Outside of technical stuff like image quality and autofocus, there are some cameras that just make you happy when you hold them. To celebrate great ergonomics, Chris Niccolls runs down his top five handling digital cameras of all time.
A light camera easy to handle with only 10 MP will make much better photos than a 50 MP device with lots of controls and a non intuitive menu. Pixel peeping by the photographer only pleases him in front a high definition screen, which is worhtless, while you can frame a beautiful photo, even with low definition.
best overall - gfx 50s - traditional fujifilm ergonomics at its best. best quirky - hasselblad 907x 50c best size to ergo compromise - nikon z7 best dslr - pentax k-1 (i haven't handled that many) best compact - nikon 1 j5
I totally agree about the Nikon D750, I've owned about 7 different Nikon DSLRs and the D750 fit my hand 100% perfectly, Even though I am happy with my Z7II it does nto fit my hand nearly as well as the D750 and I notice that every time I use it (most days). If I was rich or won the lottery, even a small lottery, I'd pick up another D750 and a few lenses.
I'm surprised that no Phase One camera ended up in the list. Maybe Chris didn't shoot with any of them? (At least I agree with his favourite, and though I never shot with the D750, based on the D850 I get why it is on that 2nd place (except of course the Phase One XF being superior DSLR).
ROFL. I remember once I borrowed one, and managed to get a slow SD card in it. I was shooting some sport with it, and I got crazy annoyed with how it emptied the buffer. Basically until the buffer was fully empty, the camera didn't accept any command. Not even opening the menu... (Truth to be told it was a pre-production version, so maybe they fixed that before it hit the market)
Nikon D700. the Nikon D750 has its white balance button right under the point of my nose while looking thru the viewfinder. I have changed the white balance many times while looking thru the viewfinder and changing the aperure by turning the back wheel. My choice D700
Some really good footage of Dallas! Well, better than some. I was shocked to see Pentax in that group. I've pretty much expected them to be relegated to the ex-files even though I shoot an old K-3.
Some people are just unwatchable on video clips. They drone on, their voice isn't suited to public speaking, and their mannerisms are annoying or distracting.
Not Chris Niccolls!
He's tremendously watchable, a natural in this format. He could easily work for a regular TV channel or station. He's got the presence, the speaking style, and the ability to engage the viewer in a natural way that holds their attention.
Great clip. I'll look out for other video reviews by him, a format I otherwise dislike.
Surely a major part of the handling involves the lens attached? I have an old Tamron 80-210 push-pull zoom from the film era that is (still) silky smooth compared with any of today's equivalent budget Canon lenses. And my ancient Olympus Zuiko 50mm f1.8 ( i.e basic kit lens) with it's rubbery stippled focus ring still feels miles better than today's Canon EF 50mm.
1) Olympus E-M1 (original version) 2) Olympus E-M1 III (prefer the original's tilt screen and menu button location ... that drops me out of digital and into the world of film ... 3) Olympus OM-1 (the original, film version I bought new in 1976) 4) Canon A1 5) Nikonos IV
+1 for the original Olympus E-M1. Size, weight, grip all feel perfect as does the button dial layout. And I always loved how Olympus menus have the "tooltip" popups.
I think my A7RIV handles quite well too, huge improvement from previous Sony cams. I always liked how Sony cameras let you have both a tracking AF-on button and a single-point AF button, so you can seamlessly focus for landscapes or action without changing AF settings.
Trued1 - alas my Nikonos IV got stolen, and I was SO tempted to replace it with the V, but Nikon had just discontinued it, and despite searching, I could not find a new one. The ultimate "Street" camera, the only one ever with genuine 100% "weather" sealing!
The ONLY issues I had with my IV, was travelling around Mexico as a student: I changed a film at San Blas (sea level), then two days later, was in Mexico City, 2240m feet up, and with an atmospheric pressure about 77% of that at sea level. Time to change the film: as I rotated the lens to 90 degrees to disengage it from the body, it "popped" out like a champagne cork - luckily I was holding tight!
Then, 4 days later, the opposite: back down at sea level, time for my next film change. The lens did not want to come out! Back to 100% atmospheric pressure, a force of around 4.2kg of net pressure was trying to hold the lens down.
Of course, it did come out, with a wine-like popping noise.
The Nikon D750 was the camera of my dreams for quite a few years. However, at that time I was already in the Sony ecosystem (Nex5n), along with a number of original e-mount and adapted FF lenses (A-mount, M-mount, even one 135 mm Canon FDn), and I was still impressed by the pocketability of the Nex5n camera. I think that this is one of the smallest APS-C mirrorless bodies ever made. Attach a Sigma 19mm or an adapted Voiglander 40mm and you can still put it into your jacket pocket. But I remember drooling over the D750 - the image quality was top notch, the autofocus was superb, and this handling.....
I never shot a D750. But I am extremely pleased with the D500 ergonomics. It is just so easy to make the camera do what you want it to. It's the best camera I've ever used at getting out of the way and letting me shoot.
The D7100 (which I also used) was good, but not quite as good.
Interesting list he selected based on his Taste…. Very, to say.
