Outside of technical stuff like image quality and autofocus, there are some cameras that just make you happy when you hold them. To celebrate great ergonomics, Chris Niccolls runs down his top five handling digital cameras of all time.
ergonomic = gets out of the way as much as it is possible given other design limitations. For instance, camera with a heavy lens will never be really ergonomic no matter how good the grip is, but some camera+heavy lens systems are more ergonomic than others due to better grip, balance etc, so in this sense you still call the better camera ergonomic and the other not. Camera without a way to directly control exposure or AF location may be called unergonomic, but if AE/AF is good enough, it's still ergonomic (i.e. iPhone). One can go on with examples, but basic message here is just that rankings are pointless here even for a single user - it matters what you try to do with this camera, how long you're trying to do it, and what are technical limitations one can not overcome for this application. One can call K1 ergonomic, but try to shoot it one handed, one can call leica ergonomic, but try shooting low-light sports with it, and so on.
The subject of ergonomics is so important, but usually overlooked because it is more difficult to quantify and rank.
But that is precisely why we need more attention given to it. It's taking a technical product but realizing that it is also meant for humans and thus there is a very creative and human element to the design.
The usability and ergonomics of a camera or any gear is very important, esp given the technical parity and high performance that exist today.
So let's wrestle with the subject more and not avoid it. I give DPR credit for tackling this topic.
it's definitively important, but my point was just that rankings like the one above are pointless, i.e. it makes sense to make ranking of "best DSLR for available light sports photography", or "best MILC for landscapes" or "most ergonomic street-photography camera", but not everything in one can. Not because ergonomics is subjective (it's mostly not!), but because ergonomics of a tool is inseparable from the purpose of this tool.
@FotografMagnus pretty lame comeback buddy! Try harder :-) admittingly, it might not be too easy to redeem yourself with that avatar and that comment... maybe try some humour!
I would like to request the admins to delete this entire thread of comments including my original post before it derails any further. It's gone far enough now with personal attacks and insults.
Unfortunately many times when making any suggestion about any shortcomings of Sony gear, it brings out a thread of personal attacks.
It's fine to disagree on the gear, but many Sony fans seem to take it in a strange personal way and lash out with personal attacks.
The OP voiced his opinion about Sony cameras. Many have voiced similar opinions about the size and feel of Sony camera bodies. Many on this thread have voiced opinions about other camera bodies and brands. That's normal.
Now again, if someone wants to disagree that's fine. But then some resorted to personal insult against the OP and then it's off to this spiral of insults.
Gear discussions will engender disagreements about the gear and yes, that means that sometimes someone won't like a particular brand/model. But saying something negative about Sony or any brand should not bring out a reply insulting a person. Insult the gear if you will, but not the person. It's only camera gear.
@FotografMagnus relax... it is supposed to be a funny thread, I have plenty of funny Swedish friends... what happened to you? So I guess a monkey avatar is what makes people self confident nowadays? I guess I haven't kept up with the trends.
@TRU, I've never dropped my a6300 with any lens on it, including the 70-300G. Do you agree with FotografMagnus that all Sony cameras are like holding a wet soap bar? BTW, his comments are extreme trolling, I hope not. FotografMagnus seems to have something against all Sony cameras for some reason. A wet bar of soap, how absurd is that, seriously!
The reality is that any time someone criticizes Sony, it usually brings out some personal attacks. That should not be.
The OP made a comment about Sony cameras. Many have noted that their ergonomics is poor, sometimes with just as colorful language. For instance, some have compared the design of Sony cameras to old VCRs.
The OP used his own expression. That should not prompt a personal attack against him. People should be able to say anything about a camera without it provoking a cheap attack on the individual.
BTW, remember that video of the A1 sliding down the snowy hill at the recent Winter Olympics? Apparently someone did find the A1 hard to hold onto.
@Thoughts R Us would you stop your whining, would you? What you are complaining about is not about Sony. It is the world of internet and it is true for everything and every brand, and you want to give your personal spin to it. You are acting like a child and the funny thing it is obvious to all of us out here.
@armandino: obviously some people get touchy and launch personal insults online in all sorts of discussions.
BTW funny that you accuse me of acting like a child, when you were the one who insulted someone because they dared to insult Sony design. Talk about gaslighting.
But once again, there is consensus among many sources and sites that in the world of camera gear, that this happens most with Sony fans. We see this on this site, Roger Cicala of Lens Rentals noticed it, we see this on sites dedicated to other brand rumors, etc.
Sony fans seem to be easily triggered when someone dares to make a negative comment about their brand of choice. Not only that but from discussions here, I have seen that many Sony fans have an inflated opinion of the influence of these discussions, as if these discussions are going to move the market and determine the future of Sony imaging. That may explain whey some take it so seriously.
@Thoughts R Us "BTW funny that you accuse me of acting like a child, when you were the one who insulted someone because they dared to insult Sony design."
I made funny joke to a silly statement, get real and laugh at humour.
The problem is that ergonomics are subjective, they can be perfect, average and poor simultaneously for different users and the OP made a blanket statement about that subjective design.
