Latest sample galleries
Latest in-depth reviews
The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
In terms of responsiveness, the Cyber-shot DSC-TX30 is definitely a strong performer. Whether you slide open the lens cover or press the power button on the top of the camera, the TX30 will be ready to shoot in one second. Focus speeds are extremely quick, regardless of the lighting situation. In good light, the camera locks focus in about a third of a second, at both wide-angle and telephoto. Taking the camera into a dimly lit room will slow it down, but not by much - it'll still lock focus in under a second.
Shot-to-shot delays are also very brief. You'll be able to take another photo in well under a second with the flash off. The TX30 isn't quite as impressive when using the flash, which will slow down that recycle time by three or four seconds.
There are a pair of continuous shooting modes on the TX30, aptly named 'low' and 'high' speed. In low speed mode, the camera took ten photos at 2.1 fps. The high speed most, as you might guess, is a lot faster, taking ten shots at 10 fps.
The TX30 is powered by a 2.3Wh lithium-ion battery known as the NP-BN (the NP-BN1 is also compatible). This relatively anemic battery leads to a below average battery life rating of 250 shots per charge. The battery is charged internally, which some folks may not be fans of (since charging a spare is impossible). It takes just under two hours to charge the battery using this method. An external charger, BC-TRN2, is available from Sony.
In what has become a common refrain throughout our reviews of compact waterproof cameras, image quality on the TX30 is not great. It looks okay downsized or printed at relatively small sizes, but if viewed at 100%, it's a mess. Fine details are over-processed to the point where they start to resemble a watercolor painting instead of a photograph. On a more positive note, the TX30 has eye-pleasing color and doesn't have as much of a problem with highlight clipping as some of its competitors. We didn't find chromatic aberrations to be a major issue, either.
While we doubt that this will effect 99% of TX30 buyers, it's worth pointing out that you cannot use manual white balance at ISO 6400 and above.
Bright Light, Low ISO
|As with its peers, the DSC-TX30 produces a vivid photo of the Kaanapali Resort in Maui.
ISO 80, 1/640 sec, f/4.5
|If you take a closer look, image quality is very lacking.|
|Again, everything looks very nice when the image is downsized...
ISO 80, 1/800 sec, f/5.6
|... but at 100%, even this close-up subject has mottled details. The trees in the background are essentially one giant blob, as well.|
Just to repeat what we said earlier, while these photos look pretty lousy at 100%, they'll be fine for what most of their target audience will be doing with them. In other words, sharing them on Facebook or Flickr, or perhaps making small to mid-size prints.
Low Light, High ISO
|While the TX30's low ISO photos don't look great, the camera holds up surprisingly well at middle sensitivities. This ISO 800 photo retains more than enough detail for the most common uses of compact cameras (listed right above this table).
ISO 800, 1/13 sec, f/3.5
|There's very little fine detail left at ISO 3200, so this sensitivity is best saved for downsizing. As you'll see in our test chart on the following page, it's not a good idea to take the sensitivity any higher than this.
ISO 3200, 1/40 sec, f/3.5
As is the case with all compact cameras, you'd be able to get better results from the TX30 if Raw mode was available, but that's not a feature you'll find in the rugged/waterproof class.
|The TX30 outdoor performance is good, with accurate exposure and pleasing skin tones.
The background blurring is good by compact camera standards, though everything behind the subject is mottled.
ISO 80, 1/400 sec, f/5.6
|The TX30's flash is very weak. In order to obtain a proper exposure, the camera had to increase the sensitivity to ISO 1600. As you can see, this high sensitivity has done considerable damage to detail.
On a more positive note, there's no redeye to be found.
ISO 1600, 1/40 sec, f/4.5
We had mixed results with underwater photos on the DSC-TX30. In deeper water, photos suffered from the blue/green cast found on nearly all its peers. However, it shallow water, the color cast was gone, leading to some very nice-looking photos.
|This photo was taken in deeper water, and thus has the blue/green cast that's all too common on underwater compacts.
ISO 125, 1/160 sec, f/6.0
|In this shot, the water was much shallower, which eliminated the worst of the color cast, and let to some impressive images.
If you're not pleased with the color cast in some of those underwater photos, you'll need to use your favorite photo editor to try to remove it. Sony's PlayMemories Home, the bundled Windows-only software, does not have a color tone adjustment tool.
