Sony's α-series of full-frame and APS-C cameras allow for an incredibly diverse range of lens options. What's been missing is the full range of advanced autofocus options Sony offers on native lenses, but not adapted third-party autofocus lenses. Sigma's new MC-11 adapter changes all that with Sigma's DSLR lenses, and we've got the video evidence to back it up. Learn more
Articles tagged "full-frame"
Third party lens-maker Tamron has released a pair of new full-frame, stabilized primes. First is an 85mm F1.8 Di VC USD which has LD and XLD elements, 9 circular aperture blades, a fluorine coating to keep moisture off of the front element and 3.5 stops of shake reduction. Lens number two is a 90mm F2.8 Di VC USD Macro which has many of the same specs as the 85mm but allows for life-size close-ups. Both lenses are weather-sealed and will be available for Canon, Nikon and Sony mounts. Read more
The new Pentax K-1 has been long awaited by Pentax users past and present, but the road to its creation has been long, winding and not without some wrong turns. In this article, DPReview editor and old (ish) fart Barnaby Britton turns back the clock and looks at what went wrong with Pentax's original, canceled full-frame DSLR, and how the company came through two buy-outs and several changes of strategy to end up with the K-1. Read more
After years of development, not to mention months of teasers, Ricoh has made its Pentax K-1 full-frame DSLR a reality. The first 35mm format Pentax DSLR, the K-1 offers a 36.4MP CMOS sensor, 5-axis sensor-shift image stabilization, a 'nearly 100%' optical viewfinder and 33-point AF system with 25 cross-type points – all for under $1800. Read more
There’s no denying the appeal of Sony’s RX1R II. It promises high-resolution full-frame image quality that’s bolstered by an impressive autofocus system, reasonable depth-of-field control from its 35mm F2 lens and a compact form factor that encourages you to take it with you everywhere. But would you want to? Click through to find out what we think. Read more
Canon has announced its new flagship DSLR, the EOS-1D X Mark II. Featuring a new 20.2MP full-frame CMOS sensor with Dual Pixel AF, dual DIGIC 6+ processors, improved AF and metering systems and 4K video capture, the Mark II is poised to be the camera that Canon-shooting professionals have been waiting for. Read more
In September 2015, Ricoh published a teaser website for a Pentax full-frame DSLR set to launch in spring 2016. Additional teasers have been released on occasion since the website went live, including a new one today. In a post, Ricoh has released a pair of sample photos alongside details about the HD PENTAX-D FA 24-70mm F2.8ED SDM WR lens and how it functions with the upcoming full-frame camera. Read more
German/Chinese optics brand HandeVision is set to introduce five new lenses next year that are designed for full-frame mirrorless cameras. Each with a maximum aperture of F2.4, the focal lengths the company is planning to release in its Iberit series will be 24mm, 35mm, 50mm, 75mm and 90mm. Read more
Ricoh's string of teaser coverage for its upcoming full-frame Pentax DSLR continues today with a new image of the camera and a press release - though not much in the way of more concrete information. Read more
Ricoh's upcoming full-frame Pentax DSLR is getting more real! The last time we saw it, the as yet unnamed camera was barely more than a chunk of carved plastic, but at this week's Photo Plus Expo in New York, a much more advanced mockup was on display at the Ricoh booth. Briefly. Shortly after we asked for a closer look it was removed permanently from display and locked in a cupboard. Oh well. Click through for some closeups
Sony has announced its Cyber-shot RX1R II, an update to 2013's RX1 and RX1R full-frame, fixed-lens compact cameras. The RX1R II brings a 42.4 Megapixel BSI-CMOS sensor borrowed from the a7R II, 35mm F2 Zeiss Sonnar T* lens, retractable viewfinder, variable low-pass filter and greatly improved autofocus. Read more
We're still waiting for the much-teased full-frame DSLR, but Ricoh has today announced another full-frame zoom lens - the HD PENTAX-D FA 24-70mm F2.8 ED SDM WR, which features a weatherproof design and bright, constant maximum aperture. Read more
Sigma has announced the 24-35mm F2 DG HSM Art, a constant wide-aperture, wide-angle zoom for full frame cameras. Part of the company's high-end 'Art' range, Sigma suggests the lens can play the same role as a 24, 28 and 35mm set of prime lenses. The lens has a minimum focusing distance of 28cm, giving a maximum magnification ratio of 1:4.4. Click through for more details
Zeiss has revealed two new full-frame lenses for Sony's E-mount system, the Batis 2/25 and 1.8/85. They offer autofocus, and are the first Zeiss-produced FE-style lenses to do so. Each lens barrel contains an OLED displaying focus distance and depth of field. A linear motor AF drive keeps operation quiet, and both lenses are sealed against dust and moisture. Read more
Three full-frame prime lenses on Sony's lens roadmap officially arrived today which, including the 24-240, brings the total number of FE lenses to eleven. The least expensive of the trio is the 28mm F2 lens, which also supports ultra-wide and fisheye adapters. Next is the long-awaited Zeiss 35mm F1.4 ZA, which is Sony's fastest FE lens to date. Close-up shooters will be interested in the new 90mm F2.8 Macro G OSS lens, which uses a Direct Drive SSM mechanism for ultra-precise focusing. More details here.