Also, Sony have changed their designs significantly altered Ng the way from A7 through each MK2,3,4 iteration to the A1, with significantly redesigned ergonomics and software (menus).
Attacking a person is never good, attacking a statement, which was wrong is fine. It was wrong.
Sure, Sony users like rebuttal, but non Sony users like to stir the pot also.
Ergonomics is subjective, but there are rules and there are better designs than others. Some general consensus does emerge. The subject should be discussed. It is too important to not be discussed.
And there's nothing wrong with honest debate, even sharp debate. But personal attacks should not happen. The OP expressed his point of view in a strong way. That shouldn't merit personal insults, because that just shuts down discussion of the topic at hand.
Sony ergonomics generally are lacking, and that's not just my opinion but probably the majority opinion out there, even among Sony users. The fact that Sony keeps changing their designs and menu's is a testament to that. They must be getting a lot of negative feedback from customers. The only problem is that they don't do a significant enough overhaul to really address the problems. Even when they do a complete makeover, like with the menu's, they do not remake it well enough. It's better but still pretty bad.
'Majority of opinion' is a guess, and, it doesn't mean it's an agreed consensus.
XS socks, T-Shirts don't fit most american people, that doesn't mean they're ergonomically poor.
XS clothing fits the majority of the world's population, that doesn't mean XS is 'right' either.
The part of the conversation that's lacking is the nuances, or lack of it.
I prefer my (relatively) big fat hands in a Nikon flagship body (D5/Z9 etc.) but that doesn't work if I'm flying the body, then I'll use an A1. None of this is covered in this conversation which is lacking the nuance that's necessary.
Again, less consistent videos by DPR, more quality into the content though. That's what I've felt has been lost from the camera store tv days, you hired these guys and did the American thing, pump the volume, screw the quality.
I'm not saying that is wrong for the channel, but it's wrong for this topic and most others imo, check out the leaders in the space to see I'm right.
The analogy of ergonomic preferences with sizes of clothing is totally wrong...because of course one doesn't choose one's size of clothing.
But ergonomic preferences are just that: preferences where choice does indicate something.
Of course there are nuances, but that's why we need more discussion of topics like ergonomics, handling, controls, menu's, etc. The discussion helps refine our thinking. There is no end point but a continual journey.
If anything this topic should be discussed more and covered more by reviewers. It matters more than the minor technical differences we are seeing these days.
And sure, it's more subjective and relies more on personal judgements than just reciting tech specs but that's no reason to avoid. We regularly get reviews of movies, TV shows, music, books, etc, all of which are subjective. But that helps to refine our thinking and ultimately the industry's thinking on the topic.
BTW, how boring is it, when any new camera is released, to see all of the YouTube reviewers just basically recite the same tech specs over and over again, and struggle to find tiny differences between competitor products?
As you note, we need nuance and context. We need explanations of what matters and to what extent. We need more than the simplistic analysis that a bigger number is always better.
I welcome any discussion that actually considers human factors in using a product. We are not robots and we don't use a spec sheet.
Ergonomics is subjective, but we should not be complacent about the ' consensus'. For more than one in ten people the consensus layout of current cameras is awkward, simply because they are left handed. We should be wary of having an 'ideal' when it doesn't really exist. What we need is diversity that allows more people to find what suits them.
I think I understand your point, but for me being fun to handle and having great ergonomics is largely the same thing. If a camera, or any other tool for that matter, feels almost like an extension of myself, and doesn't feel like it's working against me, then I'd say that it has great ergonomics. And that's exactly when I'm having fun using it.
Look at fuji. It's a brand that a lot of people love particularly because of how fun the cameras are to use/handle.
Having a dedicated dial on top to select shutter speed or an aperture dial on the lens is the opposite of good ergonomics.
When you're shooting you need to remove your hands from the zoom and shutter button to change settings.
With other brands you almost don't need to move the fingers from the normal position to be able to change the same parameters. Still, the handling/fun to use factor is a key part of why people like those cameras.
That's very arguable. Many people actually think that dedicated dials is an example of good ergonomics, and I wouldn't be surprised if most of the people who enjoy the Fuji cameras think that. I haven't met that many people who would say: "The ergonomics on this camera really sucks, but wow, I'm having a great time using it."
Revenant having dedicated dials is great, but they need to be positioned in a way that they don't force you to take your hands away from the shutter button to change those dials while you're shooting. That's good ergonomics.
But it's way more fun to have a top dial similar to old style SLR. Just like it's more fun to have an aperture ring on the lens.
Revenant: finally someone who gets it , my 5ds are blotats but they are fun to shoot with and i never have to take my eyes from the viewfinder cause it does feel like a extension of me . For some people a leica m that doesnt have the best grip etc are the camera that gives them most joy
I don't think a camera that requires one to use a dial on the back (rather than top dials like the regular front and back dials) for setting the aperture should be considered to be as ergonomic as a camera that allows one to set the aperture, shutter speed, and ISO setting without moving one's thumb around.
