Hot on the heels of new firmware for the EOS C500 Mark II and EOS C300 Mark III, Canon has announced a firmware update for its EOS C70 4K cinema camera, giving it better autofocus, new video modes, additional remote control compatibility and more via the free update next month.
The 100mm equivalent lens has an extremely wide maximum aperture and takes the current MFT Speedmaster series to a set of four focal lengths.
Sony's FX30 Super35/APS-C Cinema Line camera is effectively a crop-sensor version of the company's full-frame FX3 camera with sensor-based image stabilization, oversampled 4K/60p capture and '16-bit' Raw output and more.
The 75mm T1.9 is the first of what will be a five-lens series of autofocus cinema lenses for Sony E-mount camera systems.
Sony Japan has posted a teaser on its website showing off what appears to be the company's next cinema product.
This behemoth uses the same 8K full-frame Vista Vision CMOS sensor found inside the standard V-RAPTOR, but adds an impressive I/O array, integrated ND filter and more to make it a production-ready rig.
Software version 2.00 brings a slew of new and improved shooting modes and features, including three new Log shooting modes and the ability to import LUTs directly to the camera for previewing and embedding in video.
Street photography enthusiast Rajat Srivastava was looking for a 75mm prime lens for his Leica M3. He found a rare SOM Berthiot cinema lens that had been converted from C mount to M mount, and after a day out shooting, Srivastava was hooked.
Dubblefilm has announced a new ISO 800 color film. The Cinema film promises distinct colors and tones and a halo effect around bright red lights. The 35mm film is available for just under $20 per 36-shot roll.
Collaboration is as important as ever. At this year's NAB show, Frame.io has significantly expanded its cloud-based collaboration platform with new partnerships, apps and features.
After years of establishing itself in the anamorphic market, Sirui is getting into spherical cinema lens arena with a series of fast primes and a fixed aperture zoom, all for full-frame and larger camera systems.
Four new Laowa Cine lenses for MFT are announced in uniform housings and with 0.8 mod gears for videographers. Three lenses are existing designs but the 6mm T2.1 is completely new, and the widest rectilinear lens for the MFT system
In his latest essay on 35mmc, film photographer Matthew Wright breaks down whether or not it's worth it to bulk-load and self-develop rolls of cinema film for 35mm stills shooting in the midst of rising film stock prices and supply chain constraints.
Canon USA has taken to social media to tease the release of a new Cinema EOS camera system. The announcement is set to take place at 7am (EST) on January 19, 2022.
According to the teaser video, the lens will feature a T1.5 through T16 aperture range, have a nine-blade aperture diaphragm and use the same 95mm lens hood diameter as Irix's other cinema lenses.
The lenses stand as Samyang's flagship XEEN cine lenses. All three 'Meister' primse are color-matched and feature nearly identical external specifications for easy hot-swapping of filters, follow focus systems and more.
The Venice 2 takes over the original Venice as Sony's flagship cinema camera. It's available with two different sensor options and is capable of recording internal Raw.
DJI has unveiled the Ronin 4D, an all-in-one cinema camera system that combines a full-frame Zenmuse X9 gimbal camera with four-axis image stabilization, LiDAR focusing and wireless transmission to create the ultimate all-in-one shooting experience.
The new 30mm T1.5 offers a budget option for film makers, especially those shooting with full frame sensors, while still providing full cine-lens features
Jarred Land, CEO of RED Digital Cinema, shared an Instagram post that shows off the screen of an unreleased RED camera system.
Caleb Pike of DSLR Video Shooter showcases 20 pieces of video equipment that cost less than $20 to purchase.
The four anamorphic lenses get new housings with mod gears as well as T-stops and longer focus throw to make them easier to work with on rigged cameras.
Tokina’s new 25-75mm T2.9 lens slides between its current 11-20mm T2.9 and 50-135mm T2.9 cinema lenses, making a trio of constant T2.9 zoom lenses from 11mm through 135mm focal lengths.
