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The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
The NEX-5N is a significant update to the NEX-5 in terms of both usability as well as customizability. The added connectivity with the new optional OLED EVF accessory should help to make this camera more appealing to enthusiast users who prefer shooting through an eye-level viewfinder. In addition, the support for the newly announced LA-EA2 SLT alpha mount adapter makes it possible to expand your range of lenses beyond the somewhat limited E-mount offerings at the moment, while gaining the added benefit of quicker phase detect AF. The adapter coupled with the NEX-5N's full manual video exposure control makes this camera very attractive for videography.
The NEX-5N's image quality is excellent. The 16.1MP sensor in the 5N is capable of capturing images that rival some of the best APS-C format DSLRs on the market, and up to ISO 6400 image quality is impressive. Even at ISO 12,800, image quality is perfectly acceptable for online use and for small prints, and far ahead of most of the NEX's Micro Four Thirds competitors. The addition of a selectable 25,600 ISO setting adds further versatility in low-light. In the previous NEX models, ISO sensitivity in iAuto mode was limited to 1600, somewhat negating one of the best features offered by these cameras over compacts - the low light capability of the larger sensor. The NEX-5N still has a fixed maximum ISO setting in iAuto, but it has at least been increased to 3200. A welcome change, but we'd still like to see the entire ISO sensitivity range made available.
Videographers who have been enticed to move in the direction of DSLR cameras for high quality video should take a look at the 5N as well. The 5N offers AVCHD 2.0 video recording at 1080 60p, which is the highest rate currently available. At the moment, however, AVCHD 1080 60p is not widely supported by most editing software but can be edited with the newest version of Sony's PMB software. The 5N also is capable of recording video in the standard 1080 30p as well as a 'cinematic' 24p mode. One of the biggest downsides for serious videographers is the lack of an external microphone input. This said, Sony does offer an accessory microphone (ECM-SST1) that attaches to the 5N's accessory port on the top of the camera and offers greater versatility than the built-in microphone.
The introduction of a touch screen to the NEX-5N seems like a natural choice as the camera body has very few external controls. Sony has done a good job of adding that functionality to the 5N in such a way that is intuitive as well as non-intrusive. While we appreciate that Sony has created a touch interface that can make navigating menus easier we would have liked to see Sony add more direct shooting features using the touchscreen such as a single touch-to-shoot mode.
Photographers who are familiar with compact cameras should feel right at home with the NEX-5N's simple, minimalist interface. More experienced users might be frustrated by the ultra-streamlined ergonomics but will appreciate the generous amount of customization available. Like its predecessors the 5N has an articulated screen that swivels up to assist when shooting from a low vantage point or downward for use when shooting from above, which greatly aids handling in certain situations, in both still and video shooting.
Like the NEX-5 the 5N has a more pronounced hand grip than the one found on NEX-3 / C3 which we find more comfortable to hold, especially when shooting in one hand. It also makes handling easier when the 5N is used with the SLT adapter paired with a rather large lens. The NEX-5N is not a large camera by any means but the possibility of pocketability becomes unlikely with anything besides the 16mm pancake lens.
In terms of image quality the NEX-5N sits untouched at the top of the mirrorless interchangeable lens compact category. The low-light capability of its APS-C format CMOS sensor matches or exceeds what we've come to expect from the best of the current crop of APS-C DSLRs as well. Considering its sub $700 price point this is truly impressive, and makes the 5N a very attractive option for anyone looking to upgrade from a compact camera, or even as a second body alongside a more conventional DSLR outfit.
Despite the NEX-5N's excellent image quality and versatility we still wouldn't call this a true DSLR replacement - the 5N's ergonomics are completely different, apart from anything else. However, the 5N provides an addictive combination of familiar, hassle-free handling with truly excellent image quality which we think will appeal to a very broad base of users - not only those who want a 'compact' system camera.
Sony Alpha NEX-5N
Category: Mid Range Interchangeable Lens Camera / DSLR
Ergonomics & handling
Metering & focus accuracy
Image quality (raw)
Image quality (jpeg)
Low light / high ISO performance
Viewfinder / screen rating
Movie / video mode
The NEX-5N is great little camera with big camera image quality. If you are looking to transition into enthusiast photography and want DSLR image quality in a small size, the 5N is definitely worth a look.
Scoring is relative only to the other cameras in the same category.
Click here to learn about the changes to our scoring system and what these numbers mean.
With start of a new year, many photographers will take up a '365 challenge', creating and sharing a photo every day of the year. If you're looking for inspiration to start your own, Toni Ahvenainen's 'Year of the Alpha' project is the perfect place to start. He's a DPR reader, an enthusiast photographer and, of course, a Sony shooter. In our Q&A he tells us how the project started, how it evolved and what he learned along the way. See gallery
When the Fujifilm X-T2 arrived, it was more than just a modest upgrade to the already impressive X-T1. While the new X-T3 hasn't changed the overall design of the camera, this model is way more than an upgrade; rather, it's a quantum leap.
