Upwardly mobile: Sony a6300 Review
The Sony a6300 is the company's latest mid-range mirrorless camera. Like the a6000 it still offers 24MP resolution but the autofocus ability, video capability, build quality, viewfinder resolution and price have all been increased.
The most exciting change from our perspective is the a6300's new sensor. Although the pixel count remains the same, the a6300's sensor has a whopping 425 phase-detection AF points ranged across the sensor. The a6000 already offered one of the best AF systems in its class, when it comes to identifying and tracking subjects, so an upgrade in this area sounds extremely promising. The sensor is also built using newer fabrication processes that use copper wiring to help improve the sensor's performance and possibly contributing to the camera's slightly improved battery life.
The a6000 has been a huge success and has dominated its field to the extent that its combination of capability and price still looks impressive even as it enters the twilight of its career (Sony says it will live on, alongside the a6300*). That model represented a dip down-market for the series, with a drop in build quality and spec relative to the NEX-6 that preceded it. The a6300 corrects that course, and sees the model regain the high resolution viewfinder and magnesium-alloy build offered by the older NEX-6 (and the level gauge, which was absent from the a6000).
- 24MP Exmor CMOS sensor
- 425 phase detection points to give '4D Focus' Hybrid AF
- 4K (UHD) video - 25/24p from full width, 30p from smaller crop
- 2.36M-dot OLED finder with 120 fps mode
- Dust and moisture resistant magnesium-alloy body
- Built-in Wi-Fi with NFC connection option
- Built-in microphone socket
As with the previous 6-series E-mount cameras, the a6300 features a flip up/down 16:9 ratio screen. The shape of this screen hints at the 6300's intended uses: video shooting, as well as stills. The a6300's movie features have been considerably uprated. It not only shoots 4K (UHD) at 24p or 25p from its full sensor width (or 30p from a tighter crop). It also gains a mic socket, the video-focused Picture Profile system (which includes the flat S-Log2 and S-Log3 gamma curves), and the ability to record time code.
This added emphasis on video makes absolute sense, since the camera's stills performance is likely to be competitive with the best on the market but its video capabilities trounce most of its current rivals. The a6300 not only includes focus peaking and zebra stripes but, if its on-sensor phase detection works well, the ability to re-focus as you shoot with minimal risk of focus wobble and hunting, should make it easier to shoot great-looking footage.
All this makes it hard to overstate how promising the a6300 looks. A latest-generation sensor can only mean good things for the camera's image quality and an autofocus system that moves beyond the performance of one of our benchmark cameras is an enticing prospect. Add to that excellent, well-supported video specifications, a better viewfinder and weather-sealed build, and it's tempting to start planning for the camera's coronation as King of the APS-C ILCs. Perhaps with only the price tag floating over proceedings, threatening just a little rain on that particular parade.
As well as comparing the a6300 with the a6000 as its predecessor/sister model, we'll also look at what you get if you save up a bit more money and opt for full-frame, rather than APS-C. We think at least some enthusiast users will find themselves making this decision, so are highlighting the differences.
|Sony a6000||Sony a6300||Sony a7 II|
|MSRP (Body Only)||$650||$1000||$1700|
|Sensor size||APS-C (23.5 x 15.6mm)||APS-C (23.5 x 15.6mm)||Full Frame (35.8 x 23.9 mm)|
|AF system||Hybrid AF
(with 179 PDAF points)
(with 425 PDAF points)
(with 117 PDAF points)
|Continuous shooting rate||11 fps||11 fps||5 fps|
|Screen||3" tilting 921k dot LCD||3" tilting 921k dot LCD||3" tilting 1.23m dot LCD|
|Viewfinder||OLED 1.44M-dot||OLED 2.36M-dot w/120 fps refresh option||OLED 2.36M-dot|
|Movie Resolution||1920 x 1080 / 60p||4K 3840 x 2160 / 30p, 1920 x 1080 / 120p, 60p||1920 x 1080 / 60p|
|Image stabilization||In-lens only||In-lens only||In-body 5-axis|
|Number of dials||Two||Two||Three (plus Exp Comp.)|
|Maximum shutter speed||1/4000 sec||1/4000 sec||1/8000 sec|
|Flash sync speed||1/160 sec||1/160 sec||1/250 sec|
|Weight (w/battery)||344 g (12.1 oz)||404 g (14.3 oz)||599 g (21.1 oz)|
|Dimensions||120 x 67 x 45 mm (4.7 x 2.6 x 1.8 in.)||120 x 67 x 49 mm (4.7 x 2.6 x 1.9 in.)||127 x 96 x 60 mm (5 x 3.8 x 2.4 in.)|
A hit-for-six, slam-dunk, home-run?