An email sent by Sony Nordic to newsletter subscribers appears to have let the preverbal cat out of the bag — the a7S III will get Sony’s S-Cinetone color profile in a version 2.00 update.
A new page on Sony Japan's website is teasing the release of a compact Cinema Line camera set to be released at 11:00am JST on February 24.
As far as what's inside the FX3 camera shown off in the images, little is known, but the two leaked photos give us a good look at what its form factor will be.
New wideangle joins the VDSLR MK2 range, bringing all the new features of weather sealing, 9-blade iris and scales on the side of the barrel.
The 65mm T2 completes Vazen's set of anamorphic lenses for the Micro Four Thirds system. With a 1.8x squeeze, the lens produces a more pronounced anamorphic effect than the 1.33x lenses offered by Sirui, albeit at a much higher cost.
The full-frame FX6 cinema camera appears to use the same sensor and processor combination found inside Sony's a7S III mirrorless camera.
Venus Optics is now offering three of its 'Zero-D' ultra-wide prime cine lenses with Canon RF mounts for native use on Canon's growing lineup of Canon EOS R mirrorless cameras.
The new update adds significant improvements to the ProRes Raw workflow, better proxy options, improved vertical video editing and much more.
The lens is the first of three in Vazen's new 'LF' (large format) lineup, which will be rounded out later this year by 55mm and 105mm cine lenses.
The MAVO Edge is built around a new 44.7MP full-frame CMOS sensor that claims to offer up to 14-stops of dynamic range and minimal rolling shutter, even at 8K.
The Canon EOS C300 Mark III uses the exact same frame as the C500 Mark II, but packs inside Canon's new DIGIC DV7 processor and a new 4K Super 35mm Dual Gain Output (DGO) sensor.
The 33mm F1.4 lens is the first of three APS-C lenses Viltrox has already said are on the way, with the 23mm and 56mm F1.4 still on the horizon.
These two lenses bring the total number of XEEN CF lenses to five when you include the previously-announced 24mm T1.5, 50mm T1.5 and 85mm T1.5 lenses.
The Laowa 12mm T2.9 Zero-D Cine lens is a re-engineered version of Laowa's 12mm F2.8 still lens that's available for PL, EF and E mount camera systems.
Sigma announces that it's upcoming Classic Art Prime Cine lenses will be available as a full 10-lens set starting next month for $43,999.
The fully-manual lens offers the equivalent of a 70mm lens on a full-frame camera.
The four lenses are fully-manual cinema lenses designed to offer multiple focal lengths in nearly identical form factors for easy swapping out.
The lens is the latest in Irix's growing lineup of Cine lenses. No pricing or availability information is given, but considering the price of other lenses in the Irix Cine lineup, it's likely to retail for $1,300 or so.
This lens marks the third in Irix's lineup of lenses designed specifically for shooting up to 8K video.
The new Vision Series and Cine Series models come in 13in, 17in and 24in models and support 4K HDR video. Pricing information isn't yet available, but the monitors will be available in the first quarter of 2020.
The Axibo slider can detect and keep focused on faces and most objects thanks to an integrated 6 + 1 AI core CPU
Aputure's impending LED light has 600W raw output in a size not much larger than your standard cinema light.
Sony has announced the impending arrival of its next-generation video camera system, the FX9. The full-frame E-mount system is set to be released later this year with a 16-35mm E-mount lens to follow in spring 2020.
Irix says the new lens is designed for 8K recording and features a cinema-specific optical construction.
Canon has announced the EOS C500 Mark II, a full-frame cinema camera with Cinema RAW Light and 4K 4:2:2 10-bit XF-AVC recording at just shy of 6K.
Nitecore has taken a departure from its usual world of flashlights and batteries to introduce a new lineup of cinema lenses for full-frame camera systems.
Moment's new 37mm Cine filters are compatible with various models of iPhone, Pixel, OnePlus and Galaxy devices.
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