My Top 5 are completely different.
1) Leica M10P - Just flawless and it has the iconic baseplate (take that M11)
2) Olympus EM1X - the ergonomics are just perfect for a gripped Camera. Size and weight ist perfect and then nailed the Backbutton AF compared to Nikon and Canon. Now just the OM1 tech inside a X MKII please
3) Leica SL - the original which has the S interface. That’s a perfect design that takes a bit getting used to. The SL 2 is also great but took the Q2 Interface .. which is good but takes away the pure brilliance from the Original.
4) Fujifilm XT4 - Retro done Right
5) Nikon D850 - the just flawless DSLR of all Time.
So it’s not the best handling cameras of “all time.” It’s one Canadian dude’s favorite handling cameras from “recently.” Canon and Olympus have been making very ergonomic cameras for a very long time. This is really short sighted.
I wouldn't say short-sighted, just restricted to last 10 years (or whatever oldest one is). Camera methods have changed a lot, and film by its very nature would have different ergonomics than a Z9. Perhaps they could do best handling for mirrorless, dslr, and then film.
When sensors were small (tiny) and digital cameras new, camera design enjoyed some creative exploration. Since then why digital cameras ape the look of film cameras is a mystery to me. Why the skeuomorphism signaling the 35mm SLR? Central lens mounts, as though film is spooling from one side of the camera to the other. Faux pentaprisms, as though there is a mirror box. The mechanical design constraints of the film era are neither eternal truths nor ergonomic. If body design has to be borrowed, video cameras and modular medium format better match digital camera operation and possibilities. Large viewfinders are glorious. Humans have noses. We are left and right handed. Of late image and video quality has reached a rough parity almost like in the film era the cameras pretend to be part of. Human factors and ergonomics in digital native camera designs are now where photography can be most advanced, cameras differentiated and made more satisfying.
Today's cameras have gained extremely useful capabilities, but, at the price of their controls being impossible to navigate. They need to adopt a common UI with a logical design that can be figured out just by looking at the menus.
I use a Panasonic S5 for its capabilities, but controlling it drives me crazy.
I have to agree with the choice of the D750. It fits the hand, and has simple controls. But, it lacks all the high-end video features of more recent mirrorless.
Been around cameras for over 50 years, and while the Pentax K-5 (their top model at the time) had a wonderful menu system it fell flat on its lack of AF ability.
As yet, apart from the classic Leica M3, my favorites are the Nikon 1 V1, the Nikon 1 J5, the D3300, and the D7500. The V1 attached to a Sigma 150-600 is a delight, while the J5 attached to a Sigma 135/1.8 Art is a dream come true. The D3300 is a delight when used with the Sigma 100-400 C, even if you want to catch a single bird inside a thick bush! The J5 is my favorite macro camera, using the FT1 plus the AF-S 40/2.8 micro, or the AF-P 70-300 with an achromatic close-up lens. Delightful.
For bad weather, there is nothing that beats the D7500 with the AF-S 70-200/4.0G.
+1 Tord. At least someone, who likes the Nikon 1 V1 here, too. ;) It's my grab&go camera since it's day, when suddenly the 10-30 VR had the serial flaw, in the meantime (repair) i just bought the 10-30 PD, way small and handy, good IQ combo. Good enough for the unexpected RAW shot. Absolutely noone, nobody could tell, if the picture was being done with the V1, or 5D, or A7, E2....at least not for the usual web sizes, and it's quite ok. And sometimes, even some of bokeh with the 18.5mm/F1.8 prime. It scored also great at Photozone.
The Nikon 1 lenses that are not failure-prone are the 10-30 PD, 6.7-13, and the 70-300 CX, even if the ribbon cable inside the latter lens sometimes fails. The 18.5 has sadly the plastic gear aperture, as most of the other lenses (bar those mentioned above), and I've been lucky with my 18.5 and 10 (now being a 7.9 as it has a wide adapter permanently attached.
I'm one of those rare people who still enjoys READING articles. Having to watch a video is a time luxury I can't afford. Editors at DPReview; please think about those of us who prefer reading your articles. You can always post a link to the video located within the first paragraph of the article. This would be fair to both groups; those who like video articles and those who like to read articles.
I understand what you mean, but in this case it was easy to skip through the five choices, plus I listened to a couple of minutes of Chris's reasons for his #1.
There’s an entire sector of the tech industry that wants the entire internet to be video. When and if that happens, we’ll have come full circle back to television. For me, the T in HTML stands for text.
Really tricky to find something suitable for a left eyed photographer. The Panasonic tilting viewfinder is great because I can shoot with it tilted a little and my nose misses the screen and all the buttons.
I understand what you mean, but in this case it was easy to skip through the five choices, plus I listened to a couple of minutes of Chris's reasons for his #1.
