Sony Cyber-shot DSC-H9 Review
The H9 has seven white balance presets (daylight, cloudy, fluorescent 1, 2 and 3, incandescent and flash) in addition to the default auto white balance and a custom (manual) option. In our tests the auto WB system worked pretty well in all outdoor situations (though we did notice a slight warm tone to daylight shot), coped very well with mixed light sources, but struggled to correct the color cast caused by shooting under artificial (indoor) lighting. If you want neutral tones in such situations you need to use manual white balance.
|Incandescent - Auto WB
Red 16.0%, Blue -25.4%
|Incandescent - Incandescent preset WB
Red 5.1%, Blue -4.3%,
|Fluorescent - Auto WB
Red 2.7%, Blue -10.7%,
|Fluorescent - Fluorescent preset WB
Red 6.2%, Blue -6.5%,
The built-in pop-up flash has a range (using auto ISO) of up to around 9.8 m (32 feet) at the wide end of the zoom, dropping to 6.0 m (19.7 feet) at the long end - pretty impressive for a camera in this class (though be aware that at great distances the ISO may get pushed too high for really great quality). We found exposure and color to be very reliable, with the flash quenching well at distances down to about 10cm. There is a slight warm tone to flash photos, but in most cases this is better than being too cool, and produces nice skin tones. One minor complaint is the flash shot-to-shot time (partly due to the pre-flash metering used), which stretches to just over three seconds when red-eye reduction is turned on. If the batteries are low or your subject is a few feet away flash recycle times can rise to as much as 6 or 8 seconds.
|Skin tone - Warm tone, good exposure||Color chart -Slight warm tone,
The H9's macro mode is even better than its predecessor, and lets you get as close as 1cm at the wide end of the zoom, capturing an area 35mm (1.37 inches) across. Obviously there are some limitations on the usefulness of a macro mode than requires you to get so close to the subject for really impressive magnifications. The biggest is the issue of the camera casting such a large shadow over the subject that you can't see it. If you prefer to shoot your close ups from a more respectable distance the long end of the zoom does allow you to get down to around 120cm (about 47 inches) to capture an area just under 10cm across, which isn't bad at all for a zoom this big (though there is some corner softness and mild distortion).
Barrel and Pincushion Distortion
Although the measurements aren't terrible for a camera with such a huge focal length range, the H9 produces images with visibly more distortion than most of its competitors. There is fairly strong barrel distortion at the wide end and noticeable pincushion distortion at all longer focal lengths (not just the longest setting). Of course it always looks worse when shooting test charts, but if you need straight edges (such as copying documents or artwork) then this ain't the camera for you.
|Barrel distortion - 1.3% at Wide angle
Equiv. focal length: 36 mm
|Pincushion distortion - 0.1% at Telephoto
Equiv. focal length: 465 mm
Specific image quality issues
Away from the studio in the 'real world', overall impressions of the H9's output are mixed, to say the least. On a positive note the focus, exposure and color are generally excellent (though the default settings may produce output that is a little 'overcooked' for purists). Highlight clipping is pretty low too, and the sheer versatility of such a wide zoom range - combined with fast focus and an effective stabilizer - means there are few photographic challenges it can't handle.
But look a little closer - particularly at a pixel level - and you start to see the compromises involved in squeezing a 31-465mm equiv. lens and 8 million pixels into such a compact form. We're not sure if it's noise reduction, poor demosaicing or over-compression, but viewed on-screen the images just don't look very pleasant, with visible artefacts and more than a fair share of optical issues.
On the optical side the main issues are chromatic aberration, purple fringing, particularly at the wide end of the zoom, and excessive noise reduction. The latter causes smearing of low contrast detail (hair, foliage etc) even at low ISO settings and can add a watercolor-like dappling to out of focus areas and other soft details.
In fact at the very widest zoom setting it's kind of hard to find anything really positive to say about the H9's photos; at wider apertures there is a noticeable fall off in sharpness at the edges (on our sample it's much stronger on the left than the right), strong fringing and an overall lack of crisp detail. If you stop the lens down you get less fringing but diffraction starts to soften the images.
