The first week of a new year is an important time for every business, and DPReview is no different. As we reflect on the past year and define our goals for 2018, I want to take this opportunity to introduce myself. Some of you might know me from occasional forum posts and comments—usually to explain a new site feature, or some new style of advert. My name is Scott Everett, and I'm DPReview's new General Manager and Publisher, replacing Simon Joinson, who stepped down in October.
At its core, DPReview is a group of people. Those people are dedicated to investigating all of the latest developments in photographic imaging technology, and providing informed, unbiased analysis to our readers. We've been doing this in one way or another for almost 20 years; I joined DPReview in 2011, which feels like a long time ago, especially in such a fast-paced industry, but the site's essential mission hasn't changed in that time.
We are, of course, also a business. Traditionally, like most websites, DPReview has generated the majority of its income via conventional 'banner' advertising. But as advertisers increasingly move away from conventional ads and seek to position different types of content in as many channels as they can, we’ve faced an important question: how can we meet the needs of our advertisers while maintaining the trust of our readers?
Regular site visitors will have seen new kinds of content appearing on DPReview over the past couple of years—from long-form videos to occasional co-branded articles. Most of it has proven popular with our readers (thanks as always for the feedback), but we're not going to rest on our laurels. And we are most definitely not going to compromise the high editorial standards that brought you here in the first place.
|Simon Joinson, Barney Britton, and Allison Johnson listen politely as I attempt to explain something.|
You'll see some changes on the site in 2018 and beyond. We are in the middle of automating many of the tests we perform on cameras and lenses (yes, we plan to bring back lens reviews), which we hope will increase the consistency of our product reviews, and hopefully decrease the amount of time that some of them take. We are also working hard to re-think the user experience of the site on both desktop and—perhaps more importantly—mobile.
In an era when countless blogs offer up half-baked opinions on new products within minutes of their launch, DPReview with our labor-intensive method of testing might seem like something of a dinosaur. But we're OK with that.
While both the photography and publishing worlds have changed drastically since I bought my first digital camera (an Olympus E-1, if you were curious), DPReview in 2018 is what it always was: a website run by and for discerning photography and technology enthusiasts. And our readers are our most valuable asset. This site would not be what it is without the community of photographers that visit every day.
So hello, thank you for your support, and Happy New Year!
Scott Everett, Publisher and General Manager, DPReview.com
|Forever Stalled by Domenick Creaco|
from The End of the Road
|Lost, But Not Forever by Domenick Creaco|
from Lost and found
Two years ago, CatLABS of JP announced a plan to save Packfilm from the dead. Now, it's announced it's giving up its efforts to better focus its resources elsewhere.
The GoPro Fusion is designed to make it easy to capture 360-degree video and stills. We took it out recently on a typically hot Seattle summer day to see what it can do.
We've got our hands on a full-production Nikon Z7 camera and have updated our gallery with additional samples.
A new Kickstarter campaign seeks funding for Chroma Chrono, a programmable RGB camera flash that emits multiple colors during long exposures.
Think Tank Photo has launched a new lineup of six dual-access, water-resistant protective lens cases it calls Lens Case Duo.
Canon and Nikon finally entered the full-frame mirrorless market this summer with the brand-new RF and Z mounts. Now that we've had some time with the cameras, we wanted to revisit our earlier predictions and take stock.
The devices' camera specs look pretty much identical to last year's iPhone X but under the hood a number of important improvements have been made.
Blackmagic Design has announced the public beta of its new Blackmagic RAW video codec. The company says the new format combines the benefits of shooting Raw video with the ease of use and smaller file sizes usually associated with non-Raw video files.
Serif, the company behind the Affinity suite, has announced the latest update for its mobile Photoshop competitor Affinity Photo for iPad.
The Atomos Ninja V external video recorder and monitor will be ready to ship at the end of this month. The 5.2in Ninja V is designed to provide a smaller option, while still offering many of the features of the larger 7-inch models.
Having shot with the camera, spoken to Canon and read the tea leaves, here's what DPR Technical Editor Richard Butler thinks the EOS R tells us about Canon and the RF's mount's future.
After last week's teaser, lighting manufacturer Profoto has announced its 'small big' new product. The B10 is designed to be used as studio flash head but in a very small body, and has a powerful continuous light source for videographers as well.
Konseen has launched Photo Studio, a new light box tent large enough to photograph people, as well as objects.
Seagate has introduced new high-capacity hard drives for Network Attached Storage (NAS) devices: the 14TB IronWolf and 14TB IronWolf Pro HDDs.
The case was first announced earlier this year as a Kickstarter campaign and comes with a range of features aimed at iPhone photographers.
Manfrotto has introduced a new two-in-one tripod to its Befree lineup. Called the Befree 2N1, this new addition is both a tripod and monopod in one and is available with both of Manfrotto's locking mechanisms.
This new high dynamic range editing software comes with an AI-powered Quantum HDR Engine for improved photo merging.
Apple has unveiled the next generation of its iPhone X in the form of three variants: the 5.8" iPhone XS and 6.5" iPhone XS Max with OLED screens, and the 6.1" iPhone XR with an LCD and single rear camera.
Ahead of the launch of the CamRanger II the company has announced a mini version of its wireless remote control system that it says has a longer range than the original in a body half the size.
Lens manufacturer Sigma has announced a trio of fast cinema lenses for full-frame camera systems, that it says will also be available in the future in the LPL mount for Arri’s large format camera system.
LumaPod is a a new tripod being funded on Kickstarter that takes just four seconds to set up and uses patented tension technology to keep your shots steady in a compact design.
X-Rite ColorChecker Video XL is an oversized color target for wide-angle, long distance, and aerial shooting.
ExperimentalOptics has launched a Kickstarter campaign to fund its second lens design, a 35mm F2.7 lens it claims is the world's 'smallest fastest pancake lens.'
The new XF 8-16mm F2.8 R LM WR and XF 200mm F2 R LM OIS WR are aimed at enthusiasts and professionals, and add considerable versatility to Fujifilm's growing XF lens lineup. We've been taking a look.
The Getty family is working to regain control of stock photo agency Getty Images, according to multiple reports published late last week.
The Phoneslinger line, a modular bag system for mobile photographers, has been launched on the Indiegogo crowdfunding platform.
CamRanger has announced the impending arrival of its CamRanger 2 wireless tethering and trigger system, complete with redesigned apps, updated wireless features, and support for select Sony and Fujifilm systems.
As well as high-resolution stills, the new Nikon Z7 also shoots 4K video and 120p HD video. We recently spent two days with director Chris Hershman, shooting a music video on the Z7 for pop artist Emily Blue.
London’s National Portrait Gallery has released the shortlist for its annual Taylor Wessing Photographic Portrait Prize, ahead of the winner being announced in October.