Personal preference cannot be disputed, but I believe a two-dial approach (+modifier button on the top right) or a three top dial approach should be deemed objectively better. With these designs, the thumb never has to venture far from the AF-button on the back and can always support the camera, no matter what adjustment is necessary.
"Personal preference cannot be disputed, but I believe a two-dial approach (+modifier button on the top right) or a three top dial approach should be deemed objectively better." Wow! When people directly contradict themselves it usually takes a few intervening sentences. Well done on getting the contradiction in in one sentence! (In case you're wondering where you contradicted yourself, I'll give you the four crucial words: "personal preference... objectively better").
I'll try to explain with an example: You may personally prefer the work of Dua Lipa, but the work of Johannes Sebastian Bach will still be objectively better.
@Class A: You bring up a good point: while the subject of handling/ergonomics may be classified as "subjective" there are rules that make for better design.
There clearly are products better designed than others. For instance the iPod was clearly a better design than any other MP3 player and that is why it went on to dominate its market.
So sure even though it is a judgement by humans, and not some number from a test, does not mean that some consensus does not emerge.
Good think there is a control dial on the lens for people who find moving their thumb 0.5cm to be a hassle. Or you can configure the M-fn button to do what you want.
PAtune, if you’re holding a camera for several hours then ergonomics and handling have has an enormous impact on hand fatigue. Not subjective at all for we all have very similar hand shape. 🤚
PAtune, if you’re holding a camera for several hours then ergonomics and handling have has an enormous impact on hand fatigue. Not subjective at all for we all have very similar hand shape. 🤚
DavitorR5 that's quite an interesting point of view. When shooting, what should be holding the weight is the hand on the lens, not the hand on the camera. When walking with the camera, if the lens is heavy, usually a strap is used. When the lens is not heavy, it's not a problem.
And even them it will depend on your hand size.
When do you hold a camera for several hours for that to become a problem?
Although the example of Dua Lipa and Bach may be tempting, I can't tell, because I've never heard of Dua Lipa before. I presume it's some kind of popular group that most people would say isn't as good as Bach? Although it's tempting to say that some music is "objectively better" than some other music, I'm pretty skeptical about the notion of objective aesthetic value (as opposed to moral value). But even if some music is objectively better than other music (and Bach would be a pretty good candidate for being better than most), it doesn't follow that ergonomic judgements have the same status. And the one you are pushing, in particular, seems way off to me. I've used cameras with various dial + wheel configurations, and this seems to me to be a paradigm case of something that is merely a matter of subjective preference, and not objective betterness.
The D750 does not have the ISO button in the right place (top right). One can remap the "record" button to become the ISO button but that's not as good as getting it right straight away, like the Pentax K-1. :)
So Jordan... do you have a short-list of presenters to replace Chris after he's assassinated by Sony fan-boys? I'd love to apply, as I think I can do the technical and artistic sides, but alas I fail when it comes to the hair... Maybe Tom Cruise? Does he work cheap?
P.S. I have my 5Dsr set-up to use two buttons (AF and *) for BBF with COMPLETELY different AF point selection and Tracking recipes, I gather Sony can't do that so they lose for me... the A1 is cool tho...
@Jon555 - "I have my 5Dsr set-up to use two buttons (AF and *) for BBF with COMPLETELY different AF point selection and Tracking recipes, I gather Sony can't do that"
no, that's wrong, of course you can setup two back buttons for different af modes on sony milc.
the 5dsr doesn't have anything comparable to target selection with sony real-time tracking, it doesn't even belong in the same conversation with sony milc, or really not even with the latest canon milc bodies either.
MILC man - I asked both Sony and a Sony expert about this at a recent show (SWPP) and they say you can't do what I described on an A1. Now if you can explain how to set an A1 up as follows please do (really!)... or anyone else can dive in...
(1) Shutter button as AE-Lock but not AF
(2) A easy-for-thumb-to-reach rear button as AF-ON, Continuous AF while pressed. Let's say centre-point only AF. Non-AI tracking.
(3) A close to #2 easy-for-thumb-to-reach rear button as AF-ON, Continuous AF using All the AF points and subject tracking for, say, Birds (or AI generally).
Plus since I get the vast majority of my shots in-focus the advantages of the R5 and A1 are probably more AI Eye AF for assorted creatures. Nice to have but not essential considering I usually get it anyway.
They did suggest using the Custom dial slots, but I hate those as you can't change what you are using instantly and as I tweak other settings as I go along they will be incorrect and I may not remember what they do.
P.S. It's "The Societies" show but I was out of characters (0 left) and they were originally the SWPP and if people know who they are they should know who I mean.
P.P.S. A usage example. Set one button as either single AF point or single pin-point AF point. Use to pick the most photogenic Owl (or whatever) out of a group in a tree with lots of branches and leaves to upset AF systems. Use an AF tracking case designed for modest movements. When it takes off immediately (under 0.5 sec) swap to the other AF button with lots of AF points and a tracking mode designed for birds in flight. (Also, in the first case, for AFS just press and release.) A Bird AI mode helps with the second case but is often too slow for the first as you have to move the AI to your chosen subject (a Canon R3 could be good for this if your eyes worked well with its Eye-AF-Point-Selection). Also Ai doesn't work with all subjects.
