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The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
|The RX1 is smaller than the Fujifilm X100 (the more recent X100S is identical in terms of body size and very similar in terms of control layout). The RX1 doesn't have the X100/S's hybrid opto/electronic viewfinder but, considering its sensor is 2.4 times larger, it's an impressive piece of engineering to keep the camera so small.|
|The body of the RX1 is clearly smaller but the lens (which is actually 35mm, rather than being equivalent to 35mm) is longer. Neither of these cameras is pocketable, but equally, neither is anywhere near as large or obvious as a DSLR.|
|Despite its smaller size, the RX1 finds room for a larger screen than the X100/S and makes good use of the few controls it does have - with three positions on the four-way controller being user-definable.|
|Despite only being slightly larger than the RX1, with its much more substantial grip and more protruding body elements the NEX-6 follows a different design philosophy than the RX1.|
|On the rear the NEX-6's electronic viewfinder and the different aspect ratios of the screens are the most obvious differences between the two cameras. The button and control layout however shows some similarities.|
|From this top view we can see the NEX-6's protruding EVF and grip versus the RX1's much simpler lines. The NEX is a little wider but with the 16-50mm powerzoom lens attached it's comparable in size to the RX1.|
A range of accessories is available for the RX1. This includes the optical viewfinder FDA-V1K, electronic viewfinder FDA-EV1MK, lens hood LHP-1, and thumb grip TGA-1. The viewfinders and the thumb grip slot into the camera's hotshoe and the latter has a hinge, so you can flip it back and still press the play button which is hidden underneath it.
|The thumb-grip connect to the camera's hotshoe and it hinged to give access to the play button. The thumb-grip also comes with an integrated shoe, so you can combine it with the optical viewfinder if you wish.|
At around $249 the thumb grip isn't cheap and, although we found it improves the camera's handling, the small plastic catch that holds it in place doesn't seem terribly durable (in fact on the sample we've been using this catch broke off).
At $599 for the optical viewfinder, $179 for the lens hood the thumb grip the mark-up on these items appears to be rather excessive but it remains to be seen whether future RX1 users will prefer the original parts, or steer toward the cheaper far-eastern knock-offs that will no doubt appear on certain online marketplaces, if they haven't already. The electronic viewfinder will cost $449.99 - $100 more than the equivalent unit for the NEX series of cameras.
|The FDA-EV1MK electronic finder uses the same excellent 2.4m dot OLED display as Sony's high-end SLT models. However, the huge rubber eye-cup makes it difficult to get your eye near the screen - all the more so if you wear glasses.|
The FDA-V1K optical viewfinder will, no doubt, appeal to some retro-fetishists, but the FDA-EV1MK is the more practical option, since it's cheaper and shows the camera's settings. Furthermore, it allows you to make proper use of the Quick Navi menu (since you can set the viewfinder and rear display to offer different display modes). Sadly the cost and an enormous eye-cup which makes it difficult for wearers of glasses to use, rather takes the edge of its appeal for us.
Sheila Murphy took family and vacation photos for most of her life, but didn't consider herself a photographer until her daughter got her interested in black-and-white film photography. She now pursues personal projects and occasional commercial work, and cites a love of the outdoors as the starting point for much of her photography. See more of her images and find out more about her in our Q&A. See gallery
Sony's RX1 fixed 35mm full frame compact has received the prestigious Camera Grand Prix 2013 title, while Sigma's 35mm F1.4 DG HSM was named lens of the year. The awards, organized by the Japanese Camera Journal Press Club have a history of recognizing what prove to be historically significant cameras. Meanwhile, the Editors Awards were given to the Canon EOS 6D and Sigma's DP Merrill series of compacts.
We've updated our Sony Cyber-shot DSC-RX1 review with an additional page of lens data, brought to you in collaboration with DxOMark. The RX1's headline feature may well be its 24MP full frame image sensor, but the fixed Carl Zeiss Sonnar T* 35mm F2 lens is an equally crucial part of its imaging chain. We've added a full set of technical lens measurements to our review to illustrate how it performs, presented in our unique data widget. You can also see how it measures up against the best 35mm lenses available for SLRs.
Just Posted: an extensive update to our Sony Cyber-shot DSC-RX1 preview. We've been working away towards a review of the RX1 that we received recently. With its full frame sensor and 35mm F2 lens, it's a camera that's generated a lot of excitement amongst photographers, so we wanted to publish more detail of its performance and behavior. We've added eight pages to the preview, including more detail about its handling and interface as well as our studio test shots, a sample gallery from the production camera and our first impressions of shooting with it.
When the Fujifilm X-T2 arrived, it was more than just a modest upgrade to the already impressive X-T1. While the new X-T3 hasn't changed the overall design of the camera, this model is way more than an upgrade; rather, it's a quantum leap.
The Movie Maker is a compact, motorized slider designed for phones, action cams and small mirrorless cameras. We think it's a fun little kit and a good value proposition for the cost, provided you can work around a few of its weak points.
