In his latest essay on 35mmc, film photographer Matthew Wright breaks down whether or not it's worth it to bulk-load and self-develop rolls of cinema film for 35mm stills shooting in the midst of rising film stock prices and supply chain constraints.
According to the teaser video, the lens will feature a T1.5 through T16 aperture range, have a nine-blade aperture diaphragm and use the same 95mm lens hood diameter as Irix's other cinema lenses.
The Venice 2 takes over the original Venice as Sony's flagship cinema camera. It's available with two different sensor options and is capable of recording internal Raw.
Samyang's telephoto cine lens gets the MK 2 treatment, with weather sealing, a nine-bladed iris and the newer VDSLR design style
The new 30mm T1.5 offers a budget option for film makers, especially those shooting with full frame sensors, while still providing full cine-lens features
The V-RAPTOR ST is the first camera in RED's new DSMC3 generation of cameras and packs inside a 35.4MP CMOS sensor (8192 x 4320 pixels) capable of capturing over 17 stops of dynamic range.
The four anamorphic lenses get new housings with mod gears as well as T-stops and longer focus throw to make them easier to work with on rigged cameras.
The lens, which is the fourth in its growing 1.33x anamorphic lineup, is expected to retail for $899 following its initial Indiegogo launch and is available for Canon EF-M, Fujifilm X, Micro Four Thirds (MFT), Nikon Z and Sony E mount camera systems.
The new RF mount versions join the Canon EF, Canon M, Fuji X, Micro Four Thirds, Nikon F and Sony E mount versions, which were released in 2020.
An email sent by Sony Nordic to newsletter subscribers appears to have let the preverbal cat out of the bag — the a7S III will get Sony’s S-Cinetone color profile in a version 2.00 update.
A new page on Sony Japan's website is teasing the release of a compact Cinema Line camera set to be released at 11:00am JST on February 24.
As far as what's inside the FX3 camera shown off in the images, little is known, but the two leaked photos give us a good look at what its form factor will be.
New wideangle joins the VDSLR MK2 range, bringing all the new features of weather sealing, 9-blade iris and scales on the side of the barrel.
The 65mm T2 completes Vazen's set of anamorphic lenses for the Micro Four Thirds system. With a 1.8x squeeze, the lens produces a more pronounced anamorphic effect than the 1.33x lenses offered by Sirui, albeit at a much higher cost.
Venus Optics is now offering three of its 'Zero-D' ultra-wide prime cine lenses with Canon RF mounts for native use on Canon's growing lineup of Canon EOS R mirrorless cameras.
The lens is the first of three in Vazen's new 'LF' (large format) lineup, which will be rounded out later this year by 55mm and 105mm cine lenses.
Sirui is launching an Indiegogo campaign for a wide-angle answer to its existing 50mm F1.8 anamorphic lens. The 35mm APS-C lens will come in a Micro Four Thirds mount with adapters for other systems.
The Canon EOS C300 Mark III uses the exact same frame as the C500 Mark II, but packs inside Canon's new DIGIC DV7 processor and a new 4K Super 35mm Dual Gain Output (DGO) sensor.
These two lenses bring the total number of XEEN CF lenses to five when you include the previously-announced 24mm T1.5, 50mm T1.5 and 85mm T1.5 lenses.
The Laowa 12mm T2.9 Zero-D Cine lens is a re-engineered version of Laowa's 12mm F2.8 still lens that's available for PL, EF and E mount camera systems.
Sigma announces that it's upcoming Classic Art Prime Cine lenses will be available as a full 10-lens set starting next month for $43,999.
The fully-manual lens offers the equivalent of a 70mm lens on a full-frame camera.
The four lenses are fully-manual cinema lenses designed to offer multiple focal lengths in nearly identical form factors for easy swapping out.
Flares are back in fashion according to Zeiss, as it launches collection of seven prime movie lenses with new T*Blue coating for controlled flare but no loss of contrast
The lens is the latest in Irix's growing lineup of Cine lenses. No pricing or availability information is given, but considering the price of other lenses in the Irix Cine lineup, it's likely to retail for $1,300 or so.
This lens marks the third in Irix's lineup of lenses designed specifically for shooting up to 8K video.
The new Vision Series and Cine Series models come in 13in, 17in and 24in models and support 4K HDR video. Pricing information isn't yet available, but the monitors will be available in the first quarter of 2020.
Aputure's impending LED light has 600W raw output in a size not much larger than your standard cinema light.
The two ‘MicroPrime’ lenses add additional options to SLR Magic's current MFT cine lens lineup, which includes the 12mm T2.8 and 18mm T2.8.
The XEEN CF lenses will be offered in 16mm, 24mm, 35mm, 50mm, and 85mm options for Canon EF, Sony E and PL mounts.
Irix says the new lens is designed for 8K recording and features a cinema-specific optical construction.
Sigma is getting serious about cinema with its classic-inspired lens lineup, updated cine primes and a new PL to L mount adapter that's in the works.
Moment's new 37mm Cine filters are compatible with various models of iPhone, Pixel, OnePlus and Galaxy devices.
Irix is taking the leap to cinema glass with its upcoming 150mm T3.0 1:1 Macro lens.
Chinese optics manufacturer Vazen announces three anamorphic lenses designed specifically for MFT camera systems.
Venus Optics has shared new information regarding two upcoming cine lenses — one prime, one zoom — it's currently showing off as prototypes at NAB 2019.
Canon has announced the Sumire Prime collection, a set of seven cinema prime lenses designed for the PL-mount.
Independent lens manufacturer Sigma has announced that its new 28mm T1.5 cine lens for full frame sensor cameras will be available from the middle of March.
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