Oh and most mid/high level cameras from the last 10 years can AF excellently provided the user spends the time to work out how to control their AF system optimally and sets them up in the best way for them. However 99.9% of users don't do that...
Thom Hogan has done some interesting stuff on getting Nikon AF (F and Z bodies) to work much better than the default AF settings for example.
I said an assortment of Sony staff and an independent Sony Expert told me it couldn't be done... their opinion and I don't claim to have the necessary knowledge beyond what they told me. Specifically one of the Sony people tried to do it and failed, as a later assignment took precedence over an earlier one.
Oh and that's just a link to the help guide, not even a relevant page. I did have a skim through customising buttons, but found nothing useful and will go with what the experts tell me for now.
I don't know why they always throw dirt on it. Why is this camera weird? We have this line of LEDs. I have this camera and never used it. It is a unique feature and in certain situations maybe even useful. However, you can't define or rate the camera from a few LEDs.
The camera is extremely small for a DSLR camera. Maybe this is what they don't like. K-S1 destroys the nattartiv of the much smaller ML cameras, as there are a lot of APS-C or 4-3 ML cameras that are larger then K-S1. If size should be one of the major advantages of ML, K-S1 is a major problem.
In therms of usability, this is a grat little camera with a few flaws. To me the main flaw is size: The camera is almost flimsy in size and all my other Pentax cameras fit much better to my hands.
I presume you didn't actually watch the video, in which he says that same thing. When commenting on a video, it can help to watch it first, so as not to put your foot in it.
What fits one hand does not fit another hand, and vice versa. Much also depends on how you use it, what lenses you are planning to attach etc. etc. etc. way too many variables to make such "list" useful. Just my 2c.
I think the broader point is don't ignore ergonomics. See and feel before you buy if possible, and don't dismiss it as something just as important as arguing about specs with strangers on the internet :D
There are plenty of things I wanted but didn't buy because the ergonomics did not work for me (cars, watches, furniture, keyboards, etc). Great on paper, bad for me.
Excellent video. My all time favorite is the Panasonic Lumix GX 8. rangefinder style camera. I like there control layout and the menu system. I know it's a five year old camera at least but it is such a pleasure to use.
It's obvious to me that there is a wide range of experiences when handling cameras based on the comments below. I always say that if you don't hold and use a camera, you really don't know it. I wonder how many people would change their minds if they owned/held/used as many cameras as camera reviewers have. I'm probably in the hundreds easily, and the best ones (in this category at least) are always the most memorable and pleasurable to use. They plant a seed in your mind forever.
Canon wins a dpreview contest. Anything else would have been a surprise.
I think the R5 has several handling oddities, especially the terrible flip-out screen (this camera is too heavy for vlogging or selfies - so no point of having that screen). Also weird is the position of the on/off Button and uncomfortable position of the Joystick.
Totally disagree about the screen and joystick? Where should the joystick be positioned it's perfect where it is. Also where would be a better location for the on off switch?
As a owner of a 6D and a A7R3, I think that Canon choice is better. The fingertip on the shutter is more "stable" in Canon, in a lower position thanks to not being cluttered with the on/off switch around. When keeping the camera (handheld) stable after pressing the shutter is critical, I think that Canon is a better setup.
I much prefer the on/off outside the shutter, and in fact I'm not continously powering the camera on and off, not even in mirrorless (it goes to sleep automatically).
I love the tilty-flippy screens, as they enable me to monitor my own image when teaching online using EOS Webcam Utility with MS Teams or Zoom. Sure, I bought the camera for my photography work, but having it on a tripod supporting my other job as a marvelously overqualified webcam helps to pay the bills.
I miss my Hasselblad. If someone made a reasonably affordable 6x6 sensor back (not some cropped miniature version of it), I might be very much tempted to buy this camera back. As is, I sold it years ago and went all digital.
Lol -there was nothing ergonomic about Hasselblad, and Leica back then. Form followed function and mechanics, and you *learned* how to use them, because they were among the best.
Eric Hensel Strange then, that I make better photos with the 500CM than any other camera. It’s inspiring to use and I gel completely with its operation. Ergonomics is a subjective thing. If the handling of a camera makes you take better pictures then that’s a plus. You seem to think ergonomics is solely about comfort and speed? Wrong
Which is what ergonomics is: it is completely subjective. What fits in one hand may not fit into another. What suits one style of photography may not suit another style. To even argue about ergonomics (or make a contest: "which is the most ergonomical, fits me like a glove camera", is utter nonsense, in my opinion).
Different users, different experiences. Love my Sony, feels comfortable in the hand, I appreciate the low weight and smaller size. As for the menus, I very rarely use them, and would be as difficult to "memorise" a Canon or Nikon menu, as a Sony menu. This horse really has been beaten to death.
4P: I completely agree. My comment, for clarification, was about the rangefinder from -61 that is a metal block with no handle or grip and not much of a UI. These things are very subjective.
