Sony Alpha DSLR-A700 Review
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Gear in this story
Gear in this story
Highly Recommended
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Dec 18, 2010
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Dec 1, 2010
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Dec 19, 2007
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Feb 16, 2009
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Turning ten years old this week is the A700, Sony's first high-end DSLR after fully taking over Konica Minolta's camera business. With plenty of Minolta DNA, it debuted in September 2007 to take on the likes of Canon's 40D and Nikon's D300.
Nearly two years after Konica Minolta transferred its camera division over to Sony, and over a year after Sony's first DSLR (the A100), today is the day that the curtain is finally lifted on the long-awaited 'high end' Alpha digital SLR (in principle the replacement for the Konica Minolta 7D). The new model sports an impressive specification including magnesium alloy construction, 12MP CMOS sensor (with on-chip A/D conversion), 5fps shooting and a wealth of features and customization options, though interestingly (given the recent spate of announcements) no live view option. There's also a couple of new lenses and a new vertical shooting grip.
We've had a pre-production A700 for a couple of weeks in order to produce a detailed hands-on preview, available now.
The a7R V is the fifth iteration of Sony's high-end, high-res full-frame mirrorless camera. The new 60MP Mark IV, gains advanced AF, focus stacking and a new rear screen arrangement. We think it excels at stills.
After weeks with a production Canon EOS R6 Mark II, Chris and Jordan get into more detail than they could in their initial review.
Topaz Labs' flagship app uses AI algorithms to make some complex image corrections really, really easy. But is there enough here to justify its rather steep price?
Ultra-wide to short telephoto?! The Sony FE 20-70mm F4 G has a very useful focal range, so we took it to the mountains to see how it performs.
After weeks with a production Sony a7R V, Chris and Jordan present their final conclusions.
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There are a lot of photo/video cameras that have found a role as B-cameras on professional film productions or even A-cameras for amateur and independent productions. We've combed through the options and selected our two favorite cameras in this class.
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