Epson is set to begin sales of three 4K UHD digital projectors that feature HDR and 3D support, as well as extremely long lamp life. Read more
Articles tagged "4k"
Mike Olbinski drove some 20,000 miles over the course of 18 days to put together one of the most compelling time-lapse videos we've seen in a long time. Read more
Ricoh has announced the WG-M2, an update to the WG-M1, its original rugged action camera, adding 4K video at 30 fps. It's capable of diving to depths of up to 19.8m/65ft, an improvement over the prior model's 9.8m/32ft waterproof rating, and is 40% smaller than the WG-M1. The WG-M2 is also able to operate in temperatures as low as -10°C/14°F and will survive falls up to 2m/6.5ft. Read more
According to a report from the Nikkei Asian Review, Panasonic has decided to resume image sensor development in order to speed up the drive for 8K video. The company suspended its development program a few years ago, the report says, but now Panasonic is preparing to invest ¥10bn/$80.8m to get its R&D back up to speed. Read more
RED has launched its new RED RAVEN camera. The model offers 4K recording at 120fps and 2K recording at 240fps using an 8.8 megapixel RED DRAGON image sensor. The new model is one of RED's smallest and lightest cameras at 3.5lbs, making it suitable for handheld and drone use. Read more
Atomos has released a major firmware update to the Atomos Shogun 4K external video recorder. The Shogun, already popular among filmmakers and professional videographers thanks to its 4K 10-bit ProRes recording capabilities, gains several important features that should appeal to motion picture shooters. The update, dubbed AtomOS6.2, adds important features such as 3D LUTs and Avid DNxHR/DNxHD recording formats. Read more
JVC has introduced the GY-LS300 4KCAM Handheld S35mm camcorder, a relatively compact Micro Four Thirds model featuring Ultra HD-resolution 4K recording. JVC has incorporated a Super 35mm CMOS sensor alongside the MFT lens mount, with the maker promising full native angle of view via its proprietary Variable Scan Mapping tech. Read more
Blackmagic Design has announced the addition of two new PL mount options to its line of professional motion picture cameras. The Production Camera 4K and Cinema Camera are now available with a PL mount, complementing existing EF and passive Micro Four Thirds models. Read more
Though they come with vastly different sensor sizes and price tags, the Panasonic Lumix GH4 and the Sony Alpha 7S are similar in spirit. They're both meant for video recording as much as they are for stills. To that point, the 12.2MP full frame A7S and 16MP Micro Four Thirds GH4 are both capable of 4K video output and offer extensive video features. Our comparative review takes a detailed look at how these cameras perform in terms of video and stills, as well how they stack up against one another. Read part one
Up until now, the Sony Cyber-shot DSC-RX10 was the only game in town for those seeking a big zoom camera with a larger-than-average sensor. Panasonic has thrown its hat into the ring with the Lumix DMC-FZ1000, which offers a 1"-type, 20.1MP CMOS sensor, plus a longer (but slightly slower) zoom lens. The FZ1000 is also the first compact camera to support 4K video recording. Perhaps the biggest story is the price: $899. We've gotten our mitts on a product model and have some initial thoughts to share. Find out more
Panasonic has announced its Lumix DMC-FZ1000 superzoom camera, which features a 1"-type CMOS sensor and F2.8-4.0, 25-400mm equivalent lens. The sensor is not only the same size as on Sony's Cyber-shot DSC-RX10 - it's also the same resolution (20.1MP). The FZ1000 features both a fully articulating LCD as well as a high resolution OLED viewfinder. The FZ1000 is also capable of recording 4K video at a bit rate of 100Mbps, from which 8MP stills can be grabbed. The camera will be priced at $899 / £749.99.
The Centr camera stitches video from four cameras to create 360-degree panoramic video footage.
