Articles tagged "gallery"

Tamron's 17-35mm F2.8-4 Di OSD is a wide angle zoom that punches above its price class. It's compact, light-weight and most importantly, sharp, with well-controlled distortion. For all these reasons we decided to update our previously posted sample gallery.

Bison, drift cars, horseback riders, antelope – from the beach to the race track, the Sony 100-400mm G Master is one versatile piece of kit.

The Canon EF 35mm F2 IS USM is an understated jewel of a lens, and one that we've enjoyed on a variety of cameras since its release almost five years ago. Its relatively small size and image stabilization make it a versatile tool for a variety of photography - check out our sample gallery.

Canon's EOS Rebel SL2 takes the sensor from its EOS 77D and Rebel T7i cousins and shoehorns it into one of the most compact DSLR bodies you can get. From the zoo to a barbecue, check out how it performs in our sample gallery.

Canon's new EF-S 35mm F2.8 Macro lens is not only compact and affordable, but it is a pretty good performer as well. We put it to the test with eyeballs, flowers and even some antique cameras.

Sony's newest G Master telephoto zoom, announced alongside the a9, is the first of the company's FE lenses to reach 400mm natively. We had one in California and photographed horses, portraits, and landscapes - check out how it did.

Panasonic's ZS70 (TZ90 outside of North America) travel zoom comes with a new 20MP sensor behind a familiar 24-720mm equivalent zoom. See how the combination stacks up in our sample gallery. Read more

Panasonic's latest consumer superzoom, the Lumix FZ80/FZ82, takes a crazy 60x zoom range (which starts at a very wide 20mm) and adds 4K video at a price that won't break the bank. Check out its performance with some rare sunny Seattle weather. Read more

Recently the new Sigma 135mm F1.8 Art landed in the office, prompting us to get out there and shoot some portraits... from a distance. How does their new telephoto prime fare? See gallery

We tossed Nikon's new 70-20mm F2.8 workhorse on a D5 and sat on the sidelines for a University of Washington vs Arizona State NCAA basketball game. It proved to be an impressive combo, to say the least. See gallery

The Canon EF-M 18-150mm F3.5-6.3 IS STM is a travel zoom for the company's mirrorless cameras, and we were pretty impressed with the results. See gallery

Tamron's updated SP 150-600mm F5-6.3 G2 comes with pretty a hefty price increase. We took the new lens out on the town to get a feel for its performance. See gallery

The new Olympus ED 25mm F1.2 is a ground-up design where Olympus engineers aimed to build the perfect lens. Quick autofocus and new coatings are certainly a plus, but how good is 'perfect'? We took the new prime out to try and find out. See gallery

The Panasonic Lumix DMC-GX85 / GX80 manages to take most of what we like about the GX8 and pack it into a smaller, lighter body. We've taken a pre-production model for a spin around Puget Sound to see how it measures up. Read more

From the mountains to Puget Sound and weddings to contact sports, we've been toting the Nikon D5 all over the state of Washington. Were the results from Nikon's new flagship worth the weight in our bags and on our backs? Click through to see for yourself. Read more

Sony recently updated its FE line, which now offers 16 full-frame lenses for Sony's E-mount Alpha cameras. Among the new lens introductions is the FE 50mm F1.8, what you might call Sony's 'nifty fifty'. We spent some time shooting with it in San Francisco this weekend, paired with the unforgiving 42MP of the Alpha 7R II, and have put together a gallery and some first impressions. Read more

From Long Beach, WA to San Francisco, CA, we've made a couple of recent trips with the Sony FE 24-70 F2.8 GM in tow. With a variety of focal lengths, apertures and lighting situations, take a look and see how this workhorse G Master lens holds up. Read more

Among all its releases at CP+ 2016, Sigma's 30mm F1.4 DC DN Contemporary lens is the smallest in size, but its wide aperture should help it pack an image quality punch. We were fortunate enough to have a chance to try out a pre-production model outside Sigma's factory in snowy Aizu, Japan. Click through to see how it did. Read more

Canon's new EF 35mm F1.4L USM II lens has some pretty big shoes to fill. Its older brother, now on the market for 17 years, has become both a benchmark and a staple of many a pro Canon shooter's kit. We've had the Mark II version for a few days, and we've spent that time shooting some environmental portraits, landscapes and lots more in between. Read more

The EF 50mm F1.8 STM is Canon's newest iteration of its classic 'nifty fifty' lens. It's a fast, inexpensive normal lens on a full frame DSLR, but also functions as an 80mm equivalent lens on Canon's APS-C bodies. How does it perform in real-world use?  We've been using the lens for a few days and put together a gallery of samples. We took quite a few shots at wide apertures to see how the lens performed, but have also included photos taken at smaller apertures. See photos

[UPDATED] We were curious to see how the new Canon 11-24 F4 performed on a high resolution sensor, so we've updated our gallery with some landscapes and aperture progressions taken on a 36MP Sony a7R with a Metabones adapter. Though performance at extremes of the frame may not be representative of that on a native body, the 11-24 doesn't disappoint. Have a look at the new shots in our gallery

The Panasonic Lumix GH4's headline features revolve around its 4K video capture capability, but it's still a very attractive stills camera. It offers a newly developed 16-megapixel Live MOS sensor, 12 fps burst shooting (7 fps with continuous focus) and up to ISO 25600 sensitivity. A built-in 2.36-million dot EVF and a fully articulated LCD are also provided. Take a look at our gallery of real-world samples and see how it performs in the field. See gallery

The Panasonic Lumix DMC-ZS40 (TZ60 outside of North America) is a compact travel zoom camera with a 30X, 24-720mm equiv. lens and 18.1 megapixel 'high sensitivity' MOS sensor. The ZS40 features both a 3-inch (920k dot) LCD as well as an electronic viewfinder (200k dot). The camera has full manual controls, Raw support, focus peaking, plus a control ring. We've been out shooting with it, ahead of publishing a short review. Click through below to take a look at our real-world samples.

Samsung's NX Mini is the slimmest and lightest interchangeable lens camera on the market. It packs a 1"-type, 20MP CMOS sensor into its body, along with Wi-Fi with NFC and 1080/30p video. With the NX Mini, Samsung also introduced a new NX-M lens mount. We've been shooting with the 9mm F3.5 (24.3mm equivalent) prime on the camera and having some fun with the Mini's flip up LCD for the occasional 'selfie'. See gallery

The Fujifilm TCL-X100 is a screw-in teleconverter for the X100 and X100S which increases the effective focal length of their 23mm F2 lens to 50mm. We've been shooting with the TCL-X100 for a few days now, in a range of different situations and light levels to see how it performs in everyday use. Click through to read our first impressions, and see our sample images.