If it's successful in its attempts to step up from the performance of the a6000 then the a6300 could be sensational. However, there are three questions that we'd like to see addressed. The first relates to handling: why does a camera costing this much only have one dial that you can access without changing the position of your grip? The rear dial isn't the worst we've encountered, but at this price point, we'd usually expect to find a dial under the forefinger and another under the thumb while maintaining a shooting grip.
The second relates to lenses. Sony is bundling the a6300 with the 16-50mm power zoom that's far more notable for its convenience than its optical consistency, a move that's likely to raise the question of what other lenses to fit. Sony offers a handful of reasonably priced APS-C-specific prime lenses as well as some more expensive FE-compatible full-frame primes. However, in terms of standard zooms, you're currently limited to the inexpensive 16-50mm, the older 18-55mm at aftermarket prices or considerably more expensive options such as the 18-105mm F4 or the 16-70mm F4 Zeiss that costs around the same amount as the camera again. The success of Sony's full frame a7 cameras is only likely to improve third-party lens availability but there's a risk that Sony's focus will be on those full frame users for the foreseeable future.
Our final concern is the lack of joystick or touchscreen to re-position the AF point. This may be mitigated during stills shooting if the lock-on AF system works well enough (starting AF tracking and then recompose your shot in the knowledge that the AF point will stay where you want it), but it appears to be a real omission for refocusing while shooting video. The a6300 is improved over previous models, in that pressing the center button on the four-way controller toggles into AF point selection mode, a decision that's retained even if you turn the camera off and on again. We'll see how significant all these concerns turn out to be, as the review unfolds.
Price and kit options
|The 16-50mm power zoom is far more notable for its convenience than its optical consistency.|
The a6300 body has a suggested retail price of $1000/£1000/€1250, with a 16-50mm F3.5-5.6 power zoom kit commanding an MSRP of $1150/£1100/€1400. This is a significant step up from the a6000's $650/$800 launch price and even an increase compared to the similarly well-built NEX-6's $750/$900 MSRP.
|17 March 2016||Intro, Specs, Body and Handling, Operations and Control and Studio Comparison published|
|22 March 2016||Updated studio scene images published (inc electronic-shutter and better lens)|
|31 March 2016||Video and Video Shooting Experience pages added|
|6 April 2016||Autofocus, Image Quality, Raw Dynamic Range and Conclusion published|
*Unusually, the manufacturer's claim that it'll live on, alongside its apparent replacement model seems plausible. The differences in spec and price could allow them to sit fairly comfortably alongside one another, rather than the claim simply meaning 'we'll keep saying it's a current model until most of the unsold stock has gone, to avoid angering retailers.'
|Hong Kong Mist by wam7|
from Fixed lens camera's
|Ill do anything for a nut by mountinmad|
from -Animals- (in Full Colours Only)
|Spiral Staircase by sgitlin|
from red challenge
The Canon RF 24-240mm F4-6.3 IS is a do-everything lens for the RF system, designed to cover pretty much any situation from sweeping landscapes to capturing distant details. Take a look at how it performs in our sample gallery.
Walmart accidentally offered up bargain-basement rates for DJI drones and other camera gear from a company called Ecom Electronics that retails through its website.