Sony has announced pricing and availability information for its Alpha 7S 12MP mirrorless camera. The Alpha 7S is the first full-frame camera able to read out its entire sensor fast enough to output 4K 30p footage without the need for line skipping or pixel binning. It's also not constrained by the AVCHD standard with bitrates of up to 50Mbps. The body will be available in July and sell for $2,499.99. Learn more
The headline feature of the Panasonic GH4 is that it's a Micro Four Thirds camera that can shoot 4K video for under $2000, capturing either Quad HD (3840 x 2160) at up to 29.97p or 'Cinema 4K' (4096 x 2160) at up to 24p. Seattle-based photographer Erik Hecht recently took the new Panasonic GH4 for a spin to test the dynamic range and to see how well it takes color correction. See video
Earlier this week Sony got a lot of attention with its Alpha 7S announcement - a 12MP full-frame mirrorless camera with 4k video capabilities and ISO expandable to 409,600 for stills and video. This sounds impressive, but how does it actually perform? See for yourself as Sony just released a video demonstrating the high ISO performance of the Alpha 7S. Watch video
Atomos has released the latest in its series of field video recorders, the Shogun, at the NAB show in Las Vegas. It's capable of 4K Apple ProRes and Raw recording in 24, 25 or 30p, and up to 120p in HD. The device features a 7-inch touchscreen for operation, and accepts two SSD or HDD drives. Additionally the Shogun offers wireless remote control to trigger recording. Learn more
AJA has announced the Cion - a production camera featuring a 4K APS-C sized sensor - at NAB in Las Vegas, Nevada. This is AJA Video System's first camera, the company being known primarily as a manufacturer of video interface and conversion products. The camera accepts lenses with a PL mount and records to a single proprietary SSD drive. Learn more
Update: Consumer electronics maker JVC Kenwood has joined the Micro Four Thirds standard and said it will develop products for the system. The company is showing two prototype 4K-capable cameras, including a compact, handheld model at NAB in Las Vegas. We stopped by the JVC Kenwood booth and got a first glimpse of the cameras on display. Interestingly, the company says both cameras will have Super 35 sensors (around 21 x 12mm), which is wider than the original Four Thirds sensor format which the standard was designed around. Learn more
Blackmagic Design has unveiled its latest and most expensive camera to date, the URSA. The camera features a changeable sensor design, allowing the user to swap out the Canon EF lens mount and 4K Super 35 image sensor for a similar sensor with a PL mount. The URSA features touch screens for operator control - including a 10-inch flip-out screen. It also has another 5-inch screen showing timecode, histogram, and other indicators such as a spectrum scope for checking focus. Learn more
Sony has just announced a 12MP full-frame addition to its Alpha 7 series, designed to output 4K footage over HDMI. We've just got back from Sony's press conference at the NAB show in Las Vegas, where we got a chance to see the camera. We hope to get more hands-on in the coming days, but for now, here's some more details of the Sony Alpha 7S.
Sony has announced the Alpha 7S, a 12MP full-frame mirrorless camera designed for both stills and video. The camera can read out its entire sensor fast enough to output 8-bit 4:2:2 4K video over HDMI at up to 30p, without line skipping or pixel binning. This also promises higher quality for the 1080p video (at up to 60p) it can record internally. Unlike the a7 and a7R, the latest model is not constrained by the AVCHD standard, also offering the XAVC S system, with bitrates of up to 50Mbps.
Transcend has announced SDXC/SDHC UHS-I Class 3 (U3) rated memory cards with read and write speeds of up to 95MB/s and 85MB/s. The Transcend cards meet requirements to give smooth video capture on new 4K cameras such as the Sony FDR-AX100, Panasonic Lumix GH4 and Canon EOS C500. Featuring 32GB to 128GB capacities, the new cards will available by mid-April in Japan and soon after in the U.S. Learn more
Panasonic has announced the HX-A500, a wearable video camera with ultra HD 4K at 30p capability. Along with Wi-Fi and NFC connectivity options, the HX-A500 can also shoot 1080p at 60fps, 720p at 120fps and 480p at 240fps. Panasonic's action camera is also dustproof and waterproof for up to 30 minutes down to 10 feet (3 meters). The HX-A500 has a separate body unit that has a 1.5-inch color LCD display and camera unit that is connected by a cable. Learn more
Sony's new flagship smartphone, the Xperia Z2, offers a 5.2-inch Full-HD screen and 4K video recording.
Blackmagic Design has announced it is shipping its 4K, global-shutter camera for $1000 less than originally suggested. The Blackmagic Production Camera 4K is built around a Super 35mm (roughly APS-C-sized) sensor and can shoot 4K and 1080p footage in Apple ProRes 422 (HQ) or Adobe CinemaDNG Raw formats, direct to SSD. The camera offers 4K at 30p, 25p, 24p and NTSC equivalents. It has a Canon EF-compatible lens mount, offering electronic aperture control with Canon and Zeiss lenses. It is available for $2,995.
Panasonic has announced its latest flagship Micro Four Thirds camera, the Lumix DMC-GH4. It's designed as a 'hybrid camera' that can shoot both stills and videos, and the emphasis of the improvements is clearly on the latter. Its revised 16MP Live MOS sensor and Venus Engine IX processor allow for 4K video, 12 fps continuous shooting and 1080p shooting at bitrates as high as 200Mbps. An optional 'interface unit' adds five SDI and two XLR terminals, and permits 10-bit 4:2:2 output with time code.
