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The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
The Sony Cyber-shot DSC-RX100 is an enthusiast compact camera based around a 20MP 1" CMOS sensor. It features a Zeiss-branded 28-100mm equivalent F1.8-4.9 stabilized lens featuring Zeiss T* coatings to minimize internal reflection. The rest of its specification is pretty impressive too - a 1.2 million dot 3.0" LCD (VGA resolution but using Sony's WhiteMagic technology to offer greater brightness or improved battery life), and 1080p60 video capture or 1080i with the ability to shoot a 17MP stills without interrupting movie recording. The camera can even boast a respectable 330 shots from a charge, according to CIPA tests.
Despite the availability of comparatively small, large-sensor mirrorless cameras (at increasingly low prices), the enthusiasts' compact boom has continued. Most of the big names in the industry now offer models to appeal to people comfortable with a a DSLR but wanting something easier to carry around. The RX100, Sony's first venture into this market since 2004 (with the DSC-V3) is something rather more serious.
A 1"-type sensor is twice as large as the sensor in the Fujifilm X10 and 2.7 times larger than most of the rest of the class. The only comparable camera to offer a sensor larger is the Canon G1 X, which offers impressive image quality but with the payoff being bulkier styling and the larger dimensions demanded by its near-DSLR-sized sensor. Sony says the 'R' in the camera's name is intended to evoke its original high-grade fixed-lens camera, the DSC-R1, though the only similarities between the two are the ability to capture Raw image data and the ambition of their designs.
In general you can divide the enthusiasts' compact sector by body style, with the Canon S100 exemplifying the conventional compact style and the G12 representing the more bulky, dial-encrusted choices with tunnel-style optical viewfinder. Sony has chosen to go down the compact route and opted for a lens that slows considerably as you zoom in, rather than the bright zooms offered by the Olympus XZ-1, Panasonic LX7 and Fujifilm X10. This is the same balance Canon has chosen with its popular S100, but of course that doesn't have a sensor anywhere near as large as the RX100's.
Despite the large sensor, the RX100 is still pocketable. It's not the smallest compact camera on the market, but it'll fit in breast pocket of a jacket, making it a genuine carry-around second camera for DSLR owners. In principle, at least, the RX100 shouldn't present the same image-quality compromise that switching across to one of the existing compact cameras would.
The RX100's user interface makes very clear that Sony has concentrated on making a camera that enthusiasts will be happy with. The difference between this and the beginner-focused interfaces on the Nikon 1 models (and the Sony NEX cameras when they were first launched) couldn't be more stark. The RX100 doesn't go overboard with manual controls but the now commonplace lens-encircling control dial is key to its usability. Add to this a customizable function menu - allowing you to specify which settings you want quick access to, and in which order - and you have a very controllable compact. The way Sony has done this is an extension of the options added to NEX cameras but is also reminiscent of the Ricoh control interface (still probably our favorite on a high-end compact).
And these differences from the entry-level mirrorless cameras are telling. Clearly Sony believes there is a photographically-savvy audience that wants a second camera without having to battle against a simplistic user interface or invest in a second lens system. It's pretty clear it also hopes that some existing compact owners will want something small and high quality, but will recognise themselves as part of the majority that buys interchangeable lens cameras but never takes the lens off. The RX100's $650/£550/€650 price tag may well work against this, though.
To put this price in perspective, you have to really understand the sensor size and what it means for the camera's capabilities.
|The sensor in the RX100 is the same 1" format that Nikon uses in its 1-System. It is considerably smaller than those used in most interchangeable lens cameras but it significantly larger than those used in most enthusiast compacts.|
A large sensor is one of the most significant factors in terms of providing good image quality. The larger area simply means that, compared to a smaller sensor camera, it will be exposed to more light during any exposure with the same settings (ISO, shutter speed and F-number). And more light means a better signal-to-noise ratio.
To do this, the table below shows it against its peers, showing the area of the sensor, the size of the camera and the effective aperture of the camera. This last figure gives an idea of how much control over depth-of-field the camera will offer, by relating the aperture ranges back to the 135 film standard.
|Price (MSRP)||Sensor area, mm2
|Focal length range||Focal length range (equiv.)||Aperture range||Aperture range (equiv.)*||Dimensions, mm(bounding box**)|
|Canon G1 X||$799||262
* Effective aperture, in 135 film terms - this gives an idea of the depth of field control offered by the lenses when the sensor size is taken into account.