@4Photos, if a menu is properly organized, you don't need to memorize it. A menu should be intuitive to navigate, regardless if it is you first time or the millionth time using it.
I have huge hands. Of my eight digital cameras the best handling was the Nikon D2x. My Canon 5DSR with grip is a distant second. I have not yet heald the Nikon Z9, so perhaps it's close.
Sounds like you need to hold and Z9 and R3 to see if the magic comes back. Always LOVED holding and using (well, trying) the gripped Canon and Nikon pro bodies.
That camera slightly temps me as I wait literally a lifetime waiting for a Panny gx10 with high res mode or 20mp version of the GF series. Maybe should give up and get Oly EM5. Unsure how much "better" image quality I'd get from the Canon. I have a few APSC lenses for my Rebel 450 (12mp, no video mode!).
"What I like must be best for everybody else, and for sure you should avoid what I dislike" ... ever felt this when reading posts about camera brands? 😉
So then why comment. If your happy with whatever brand you own then other competitive brands should not bother you at all. If it does however bother you then follow your own advice.
"So then why comment. If your happy with whatever brand you own then other competitive brands should not bother you at all. If it does however bother you then follow your own advice.
"
Are you not happy with your canon. You post frequently here.
@ DavitorR5: Well, I am a multi brand user, but I don't need to visit treads about other brands than my personal preference to talk them down, like you do ...
I've had a Nikon system for, Canon for about a 15 year period, Sony for about 10, Leica for 60. I had my reasons for switching when I did, and for keeping Leica all this time. So what?
Magnar the R5 got voted #1, why should I waste my time talking about a camera that didn’t even make the list. I know that’s difficult to accept now, but hopefully someday you’ll come to accept that.
No Magnar, I want facts, not opinions. Ergonomics is a true factor in camera handling. And not an opinion based on personal preference. And honestly I don’t want you to ever even consider buying a Canon. I just want facts.
@ DavitorR5: I have used many Canon cameras, and still use some, and other brands too. But they are not my personal preference. You need to learn a camera to know in depth to get the most out of it as a tool.
Learning to to work efficient with the camera is way more important than how it feels when you grab it for the first time, because then you will just think that what you are used with must be "the best"... ergonomics is about long term use, and how efficient the tool works.
@Daviator Ergonomics is very much personal preference. What works for you may not work for me and vice-versa. I'm a left handed person with big hands and short fingers in a world of equipment designed for right handed people, so when I find something that suits me, whether its a camera with a grip that fits my hand and buttons that are easy and intuitive for me to reach, or a rifle with a stock curved to suit me that doesn"t spit empty shells across my face when I fire it, or even something as simple as a pair of pliers with a curved grip that fits my hand I'll proclaim that the most ergonomic design, even if I'm the only one who it suits.
Magnar, when your holding a camera for several hours and your hands are tired. Fatigue plays an enormous factor in the creative process of a photographer. And if the form factor is contributing to the fatigue the efficiency of knowing your camera will not help.
"No Magnar, I want facts, not opinions. Ergonomics is a true factor in camera handling."
Ergonomics is the most subjective factor of all, even beating the "which camera gives the best colors". Suggestion: Find one, that fits your hands and taste :)
4Photo yes I live in NY and have the luxury of going to B&H where they have the latest and greatest cameras coming out on all the major camera brands. And yes how it it feels in the hands is a major factor in me considering a camera. NOT subjective to me. Maybe for you, but to me is a major factor in considering a camera.
I just told you Magnar. Sony cameras are NOT light weight. Specially with good lenses, and if they’re NOT then form factor will lead to tiredness resulting from physical exertion.
Is innovative Makes a product useful Is aesthetic Makes a product understandable Is unobtrusive Is honest Is long-lasting Is thorough down to the last detail Is environmentally friendly Involves as little design as possible
Z9 to heavy imagine the gas needed to tow that about so no not enviriomentally friendly ,r3 looks the best compromise and looks the best also .but all modern cameras even my A1 is all those above ,but then i have liked my panasonics and olympus cameras ,panasonic just make things well and olympus are as tough as old boots .
the Z9 is the heaviest MILC by a long shot. Considering the effort brands put in shaving every gram from pro glass and that each gram on the body needs to be balanced with a more front heavy lens the Z9 is at clear disadvantage. The R3 is a better design in my opinion. Some might argue that the Z9 is possibly tougher, I will argue the the sleeker design of the R3 makes it less prone to damage on impact, without features clearly sticking out like on the Z9 which will also carry more momentum because of the heavier body.
Both the R3 and Z9 feel great in the hand. With neither do you feel that the weight is burdensome.
I knew the R3 would feel great when I saw the body and the weight data and it surely does.
But I was worried about the Z9 weight when I saw that data. But then I was able to try it out and hold it and it feels great as well. With these pro bodies it's not just the absolute weight number but the distribution of the weight and the overall design of the body.
It was the same way with the Nikon and pro DSLRs...they seem like beasts and they are performance wise and durability wise. But they weren't hard to carry around IMHO.