I should stress that unless you're in the habit of printing your images at large sizes or peeping at pixels the H9's output is unlikely to disappoint, and it has a remarkably high 'hit rate', with few focus or exposure failures. But for us the output was uninspiring.
A couple of side notes; firstly the lens hood is definitely useful for reducing flare and should be left on whenever possible when shooting outdoors. Secondly we were surprised to find that even in sunny weather the H9's program mode tended to default to rather small apertures and slow shutter speeds (we're guessing this is to reduce the fringing and edge softness).
This is doubly problematic; over about F5.6 diffraction effects start to soften the H9's output - the lens' sweet spot is around two stops in from the maximum aperture (resolution drops fairly rapidly at higher F numbers), and you can easily end up with shutter speeds too slow to guarantee a blur-free result.
This problem reaches its zenith in the new Advanced Sports Shooting mode, which on a bright day was giving me 1/60th second at F7.1!! This means that all that predictive focus cleverness is totally wasted. This can only be described as a bug in the firmware, and needs to be fixed (there's no way round this either - unlike normal program mode the sports mode doesn't have program shift or ISO control).
Chromatic Aberration & Purple Fringing
All super zoom cameras suffer from some fringing (though Panasonic's processing removes it before you ever see it), and this camera's predecessor (the H5) was the worst offender. The H9 seems to be just as bad, and it is fairly prevalent at the edge of the frame when shooting at the wide end of the zoom and around high contrast edges. Unusually we found evidence of purple fringing even where the edge wasn't particularly high contrast (see example below). There's also fairly strong chromatic aberration at all focal lengths (though most obviously at longer zoom settings), although to be fair it's harder to spot this in normal prints as the fringes are only a few pixels wide in most shots. Either way this whole fringing issue - be it lens related or CCD related - is something Sony really needs to sort out in future models.
|100% crop||465mm equiv., F5.6|
|100% crop||31mm equiv., F5.0|
Noise reduction at low ISO settings
We can forgive noise reduction artefacts creeping into shots at higher ISO settings, but there are times when they are all too visible in low ISO shots too - even at base ISO. The watercolor effect tends to be most obvious on soft, out of focus areas (such as when shooting at full zoom with a wide aperture to minimize depth of field) - if I was to guess what was happening it is that the Bionz processor is mistaking soft detail as areas of solid color and applying heavy NR thinking it won't be seen, though you can sometimes see messy edges even in areas full of detail.
It's certainly not something you see in every shot (and you'd need to be printing pretty big for it to be an issue) but without any control over noise reduction or the option of shooting raw I just wish Sony hadn't turned up the Bionz processor's NR controls so high.
|100% crop||465mm equiv., F5.6|
At the wide end of the zoom the sharpness drops off fairly rapidly as you move away from the center of the frame, particularly at wider apertures. Combined with the almost inevitable fringing and visible distortion this means that - a welcome addition or not - the new wideangle capabilities of the H9 are not suited to photography intended for large prints. Note that none of the examples below are anywhere near the widest aperture.
|100% crop||31mm equiv., F5.6|
|100% crop||31mm equiv., F4.5|
|100% crop||31mm equiv., F5.6|
May 29, 2007
Feb 27, 2007
May 28, 2010
May 28, 2010
Just in case there was any doubt in your mind, here's the definitive video proof that yes, a $50,000 cinema camera beats the pants off a $50 camcorder in a side-by-side test.
Photographers who fly frequently in the US may want to finally invest in that TSA Pre-check status: in standard security lines, cameras and all other electronics larger than a smartphone will need to be placed in a separate bin for screening.
Images have appeared which claim to show Nikon's forthcoming D850 DSLR, the development of which was announced this week. If genuine, the pictures indicate that the D850 will offer illuminated controls and a tilting LCD screen, but no built-in flash.
To celebrate the Daguerreotype Achromat 2.9/64 lens' successful Kickstarter campaign, Lomography has announced a chrome-plated version of the lens in Nikon and Canon DSLR mounts.