Often simplicity helps to make for great handling. If there are only a few things which can be controlled, making those things easy to access is a relatively simple job. For me, the Mamiya M645 with simple prism and deluxe L-grip has been one of my best handling experiences. It's a heavy camera all-in, but the grip is so good I can carry it round all day without fatigue. The leather hand strap takes some of the weight against the back of your hand so your fingers can relax. Having space between the grip and the camera means your fingers go all the way around it and there's absolutely no chance of dropping it. Beyond the grip, it's dead straightforward - meter, set exposure, frame, focus and trip the shutter. Does everything it needs to really well, and feels great to use.
Compared to the Fuji X100T I've been trying to use recently, it's an ergonomic dream.
My most "comfortable camera to hold" would be the Sony A77 back in 2012. It was way more intuitive and far more comfortable than the Canon 7D and the Nikon 7100 and I still miss it.
My current camera on the other hand (A7 III) is a pain and I have never quite gotten used to it, even though I use it professionally. I love the handling of the R5, but can't quite make myself sacrifice image quality for usability, even though I know the image quality difference isn't huge in real-world applications.
I have been wanting to upgrade cameras for over a year, but have yet to find something that is actually a true upgrade on all fronts.
One thing I'll say from personal experience and also from having worked in several camera shops... some of us are LEFT EYE DOMINANT! I've had to train myself to shoot right eyed because of how cameras are traditionally built, but ergonomics for me are really important because I really prefer to view through my left eye. This means that things like touch screen sensitivity, button placement, and overall size are important factors. Joysticks are are low on the back panel are tough because I'm constantly bumping into them with my nose, as are buttons placed close to the viewfinder. Rangefinders should be more comfortable for me, but ironically I hate the handling of the Fuji x100 series but love love love the Leica Q. Go figure.
I'd love to see a video with a left-eyed guest to talk about this.
Exactly!!!! "Best handing camera" is ENTIRELY subjective - what if the camera is uncomfortably large, or too small, for your hands? What if you're left-eyed rather than right-eyed? Eyeglasses??
Enforcing a singular viewpoint on the topic of "Best handling" is the CONSTANT bane to those of us who do *not* interface with the camera as many others do. I'm sick of hearing when others tell me that this is the ' best handing!' camera only because it fits *them*. You want to know the best cameras I've ever personally handled? Medium format SLR. Yes, for me, their shape is a joy to handle - massive eye relief with their prism finders and easy to use controls. Yet 35mm format users doggedly flood the airwaves of their singular viewpoint that the SLR shape is the best, and how dare you consider otherwise.
No one is "enforcing a singular viewpoint" on anyone. These are reviews...and the opinions of reviewers. One is free to take them as they will.
When I read reviews of books, movies, songs, etc...I am reading someone's opinion. I've seen/read a bit of car reviews and always the reviewer expresses some opinion. That doesn't mean it lacks value.
Much of human life is in the "subjective." Reviewers shouldn't run away from it.
In fact to me the value of a review is in getting the perspective of an experienced individual on the subjective matter. I don't need a reviewer to recite tech specs to me that I can look up.
I in no way feel obligated to take the opinion of the reviewer, but done properly it's interesting in an of itself and it helps broaden my perspective.
Even if one doesn't agree with all of Chris' conclusions, at least he has got people thinking about ergonomics and handling. That to me is a good thing.
Agree re left eye dominant comments. Its a bug bear of mine, not just for cameras. Many types of equipment are designed for right handed / right eye dominant users. Its the penalty I suppose for being in the minority as manufacturers are looking at what works best for most users, but just sometimes it would be nice to have some thought given to us lefties.
"No one is "enforcing a singular viewpoint" on anyone."
You're not one of us who doesn't fit into the average mold. If you were, you'd DEFINITELY say that other people try to enforce their viewpoint on camera design - from "larger is better" to right-eye (which makes other commonly accepted ideas, like "joysticks are better!" *not* work because that joystick is now in the middle of your cheek...)
Stay on the forums more. These forums are majority male, and older to boot. They certainly try to enforce their singular viewpoint on what a "good" camera should be (large grip, big buttons, SLR body shape, etc etc)
Dino: First of all I am left handed. I've never had a problem using any camera. I adapted a long time ago to living in a world of predominantly right handed people. It's no big burden.
Secondly, you were commenting on this article as if it was "enforcing a singular viewpoint on everyone." Obviously no artice/video can or will do that.
Thirdly, it's funny that you mention the idea of "larger is better" as one of those points of view being forced on everyone, when literally the presence and success of Sony in the market proves your complaint wrong. In fact in general the evolution towards mirrorless has resulted in all camera companies releasing models smaller than similar DSLRs.
Fourth, you mention the forums as trying to "enforce their singular viewpoint." You ascribe way too much influence to these forums. No one is trying to enforce any viewpoint and could not if he/she tried.
These forums are open to everyone and everyone is welcome.
I’m left-eye dominant and right-handed—I made the choice a long time ago to learn right-eyed shooting because the rest of the ergonomics were natural for me because of handedness. In the film days I learned SLR handling on an Olympus OM-1, and my first camera was the Canon A-1. Two very different cameras ergonomically, but both worked well for me. And after many Canon cameras, I am now well-trained to the Canon way of doing things.