I'm not saying those large pro bodies are for everyone, but just looking at a weight number doesn't reveal how well designed they are. Canon and Nikon have a long history of producing these bodies and their engineers have worked through how to make this heavier body feel really good in the hands and be practical to use and carry.
you think people only carry one camera once you start lugging 2 cameras around it becomes even more of a burden especially 2 z9,s not as though many people have 1 let alone 2 ,and you would probably back up with a d5/d6 or something similar z6/z7.
@Thoughts R Us "With neither do you feel that the weight is burdensome." I spend many hours with my camera up in the arms and shooting non stop. Generally pretty substantial lenses. My camera weights 1/2 of the Z9 and I do get tired holding it up. Every gram counts for me. I guess for some it does not, but I bet it matters for anyone carrying them around for many hours straight (i.e. wedding photographers).
The difference between the Z9 and R3 is a couple hundred grams. What is the A1 weight with installed grip? (as it would be used by most pros shooting long telephoto lenses).
Many here don’t seem to understand that these cameras are often used with lenses weighing several kilograms, dwarfing the cameras. The difference in weight between all of these cameras is insignificant in that context.
Pro Nikon DSLR shooters are switching to the Z9 in droves
I’d go out on a limb here and claim cameras like the R3 and Z9 aren’t really marketed, designed or intended for ‘the majority’. They’re made in close cooperation with professional photographers, also considering pro feedback spanning decades of pro camera design.
@Einride the difference between the Z9 and the R3 is over 300gr. That is not trivial on a body. The A1 has the OPTION of putting the grip on, if the weight is a concern take it off. That is the point. Beside, a Wepoto grip is all you need for large lenses (I have that on my A1 90% of the time) and that is 100gr. The majority of the people who argue against the weight saving, should hold on discourse and resume 5-6 years from now. They are just a bit lagging behind. I am pretty certain that in 10 years time all cameras will have removable grip, unless power demand still favours larger batteries.
@Einride "Many here don’t seem to understand that these cameras are often used with lenses weighing several kilograms, dwarfing the cameras. The difference in weight between all of these cameras is insignificant in that context." Besides the fact that every gram counts, especially if your are reaching your physical max capacity (how many times can you lift a wait at 80% of your capacity and how many at 100% of your capacity?), you are underestimating the relevance of the moment of inertia in impacting shooting agility. To keep the camera-lens balanced the two masses need to spread further apart and moment of inertia increases with the square of the distance... It does not take rocket science to notice the difference in swinging around a 1DX with a large lens vs an A1.
@Einride @Thoughts R Us So just yesterday I was shooting a rowing event next to a sport photographer friend of mine and I had from him an interesting recent report. Just as background information, this guy has been shooting Canon for ever. He is a big, tall, athletic guy, he used to be a rower himself and I typically see him with two pro bodies on his neck and a third one on a monopod on a 600/4. Not exactly the type worried about carrying gear. He told me that he was handed Sony gear at the olympics and his experience was: 1) He was blown away by the A1, when compared to his 1DXIII 2) Besides the performance and evf he really appreciated the weight saving 3) At the beginning all users had the grip on, by the second day it was gone 4) Battery life was underwhelming when it was extremely cold. That was annoying but not a big deal. So here you have first hand report good and bad from the winter olympics!
Based upon cameras I have owned or own......Pentax K5iis wins, then Nikon F80, Canon Ftb, Minolta SRT 303, then Pentax Spotmatic sp1000......That old advice about trying a camera in your hands first- that seems to get harder and harder sadly.
just recently had my hands on a Sony a7C and thought it felt really nice. I personally dont need chunky grips, i'd rather have a smaller and lighter body. I can see why professionals might want better grips, but i wish we had smaller rangefinder-style FF mirrorless sub 500g.
Agree: 500g is also a good tipping point for me. I once owned the Sony A7R which weighed 465g and for me was OK ergonomically. But all the subsequent A7 cameras, except the a7c, have gained weight!
yeah obviously you need bigger bodies for hi-end video specs (heat). I dont need 4K 120p, i rarely use video at all. So i really wish for photocentric small FF bodies. I never thought the a7m1 was a terrible camera and it was significantly smaller+lighter than its predecessors. With its weight (inc. batteries) of 474 g it's actually lighter than the a7C with 507g. Sure it was much lower quality build (no magnesium body), but i'd rather have a lower build quality body for sub $1000 that doesnt live as long as a heavy tank for $2000 that i dont want to take with me.
This is bit of an old camera but the Sony A77II has been my favourite. It lacks some improvements like touchscreen interface but otherwise the body fits like a glove in my hand, great to use and well built, great articulating screen which IMO is still the best I have used so far. Too bad Sony have gone down hill since then in terms of ergonomics. Of the recent cameras I personally prefer the Nikon Z7/ii out of the bunch. Just the right size and great to handhold. R5 isn't quite as comfortable IMO but its still pretty good. I actually quite like X100V also but canon G1Xiii is pretty close for me. Lastly would never even consider buying/using bloated bodies like Z9/R3. So they are horrible as far as I am concerned.
A great contender for "most black camera" is the "Jet Black" special edition model of the Pentax K-3 III. Hard to imagine a commercially available camera to feature more black than that.