** The sum of each camera's longest dimensions (the volume of the smallest box that could contain the camera, with the lens retracted)
*** Figure takes into account that the XZ-1 uses a crop from a 1/1.63" sensor.
|Compared to the conventional compact-style enthusiast cameras, the RX100 fits in pretty well, despite having a sensor two-and-two-thirds times larger.|
|From the top it is clear that the RX100 is a good deal less bulky than the Olympus XZ-1 and not too much thicker than the Canon PowerShot S100, easily fitting inside a shirt pocket. Impressive given that it features a much larger sensor than either of these cameras.|
|The RX100's 1"-type sensor is a good deal larger than that used in the Fujifilm X10 (left) but smaller than the near-APS-C sensor that Canon uses in the PowerShot G1 X. Despite falling in the middle of this trio in terms of sensor size, though, the RX100 is comfortably the smallest of the three.|
|As you can see from the top view, the Sony has achieved such a small body in part by omitting both a hotshoe and optical viewfinder. The RX100's fixed LCD screen and lack of a hand grip has also kept keep the body nice and slim.|
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Since the RX100 first came out, Sony has introduced a total of four updated models to market and hasn't discontinued any of them. Should you save a few bucks and go with less than the latest-and-greatest? Find out which one is the right fit. Read more
When he was just 19, Rob Kearney had developed an encyclopedic knowledge of cameras and a position at a local camera shop (for which he was the only applicant). With his Leica M6, he fancied himself the Cartier-Bresson of New Haven, Connecticut. He's now a professional re-toucher and a keen street photographer. Learn more about his photographic history and see his work. Read more
After taking a 25 year break from photography, Tom Goodman started taking pictures again and hasn't stopped since. With a background in art history and fine art, he took a break from photography earlier in his career to run an agency representing artists and photographers. Having returned to creating images, he says he has 'no time to lose.' Read our Q&A and see his work. Read more
The holidays are a great time to take pictures — and they're a great time to get a camera for yourself or for a loved one. With more than 50 cameras going through the hands of the DPReview team over the year, we've seen it all (or so we think). Based on our collective knowledge we hope this guide will help you make an informed decision on which camera will fit your needs. In part 4, we look at high-end pocketable compacts.
The holiday season is upon us once again and with all the sales and special deals around at the moment, this is a great time to start thinking about getting a new camera. Maybe for a loved one, maybe just as a treat to yourself. In this article, we'll be looking at the current field of enthusiast zoom compact cameras, and examining their relative strengths and weaknesses to help you make your buying decision. Click through for a link to our 12-page article.
The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
When the Fujifilm X-T2 arrived, it was more than just a modest upgrade to the already impressive X-T1. While the new X-T3 hasn't changed the overall design of the camera, this model is way more than an upgrade; rather, it's a quantum leap.
The Movie Maker is a compact, motorized slider designed for phones, action cams and small mirrorless cameras. We think it's a fun little kit and a good value proposition for the cost, provided you can work around a few of its weak points.
Nikon's Z7 is the first camera to use the all-new Z-mount, the company's first new full-frame mount since 1959. We've put together our first impressions based on quality shooting time with a pre-production camera - check out what we've found.
What's the best camera for a parent? The best cameras for shooting kids and family must have fast autofocus, good low-light image quality and great video. In this buying guide we've rounded-up several great cameras for parents, and recommended the best.
What's the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we've rounded-up several great cameras for shooting landscapes, and recommended the best.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
|Abstract bokeh by Minas_Eye|
from Your City - Bokeh in the City (Rerun)
|Green Tree Frog by BruceRH|
|Custom Red Roadster by Mitchmeister|
from Car Shows 2018
At Sony's press conference at Photokina the company announced that 12 more E-mount lenses will be arriving over the next two years. In addition, the company is working to utilize artificial intelligence in its technologies, with one application being Eye AF trained to detect animal eyes.
Sigma has said it will create a full-frame Foveon camera and will adopt the Leica L mount for its system. It will be able to adapt or convert SA mount lenses to the L mount, for existing users.
Hasselblad is expanding their X System with their announcement of three new lenses: the XCD 80mm F1.9, XCD 65mm F2.8 and XCD 135mm F2.8, along with a teleconverter. The 80mm F1.9 is the fastest in the system. Get all the details and check out Hasselblad's official sample images here.
Sigma has announced the 56mm F1.4 DC DN lens for Micro Four Thirds and Sony E mounts. The compact 56mm lens becomes the sixth DN lens for mirrorless cameras and will make a handy portrait lens on both systems.