While I would agree that ergonomics rankings are ultimately subjective, I do completely agree with Chris’s comments on the R5. It was my first mirrorless camera, but it just fit so well for me that I could concentrate on understanding the SLR-mirrorless transition and the new opportunities that brought and not focus on learning a new control layout.
I agree with many of the posters—this is at the end of the day a subjective issue. But when you find one right for you it makes this hobby so much more enjoyable.
I *can't* adapt to use my right eye, they cannot correct my right eye to be equal to my left. So right handed / left eyed is what I am stuck with for the rest of my life, from camera to target shooting.
And it really stinks.
But the issue isn't my problem of left eyed, the problem is the instance by the majority of the "plus sized" male dominated media and internet feedback loop to tell everyone and everything how things should work for THEIR benefit, regardless of how it may affect others. I'm sorry if you get butt hurt by someone telling you that you, and your concerns, aren't the centerpiece of the entire world's concerns.
I realize that DPReview is short staffed and so may be struggling a bit for content, but I can't see opinion pieces like this being as valuable as technical comparisons. I don't feel that we're any further ahead after watching this, if we were in a camera buying mood.
The other thing is that a lot of us are already very set in what we like/dislike in camera gear. For example, I'm a dedicated shutter speed dial/aperture ring kinda guy. I cannot like any camera that requires me to fiddle little plastic dials and either peer into a view finder or try to read a little screen in a bright sun, to see what my little plastic dial twiddling has produced. I've owned three DSLRs so I've live the little plastic dials and I jumped to Fujifilm as soon as they produced the X-E1. A video like this one does nothing for me. I was surprised to see that a Fujifilm camera was even in it.
Bottom line: humourous opinion pieces can be fun to watch, but comparisons should have a technical basis.
There’s time and place here for both subjective and objective reviews. For straight presentations and humorous. For written articles and video features. For products within reach, those that are aspirational, and far beyond. Even for things that aren’t products at all, make little sense to most and to which the only tangible benefit attached may well be that a maker brought a thing into the world that didn’t exist previously.
Camera handling, ease of use, and ergonomics are at least as important as tech specs and arguably moreso when all cameras are as technically competent as they are these days.
You will get better results out of a camera that you find easier to use, not to mention use it more, not to mention enjoy it more.
IMHO there is already too much emphasis on tech specs to the extent that we end up debating very small differences on the margin.
Totally agree about the importance of ergonomics, however, when it comes to the small details, what works for one doesn't necessarily work for another.
Ergonomics is a technical field in its own right and camera manufacturers obviously pay close attention to the subject, but when I hear someone say, "I like/don't like the grip" it's a meaningless comment to me. I won't know if that camera grip works for me or not until actually I pick up the camera.
A perfect example is my detestation for those fiddly little plastic dials for adjusting aperture and shutter speed. Hate them, hate them, hate them - except on a point & shoot camera, then I don't mind them at all. Imagine me producing a camera video trashing little plastic dials (except on a P&S camera) when most of the pros in the world have no problems with them. It would be a stupid, pointless video. Opinions only have value when backed up by facts.
“Opinions only have value when backed up by facts.”
To cut short the back and forth, I’ll state that I often find entertainment value in Chris’ opinions. No facts required — though I’d argue that he generally provides insight into his process. I’m okay with his “feels”. I’d also argue that while precision has its value, at times, it isn’t everything but…
I’m not interesting in devolving into a back and forth. You said your piece. I disagreed. I’m good with that.
"Totally agree about the importance of ergonomics, however, when it comes to the small details, what works for one doesn't necessarily work for another."
So what's wrong with opening up a discussion on this? Why avoid it simply because it's more difficult to wrestle with? And as noted, Chris backs up his opinions with his reasons why.
To me it's better than yet another argument on a small advantage in DR or noise control that one cannot even see. There was a recent article on the test scene for the Z9, and the comparison tool. What was funny was when comparing various cameras at the same setting, there was such tiny difference in output that different people perceived differently as to which one was better.
Then there were the debates as to which cameras to compare, and which parameters.
So even something that would seem "objective" was anything but, and did not reveal much.
John Sevigney, I disagree, I'm arguably shooting the most ergonomic mirrorless camera ever made by Sony. It's sensor tech is 8 years old and it's due for replacement in the next few years. The image quality is still competitive, but any further investment in Sony will be a backwards step in comfort, button placement and overall usability.
Image quality became good enough in the last 6 years, every camera made produces great images (even the SLR's). For stills shooters Autofocus and Ergonomics are the biggest differences outside of the DPR bubble of "Tech Specialists".
Im agreeing with TRU here, Button's, wheels, grips and menu's make more difference than 1/3 of a stop of noise control or 20% more pixels.
Zxaar, now I’m genuinely confused. I’m not sure what your point is? Your post seems disjointed from the conversation.
What does the Sony sensor market have to do with ergonomics? My 8 year old sensor is made by Sony, it’s good enough that it’s image quality is competitive in the current market.
I have been shooting Sony continuously…………for………..23 years, the 4 letters on the top of the camera are not the problem.
