Long and short of it: Tamron 16-300mm F3.5-6.3 Di II VC PZD Macro review
Tamron 16-300mm F3.5-6.3 Di II VC PZD Macro review
Of the numerous incarnations of Tamron's famous superzoom concept that we've seen over the last couple of decades, the latest 16-300mm F3.5-6.3 Di II VC PZD Macro looks like one of the bigger steps forward. It offers a lot more than the incremental increase in focal length that has characterized most of its predecessors, starting at 18-200mm with the first version for APS-C format cameras in 2005, rising to 250mm, then 270mm, and now up to 300mm.
This time though, the focal length range also extends wider, from 18mm to 16mm (28mm to 24mm equivalent), bringing serious wide-angle capability to the superzoom category for the first time. A couple of millimeters improvement over the previous Tamron 18-270mm F3.5-6.3 Di II VC PZD may not sound like much, but it makes a very useful difference at short focal lengths and the extended range now sets a new record with a whopping 18.8x zoom ratio. Closest focusing distance has also been reduced to earn the 'Macro' designation (even if it's hardly macro in the true sense of allowing 1:1 reproduction).
Additionally, the new lens has had a thorough mechanical overhaul with several welcome changes. The PZD (Piezo Drive) auto-focusing and VC (Vibration Compensation) image-stabilization systems are both improved. The focusing ring is better positioned close to the camera and it no longer rotates during auto-focusing. The build quality goes up a notch too, with 'moisture-resistant' construction. Both size and weight have increased slightly, but it's still a very handy package.
- Class-leading 16-300mm focal length range (approx 24-450mm equivalent)
- Swift and quiet PZD ultrasonic-drive autofocus
- Effective VC (Vibration Compensation) in-lens image stabilization
- Close focusing to 0.39m, maximum magnification 0.34x
- Weather-resistant build
- Compact size (for focal length range)
- APS-C format only, in fittings for Canon, Nikon and Sony DSLRs
In the DSLR sector, Tamron faces superzoom rivals in every camp, and some of the designs are notably similar. Alphabetically, the Canon EF-S 18-200mm 3.5-5.6 IS looks a little behind the curve these days, though it's a proven good performer. Nikon has a history of occasional cooperation with Tamron and matches the long-end reach with its Nikkor 18-300mm F3.5-6.3G AF-S DX ED VR. The Pentax SMC DA 18-270mm F3.5-6.3 ED SDM bears more than a passing resemblance to the superseded Tamron 18-270mm. Not to be outdone, Sigma joins the up-to-300mm superzoom club with its revamped 18-300mm F3.5-6.3 DC Macro OS HSM C, and Sony has the DT 18-250mm F3.5-6.3.
Angle of view
This is what superzooms are all about - one lens, that goes from wide-angle, through the standard focal length range, and on to a very respectable telephoto. Tamron has even trade-marked the term 'all in one' and its 16-300mm lens leads the class with an 18.8:1 zoom ratio.
|From 16mm (24mm equiv) and upwards to...||...300mm (450mm equiv). Longest range in class.|
Tamron 16-300mm F3.5-6.3 Di II VC PZD Macro compared to Tamron 18-270mm F3.5-6.3 Di II VC PZD
|Tamron 16-300mm F/3.5-6.3 Di II VC PZD Macro||Tamron 18-270mm F/3.5-6.3 Di II VC PZD|
|Lens type||Zoom lens|
|Max Format size||APS-C / DX|
|Focal length||16–300 mm||18–270 mm|
|Lens mount||Canon EF-S, Nikon F (DX), Sony/Minolta Alpha||Canon EF-S, Nikon F (DX), Sony/Minolta Alpha DT|
|Number of diaphragm blades||7|
|Aperture notes||Circular diaphragm|
|Minimum focus||0.39 m (15.35″)||0.49 m (19.29″)|
|Motor type||Ultrasonic||Micro-type ultrasonic|
|Full time manual||Yes||No|
|Weight||540 g (1.19 lb)||450 g (0.99 lb)|
|Diameter||75 mm (2.95″)||74 mm (2.93″)|
|Length||100 mm (3.94″)||88 mm (3.46″)|
|Materials||Plastic barrel, metal mount|
|Zoom method||Rotary (extending)|
|Filter thread||67.0 mm||62.0 mm|
|Notes||Sony version will not have image stabilisation, and will be called '16-300mm F/3.5-6.3 Di II PZD Macro'|
|Hot Air Balloons Over Bagan by User9320321874|
|Yellow Warbler by LeeS|
from A Big Year - birds
|Waiting for the Parade by tcoker1103|
from - La Vida Loca - (Black and White Street Photography+ A Border)
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