Information has leaked about the Android 4.4.2. KitKat OS to be included in Sony's next flagship Xperia handset that points to 4K video capability.
Filming fire has come a long way since the 1991 movie Backdraft. Emerging Director Brendan Bellomo and DP Greg Wilson shot a slow motion short using the Phantom Flex4K camera, which shoots 1,000 FPS in full 4K resolution. The results are riveting. See video
As of now there are not many consumer products, aside from a from a few smartphones (and the GoPro HERO3+ Black Edition), that can shoot 4k video. However the SD Association's announcement of new Ultra High Speed Class 3 (U3) card labeling anticipates it becoming more common. The U3 designation guarantees a 30 MB/s constant minimum write speed, making it easier for buyers to know which cards are '4k ready.'
Sony has announced a consumer 4K camcorder, the FDR-AX1 Handycam, which gives enthusiast videographers a way to capture four times the resolution of a Full HD camera. The AX1 is able to save the massive amounts of data gathered by a 4K, 60fps camera thanks to its XQD memory card. Its G lens covers a 20x zoom range equivalent to a 31.5 - 630mm, and includes Optical Steady Shot. Click through for more.
The Liquid S2 wants to set a new standard for HD video recording on smartphones.
Back in April we posted about the GSS C520 - a five-axis gyro stabilized 4K cinema system being used by Teton Gravity Research to shoot a feature film about skiing. If the preview footage is any indication, it'll be pretty intense, putting the 4K rig to work in some impressive locations. The trailer is available online now - click through to see the preview footage in all its high-definition glory.
Sensor maker Aptina has announced a 14MP 1"-type sensor for use in mirrorless and video cameras. The AR1411HS enters the range alongside the existing 10MP model and offers even faster shooting capabilities. The 14MP chip can shoot full-resolution images at up to 80 fps and can shoot either 4K or Quad HD (allowing high quality 4:2:2 color) at up to 60 fps. The company suggests the 1" format (actually 13.2 x 8.8mm) offers an effective balance of image quality, price and capabilities to make a sensible middle ground between the tiny 1/2.3" sensors in most compacts and the APS-C sensors used in many mirrorless models and DSLRs.
High speed camera maker Vision Research has put together its first footage with the forthcoming Phantom Flex4K video camera. Capable of capturing up to 1000 fps at 4K resolution, the Flex4K features a 10MP Super-35 sensor, records either RAW or compressed footage and will come in PL, Canon EF and Nikon F/G mounts. For this video, NYC-based cinematographer Greg Wilson and director Brendan Bellomo captured the Hebron and Glastonbury Connecticut Fire Departments in action, highlighting the camera's slow motion capabilities. Click through to watch the video.
Action sports video production company Teton Gravity Research (TGR) has posted the first video shot with the GSS C520, a five-axis gyro-stabilized 4K cinema system by GSS (Gyro-Stabilized Systems). The C520 is compatible with the RED Epic, Arri Alexa M and Sony F55/HDC-2500 video cameras. For this video, the system was fitted with a RED Epic video camera and mounted on a helicopter to capture 4K stabilized footage of San Francisco, California. (via FStoppers)
Video released by the electronics manufacturer shows how high-resolution device might benefit photographers.
Canon has announced an upcoming service update to its EOS-1D C professional DSLR that will add 25p 4K video recording. The camera currently captures 4096 x 2160 resolution videos at up to 24p without downscaling, from an APS-H crop of its 18MP full-frame sensor. In a service advisory, the company promises more information about this update in April 2013 for US EOS-1D C owners. There is currently no information on the European website.
CES 2013: Panasonic shows 20-inch 4k tablet prototype aimed at photographers.
Sony has introduced two 4K-capable modular cameras, including the PMW-F55 which has a Super 35-sized sensor with a global shutter. The specifications of the two cameras are pretty overwhelming - 16-bit Raw recording, parallel 2K and 4K recording, but the biggest news is the global shutter - the ability to capture all pixels simultaneously, rather than one line at a time - totally eliminating rolling shutter effect. (via EOS HD)
Industry body CEA has defined a minimum standard for '4K' video and has chosen the terms 'Ultra High-Definition' and 'Ultra HD' to describe it. The consumer electronics body, which includes most major camera makers, has concluded that devices must be capable of showing 3840 x 2160 pixel video to be classed as Ultra HD devices. Despite being a member of CEA, Sony has said it will continue to use the term 4K, and will brand its products as 4K UHD.