For me, no currently available Sony camera has better ergonomics than the A99/A77 series. For this reason alone, I will be looking at other brands when I look for a new camera.
I guess handling means more than ergonimics to also include the interface, menus, etc but the excludes operations with lens? I agree that the R5 is a comfortable camera in hand but the placement of the on/off switch in just annoying and inexplicable (even so on the R3). It just makes no sense. And the R5 in combo with a RF 70-200/2.8 is painful to use for fast situations with the push/pull of the lens.
I think Sony needs a mention for their handling due to the customizability of all the buttons - they have been leading and continue to lead the way here.
The on/off switch on my R5 is not a function that needs to be performed continuously throughout the day when using the camera. I turn it on at the beginning of the day and off at the end. The R5 goes on sleep mode and can still remain for several days with battery power.
R5 is great to handle, I have no problems with the RF 70-200/2.8. The biggest issue is the mode switch and changing between photo and video mode. Those multi finger, multi step operation are slow and take my attention away from the action. Who though press-scroll-press is reasonable way to change modes instead or simply rotating one dial?
@jnd I forgot to mention the video switching process - it is far from great and well-thought-through.
@DavitorR5: Doesn't hitting the record button switch into a 1080p deault mode that you cannot customize? Secondly, I find that running on stand-by mode does drain the battery. A simply on/off switch on the shutter button like Sony and Nikon is a much preferred solution. Thirdly, the RF 70-200/2.8 is great in the bag and IQ, but try shooting e.g. some indoor sports like basketball with it, to try to push between 70 - 200 back and forward quickly is very tiresome. Sony's design of the 70-200/2.8GMii is much smoother operationally. Try both side-by-side and you'll see.
I've owned 2 R5 bodies, I'm not saying it is a very good camera, perhaps the best value out there on the "pro level", but it does have some major drawbacks that are worth acknowledging. It is far from a perfect camera.
@zxaar: you cite a data point for the R5C, which is not the R5, which is the camera being discussed. If you read the comments it's pretty clear that the R5 is the model being discussed. In fact as people here are talking about their experience using the R5, it has to be that model as the R5C has yet to ship in most parts of the world.
next time when you guys mention that canon has great ergnomics do mention which models you are talking about because here you are suggesting that the great ergnomics applies to one particular model and the mention of other canon models is not okay.
Only thing we have proven here is that canon in general DOES not have great ergnomics. Its that some people prefer certain models that it.
Don't care. The comment was about canon cameras that some of you try to pass having great ergnomics while ignoring gaffes such as need to switch the menus that take 9 to 10 seconds.
To zxaar: Not true, it is very easy to customise the Mfn button right behind the shutter to switch between still and video, and it is instantaneous. Why are you so eager to knock something you know nothing about?
@zxaar: the R5 came up in this thread because the OP mentioned it, presumably because Chris mentioned it in his video.
Don't try to weasel out of your mistake confusing the R5C with the R5. That's a big error, unless it was your attempt to add confusion to the discussion.
And yes, overall Canon does have among the best ergonomics and handling. They have superb body styles with great grips, their menu's are great, etc.
As for the R5C, it's a very innovative design with that dual boot mode for stills/video, that actually allows for a true video set of controls. For those primarily into video, it's a dream. Canon is continuing to innovate with its user design. You'll love the design when Sony copies it.
But for the video Chris was citing specific models and for Canon it was the R5. And we know that Sony camera industrial design is poor by comparison.
@zxaar too bad Sony wasn't in the top 5. How many fairly new Sony cameras out there completely freeze when the buffer fills or require you to bring 10 batteries just to shoot for a day. Those were just two of many issues with quite a few Sony Cameras.
For me, it's not so much about the camera itself (brand or model) as I've grown to adapt to most cameras, but I will say that the SLR style, with a decent sized grip (not too big and not too small, as i have smaller hands) is the best ergonomic camera. As far as between Canon and Nikon and Sony, they all work for me (but of course I can't afford to own all three brands or I would as they all bring something to the table). But the decent sized grip and SLR style (with EVF/OVF in the middle) is my preferred configuration. I guess maybe I'm not as picky as some people when it comes to ergos. Of course, if the grip is too large, then I won't consider it because it IS uncomfortable for me (like with the Nikon D810 and D800 (and even the D500), always felt the grip was too big and that I might drop it, but the D750 was perfect for me and I'm glad they carried over the smaller grip to the Z series).
people love SLR body however modern compact mirrorless style like a1 still best performance to body ratio. i guess for practicality is depend on each user preferences. those ranking in the video is Christ's point of view only.
It was great to see the humble Fuji X-S10 get a mention, it's a great handling camera that doesn't get in the way of shooting, it's simplicity itself to get great images from that camera and the grip makes it nice and comfortable to hold.
Yes, a very subjective and personal choice list by Chris. The Sigma bashing was uncalled for. I own some of them and find their handling actually, for the intended purposes of these cameras, very user friendly and even intuitive. Not cameras for all occasions, but their IQ is amazing for daylight landscape and city scape photography.