Another full-frame lens from Sony's roadmap that hit the market today is a consumer-friendly super zoom. This 24-240mm F3.5-6.3 FE lens features optical image stabilization, five aspherical elements and one ED element, and is sealed against dust and moisture. The lens will ship this month for around $1000.
An American start-up company is promising to bring a 20MP full frame digital rangefinder camera to market for early 2016. The Konost FF will be a 20-million-pixel metal bodied M-mount camera equipped with a 4" LCD. The company has said that the rangefinder system will operate not with mirrors and prisms, as most rangefinders do, but with twin imaging sensors that overlay their images to produce the same dual image effect in the viewfinder. Read more
We're at CP+ in Yokohama Japan, where Ricoh is showing off two new Pentax lenses designed for full-frame imaging. Although the company's upcoming full-frame DSLR is still in the mockup stage, the D FA* 70-200mm F2.8ED DC AW and D FA 150-450mm F4.5-5.6 ED DC AW are very real indeed. We snuck into the show early this morning before the crowds arrived, to take a look. Click through for more details and images.
After announcing the development of a full-frame DSLR recently, Ricoh is showing a very early mockup at the CP+ show in Yokohama Japan. Although details are extremely limited (limited, in fact, to the words 'Full-frame' in the press release and 'Pentax' written on the front) Ricoh's mockup does give some clues as to the camera's specification. Kind of. Click through for images and some - frankly - rampant speculation.
And so it was written that since the beginning of recorded time, Pentax shooters have predicted the release of a full-frame K-mount DSLR. Today, their prayers have been answered, as Ricoh has announced the development of exactly that. The company didn't share a whole lot of detail, other than to say that it will be compatible with DA lenses via a crop function and that it will be available by the end of 2015. Click through for (very little) additional information
Which high-end full-frame camera should I buy? This roundup contains the majority of current full-frame camera offerings available. Full-frame cameras have image sensors as large as a frame of 35mm film, and for good reason: larger sensors offer the potential for better image quality, low light performance, and dynamic range. If you want a drastic upgrade to the image quality of your phone, or portraits with superior subject to background separation, it’s hard to beat what full-frame offers.
Sony announced the Alpha 7 II last week relatively quietly, introducing a new member to its full-frame mirrorless family. The a7 II brings 5-axis in-body stabilization to a full-frame camera for the first time, claiming 4.5 stops in shake reduction. Other updates include improved ergonomics - you can see these for yourself in our hands-on overview of the a7 II. Here's what you need to know about Sony's newest Alpha camera. Read more
Sony Electronics has announced US pricing and availability for its recently announced Alpha 7 II camera. The a7 II is the world's first full-frame mirrorless camera with in-body image stabilization (5-axis, no less), and also offers improved controls, focusing performance, and video specs. It will be available on December 9th for $1700 body only and $2000 with the 28-70mm F3.5-5.6 FE lens. We'll be getting our hands on a beta version shortly and will post samples as soon as possible. Read more
Sony has announced its Alpha 7 II, which the company has managed to keep very close to its vest. The big story on this 24MP full-frame mirrorless is its 5-axis sensor-shift image stabilization - the first that we've seen in a full-frame camera. Sony claims that this IS system can reduce shake by 4.5 stops using the CIPA standard. The Hybrid AF system has also been improved upon, offering 30% faster speeds and a 1.5X improvement in tracking. The a7 II also sports a larger grip, new front dial, and sensibly relocated shutter release. Read more
As we work on our full review of the Nikon Df, we've been shooting with it extensively and have put together a gallery of real-world samples. We've tried to use a selection of lenses, including older Nikon glass as well as the recently-launched AF-S Nikkor 58mm f/1.4 G. Here are 40 images shot at a range of ISOs to show how the camera performs. See gallery
Having spent a little more time with a full production unit, we've updated our Nikon Df coverage with images from our studio test scene and some more handling impressions. Nikon's thoroughly retro full-frame Df uses the same 16MP chip first seen in the D4, and provides an unprecedented level of support for legacy lenses. The new scene shows its performance in both daylight and low light, with downloadable image files. As always, you can compare the Df to the increasing number of cameras in our test scene.