I mean a smaller camera with built in vertical grip. I like very much the z50 concept, but 20 MP is a very little bump over the 16 MP of the d7000. 36 or at least 32 MP would work, and, as I said I fantacize about a small camera with built in vertical grip, like z9 but smaller.
A1/A9 all the way for me. You do need a wepoto handgrip for best gripping experience. I do not need a flippy screen and touch interface gets on my nerves most of the time, I only use it for navigating menus, it is generally disabled in my camera.
@DavitorR5 Personal preference. I am a sport photographer, neither Chris nor Jordan are and I seriously doubt there is much convergence in what we seek in a camera.
@DavitorR5 Btw, I own an R5 as well, which seems like you have. The A1 is far better in handling than the R5. If you are ever interested I can break it down exactly why.
No armandino, unfortunately the A1 is not far better than the R5 because if that were the case it would at least make it to either Chris or Jordan list. But it did NOT. I know that’s hard to accept but just get over it.
@DavitorR5 I have them both and I shoot them all the time side by side. If you are interested in the truth, not your truth, you would be interested in knowing why I see that way. From someone how shoots cameras all the time professionally, not reviewing cameras professionally. Note that I do not expect to "hold the truth" I simply mean that someone interested in the truth shows genuine interest in others qualified opinion, something you clearly lack.
Armandino, listen if you can afford to have two of the best cameras on earth then why waste your time with an amateur photographer like me. Go enjoy them both.
Completely agree with Canon body as #1 choice - I miss the days when I had Canon 6D and really hesitate to use my Sony A7RII solely due to the edgy body and how ergonomically it just doesn't feel right. Also software is laggy which was never the case with Canon cameras..
The A7rii was pretty revolutionary when it came for several reasons; operating speed wasn't really one of them. I had a canon 7D for a while which felt..well large, rather large, kind of blocky and a little bit plasticky. Not at all laggy, fast AF, fast operation but the sensor wasn't particularly impressive. And the mirror/shutter noise...well. I love my A9, sensor, ergonomic and operation-speed-wise. It is just large enough for my hands and feels durable.
My top 3 best handling digital cam starting from the top would be R3, Z9, E-M1x.
However, I picked up a Z9 instead of the R3 due to the resolution this round, will get back in Canon when their rumor high resolution R1 comes. I tried the Em1-x for few weeks, absolutely love the handling, but that sensor......
I have been back and forth between Nikon and Panasonic a few times, and ergonomics are among the reasons why I prefer those two brands. The D810 is probably the sweetest DSLR ever for me, although I do prefer the F6, but that's film.
However, what I've been shooting with day in and day out the last 4-5 years are two Panasonic GX8 bodies. From a spec point of view, it's not nearly the best camera around, and it suffers from incurable shutter shock (electronic shutter solves it though). I'm just back from a 5 day kite festival. Did I grab the G9 on my way out the door? No, the two GX8 bodies followed me on my journey. Everything simply feels right with the GX8, all the buttons and switches are where I would have placed them myself, It has fully articulated LCD and tilting viewfinder, it feels solid, doesn't scare the subject away, can be placed upside down on a table for battery or card change... the list goes on and on.
Amen to all that. I picked up a used GX 8 a year or two ago and immediately fell in love with the look and feel. With the Lumix 12-60mm Leica it is reasonably small and ergonomically excellent. I love the range finder lay out that fits my left eyeness. I went to Beyond Van Gogh and put the camera on AI. In low light and constantly changing scenes and people all around it found focus and did a wonderful job. I admit, some will say "you should of used manual. " Well the light was changing to fast and in low light and my 81 year old eyes I could concentrate on composition and let the camera do the rest.
@Zakk9: I had similar experience as yours. I enjoyed the Nikon D810 but I upgraded to the Z7 ... not because of ergonomic but more for the compactness and mirrorless experience.
I heard good things about the handling of the Pana GX8 and I am tempting to pickup one just to try. It's only around $500 used these days.
I had Canon an Nikon cameras. I switched for best handling system : Olympus EM1 séries. Perfect in my hand. Light, ergonomical, customisable, weather sealed, rugged... And lenses are so small !
My vote is for the Nikon D810, as long I'm not shooting video. The grip is perfect for my hands, and the buttons are exactly where you want them. If I am shooting stills/ video I vote for the Nikon Z6/Z7.
Handling is so subjective as it depends on both personal preference and to a large degree on what you are used to. I can only comment on the handling of cameras I've used, but my favourite was the Canon 7D, it fitted my hand perfectly and everything I needed was in the right place for me, it felt perfect from the first moment that I picked it up, conversly the Canon 80D, I never got used to, it just felt wrong for some reason. The lack of a joy stick might have been part of it, but I've used cameras before and since without joy sticks that felt much better. Its the primary reason I sold that camera.
Fun to watch for gear heads like me. But please, please don't call this Listicle With Chris Nickles [Nichols]. PLEASE.