This is my top 5 list. 1) 5d4 2) 5d3 3) 5d2 4 5d 5) the rest
great ergonomi and menus and i always wonder why more manufacturers havent copied the scrollwhell on the back. Much easier and faster then other makes thumbweel.
I used to use a 5DII and many times unintentionally turned the rear scroll wheel. Yes there is a switch on the back to disable it....but then you forget you turned that switch on and nothing happens when you intentionally try to use the scroll wheel. I respect Canon, but in my experience, the rear scroll wheel was terrible.
I've always liked the way Nikons felt in my hand and prefer their button layout, but I also owned a Canon 5D for several years (when I was thinking of transitioning to Canon), and I have to agree that the scroll wheel was fantastic. Right now, the D3 and the D750 have been my favorite bodies ergonomically. The Z6ii is okay, but it has some odd button placement that I'm still getting used to.
@wcan exactly the same, said this many years ago here on DPR, often. I hated the rear wheel "thumbwheel" for exact the same reasons, and prefer a simply 2nd dial on the back. I boughtthe EOS 10D, 20D, 30D, 40D, 50D & 5D into it's day, and besides the 50D, i still own all. Can't say i like the thumbwheel, but i arranged myself with it. Even though, i still prefer an ordinary dial there.
They are , my 5d3s are like dinosaurs tech vise, they still produce great images but life would be alittle easier with a r5 but this was about ergonomics and handling not tech :)
@John This site doesn't hate Canon - there are only too many Sony Fanboys here, you see it in almost every thread, when it's being bashed against Canon, and (especially) against Nikon, Pentax & Fujifilm, from Sony Fans. Somehow, these guys feel insecure, and feel the need to behave that way.
I've used all my life almost every brand, and whileas i have from brand xyz here & there fave gear, every brand does have it's ups & downs. So that bashing from the Sony Fanboys really is silly, real photographers don't do that. And i have various Sony cameras also, even though these aren't my fave ones from ergonomics, haptics and menues, but the Sensor is good.
Brand wars, especially on a gear site, are premature, simply as that. Said this many times. Everyone does have different needs, taste, etc. But some guys don't understood that, they try to play missionaire, and tell all folks that they have to use Sony, which is more than stupid...because everyone is being different.
@Johans81 best DSLR ergo is not best MILC ergo. If we like talking about what we liked best in the past that is fine. I am interested in best ergo moving forward. BTW I preferred the 1D body even if heavier over the 5D.
Welsh: im a scroll wheel fanboii to, thats one of the reasons i didnt buy the R. Im happy that Canon sttuck to the dslr form but without a mirror . Feels so much better in my hands then a Sony or Fuji . Not saying they are bad just different
I had a Nikon D750 and a D500 at the same time. I really preferred the way the D500 felt in my hand. Don't know why, really; it just felt better. I swapped the D750 for a Z6 and prefer the latter as a camera.
I retired from pro photography so had to get rid of one. I chose to keep the Z6, which may have been the correct choice from a photography pov, but I still miss the feel of that D500.
For instance, I prefer Sony/Nikon shutter inside the on/off button. Canon requires you use two hands to power on and shoot the camera, which fore is illogical and slows emergency power up and capture opportunities risking losing a shot.
Sony menus, for me, win. The FN menu is a benchmark.
Absolutely....LUMIX / Panasonic also in the running particularly with their lens range plus SIGMA and LEICA. For me its follow the star lenses and their prices. All these companies pushing-up their prices. Pixel-mania?
Sony menu's for the win? you must be some kind of masochist, and Olympus were doing the equivalent of the Sony FN 'benchmark' menu back in the early 2000's, Fuji's implementation of it is far superior.
Prefer my SONY A7RIII menu compared to Fuji X-T3 menu. A matter of opinion. Example ERASE OK? continual so easy to erase next image. Shutter Sound only changeable on Shutter Type ES setting. Too much scrolling.
Looking for the option you want in the Sony menu is like looking for a particular coin in a bag of coins. You can put the shutter changes in the Q menu, a press and a scroll, that's all it takes, when I'm looking for an option in the Sony menu I put the kettle on first.
Thats what i love about my 5d3, i almost never have to go in to the menu (altiough its intuttiv) cause all i need is one button and a scroll away dont have to take my eye from the viewfinder…..but then again its a dinosaure not much to change 😃
I agree. The fn menu on the Sony is also very quick to change the most common settings and fully customizable. So between that, custom menus, recall custom hold capability, and the customizable mode dial you really have all the configuration options you could possibly want to keep you from having to menu dive.
@MikeRan, just a few pointers, you don't get as many options, the icons are nonsensical, it doesn't work as well as the Fuji Q menu, and last, but by no means least, you have to wade through pages of badly organised menus to even find the option to change it, that's literally the point. The Sony menu system is a mess, but don't take my word for it, ask the legion of other people complaining about it, including reviewers.
I was talking about reviewers in general, not specifically on here, and they do cite it, regularly. I appreciate this sample size of two but that doesn't really address the point does it. It's a common complaint against Sony cameras, two of you being happy with it doesn't change that.
