Sony Cyber-shot DSC-R1 Review
Sony Cyber-shot DSC-R1 specifications
|Price||US: $999 [check/order]|
|Sensor|| 21.5 x 14.4 mm CMOS sensor
RGB Color Filter Array
Built-in fixed low-pass filter
10.8 million total pixels
10.3 million effective pixels
3:2 aspect ratio
5.49 µm pixel pitch
|Images sizes|| 3888 x 2592 (10M)
3264 x 2176 (7M)
2748 x 1856 (5M)
2160 x 1440 (3M)
1296 x 864 (1M)
|File formats|| RAW (.SR2, records a JPEG at the
same time) *
JPEG (EXIF 2.2) - Fine, Standard
* Effectively a RAW+JPEG setting
|File sizes|| RAW: 20.0 MB + 3.6 MB JPEG
10M FINE JPEG: 3.6 MB
10M STD JPEG: 2.3 MB
7M FINE JPEG: 2.6 MB
5M FINE JPEG: 2.0 MB
3M FINE JPEG: 1.4 MB
1M FINE JPEG: 0.5 MB
* All taken at ISO 160, JPEG sizes will increase with noise / detail
|Image Processor||"Real Image Processor"|
|Lens|| 24 - 120 mm equiv.
5x optical zoom
Carl Zeiss T*
F2.8 - F4.8
12 elements in 10 groups (4 aspherical)
Lens cap and flower hood included
|Zoom control|| Mechanically linked
Zoom ring at front of barrel
|Lens Thread||67 mm|
|Digital zoom|| Precision Digital: 2x (all
Smart: Increases at smaller sizes
|Focus modes|| Auto Focus
|Auto Focus Modes||
|Auto Focus Areas|| Multi-Point AF (5 area auto
Spot AF (flexible)
|AF Illumination lamp|| Yes, Orange lamp
Range: (W) 2.3 m, (T) 2.7 m
|Manual Focus|| Focus ring at rear barrel (focus by wire)
AF button active in MF mode
Full screen magnification during MF (high resolution)
|Normal focus range||50 cm (19.7 in)|
|Macro focus range||35 cm (13.8 in)|
|Sensitivity equiv.|| Auto (160 - 400)
|Min shutter|| Auto: 1/8 sec
Program AE: 1 sec
Aperture Priority: 8 sec
Shutter Priority: 30 sec
Manual: Bulb (3 mins)
|Max shutter||1/2000 sec (all exposure modes)|
|Shooting Modes|| Auto
Scene mode: Twilight, Twilight Portrait, Landscape, Portrait
|Aperture Priority|| Wide: F2.8,
F3.2, F3.5, F4.0, F4.5, F5.6, F6.3, F7.1, F8, F9, F10, F11, F12, F14, F16
Tele: F4.8, F5.6, F6.3, F7.1, F8.0, F9, F10, F11, F12, F14, F16
30, 25, 20, 15, 13, 10, 8, 7, 5, 4, 3, 2.5, 2, 1.6, 1.3, 1, 1/1.3, 1/1.6, 1/2, 1/2.5, 1/3, 1/4, 1/5, 1/6, 1/8, 1/10, 1/13, 1/15, 1/20, 1/25, 1/30, 1/40, 1/50, 1/60, 1/80, 1/100, 1/125, 1/160, 1/200, 1/250, 1/320, 1/400, 1/500, 1/640, 1/800, 1/1000, 1/1250, 1/1600, 1/2000 sec
|Manual Exposure||Any combination of aperture and shutter speed above plus 'Time' which allows for very long exposures of up to three minutes.|
|Exposure Compen.|| +/- 2 EV
0.3 EV steps
Via rear command wheel
|AE Lock||Yes, dedicated button|
|Auto Bracketing|| 3 images
0.3, 0.7 or 1.0 EV steps
|Noise reduction|| Clear Color
Slow Shutter NR (slower than 1/25 sec)
|Color space|| sRGB (Standard, Vivid)
Color mode: Standard, Vivid, Adobe RGB)
|Picture Effects|| Off
|White Balance|| Auto
|WB Fine-Tune||Yes, +/-3 levels|
|Continuous|| 3.0 fps
Maximum 3 frames *
* As tested on our pre-production unit
|Built-in Flash|| Pop-up (powered)
Auto / Manual pop-up
Range: (W) 8.5 m, (T) 5.0 m (Auto ISO)
|Flash compensation|| +/- 2 EV
0.3 EV steps
|External flash|| Hot shoe
|Self-timer||Yes, 10 sec delay|
|Remote control||Optional wired|
|Video out||Yes, selectable NTSC / PAL|
|Storage|| Memory Stick / Memory Stick Pro
Compact Flash Type I/II
Supports FAT32 (cards over 2 GB)
No storage included
|Viewfinder|| Electronic Viewfinder with
0.44" TFT LCD
|LCD|| 2.0" TFT LCD
Flip-up and twist (top mounted)
|Playback zoom||Yes, x1.1 - x5.0|
|Connectivity|| USB 2.0 (Hi-Speed)
|Power|| Lithium-Ion InfoLithium
NP-FM50 (1200 mAh)
Supplied AC-L15 adapter / charger
|Weight (inc. battery)||995 g (2.2 lb)|
|Dimensions (inc. grip)||139 x 168 x 97 mm (5.5 x 6.6 x 3.8 in)|
Dec 6, 2005
Sep 8, 2005
Dec 2, 2008
Dec 2, 2008
|Hot Air Balloons Over Bagan by User9320321874|
|Blue mood by darub|
from Fixed lens shootout.