Sigma has announced the 28mm F1.4 Art, 40mm F1.4 Art, 70-200mm F2.8 Sport and 60-600mm F4.5-6.3 Sport lenses for several full frame lens mounts, including Canon, Nikon and, in the first two instances, Sony E.
ON1 has announced the impending launch of ON1 Photo RAW 2019. The new version, due out in November, brings a handful of new tools and features in a revamped interface.
Fujifilm has said it is developing a 100MP GFX medium format camera that will include both phase detection autofocus and in-body image stabilization. The 4K-capable camera will sell for around $10,000.
Leica has announced the S3 medium-format camera – an S2 successor with a 64MP sensor capable of 4K video.
The GFX 50R is a 50MP rangefinder-style mirrorless camera. It borrows heavily from the existing 50S model but in a smaller body and at a lower price. How does it differ?
Fujifilm has announced its GFX 50R, a rangefinder-styled version of the company's GFX 50S medium-format camera. The 'guts' of the two cameras are the same, with the difference being the design, weight and Bluetooth, all at a considerably lower price.
In this episode of DPReview TV, we get our hands on Fujifilm's GFX 50R which hides a medium-format sensor in a new, more compact body. Watch to get Chris and Jordan's first impressions on image quality, video and more.
Fujifilm is adding a trio of new medium-format lenses to its G-mount roadmap. GFX owners will soon be able to get their hands on 100-200mm F5.6, 45-100mm F4 and compact 50mm F3.5 lenses. Pricing and availability have not been announced.
Micro Four Thirds users will soon get a super fast, constant aperture wide angle zoom.
Panasonic has announced it is developing two full frame mirrorless cameras: the 47MP S1R and the 24MP S1. We've been shown fairly advanced-looking but non-functional prototype cameras, and have been able to squeeze a few details from Panasonic.
Panasonic is developing a pair of full-frame mirrorless cameras that use Leica's L-mount. The S1R will feature a 47MP sensor, while the S1 will be 24MP. Both cameras will support Dual IS shake reduction 4K/60p video capture and will have XQD and SD card slots.
Leica, Panasonic and Sigma are teaming up. Expect L-mount cameras from Panasonic as well as L-mount glass from Sigma.
Ricoh has announced the development of the GR III enthusiast compact, due to ship in early 2019. The camera gains sensor-shift image stabilization and an updated 24MP sensor with phase-detection. The 28mm equivalent F2.8 lens has also been redesigned and a touchscreen added.
The 'I'm Back' is now available for a range of old film-SLRs, such as Nikon's F-Series, the Olympus OM10 or the Canon AE-1.
IRIX has announced its latest lens, the 150mm F2.8 Macro 1:1. IRIX claims the lens features 'close to zero' distortion and stands out with its 150mm telephoto focal length.
The RF 24-105mm F4L IS USM is one of four lenses to launch with Canon's new full-frame mirrorless system, and it boasts the longest reach of the range. Take a look at some of the samples we've gathered thus far as our EOS R testing continues.
Nikon's Sendai factory in the Tōhoku region North of Japan has been churning out cameras and lenses since 1971. We had the opportunity recently to visit Sendai during events to mark the launch of Nikon's new Z mount.
There's no mistaking the Nikon Coolpix P1000 – with a 24-3000mm equivalent zoom, it really is in a class of its own. It's a conspicuous-looking superzoom with one main job: getting you really close to far away subjects. We've put together a gallery showing the kind of results you can expect from it.
A new report from The Verge claims Instagram is currently testing a feature that allows users to re-share posts to their own account feeds.
GoPro has announced its HERO7 camera lineup. The updated action cameras feature new HyperSmooth and TimeWarp modes, as well as improved video and photo specs.
The latest Samsung midrange smartphone offers a super-wide-angle lens in its triple-camera setup.
The Sony 24mm F1.4 is the latest lens to join the company's premium G Master lineup. We've been shooting with one for a couple of days - here's what you need to know.
Apple released iOS 12 a few days ago and some iPhone X users are less than happy with how the new operating system has made their phones look.
Camera bag manufacturer Lowepro has introduced mark II backpacks for its ProTactic AW range with models that are said to feature an improved handling experience as well as a collection of accessories that can be attached to the outside.
Canon has announced its latest superzoom camera, the PowerShot SX70 HS. Compared to the SX60 that came before it, the SX70 has the same lens but offers a higher resolution EVF, 4K video capture and support for Canon's new CR3 Raw format.
Cosina has announced its eighth lens designed specifically for Sony's E-mount system. The Voigtlander 21mm F3.5 lens is due out October 2018.