As with most of the other waterproof cameras we've reviewed, we highly recommend shooting at the wide end of the lens when you're below sea level. This brings in more light - of which you need all that you can get when underwater - and also allows for more flexible cropping options.
As mentioned on the previous page, the DSC-TX30 can record video at 1080/60i with stereo sound. For ease of viewing we've put the samples below on Vimeo, which has deinterlaced them. If you're software does not deinterlace video, then you'll probably notice the horizontal lines that appear on moving subjects.
Our first video is a little wobbly and has a lot of wind noise (despite using the wind filter), but it gives you an idea of how smooth 60i video can be.
|1920 x 1080, 60i, 24 Mbps, 32.6 MB, 11 secs Click here to download original video|
This second video is another illustration of how smooth motion can be with at 60 fields per second. Colors are vibrant, and there aren't any strange artifacts, either.
|1920 x 1080, 60i, 24 Mbps, 109.5 MB, 38 secs Click here to download original video|
Our underwater sample video is short on fish, but hopefully it will still give you an idea as to what movies will look like in these situations. Since the water is deep here, the green/blue color cast is quite visible.
|1920 x 1080, 60i, 24 Mbps, 59 MB, 20 secs Click here to download original video|
The TX30's video quality can be quite good, though you'll probably want to deinterlace before viewing. Sony's included PlayMemories Home software can do just that, and it also lets you edit the AVCHD video.
Over the past few weeks we've been reviewing this year's collection of weatherproof tough cameras, and in this article we're rounding them up, comparing their relative strengths and weaknesses and taking a more detailed look at how their image quality and feature sets stack up. Even if you've read the full reviews, we recommend clicking through and reading our final, definitive roundup of this year's class of waterproof rugged compacts. Click through for a link.
We've just posted the sixth and final review in our round-up of compact rugged cameras. This review is of the Sony Cyber-shot DSC-TX30, which offers a much thinner body than its peers. It also has a large 3.3-inch touchscreen OLED display, a host of fun features, and a 1080/60i movie mode. Next week we'll publish an article comparing all of the cameras, but while you're waiting, check out the TX30 review after the link.
Sony has announced the Cyber-shot DSC-WX300, DSC-HX300 and DSC-TX30 compact cameras in the US market. The HX300 is a 20MP 50x superzoom with a 24-1200mm equiv. lens. Meanwhile the WX300 is an 18MP Wi-Fi compact superzoom with a 25-500mm equiv. lens. The tough, waterproof, card-style TX30 offers a 26-130mm equiv zoom. The WX300 will cost around $330, while the HX300 and TX30 will have retail prices of $500 and $350 respectively.
Sony has announced the Cyber-shot DSC-WX300, DSC-HX300 and DSC-TX30 compact cameras. The HX300 is a 50x superzoom with a 24-1200mm equivalent lens in front of a 20MP CMOS sensor. Meanwhile the WX300 is a Wi-Fi compact superzoom that Sony says is the slimmest 20x camera. It has an 18MP CMOS chip behind its 25-500mm equiv. lens. Finally, the tough, waterproof card-style TX30 shares the same sensor and offers a 26-130mm equiv zoom. The three models are not currently being announced in the USA.
When the Fujifilm X-T2 arrived, it was more than just a modest upgrade to the already impressive X-T1. While the new X-T3 hasn't changed the overall design of the camera, this model is way more than an upgrade; rather, it's a quantum leap.
The Movie Maker is a compact, motorized slider designed for phones, action cams and small mirrorless cameras. We think it's a fun little kit and a good value proposition for the cost, provided you can work around a few of its weak points.
Nikon's Z7 is the first camera to use the all-new Z-mount, the company's first new full-frame mount since 1959. We've put together our first impressions based on quality shooting time with a pre-production camera - check out what we've found.
What's the best camera for a parent? The best cameras for shooting kids and family must have fast autofocus, good low-light image quality and great video. In this buying guide we've rounded-up several great cameras for parents, and recommended the best.
What's the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we've rounded-up several great cameras for shooting landscapes, and recommended the best.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
|_ERN9064 by ernesto juarez|
from Shoot yourself ! (with your camera)
|walkersons fields by George Veltchev|
from -Waiting for Autumn- (in Full Colours Only)
Nikon's Sendai factory in the Tōhoku region North of Japan has been churning out cameras and lenses since 1971. We had the opportunity recently to visit Sendai during events to mark the launch of Nikon's new Z mount.