Now to the substance - I'm a Sony shooter, but when it comes to handling, none of the four Sonys I have owned comes close to my Canon 5D Mark II and 5D Mark IV-- especially the Mark II. So it was no surprise that a Canon R5, the heir of the the 5D series, topped the list. Canon may be [too] slow to move, but when they finally do, they get it right.
First of all, I rarely watch videos. I check the major photography sites every day but skip the videos. Why? Because I find them a very slow way to communicate.
Despite the above, I was curious. So I watched this one. I think it cured my curiosity and this will be the last video I watch for a long time.
Chris, please take this as constructive comment. I respect you and don't like writing this. But your hand waving has a very negative effect on me. I'd like this video much more if you had kept your hands in your pocket.
When I shoot just for fun, I always pick an older camera. Today's cameras are too fiddly and bloated with settings and features for my taste.
My favorites are: - Canon 5D Classic (Mk I) - Olympus E300 (Four Thirds SLR, not MFT mirrorless) - Fuji S5 Pro (= modified Nikon D200)
Among mirrorless cameras, the Ricoh GXR and Fuji X-T1.
All these cameras also happen to shoot uniquely beautiful images.
But in reality, nothing beats an analog camera when it comes to handling, ergonomics, robustness and simplicity. The Nikon FM2 and [analog] Leica CL are my first picks when it comes to pure joy of photography.
@mcantsin "Today's cameras are too fiddly and bloated with settings and features for my taste." If you spend the time customizing them, you are likely going to fiddle a lot less with a modern camera than one of the "classic" 1) Auto ISO implementation, current cameras really need only manual exposure + auto iso, the other programs are not needed 2) AF almost never needs to change nowadays. AF-C+tracking
I like the A1 because it feels a lot like an old school camera where you turn dials and knobs for all your core settings. To me it is the best old school style modern reincarnation, with a great tactile experience while being quick for real professional action photography. Not the best for some for the more extreme use (button-dial combo are easier if using gloves and less prone to impact damage) but that is nitpicking, and you can still program buttons and dials for the purpose.
Armandino, the A1 did not even make it on the list of both Chris & Jordan. Both of whom have had extensive use with the A1. Hopefully you’ll figure out why.
Very well reasoned and thought out choices! I feel like the Leica and Fuji are pretty close to each other in terms of what they are/do, but see the reasoning there.
I've shot both and, maybe it's because I like the analog dials, my vote for best handling camera over the X-S10 is the X-H1. Just the right amount of chunky, everything's where you need it, easy to configure, sturdy. Plus that grip fits my big hands a little better than the S10's smaller one.
I agree with Chris! It pains me to say that. The R5 IS the best handling camera, and I have tried them all. Sony's the worst , my old A7RIV was truly awful to use.
The R5 is too large and heavy, and that immediately disqualifies it. Also, Panasonic do the Canon interface better than Canon, so there's that as well.
@Kharan Um...you condemn R5 as too large and heavy, and then you promote PANASONIC of all brands in the same post???? R5 is 738g, while Panasonic's closest equivalent, S1R, is 1016g. Even Panasonic's lightest body, S5, clocks in at 714g.
I often read complaints about the feel of Sony cameras. I have three, including the A7RIV. I've never been troubled by this or any other camera brand. I think they all feel alright. As far as the user interface goes, I put the viewfinder at the top of importance. To me, that make a huge difference in my enjoyment and my success with any given camera. And all three of my Sony's have much better than average viewfinders.
PS I admit to slightly modifying my A35 and A7RIV. I glued a patch of rubber and the bottom of the valley for my right middle finger. Although my hands are only average size, the bottom of the valley was too narrow and pinched that middle finger. A patch of rubber fixed that by keeping my finger above the deepest, narrowest part of the valley.
quiquae: I was thinking more of the G9, S5 and GH-series. But also, if you're going to make your mirrorless body as thick and heavy as a DSLR, without any thermal benefits, then why not go whole hog like the S1-series? The R5/R6 irk me because they feel just like a 35mm DSLR but don't bring any thermal/battery benefits to the table. That's a waste, in my view.
Panasonic has done a very good job with the S5, the interface and controls are an improvement over quite a few cameras. I just don't understand why Panasonic needed to make the G9 and S1 that huge. It's also a shame not to have the nice EVF on the S5...
As a A7R IV user, I totally agree with you, my top pick is the R3 and followed by the Z9, but I actually went with the Z9 due to high resolution. the R5 is nice but after adding the VG, the R3 become a day and night better handling camera.
@Dan_168 I would agree, if you need the vertical grip the R3 would be better handling then the R5 and VG. The R5 is so nice that I just grab it to feel it in the hand, I have never done that with another camera!
@Kharan: too heavy? 😳 I use the R5 with the battery grip and find still light and even more ergonomic than without grip... and I hold it in my hand all day! Compared to a 6D mark iv or a Nikon D850 with grip it's actually lightweight!
Everyone is different. For me, on R5, the joystick location is difficult to use, it is short on custom buttons, and flip left then twist screen is a pain. Panasonic S1 series is large but had excellent layout, comfortable grip, and is very customizable. In the end, form comes after function and that is why Sony is popular despite not being ergonomically the best.
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