|Yellow Warbler by LeeS|
from A Big Year - birds
|Waiting for the Parade by tcoker1103|
from - La Vida Loca - (Black and White Street Photography+ A Border)
The Pictar grip provides a number of customizable physical controls for your iPhone camera, but at its price point we would like to see better materials and build quality.
Peak Design's 'consider every detail' approach shines in the Everyday Backpack. While expensive, it's one of the best options out there for a photographer who needs to pack a lot of stuff in addition to gear.
If you're thinking of using Canon's sports glass on the Sony a9, think again. The ultra-fast camera slows way down when you attach off-brand glass.
The Polish town of Katowice is not known as an area of beauty, but as all photographers know, that doesn't mean that beauty can't be found if you know where to look. Mariusz Pietranek used a drone to look down on the colorful sedimentation tanks at an ironworks.
New York Times video journalist Ben Solomon spent a harrowing three weeks accompanying Iraqi Major Sajjad al-Hour as he and his men fought to retake Mosul from I.S. forces.
The 3D VR camera launched through a crowdfunding campaign in 2015 goes on sale beginning June 26.
Noctilucent clouds, a crescent moon and Venus were visible in the pre-dawn sky over Budapest yesterday. Photographer György Soponyai captured NASA's astronomy picture of the day.
Squirming pets won't sit still for photos? A Kickstarter campaign is looking to help.
Find out how Chris Burkard shifted from editorial photography to his true passions: landscapes, conservation and, of course, surfing.
The updated EyeEm app scans your camera roll and picks images that are composed particularly well, have the best quality, or highest chance of selling on EyeEm Market.
It's three years old but still a solid option for a Micro Four Thirds shooter looking for a high-quality, fast, wide-angle prime. Take a look at how we got along with it.
Tamron has announced the longest all-in-one zoom lens currently available, the 18-400mm F3.5-6.3 Di II VC HLD. Designed for Canon and Nikon crop-sensor cameras, the lens will be available in July.
When you're ready to step-up to full-frame from an entry-level or midrange camera, the choices can be overwhelming. Find out which models came out on top in our $1200-2000 enthusiast ILC roundup.
Just a guy wearing a VR headset, smashing invisible Goombas in Central Park.
NASA's Mars Reconnaissance Orbiter captured this gorgeous aerial photo of the Martian landscape. And if you look really close, you can actually see the Mars Curiosity rover in the very middle.
The city of Laguna Beach, California has provided some clarification around the kinds of photography permits it offers.
Later this year, a VR180 camera will be Joining Yi's Halo and 360 VR cameras, which will offer stereo 3D capture, yet be as easy to use and compact as a 2D camera.
Caltech researchers have developed an 'optical phased array' chip that uses time delays instead of a lens to focus the incoming light.
Pricing and shipping have finally been revealed for two highly anticipated lenses from Sigma, announced in February.
These macro photos of clouds of paint billowing through clear water might look like high-quality CGI, but they're real photographs. And photographer Alberto Seveso told us how they were made.
Facebook is testing a feature that prevents people from saving, sharing, or even taking a screenshot of your profile picture.
We've reshot the Sony a9 in our studio. The short story: it's sharper! The long story... well you can read it all here.
The collection will be officially launched during the Europeana Transcribathon Campus Berlin 2017 crowdsourcing event which will be held on 22 and 23 June at the Berlin State Library.
Light gives us some insight into the preparations for the launch of the pre-order shipments of its much anticipated L16 multi-lens camera.
OnePlus co-founder Carl Pei has confirmed in a tweet that the second lens on the back of the OnePlus 5 uses a 1.6x optical zoom and that digital zoom is used to reach the claimed 2x zoom factor.
Fujifilm recently unveiled the second in its series of affordable cine lenses, the MK50-135mm T2.9. We got our hands on it for a couple days and took it for a spin.
Leica's first attempt at an M-series digital rangefinder was rough around the edges, but set a pattern for all of the cameras that came after it. In this week's Throwback Thursday article, Barney remembers the M8.
No stranger to extreme situations, legendary climber and filmmaker Jimmy Chin talks to Outside Magazine about his career, and the challenge of filming Alex Honnold's rope-free solo climb of El Capitain.
A company backed by Android co-founder Andy Rubin is attempting to make video conferencing less terrible.
Rangefinder magazine asked five professional portrait and wedding photographers about posting on Instagram; no surprise, they got five different answers.