The Movie Maker is a compact, motorized slider designed for phones, action cams and small mirrorless cameras. We think it's a fun little kit and a good value proposition for the cost, provided you can work around a few of its weak points.
Nikon's Z7 is the first camera to use the all-new Z-mount, the company's first new full-frame mount since 1959. We've put together our first impressions based on quality shooting time with a pre-production camera - check out what we've found.
What's the best camera for a parent? The best cameras for shooting kids and family must have fast autofocus, good low-light image quality and great video. In this buying guide we've rounded-up several great cameras for parents, and recommended the best.
What's the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we've rounded-up several great cameras for shooting landscapes, and recommended the best.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
|The Lone Photographer by ed rader|
from My Best Photo of the Week
|Neighbourhood Watch by Stevie Boy Blue|
from Zoo trip ~ Cute...
Voigtlander-Cosina has announced its eighth lens designed specifically for Sony's E-mount system. The 21mm F3.5 lens is due out October 2018.
Sony has taken the wraps off of its new 24mm F1.4 GM full-frame lens, which the company claims is the lightest in its class. Despite its fast aperture, the 24mm F1.4 is remarkably light, weighing just 445 grams (15.7 ounces). The lens will set you back $1400 when it ships next month.
In this episode of DPReview TV we take a look at Sony's brand new 24mm F1.4 GM lens, a desirable focal length for many photographers. How does it perform? Chris and Jordan give us their first impressions.
We've had a little time to shoot with Sony's new wide/fast prime, both close to home and on the water in San Francisco. Check out our initial sample images.
Fujifilm released a firmware upgrade for its X-T3 mirrorless camera that addresses issues with distortion compensation and the mechanical lock on SD cards.
The app's algorithms have been trained using using 200 million cropping data points from real photographers.
Thanks to a software update, the Loupedeck+ editing console can now be used for video editing.
British photographic engineer MTF Services is claiming the world’s first third-party lens adapters for the new Nikon Z system with a collection of four units designed to allow cinema lenses to be mounted on the mirrorless full frame bodies.
Think Tank Photo has updated its line of heavy-duty rain covers and introduced a new, compact version for emergency situations.
The X-T3 is our first opportunity to analyze what's likely to be Fujifilm's next generation image sensor. Take a look at how it performs next to the competition in our studio test scene.
Canon's new normal is seriously sharp wide open. After shooting with it for a few days, we've prepared a gallery of real-world sample images.
Nikon will cease offering Brazil-based customer service and technical support, though the company stresses that it will still offer technical assistance and warranty repairs for valid warranties.
Two years ago, CatLABS of JP announced a plan to save Packfilm from the dead. Now, it's announced it's giving up its efforts to better focus its resources elsewhere.
The GoPro Fusion is designed to make it easy to capture 360-degree video and stills. We took it out recently on a typically hot Seattle summer day to see what it can do.
We've got our hands on a full-production Nikon Z7 camera and have updated our gallery with additional samples.
A new Kickstarter campaign seeks funding for Chroma Chrono, a programmable RGB camera flash that emits multiple colors during long exposures.
Think Tank Photo has launched a new lineup of six dual-access, water-resistant protective lens cases it calls Lens Case Duo.
Canon and Nikon finally entered the full-frame mirrorless market this summer with the brand-new RF and Z mounts. Now that we've had some time with the cameras, we wanted to revisit our earlier predictions and take stock.
The devices' camera specs look pretty much identical to last year's iPhone X but under the hood a number of important improvements have been made.
Blackmagic Design has announced the public beta of its new Blackmagic RAW video codec. The company says the new format combines the benefits of shooting Raw video with the ease of use and smaller file sizes usually associated with non-Raw video files.
Serif, the company behind the Affinity suite, has announced the latest update for its mobile Photoshop competitor Affinity Photo for iPad.
The Atomos Ninja V external video recorder and monitor will be ready to ship at the end of this month. The 5.2in Ninja V is designed to provide a smaller option, while still offering many of the features of the larger 7-inch models.
Having shot with the camera, spoken to Canon and read the tea leaves, here's what DPR Technical Editor Richard Butler thinks the EOS R tells us about Canon and the RF's mount's future.
After last week's teaser, lighting manufacturer Profoto has announced its 'small big' new product. The B10 is designed to be used as studio flash head but in a very small body, and has a powerful continuous light source for videographers as well.
Konseen has launched Photo Studio, a new light box tent large enough to photograph people, as well as objects.
Seagate has introduced new high-capacity hard drives for Network Attached Storage (NAS) devices: the 14TB IronWolf and 14TB IronWolf Pro HDDs.
The case was first announced earlier this year as a Kickstarter campaign and comes with a range of features aimed at iPhone photographers.
Manfrotto has introduced a new two-in-one tripod to its Befree lineup. Called the Befree 2N1, this new addition is both a tripod and monopod in one and is available with both of Manfrotto's locking mechanisms.
This new high dynamic range editing software comes with an AI-powered Quantum HDR Engine for improved photo merging.