GoPro, the action camera maker, has refreshed its entire range, including the addition of the 4k-capable Hero 3 Black Edition. The existing Hero HD and Hero 2 models have essentially been re-housed in smaller cases with updated user interfaces and will sit alongside the Black Edition as the White and Silver Editions, respectively. The Hero 3 Black Edition can shoot at up to 3840x2160 pixels at 15 frames per second. It also has 2.7k mode (2716 horizontal pixels) at 30 or 24fps, and a Protune mode that offers higher bit-rates and a neutral color profile better suited to post-processing.
Canon has officially announced the EOS C500, the professional 4K video camera output that it promised at the NAB trade show in April. A continuation of the concept of the C300, it can capture Raw 4K video footage and offers frame rates of up to 120fps in compressed 4K. It also captures 2K footage (2,048 x 1,080 pixels) at 12-bit, with 4:4:4 Y'CbCr chroma sub-sampling for high colour resolution. The company has also confirmed four cinema EOS lenses alongside it - the EF mount CN-E15.5-47mm T2.8 L S and CN-E30-105mm T2.8 L S, and the same optics in PL mount (known as the CNE15.5-47mm T2.8 L SP and CN-E30-105mm T2.8 L SP respectively). The C500's price will be in the region of $30,000.
DSLRnewsshooter's Dan Chung has been speaking to Canon USA Technical Advisor Chuck Westfall for more details about the company's 4K Cinema EOS offerings. Both the 500C and 1D C are skewed towards cinema and high-end television production, rather than documentary and news work, Westfall says, but hints that 'peaking' and 'zebra' focusing and exposure aids could be added to the 1D C if the market demands it.
Photojournalist and videographer Dan Chung has just got back from Canon's 4K demonstration and product launch, where he saw some footage from pre-production EOS-1D Cs. He also asked some more questions about the EOS-1D C and C500. He spoke to Canon's Tim Smith, who further clarified how the company's Cinema EOS range fits together and says the inability to shoot in PAL-compatible 25p footage 'might need to be looked at.'
The announcement of Canon's 4K EOS-1D C DSLR, have caused a lot of uncertainty about what the company is trying to achieve and who they're doing it for. Andrew Reid at EOSHD has taken a look at the camera's capabilities and omissions and what they mean for professional cinema production and how it sits alongside the EOS C500. We also spoke to Canon about how it sees the two models co-existing and who it sees at the audience for each camera.
Alongside its 4K camera announcements, Canon has also announced two extra Cinema Zoom lenses in both PL and EF mounts. The wideangle CN-E15.5-47mm T2.8 L S and telephoto CN-E30-105mm T2.8 L S are the EF mount versions, with SP suffixes denoting the PL mount versions. Both cover the Super 35mm format and are designed to be lightweight for handheld shooting.
Canon has announced it is developing the EOS C500, a 4K (4096 x 2160 pixel) capable camera in both EF and PL mounts. The camera will be a continuation of the concept of the C300, will be able to capture of Raw 4K video footage and will offer frame rates of up to 120fps in compressed 4K. It will also be be able to capture 2K footage (2,048 x 1,080 pixels) at 12-bit, with 4:4:4 Y'CbCr chroma sub-sampling for high colour resolution. Canon adds that it plans for the camera to be available later in 2012 at a target price of around $30,000.
Canon has unveiled its promised 4K capable DSLR, the EOS-1D C, which can capture 4K (4096 x 2160 pixel) video at up to 24p without downscaling, from an APS-H crop of its 18MP full-frame sensor. The camera, which shares the majority of its specifications with the still-awaited 1D X, can also capture 1080p60 or 50p or output it uncompressed over its HDMI connector. Full HD can be captured from a 16:9 crop from the whole sensor, or a smaller, APS-C-like Super 35mm sub-frame that allows the use of Canon's EF Cinema Zoom lenses. The camera will cost around €10,000 (exact price to be confirmed) and will be available from October.
Sony has announced the NEX_FS700 pro-grade 4k-capable E-mount camcorder. The camera will initially offer 1080p video, switchable between 50Hz and 60Hz frame rates (including 60p, 50p, 60i and 24p). A later upgrade will enable 4k capture and Raw output from its built-in 3G-SDI connector. The camera is also able to capture slow-motion footage, shooting at up to 960 fps at reduced resolution (240fps in Full HD). It also offers built-in 2- and 4-stop ND filters (which can be combined), to allow lenses to be used at wide apertures in bright light.
Canon has announced it is developing a full frame EOS digital SLR that will incorporate enhanced movie recording capability. It will be able to record 4K video at a frame rate of 24P, with Motion-JPEG compression, using the central APS-H region of the sensor. No other details are yet available.
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