Nikon's Z7 is the first camera to use the all-new Z-mount, the company's first new full-frame mount since 1959. We've put together our first impressions based on quality shooting time with a pre-production camera - check out what we've found.
What's the best camera for a parent? The best cameras for shooting kids and family must have fast autofocus, good low-light image quality and great video. In this buying guide we've rounded-up several great cameras for parents, and recommended the best.
What's the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we've rounded-up several great cameras for shooting landscapes, and recommended the best.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
|The Lone Photographer by ed rader|
from My Best Photo of the Week
|_ERN9064 by ernesto juarez|
from Shoot yourself ! (with your camera)
|Neighbourhood Watch by Stevie Boy Blue|
from Zoo trip ~ Cute...
The Sony 24mm F1.4 is the latest lens to join the company's premium G Master lineup. We've been shooting with one for a couple of days - here's what you need to know.
Apple released iOS 12 a few days ago and some iPhone X users are less than happy with how the new operating system has made their phones look.
Camera bag manufacturer Lowepro has introduced mark II backpacks for its ProTactic AW range with models that are said to feature an improved handling experience as well as a collection of accessories that can be attached to the outside.
Canon has announced its latest superzoom camera, the PowerShot SX70 HS. Compared to the SX60 that came before it, the SX70 has a longer lens, higher resolution EVF, 4K video capture and support for Canon's new CR3 Raw format.
Cosina has announced its eighth lens designed specifically for Sony's E-mount system. The Voigtlander 21mm F3.5 lens is due out October 2018.
Sony has taken the wraps off of its new 24mm F1.4 GM full-frame lens, which the company claims is the lightest in its class. Despite its fast aperture, the 24mm F1.4 is remarkably light, weighing just 445 grams (15.7 ounces). The lens will set you back $1400 when it ships next month.
In this episode of DPReview TV we take a look at Sony's brand new 24mm F1.4 GM lens, a desirable focal length for many photographers. How does it perform? Chris and Jordan give us their first impressions.
We've had a little time to shoot with Sony's new wide/fast prime, both close to home and on the water in San Francisco. Check out our initial sample images.
Fujifilm released a firmware upgrade for its X-T3 mirrorless camera that addresses issues with distortion compensation and the mechanical lock on SD cards.
The app's algorithms have been trained using using 200 million cropping data points from real photographers.
Thanks to a software update, the Loupedeck+ editing console can now be used for video editing.
British photographic engineer MTF Services is claiming the world’s first third-party lens adapters for the new Nikon Z system with a collection of four units designed to allow cinema lenses to be mounted on the mirrorless full frame bodies.
Think Tank Photo has updated its line of heavy-duty rain covers and introduced a new, compact version for emergency situations.
The X-T3 is our first opportunity to analyze what's likely to be Fujifilm's next generation image sensor. Take a look at how it performs next to the competition in our studio test scene.
Canon's new normal is seriously sharp wide open. After shooting with it for a few days, we've prepared a gallery of real-world sample images.
Nikon will cease offering Brazil-based customer service and technical support, though the company stresses that it will still offer technical assistance and warranty repairs for valid warranties.
Two years ago, CatLABS of JP announced a plan to save Packfilm from the dead. Now, it's announced it's giving up its efforts to better focus its resources elsewhere.
The GoPro Fusion is designed to make it easy to capture 360-degree video and stills. We took it out recently on a typically hot Seattle summer day to see what it can do.
We've got our hands on a full-production Nikon Z7 camera and have updated our gallery with additional samples.
A new Kickstarter campaign seeks funding for Chroma Chrono, a programmable RGB camera flash that emits multiple colors during long exposures.
Think Tank Photo has launched a new lineup of six dual-access, water-resistant protective lens cases it calls Lens Case Duo.
Canon and Nikon finally entered the full-frame mirrorless market this summer with the brand-new RF and Z mounts. Now that we've had some time with the cameras, we wanted to revisit our earlier predictions and take stock.
The devices' camera specs look pretty much identical to last year's iPhone X but under the hood a number of important improvements have been made.
Blackmagic Design has announced the public beta of its new Blackmagic RAW video codec. The company says the new format combines the benefits of shooting Raw video with the ease of use and smaller file sizes usually associated with non-Raw video files.
Serif, the company behind the Affinity suite, has announced the latest update for its mobile Photoshop competitor Affinity Photo for iPad.
The Atomos Ninja V external video recorder and monitor will be ready to ship at the end of this month. The 5.2in Ninja V is designed to provide a smaller option, while still offering many of the features of the larger 7-inch models.
Having shot with the camera, spoken to Canon and read the tea leaves, here's what DPR Technical Editor Richard Butler thinks the EOS R tells us about Canon and the RF's mount's future.
After last week's teaser, lighting manufacturer Profoto has announced its 'small big' new product. The B10 is designed to be used as studio flash head but in a very small body, and has a powerful continuous light source for videographers as well.
Konseen has launched Photo Studio, a new light box tent large enough to photograph people, as well as objects.
Seagate has introduced new high-capacity hard drives for Network Attached Storage (NAS) devices: the 14TB IronWolf and 14TB IronWolf Pro HDDs.