-mount to its booth at the WPPI Expo in Las Vegas. We got an up-close and personal look at them – check them out here.
The latest Olympus Pro lens the most diminutive yet while still retaining the lineup's high level of both build and image quality. It also looks to be a great compact companion to the company's recently released OM-D E-M5 Mark III camera.
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from Running People
|Living statue by Wildbegonia|
from An intermezzo in the “can we travel again soon ? "series, Now, Street performance – Living statues