Nikon just released four new firmware updates, adding features and fixing bugs in the D600, D610, D750 and the KeyMission 80.
It probably hasn't made your landscape photography bucket list just yet, but there's a good reason to visit Idaho. Here are 9 must-visit locations in this beautiful state.
Oops... Adobe accidentally leaked their unfinished Lightroom-powered cloud-based photo editor 'Project Nimbus' to some Creative Cloud users yesterday.
Storm chaser and award-winning photographer Mike Oblinski just released his latest time-lapse, and it is absolutely stunning.
Looking to level up your video capture capabilities without buying a whole new camera? Blackmagic's Video Assist 4K is well worth considering, despite a few flaws and its lack of 4K/60p support.
We're big fans of Fujifilm's fast-growing GFX system, and the GF 110mm F2 lens is no exception. Positioned as the system's classic portrait lens, its optics are just as impressive with non-human subjects as well.
Nikon turns 100 years old today, and the company is celebrating with a wacky music video, some tributes to its history, and a new vision presented by president Kazuo Ushida.
Phottix just released the Premio Parabolic Umbrellas series, replacing their Para-Pro line with a stronger, deeper and better made set of parabolic umbrellas.
The Moto Z2 is Motorola's first dual-camera smartphone and, compared to its predecessor, comes with a number of improvements and new camera features.
Researchers at Stanford have revealed a new '4D camera system' built for robots. The system is based on the same light field tech that allowed Lytro cameras to refocus images after they were taken.
If you want 'beautiful rendition' from your lenses, follow this simple rule: only buy classic low-element prime lenses with lead glass elements—everything else is junk.
In an interview with CNBC, Leica Chairman Andreas Kaufmann said he dreams of a 'true Leica phone,' and hinted at what's next for the Leica and Huawei partnership.
Wildlife and nature photographer Peter Mather tells the story behind this exceptional shot of a mama grizzly and her cub searching for salmon in Yukon, Canada.
Popular YouTube channel TastyTuts has put together this 33-video Beginner's Guide to Adobe Photoshop—a godsend for anybody who wants to learn Photoshop from scratch.
The long anticipated replacement for the popular Rode VideoMic Pro is almost ready for shipping. The price of the upgraded VideoMic Pro+ will be £290/$300 when it goes on sale in mid-August.
A new iOS app called Explorest wants to help you find new locations to shoot. It's limited to Singapore for now, but the app is packed full of useful location scouting features.
Nikon's D850 development announcement is extremely light on details, so we assembled a wish list of upgrades and features we'd love to see.
Nikon has announced the development of the long-awaited replacement to its full-frame D810: the D850. Nikon says that the D850 will build on the strengths of its predecessor and offer 'new technologies, features and performance enhancements.'
Lens manufacturer Voigtlander has introduced a 65mm F2 macro lens for Sony E-mount that it says "rates as one of the finest in the history of Voigtländer."
The UK released a preview of their upcoming drone safety regulations, and it looks like drone pilots will have to both register their device and pass safety awareness tests.
National Geographic photographer Bob Holmes talks about light, and why you need to learn how to 'see' and not just 'look' at your subject.
Photographer Alessandro Barteletti shares the story behind his National Geographic Italia cover, shot with a 10-year-old DSLR and an iPhone flashlight.
Fashion catalog photographers in China have some next-level models to work with. In this video, you see one model hitting 30 poses in 15 seconds as the photographer snaps away.
Photographer Paul Adshead breaks down 11 photography-related smartphone apps he couldn't live without—from a pocket light meter to a lighting diagram app.
Fast-growing Chinese flash brand Godox is teasing a brand new flash trigger... for smartphones. The Godox A1 is a 'phone flash system' that can act as both flash and 2.4GHz trigger.
On July 12, Canon opened its newest Technology and Support Center, designed to serve the motion picture industry, in Burbank, CA. DPReview got a sneak peak and takes you behind the scenes.