The first week of a new year is an important time for every business, and DPReview is no different. As we reflect on the past year and define our goals for 2018, I want to take this opportunity to introduce myself. Some of you might know me from occasional forum posts and comments—usually to explain a new site feature, or some new style of advert. My name is Scott Everett, and I'm DPReview's new General Manager and Publisher, replacing Simon Joinson, who stepped down in October.
At its core, DPReview is a group of people. Those people are dedicated to investigating all of the latest developments in photographic imaging technology, and providing informed, unbiased analysis to our readers. We've been doing this in one way or another for almost 20 years; I joined DPReview in 2011, which feels like a long time ago, especially in such a fast-paced industry, but the site's essential mission hasn't changed in that time.
We are, of course, also a business. Traditionally, like most websites, DPReview has generated the majority of its income via conventional 'banner' advertising. But as advertisers increasingly move away from conventional ads and seek to position different types of content in as many channels as they can, we’ve faced an important question: how can we meet the needs of our advertisers while maintaining the trust of our readers?
Regular site visitors will have seen new kinds of content appearing on DPReview over the past couple of years—from long-form videos to occasional co-branded articles. Most of it has proven popular with our readers (thanks as always for the feedback), but we're not going to rest on our laurels. And we are most definitely not going to compromise the high editorial standards that brought you here in the first place.
|Simon Joinson, Barney Britton, and Allison Johnson listen politely as I attempt to explain something.|
You'll see some changes on the site in 2018 and beyond. We are in the middle of automating many of the tests we perform on cameras and lenses (yes, we plan to bring back lens reviews), which we hope will increase the consistency of our product reviews, and hopefully decrease the amount of time that some of them take. We are also working hard to re-think the user experience of the site on both desktop and—perhaps more importantly—mobile.
In an era when countless blogs offer up half-baked opinions on new products within minutes of their launch, DPReview with our labor-intensive method of testing might seem like something of a dinosaur. But we're OK with that.
While both the photography and publishing worlds have changed drastically since I bought my first digital camera (an Olympus E-1, if you were curious), DPReview in 2018 is what it always was: a website run by and for discerning photography and technology enthusiasts. And our readers are our most valuable asset. This site would not be what it is without the community of photographers that visit every day.
So hello, thank you for your support, and Happy New Year!
Scott Everett, Publisher and General Manager, DPReview.com
|walkersons fields by George Veltchev|
from -Waiting for Autumn- (in Full Colours Only)
|A smile is worth a thousand words by alberto_b|
from Fill the frame
Nikon's Sendai factory in the Tōhoku region North of Japan has been churning out cameras and lenses since 1971. We had the opportunity recently to visit Sendai during events to mark the launch of Nikon's new Z mount.
There's no mistaking the Nikon Coolpix P1000 – with a 24-3000mm equivalent zoom, it really is in a class of its own. It's a conspicuous-looking superzoom with one main job: getting you really close to far away subjects. We've put together a gallery showing the kind of results you can expect from it.
A new report from The Verge claims Instagram is currently testing a feature that allows users to re-share posts to their own account feeds.
GoPro has announced its HERO7 camera lineup. The updated action cameras feature new HyperSmooth and TimeWarp modes, as well as improved video and photo specs.
The latest Samsung midrange smartphone offers a super-wide-angle lens in its triple-camera setup.
The Sony 24mm F1.4 is the latest lens to join the company's premium G Master lineup. We've been shooting with one for a couple of days - here's what you need to know.
Apple released iOS 12 a few days ago and some iPhone X users are less than happy with how the new operating system has made their phones look.
Camera bag manufacturer Lowepro has introduced mark II backpacks for its ProTactic AW range with models that are said to feature an improved handling experience as well as a collection of accessories that can be attached to the outside.
Canon has announced its latest superzoom camera, the PowerShot SX70 HS. Compared to the SX60 that came before it, the SX70 has the same lens but offers a higher resolution EVF, 4K video capture and support for Canon's new CR3 Raw format.
Cosina has announced its eighth lens designed specifically for Sony's E-mount system. The Voigtlander 21mm F3.5 lens is due out October 2018.
Sony has taken the wraps off of its new 24mm F1.4 GM full-frame lens, which the company claims is the lightest in its class. Despite its fast aperture, the 24mm F1.4 is remarkably light, weighing just 445 grams (15.7 ounces). The lens will set you back $1400 when it ships next month.
In this episode of DPReview TV we take a look at Sony's brand new 24mm F1.4 GM lens, a desirable focal length for many photographers. How does it perform? Chris and Jordan give us their first impressions.
We've had a little time to shoot with Sony's new wide/fast prime, both close to home and on the water in San Francisco. Check out our initial sample images.
Fujifilm released a firmware upgrade for its X-T3 mirrorless camera that addresses issues with distortion compensation and the mechanical lock on SD cards.
The app's algorithms have been trained using using 200 million cropping data points from real photographers.
Thanks to a software update, the Loupedeck+ editing console can now be used for video editing.
British photographic engineer MTF Services is claiming the world’s first third-party lens adapters for the new Nikon Z system with a collection of four units designed to allow cinema lenses to be mounted on the mirrorless full frame bodies.
Think Tank Photo has updated its line of heavy-duty rain covers and introduced a new, compact version for emergency situations.
The X-T3 is our first opportunity to analyze what's likely to be Fujifilm's next generation image sensor. Take a look at how it performs next to the competition in our studio test scene.
Canon's new normal is seriously sharp wide open. After shooting with it for a few days, we've prepared a gallery of real-world sample images.
Nikon will cease offering Brazil-based customer service and technical support, though the company stresses that it will still offer technical assistance and warranty repairs for valid warranties.
Two years ago, CatLABS of JP announced a plan to save Packfilm from the dead. Now, it's announced it's giving up its efforts to better focus its resources elsewhere.
The GoPro Fusion is designed to make it easy to capture 360-degree video and stills. We took it out recently on a typically hot Seattle summer day to see what it can do.
We've got our hands on a full-production Nikon Z7 camera and have updated our gallery with additional samples.
A new Kickstarter campaign seeks funding for Chroma Chrono, a programmable RGB camera flash that emits multiple colors during long exposures.
Think Tank Photo has launched a new lineup of six dual-access, water-resistant protective lens cases it calls Lens Case Duo.
Canon and Nikon finally entered the full-frame mirrorless market this summer with the brand-new RF and Z mounts. Now that we've had some time with the cameras, we wanted to revisit our earlier predictions and take stock.
The devices' camera specs look pretty much identical to last year's iPhone X but under the hood a number of important improvements have been made.
Blackmagic Design has announced the public beta of its new Blackmagic RAW video codec. The company says the new format combines the benefits of shooting Raw video with the ease of use and smaller file sizes usually associated with non-Raw video files.
Serif, the company behind the Affinity suite, has announced the latest update for its mobile Photoshop competitor Affinity Photo for iPad.