We've been shooting with Sony's Alpha 7 and Alpha 7R over the past few weeks to get insight into how the compact full-frame cameras behave. While the two models are twins, they're by no means identical, with each sibling very quickly showing its own, distinct personality. We'll be publishing more in the coming weeks as we move towards completing our review, but we wanted to share our perspective now that we've had some experience to inform our opinion.
The widely rumored and much-leaked Nikon Df is here. The Df is a 16MP, full-frame DSLR with the sensor from the flagship D4 and the 39-point AF system from the D610 packaged in a body inspired by film cameras from the 1970s. The Nikon Df can't shoot video, but it will accept 50 year-old non-Ai lenses. A lot of Nikon users have been asking for a 'digital FM2' for years. Is the Df that camera? Click through for our first-impressions.
Nikon has announced the Df, which combines the design and controls from its classic film cameras with the modern technology of a digital SLR. The Df's body resembles that of Nikon's F-series 35mm cameras, complete with dials for shutter speed, aperture, and exposure compensation. Inside, the Df borrows the full-frame CMOS sensor from the D4 and the AF system from the D610. One thing you won't find on the Df is a movie mode. Click the link for the press release, product photos, and pricing.
The rumored retro-styled full frame camera from Nikon looks to be coming. The latest teaser video from Nikon offers the clearest view of what the camera will look like, with close-up shots of the camera's side, back, and top-plate (including traditional shutter speed dial). The fifth of November looks like it could be memorable for more than just our UK audience. Watch video, see screen shots
The rumors of Nikon creating a stripped-down, film-era-style camera are exciting because it's something people have been calling for, for years. Nikon Rumors has been reporting possible specifications all week. Adding fuel to the flame, Nikon recently released a short teaser video and ad campaign for a "pure photography" camera. Watch the video
Sony's new A7 and A7R bring full-frame imaging to the company's mirrorless ILC lineup, using the established E-mount. While they're not quite the 'full-frame NEX' that some loyal Sony users might have been imagining, the 24MP A7 and 36MP A7R are impressive, innovative products that demand to be taken seriously (with a price-point to match). We've had the opportunity to use pre-production samples of both new models, and we've prepared a hands-on first impressions review covering off their key features, operation, and early indications of their performance. Click through to read more.
Sony has announced the A7 and A7R - the world's first consumer-oriented full-frame mirrorless interchangeable lens cameras. Externally, the two bodies are nearly identical and feature a pentaprism-like EVF housing, generous handgrip and plenty of manual controls. The differences are internal - sporting a 36 megapixel sensor, the A7R has no optical low-pass filter and is limited to contrast-detect autofocus, while the less expensive A7 has a 24 megapixel sensor with a low-pass filter and on-chip phase detection. Both bodies are designed around the Sony NEX E-mount, though new 'FE' lenses are needed to take advantage of the larger sensor. Click through for more details.
Sony has announced no fewer than five 'FE' full frame E-mount lenses to accompany the A7 and A7R. First up is the FE 28-70mm F3.5-5.6 OSS, an image-stabilised 'kit' zoom for the A7. There are three premium lenses with Zeiss badges: the FE 55mm F1.8 ZA Carl Zeiss Sonnar T*, the FE 35mm F2.8 ZA Carl Zeiss Sonnar T*, and the FE 24-70mm F4 Carl Zeiss Vario Tessar T*. The fifth lens is a 'G' class telezoom, the FE 70-200mm F4 G OSS. Sony has also updated its Alpha-mount fast telezoom to make the 70-200mm F2.8G SSM II.
Canon has released a short video produced with a unique full frame CMOS sensor. Announced in March, it's a sensor dedicated to extreme low light video recording with unusually large pixels. The test subject? A group of Yaeyama-hime fireflies on Japan's Ishigaki Island. Click through to read more.
Just posted: Sony Cyber-shot DSCRX1R hands-on preview. We've had a few days to try out Sony's new Cyber-shot DSC-RX1R, the sister camera to the RX1. The only difference between these two full-frame enthusiast cameras is that the RX1R's 24MP sensor lacks an anti-aliasing filter. We've created a hands-on preview of the RX1R, including a gallery of real-world samples and some preliminary studio tests, to give you an idea of how the new camera performs. Click through for our preview.