The same part that 'Not all bases are covered and there are not enough options of confusing icons' is a problem for you apparently. I'm not sure which part of 'I'm making the same criticisms as legions of others about Sony menus' you're failing to understand? Are you such a Sony fan that you cannot accept that many people complain about their confusing illogical menu system?
Abs I agree it takes time to go through the Sony menu to add the items you’re interested in to your custom menu. And the dB icons are pretty easy to follow. While there may be a few that you have to remember what they mean most of them are self explanatory.
No doubt the Sony menu system is complex especially for a camera like the A1 as it’s one of the most advanced cameras on the market. If you expect to have everything customized 15 minutes after you open the box well then yes you will be disappointed. But if you’re not interested in understanding all of the features of the $6500 camera you just bought And not interested in investing some time to customize it then the problem is with you, not the camera.
Incidentally I recently recommended a friend of mine purchase an R6. She’s happy with the camera of course but she is constantly asking me how to change stuff (of course I don’t know because I don’t know the canon menu.). Anyway it’s all what you’re used to.
One reason most Sony menus are confusing us because there's more functionality. That's a good thing.
Yesterday I sold and bought another 7R4 and had to change only a few items in my FN menu, then I re-set all custom buttons and left the rest standard. It took 5-10 minutes and will stay like that for 3+ years.
There are about 24 functions in the FN menu, 3-4 custom buttons and another half dozen customisable buttons.
So, after the initial 5-10 minute setup, you're left with about 30-40 customisable buttons of which work are organisable for video or stills modes and that's not mentioning the U memory recall set switches which make things easier again.
I shoot 3 brands every week, Sony every day and have been a working pro full time since the 80's so whilst this is the opinion of a single person, it's the opinion of a very experienced expert by definition with no loyalty to any brand and a good deal of experience with multiple systems.
I'm not saying I'm right, but to say Sony have bad menus is absolutely, objectively wrong.
Sony menu's, including the revamped one, are a mess compared to the others. It's harder to find what you want. It looks more cramped and cluttered the way the text items are displayed. The touchscreen doesn't even seem as responsive as others.
With Canon the sections are big and responsive to the touch.
Sony seems as if their menu system is an afterthought.
And yes, while not unanimous, there is a large consensus among users and reviewers, even many reviewers very favorable to Sony, that the Sony menu systems are among the worst.
The best way to rate a cameras menu is to let non users try it out not people that are used to it and/or never tried anything else. Most people would say both Sony ans Olympus are not good at all while canons are intuitiv and easy to understand
@Johans81 "The best way to rate a cameras menu is to let non users try it out not people that are used to it and/or never tried anything else. " That might be true for lower end products. I would argue that the more the camera is flexible and configurable the better it is for the more advanced users. That generally adds complexity and it will not be in line with your metrics.
Then you don't understand what the word 'objective' means based on your responses so far, which are basically 'l'm fine with Sony menu's so clearly they're good'. On the other hand, l'm saying, 'They're a mess in my experience, and that's a common criticism'. The first part of that statement is subjective, the second part is arguably objective as it's demonstrably true.
Armando: that is true but there is so much more to a menu then that and You only do that once to. You can learn every menu so it’s not the end of the world but some like canon are for most more intuitiv then Olympus for those that don’t use them and that tells ju one is more intuitiv then the other . Just a example so fanboys hold your horses 😃)
@Johans81 I am a long time user of both Canon and Sony. The myth that current Sony menu is bad is just as real as that current Canon sensor DR is bad. I am very familiar with both and if I need to address criticism is more on the Canon than Sony menu to be honest, because it is simply not as comprehensive and I do not find it that more intuitive.
Excellent video, thanks Chris. Like in any sport, sailing, skying, diving, etc., the material you use does not have to be the best but the best for you, it has to be an appendix, not a burden. The definition, number of pixels, are good on paper but not as important as taking the right picture with the right settings at the right time. My first choice would have been the R6, for me, but I understand the choice of the R5.
I’ve always liked Canon slr the dslrs for handling comfort. From way back to the Elan, EOS-3, to my current 5DIV. I have used and handed Nikon cameras and they would be m second choice. I have not handed any other dslr lately except Sony, and they don’t feel comfortable to me but may to others.
The Nikon Z30 is the company's latest 'creator' focused mirrorless camera, a 21MP APS-C model made to be more vlogging friendly than ever. Find out what it offers and what we think so far.
Sony has just released a trio of impressively small, light, ultrawide lenses for APS-C. These lenses are designed for vloggers, so Chris decided to film himself and find out how they perform.
The Fujifilm X-H2S is the company's latest APS-C flagship, using a 26MP Stacked CMOS sensor to deliver the fastest shooting, best autofocus and most extensive video specs of any X-series camera yet. Here's what's new and what we think so far...
What’s the best camera for around $2000? These capable cameras should be solid and well-built, have both speed and focus for capturing fast action and offer professional-level image quality. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing around $2000 and recommended the best.
What's the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we've rounded-up several great cameras for shooting landscapes, and recommended the best.
