The 2 megapixel DSC-F505 was originally revealed back in August 1999, and we were the first site to review it. In April 2000 Sony announced an upgraded camera named the DSC-F505V, it was essentially the same lens and camera engine but with a 3.3 megapixel sensor. Because the lens system wasn't altered the F505V couldn't cover the required 3.14 megapixels, instead it produced a 2.6 megapixel (1856 x 1392) image.
So here we are some 16 months after the F505V, and some two years since the F505, Sony has revealed the 5 megapixel F707. This digital camera has the same lens / swivelled body design of the F505, indeed at first glance their are a lot of similarities, look closer and you'll see that this camera is an impressive evolution in the best sense of the word.
The F707 still features a 'Carl Zeiss' lens, of course this time focal lengths have had to change, the F707 uses a larger 2/3" CCD compared to the original 1/2" CCD (2 megapixel F505). The old lens had a focal length range of 7.1 - 35.5 mm (5x, 38 - 190 mm equiv.), the new lens has a focal length range of 9.7 - 48.5 mm (5x, 38 - 190 mm equiv.). Also of interest is that the new lens is quite a bit faster than the old, the old lens had maximum aperture of F2.8 at wide angle and F3.3 at telephoto, the new lens has a maximum aperture of F2.0 at wide angle and F2.4 at telephoto (that's a stop faster).
Review update (5th September 2001)
This review was originally based on a pre-production DSC-F707. I have now completed updating this review with results from a full production DSC-F707. As well as fully verifying the review text I have also re-shot a lot of samples and updated test results etc. For those who read the review before this update here's a log of changes:
|Introduction||Review update||Add||Added this item|
|Body/Design||All||Verify||Green dot on nightshot switch|
|Operation||Top controls||Update||Updated text and image|
|Timings & Sizes||Performance||Verify||Faster: power up, shot to shot|
|Features||Night Shot||Re-shoot||Better night shots, almost no 'black holes'|
|Image Quality||Resolution Chart||Re-shoot||Identical result|
|Image Quality||White Balance||Re-shoot||No more green cast on daylight AWB|
|Image Quality||Clipped reds||Verify||Now with comparison to Canon G2, red is better|
|Compared to..||DiMAGE 7||Update||Added 'pre-production' notice, moved to end|
|Compared to..||New page - G2||Shoot||Added compared to Canon G2|
|Compared to..||4-way comparison||Update|
|Samples||New Gallery||Replace||Replaced gallery with production gallery|
F707 vs. F505V
Here's a quick summary of the primary differences between the DSC-F505V and the DSC-F707.
The DSC-F707 becomes the second digital camera we've reviewed which uses the new 2/3" 5.24 mp Sony ICX282 CCD. The camera outputs a 4.92 megapixel image (2560 x 1920) from this CCD. Coming from the 2.6 megapixel F505V this is certainly a big step up, the diagram below will give you a visual scale display of the difference between 2.6 megapixels and 4.92 megapixels.
Here are a few other ways of thinking about the increase in resolution (compared to the F505V's 2.6 megapixel image):
- The output image is 704 pixels wider and 528 pixels taller
- The output image has 2.33 million more pixels
- Prints at 150 dpi would cover an extra 4.7 inches horizontally and 3.5 inches vertically
|Smile by Olymguy|
from Ultra Asian Indian Female Faces
|Space Shuttle Cockpit- by vbuhay|
from Aircraft Control Stick
The updated EyeEm app scans your camera roll and picks images that are composed particularly well, have the best quality, or highest chance of selling on EyeEm Market.
It's three years old but still a solid option for a Micro Four Thirds shooter looking for a high-quality, fast, wide-angle prime. Take a look at how we got along with it.
Tamron has announced the longest all-in-one zoom lens currently available, the 18-400mm F3.5-6.3 Di II VC HLD. Designed for Canon and Nikon crop-sensor cameras, the lens will be available in July.
When you're ready to step-up to full-frame from an entry-level or midrange camera, the choices can be overwhelming. Find out which models came out on top in our $1200-2000 enthusiast ILC roundup.
Just a guy wearing a VR headset, smashing invisible Goombas in Central Park.
NASA's Mars Reconnaissance Orbiter captured this gorgeous aerial photo of the Martian landscape. And if you look really close, you can actually see the Mars Curiosity rover in the very middle.
The city of Laguna Beach, California has provided some clarification around the kinds of photography permits it offers.
Later this year, a VR180 camera will be Joining Yi's Halo and 360 VR cameras, which will offer stereo 3D capture, yet be as easy to use and compact as a 2D camera.
Caltech researchers have developed an 'optical phased array' chip that uses time delays instead of a lens to focus the incoming light.
Pricing and shipping have finally been revealed for two highly anticipated lenses from Sigma, announced in February.
These macro photos of clouds of paint billowing through clear water might look like high-quality CGI, but they're real photographs. And photographer Alberto Seveso told us how they were made.
Facebook is testing a feature that prevents people from saving, sharing, or even taking a screenshot of your profile picture.
We've reshot the Sony a9 in our studio. The short story: it's sharper! The long story... well you can read it all here.
The collection will be officially launched during the Europeana Transcribathon Campus Berlin 2017 crowdsourcing event which will be held on 22 and 23 June at the Berlin State Library.
Light gives us some insight into the preparations for the launch of the pre-order shipments of its much anticipated L16 multi-lens camera.
OnePlus co-founder Carl Pei has confirmed in a tweet that the second lens on the back of the OnePlus 5 uses a 1.6x optical zoom and that digital zoom is used to reach the claimed 2x zoom factor.
Fujifilm recently unveiled the second in its series of affordable cine lenses, the MK50-135mm T2.9. We got our hands on it for a couple days and took it for a spin.
Leica's first attempt at an M-series digital rangefinder was rough around the edges, but set a pattern for all of the cameras that came after it. In this week's Throwback Thursday article, Barney remembers the M8.
No stranger to extreme situations, legendary climber and filmmaker Jimmy Chin talks to Outside Magazine about his career, and the challenge of filming Alex Honnold's rope-free solo climb of El Capitain.
A company backed by Android co-founder Andy Rubin is attempting to make video conferencing less terrible.
Rangefinder magazine asked five professional portrait and wedding photographers about posting on Instagram; no surprise, they got five different answers.
This captivating stop motion film was created by stripping away one layer of wood at a time. It's hard to look away.
It will enable users to simulate the presence of the sun, moon and Milky Way and see how they interact with an area's topography.
Since its introduction in November last year Instagram's live streaming feature has been used by millions, but videos could not be archived for watching at a later stage. A new update has now added the capability.
CopyTrack's study also found that the second most-stolen image is a woman wearing painted jeans. That's apparently a thing.
Forget expensive lenses with fancy coatings and special lens elements – photographer Robin de Puy took these portraits using just a water drop for a lens.
Adobe reports a record quarterly revenue of $1.77 billion for the second quarter fiscal year 2017 ended June 2, 2017.
Zeiss says its new lens is particularly suited for portrait photography but also a good all-rounder and can be used in video applications.
We present to you the top photos from the Kennel Club's 2017 Dog Photographer of the Year photo contest – take a look at 10 of the award-winning puppers.
In case you were looking for any more inspiration to go fly one.