Sony has introduced the new Cyber-shot RX1R full-frame premium compact camera. In terms of operation and functionality the RX1R is exactly the same as the RX1 that's been on sale since last Fall, the only difference being that it has no anti-aliasing (AA) filter. In theory, this means that you'll get even better resolution than the original RX1, with the trade-off of increased moiré. Everything else remains the same as before, which means that the RX1R sports an F2, 35mm lens, 24MP CMOS sensor, 1080/60p movie recording, and much more. Click through for more details.
Canon has posted a firmware update for its EOS-1D Mark IV and EOS-1Ds Mark III full-frame DSLRs to allow them to work correctly with the new EF 200-400mm F4 L IS 1.4x lens. Firmware versions 1.1.3 (1D Mark IV) and 1.2.2 (1Ds Mark III) allow the cameras' central AF points to achieve focus with the lens when it is used with an extender, where the combined aperture is F8. Both updates are available for immediate download.
Canon has posted a firmware update for its EOS 6D Wi-Fi capable full frame digital SLR for enthusiast photographers. Version 1.1.3 of the firmware fixes a bug related to date and time settings of the camera. The firmware is available for immediate download from Canon's support website. Click through for the download link.
Canon has developed a 35mm full-frame CMOS image sensor designed for low-light video capture. The 16:9 sensor features a 1920x1080 pixel array, meaning each pixel measures a huge 19 microns along each edge - 7.5 times larger than the ones in the EOS-1D X. The large pixels and low readout-noise circuitry allow the sensor to capture light around 10 times less bright than current CCDs used for astronomy. The sensor will first be shown in public at a security show in Japan.
Just Posted: Full-size, real world samples from the Sony A99. We've been shooting with Sony's latest full-frame flagship camera down in San Francisco and Monterey, California as part of a Sony press trip - our first opportunity to get hold of a production-standard camera. We've put together a samples gallery taken in a variety of lighting conditions and at a range of apertures and featuring multiple subjects. Click through to see how the 24MP camera performs.
The Manfrotto Solo VI DSLR holster bag is designed to house a full-frame DSLR with 100-400mm lens attached. The Solo VI excels in the style department and is well made, but will it suit the needs of the average holster-bearing photographer? Read on to find out.
Photokina 2012: Leica has announced its latest M series rangefinder - the 24MP CMOS Leica M. The company says all future M models will also simply be called the 'M'. The latest model (referred to as 'Typ 240') becomes the first of its rangefinders to feature live view, and offers a choice of magnified view or focus peaking for precise through-the-lens focusing, allowing Leica to promise compatibilty with R-mount lenses. It also becomes the first M capable of movie shooting - capturing 1080p footage at 25 or 24 frames per second. It includes a 920k dot LCD with smartphone-style Gorilla Glass cover, and accepts the same plug-in EVF as used by the X2. Availability is scheduled for early 2013 with a retail price of $6,950 in the US and £5100 in the UK.
Photokina 2012: Leica has announced a more affordable rangefinder: the Leica M-E. Built around the familiar full-frame 18MP CCD, the company describes the M-E as being a stripped-back camera, offering just the basics required for photography. Its core specifications are essentially the same as the M9's, including an ISO range of 160-2500, 0.68x magnification viewfinder, and the same 230k dot 2.5" screen. It'll be available from Leica dealers later this month with a retail price of $5,450 in the US and £3900 in the UK.
Just Posted: Our hands-on preview of Canon's enthusiast-grade full frame DSLR, the EOS 6D. The 6D features a newly-developed 20.2MP CMOS sensor and a magnesium alloy body. To distinguish it from the more expensive 5D Mark III, the 6D features a simpler, 11-point AF system with a single cross-type focus sensor. It also features a smaller, 97% coverage viewfinder. What do these, and a handful of other, omissions mean for the 6D and how to it match up to Nikon's D600? Read our hands-on preview to find out.
Photokina 2012: Canon has announced the EOS 6D, a smaller, lighter and more affordable full frame DSLR for enthusiast photographers. The 20.2MP camera uses a newly-developed sensor and features an 11-point autofocus system with a single cross-type sensor. Canon says it will focus in lower light than any of its previous cameras. The 6D becomes the company's first EOS model to include GPS and Wi-Fi, to make sharing images easier. It uses its large sensor to offer a native ISO range of 100-25,600, expandable to 50-102,400.
|IMG_8168ABCD by citori525|
|McKinley meadow by TimR32225|
from Natural meadows
|_DSC2146 by jerste|
from Helios-44 II
|Leopoldsteinersee by RaCor|
from Landscape - Colour #3