Most modern cameras will shoot video to one degree or another, but these are the ones we’d look at if you plan to shoot some video alongside your photos. We’ve chosen cameras that can take great photos and make it easy to get great looking video, rather than being the ones you’d choose as a committed videographer.
Although a lot of people only upload images to Instagram from their smartphones, the app is much more than just a mobile photography platform. In this guide we've chosen a selection of cameras that make it easy to shoot compelling lifestyle images, ideal for sharing on social media.
Previously, the GRIIIx Urban Edition was only available as part of a kit. Now, the camera will be available as a standalone purchase. However, you’ll only be saving $50 compared to the $1100 kit version.
Darktable, a free open source raw editor, has been updated to version 4.0.0. The latest release adds many new features, including color and exposure mapping, filmic v6, a new color space, revamped UI and much more.
Cameras keep adding video features, but after testing one too many video-oriented models without a complete set of audio ports, Richard Butler just had to rant. He also suggests an alternative solution camera makers could employ that doesn't require extra ports at all.
After offering a few bits of information last week, Xiaomi has taken the wraps off its new 12S series of smartphones, and they offer impressive photo specs. The phones have been co-developed with Leica.
Firmware version 2.1 for the Nikon Z9 comes just three months after Nikon announced a major v2.0 update. In addition to a new High-Frequency Flicker Mode, Nikon has also improved AF tracking in various shooting modes.
Do you have a Super35 lens you want to use on a full-frame camera? Then you're in luck, as that's precisely what the DZOFilm Marlin 1.6x Expander promises to accomplish.
in celebration of Independence Day in America, a GoPro Hero 8 camera was placed on a barge, nestled between hundreds of explosive fireworks. The resulting footage is captivating and provides a unique view not often seen (for good reason).
Watch Richard race the clock as he explains topics such as what Log is, why manufacturers have several log curves and what the HEIC a HEIF is all in under sixty seconds in our social series Under A Minute.
The Urban Wildlife Photo Awards has announced the winners and finalists for their competition. We've rounded up the winners and some of the best finalists into a gallery.
Panasonic has released firmware version 2.0 for the GH6 camera, and it's all about ProRes and ProRes Raw. Does this make it the ultimate video machine? Will Jordan's torrid love affair with the GH6 continue? Tune in to find out.
Photographer Stewart Marsden, the official photographer for the London New Year fireworks display and a National Geographic contributor, has written a lengthy tutorial that shows how to capture the best fireworks photographs possible.
Ahead of a full announcement next week, details have emerged about Xiaomi's upcoming flagship smartphone, the 12S Ultra. The phone, co-developed with Leica, will include the Sony IMX989 sensor, a new 1"-type sensor that Xiaomi reportedly developed alongside Sony.
Kosmo Foto founder, Stephen Dowling, has written a comprehensive tribute to the Olympus OM-1, a camera that set a new path for SLRs with its compact form factor and extensive lineup of lenses.
The Nettle Magic Project uses a hidden Raspberry Pi device with an IR camera to scan and decode a deck of cards marked with invisible UV reactive ink. The scan produces a full breakdown of the deck and delivers it to the performer in nearly real-time.
We go hands-on with Nikon's new compact super-telephoto lens, the Nikkor Z 400mm F4.5 VR S, to see what all Nikon has managed to pack into this lens, even without the help of PF elements.
Profoto's new A2 monolight is extremely compact and lightweight. It's about the size of a soda can and weighs around 770g with its battery and optional stand adapter attached. The 100Ws light is designed to be portable and easy to use.
DigiKam is a free, open-source raw photo management and editor for macOS, Windows and Linux. The team has recently released the latest version, bringing the app to version 7.7.0. The update adds many bug fixes, new features and file support.
The Nikon Z30 is the company's latest 'creator' focused mirrorless camera, a 21MP APS-C model made to be more vlogging friendly than ever. Find out what it offers and what we think so far.
Nikon has announced the Z30, an entry-level Z-mount camera aimed at vloggers and other content creators. What are our initial impressions? Better watch to find out.
Nikon has announced the Z30, a 21MP APS-C mirrorless camera aimed at vloggers and content creators. It has a lot in common with the existing Z50 and Z fc with a few tweaks and a lower price tag.
The Nikkor Z 400mm F4.5 VR S is incredibly compact, measuring just 104mm (4.1”) in diameter by 235mm (9.3") long and weighing 1245g (2lb 12oz) with the tripod collar. It's set for a July 2022 launch.
NASA and the University of Minnesota are working on a citizen scientist initiative alongside the Juno Mission and need your help. Volunteers are tasked with identifying atmospheric vortices on Jupiter, as captured by the Juno spacecraft.
The PROII CPL-VND 2-in-1 Filter offers a variable neutral density filter with between 3-7 stops of compensation as well as a circular polarizer filter. Independent control means you can dial in the exact type of compensation you want in a single filter.
Joining its diverse lineup of ONE R and RS action cameras, Insta360 has announced the 1-inch 360 Edition camera, co-engineered with Leica. The camera sports dual 1"-type image sensors and records 21MP still photos and 6K/30p video with a full 360-degree field of view.
Comments