There's no mistaking the Nikon Coolpix P1000 – with a 24-3000mm equivalent zoom, it really is in a class of its own. It's a conspicuous-looking superzoom with one main job: getting you really close to far away subjects. We've put together a gallery showing the kind of results you can expect from it.
A new report from The Verge claims Instagram is currently testing a feature that allows users to re-share posts to their own account feeds.
GoPro has announced its HERO7 camera lineup. The updated action cameras feature new HyperSmooth and TimeWarp modes, as well as improved video and photo specs.
The latest Samsung midrange smartphone offers a super-wide-angle lens in its triple-camera setup.
The Sony 24mm F1.4 is the latest lens to join the company's premium G Master lineup. We've been shooting with one for a couple of days - here's what you need to know.
Apple released iOS 12 a few days ago and some iPhone X users are less than happy with how the new operating system has made their phones look.
Camera bag manufacturer Lowepro has introduced mark II backpacks for its ProTactic AW range with models that are said to feature an improved handling experience as well as a collection of accessories that can be attached to the outside.
Canon has announced its latest superzoom camera, the PowerShot SX70 HS. Compared to the SX60 that came before it, the SX70 has the same lens but offers a higher resolution EVF, 4K video capture and support for Canon's new CR3 Raw format.
Cosina has announced its eighth lens designed specifically for Sony's E-mount system. The Voigtlander 21mm F3.5 lens is due out October 2018.
Sony has taken the wraps off of its new 24mm F1.4 GM full-frame lens, which the company claims is the lightest in its class. Despite its fast aperture, the 24mm F1.4 is remarkably light, weighing just 445 grams (15.7 ounces). The lens will set you back $1400 when it ships next month.
In this episode of DPReview TV we take a look at Sony's brand new 24mm F1.4 GM lens, a desirable focal length for many photographers. How does it perform? Chris and Jordan give us their first impressions.
We've had a little time to shoot with Sony's new wide/fast prime, both close to home and on the water in San Francisco. Check out our initial sample images.
Fujifilm released a firmware upgrade for its X-T3 mirrorless camera that addresses issues with distortion compensation and the mechanical lock on SD cards.
The app's algorithms have been trained using using 200 million cropping data points from real photographers.
Thanks to a software update, the Loupedeck+ editing console can now be used for video editing.
British photographic engineer MTF Services is claiming the world’s first third-party lens adapters for the new Nikon Z system with a collection of four units designed to allow cinema lenses to be mounted on the mirrorless full frame bodies.
Think Tank Photo has updated its line of heavy-duty rain covers and introduced a new, compact version for emergency situations.
The X-T3 is our first opportunity to analyze what's likely to be Fujifilm's next generation image sensor. Take a look at how it performs next to the competition in our studio test scene.
Canon's new normal is seriously sharp wide open. After shooting with it for a few days, we've prepared a gallery of real-world sample images.
Nikon will cease offering Brazil-based customer service and technical support, though the company stresses that it will still offer technical assistance and warranty repairs for valid warranties.
Two years ago, CatLABS of JP announced a plan to save Packfilm from the dead. Now, it's announced it's giving up its efforts to better focus its resources elsewhere.
The GoPro Fusion is designed to make it easy to capture 360-degree video and stills. We took it out recently on a typically hot Seattle summer day to see what it can do.
We've got our hands on a full-production Nikon Z7 camera and have updated our gallery with additional samples.
A new Kickstarter campaign seeks funding for Chroma Chrono, a programmable RGB camera flash that emits multiple colors during long exposures.
Think Tank Photo has launched a new lineup of six dual-access, water-resistant protective lens cases it calls Lens Case Duo.
Canon and Nikon finally entered the full-frame mirrorless market this summer with the brand-new RF and Z mounts. Now that we've had some time with the cameras, we wanted to revisit our earlier predictions and take stock.
The devices' camera specs look pretty much identical to last year's iPhone X but under the hood a number of important improvements have been made.
Blackmagic Design has announced the public beta of its new Blackmagic RAW video codec. The company says the new format combines the benefits of shooting Raw video with the ease of use and smaller file sizes usually associated with non-Raw video files.
Serif, the company behind the Affinity suite, has announced the latest update for its mobile Photoshop competitor Affinity Photo for iPad.