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The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
Sony have had a strong grip on the digital camera market for several years now. So, what's been the reason they've done so well? The decision to use floppy disks as the storage medium. Now ask any reviewer what storage medium he'd most like in a digital camera and floppy disk would probably be the last thing in the world. However for the average user the convenience of being able to store images on virtually cost-less floppies and just pop them into any standard 3.5" floppy drive has been the key to making digital cameras easy for them.
Sony, however, have faced a dilemma. The only way to get a decent number of images onto a floppy disk is to heavily compress the JPEG file, on the older Mavica's this was less of a problem (due to pixel count) but as things have progressed up to the FD-95 with 2.1 megapixels it's becoming increasingly difficult to maintain image quality at the same time as storing more than two or three images on a disk...
How to solve this dilemma? What's the next most common storage medium shared amongst many computers? CD-ROM... But to put a full size CD-R writer in a digital camera wouldn't be feasible (trust me, this camera is big enough already!)
So, 8 cm CD-R discs... Wacky, but it may just work. These little CD-R's offer 156 MB of storage per disc, are relatively cheap (and available if you know the suppliers). This would mean that Sony could boost the image quality by using a less aggressive compression yet still maintain the Mavica's convenience in being able to just pop the disc into a standard CD-ROM drive...
There have to be some drawbacks, right? Well, yes, first off there's the physical size of the camera. If you're used to the FD-91 or FD-95 then that probably won't bother you. If your other camera is a Canon S100 Digital ELPH / IXUS then you'll probably think the CD1000 is a little on the large size.
Secondly there's the inability to delete images (you can delete but you don't get any space back) or rewrite discs (though considering the price/MB it's a relatively small price to pay). Once you take a shot you can't delete it, you can't even preview it before it's written to the CD-R (which I'd mark down as a drawback). Lastly you can't use the disc in a standard CD-ROM drive until its been "finalised", the first finalise uses 13 MB of space, each following finalisation takes 4.5 MB
You can however read the discs without finalising on a CD-RW drive with DirectCD installed.
The FD-91's 14 x optical zoom lens (equiv. to 518 mm on a 35 mm camera) became legendary amongst Mavica owners, an optical marvel in its zoom ability (if not in overall image quality) it was loved and hated almost equally amongst owners and reviewers. With the FD-95 and now the CD1000 Sony toned things down a little, just a 10 x optical (370 mm on a 35 mm camera), knowing that using a higher resolution CCD would but larger requirements on the quality of the image coming through the lens.
The FD-91's distinctive stablisation bulge is still there, offering great image stablisation essential for shooting at such long focal lengths.
It's interesting to note that in recent months other manufacturers have expressed an interest (or released) in digital cameras with long zooms. Canon recently announced an OEM 10 x stablised lens system which could be used in other cameras (and perhaps their own?), Olympus announced and are in the process of releasing the C-2100UZ which features a 10 x stablised lens and Fujifilm's new 4900Z features a 6 x optical zoom lens.
In a recent poll carried out on this site 12% of respondents placed a large zoom as the most important feature of a digital camera which came third to 22% who voted for pixel count and 50% who voted for a high quality lens. So most people would be looking for a 6 - 10 x optical zoom with very high quality glass... Not much to ask for ;-)
When the Fujifilm X-T2 arrived, it was more than just a modest upgrade to the already impressive X-T1. While the new X-T3 hasn't changed the overall design of the camera, this model is way more than an upgrade; rather, it's a quantum leap.
The Movie Maker is a compact, motorized slider designed for phones, action cams and small mirrorless cameras. We think it's a fun little kit and a good value proposition for the cost, provided you can work around a few of its weak points.
Nikon's Z7 is the first camera to use the all-new Z-mount, the company's first new full-frame mount since 1959. We've put together our first impressions based on quality shooting time with a pre-production camera - check out what we've found.
What's the best camera for a parent? The best cameras for shooting kids and family must have fast autofocus, good low-light image quality and great video. In this buying guide we've rounded-up several great cameras for parents, and recommended the best.
What's the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we've rounded-up several great cameras for shooting landscapes, and recommended the best.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
|_ERN9064 by ernesto juarez|
from Shoot yourself ! (with your camera)
|walkersons fields by George Veltchev|
from -Waiting for Autumn- (in Full Colours Only)
There's no mistaking the Nikon Coolpix P1000 – with a 24-3000mm equivalent zoom, it really is in a class of its own. It's a conspicuous-looking superzoom with one main job: getting you really close to far away subjects. We've put together a gallery showing the kind of results you can expect from it.
A new report from The Verge claims Instagram is currently testing a feature that allows users to re-share posts to their own account feeds.
GoPro has announced its HERO7 camera lineup. The updated action cameras feature new HyperSmooth and TimeWarp modes, as well as improved video and photo specs.
The latest Samsung midrange smartphone offers a super-wide-angle lens in its triple-camera setup.
The Sony 24mm F1.4 is the latest lens to join the company's premium G Master lineup. We've been shooting with one for a couple of days - here's what you need to know.
Apple released iOS 12 a few days ago and some iPhone X users are less than happy with how the new operating system has made their phones look.
Camera bag manufacturer Lowepro has introduced mark II backpacks for its ProTactic AW range with models that are said to feature an improved handling experience as well as a collection of accessories that can be attached to the outside.
Canon has announced its latest superzoom camera, the PowerShot SX70 HS. Compared to the SX60 that came before it, the SX70 has the same lens but offers a higher resolution EVF, 4K video capture and support for Canon's new CR3 Raw format.
Cosina has announced its eighth lens designed specifically for Sony's E-mount system. The Voigtlander 21mm F3.5 lens is due out October 2018.
Sony has taken the wraps off of its new 24mm F1.4 GM full-frame lens, which the company claims is the lightest in its class. Despite its fast aperture, the 24mm F1.4 is remarkably light, weighing just 445 grams (15.7 ounces). The lens will set you back $1400 when it ships next month.
In this episode of DPReview TV we take a look at Sony's brand new 24mm F1.4 GM lens, a desirable focal length for many photographers. How does it perform? Chris and Jordan give us their first impressions.
We've had a little time to shoot with Sony's new wide/fast prime, both close to home and on the water in San Francisco. Check out our initial sample images.
Fujifilm released a firmware upgrade for its X-T3 mirrorless camera that addresses issues with distortion compensation and the mechanical lock on SD cards.
The app's algorithms have been trained using using 200 million cropping data points from real photographers.
Thanks to a software update, the Loupedeck+ editing console can now be used for video editing.
British photographic engineer MTF Services is claiming the world’s first third-party lens adapters for the new Nikon Z system with a collection of four units designed to allow cinema lenses to be mounted on the mirrorless full frame bodies.
Think Tank Photo has updated its line of heavy-duty rain covers and introduced a new, compact version for emergency situations.
The X-T3 is our first opportunity to analyze what's likely to be Fujifilm's next generation image sensor. Take a look at how it performs next to the competition in our studio test scene.
Canon's new normal is seriously sharp wide open. After shooting with it for a few days, we've prepared a gallery of real-world sample images.
Nikon will cease offering Brazil-based customer service and technical support, though the company stresses that it will still offer technical assistance and warranty repairs for valid warranties.
Two years ago, CatLABS of JP announced a plan to save Packfilm from the dead. Now, it's announced it's giving up its efforts to better focus its resources elsewhere.
The GoPro Fusion is designed to make it easy to capture 360-degree video and stills. We took it out recently on a typically hot Seattle summer day to see what it can do.
We've got our hands on a full-production Nikon Z7 camera and have updated our gallery with additional samples.
A new Kickstarter campaign seeks funding for Chroma Chrono, a programmable RGB camera flash that emits multiple colors during long exposures.
Think Tank Photo has launched a new lineup of six dual-access, water-resistant protective lens cases it calls Lens Case Duo.
Canon and Nikon finally entered the full-frame mirrorless market this summer with the brand-new RF and Z mounts. Now that we've had some time with the cameras, we wanted to revisit our earlier predictions and take stock.
The devices' camera specs look pretty much identical to last year's iPhone X but under the hood a number of important improvements have been made.
Blackmagic Design has announced the public beta of its new Blackmagic RAW video codec. The company says the new format combines the benefits of shooting Raw video with the ease of use and smaller file sizes usually associated with non-Raw video files.
Serif, the company behind the Affinity suite, has announced the latest update for its mobile Photoshop competitor Affinity Photo for iPad.
The Atomos Ninja V external video recorder and monitor will be ready to ship at the end of this month. The 5.2in Ninja V is designed to provide a smaller option, while still offering many of the features of the larger 7-inch models.