Sony's RX100 VII has landed, but after seven(!) iterations you may be asking, "Is there anything left to add to this camera?" It turns out the answer is a resounding 'yes'. Watch Chris and Jordan's video review to learn what's new and why it matters.
Recently, the FAA granted recreational drone pilots access to LAANC. Now, they want to administer a test and are seeking the public's input.
Arcane Photos is an alternative to Google Photos and other cloud-based options for uploading and storing images that's blockchain-based and decentralized with an emphasis on privacy.
Matt, of the YouTube channel DIY Perks, has shared a video showing how old TVs and monitors can be upcycled into natural-looking light that resembles light coming through a window.
Now that we've completed our full review of Panasonic's high-megapixel full-frame flagship, the S1R, let's take a closer look at what it's like to use for everything from landscapes to sports.
The new Canon RF and Nikon Z mount options add to the Sony E, Fuji X, MFT, Canon EF and Nikon F mount versions currently available.
Z Cam has opened pre-orders for its new, 6K E2-F6 and 8K E2-F8 full-frame cinema cameras, which were first introduced during NAB 2019.
Leica has announced its APO-Summicron-SL 50mm F2 lens, which is designed for the L-mount system. The lens is the smaller, lighter and (slightly) cheaper little brother to the 50mm F1.4 and is now available for $4495.
The battery works with a7 III, a7R III and a9 camera systems and connects with your smartphone or tablet to help you keep tabs on the health of the battery. Oh, and you'll need to update the firmware of your camera battery.
Photo Rumors is reporting that the next-generation GoPro camera will feature a 12MP sensor capable of shooting 4K video at 120 fps and have the option for add-on screen, LED lighting and microphone accessories thanks to redesigned housing.
The Tamron 35-150mm F2.8-4 is being marketed as a dedicated portrait lens, offering focal lengths appropriate for both traditional long lens portraiture as well as wider-angle environmental portraits and lifestyle shots. Take a look at how it performs.
Luminar 4 photo editing software is slated to be released this Fall from Skylum. They recently offered up a more detailed sneak peek at the AI Sky Replacement filter that will be included in the update.
The replica is identical to the lunar version, down to the serial number plates, various labels and more.
Nearly four months after first announcing the CoolPix W150, Nikon has announced the pricing and availability of the camera in the United States.
In this video, award-winning photographer Max Lowe goes to Hawaii to meet adventurer and educator Austin Kino. To capture the experience, we gave Max a Panasonic Lumix DC-S1R, and the entire video was shot with the Lumix DC-S1.
A 23-second video shared online shows off what appears to be the rumored DJI ‘Mavic Mini’ drone previously seen in still images.
The GF 50mm F3.5 is the closest you'll find to a pancake lens for Fujifilm's GFX medium format system. This 40mm equiv. is dust and weather-sealed, lightweight and most importantly, very sharp.
Not all food photography hacks are what they seem. Commercial food photographer Scott Choucino breaks down a number of tips that aren't what viral online videos might've led you to believe.
Adobe's latest update speeds up editing on computers with more powerful GPUs and adds a number of other features to streamline your post-production workflow.
Instagram has banned one of its advertising partners, HYP3R, after it was allegedly caught scraping a huge amount of data on users.
The third-generation smartphone gimbal brings new features and folds up into a smaller package than ever before.
The Panasonic Lumix DC-G95 (G90 outside North America) is a 20MP mid-range mirrorless camera aimed at both stills and video shooters, but it faces some pretty stiff competition. Find out how it performs in our in-depth review.
First teased last week, Samsung has made its massive 108MP smartphone camera sensor official.
Security firm Check Point has detailed how it managed to hack into a Canon 80D DSLR to install a ransomware that encrypts images on the SD card to prevent them from being viewed.
DJI is expected to announce a new drone tomorrow and it seems little has been hidden according to the latest leaked images and specifications.
The lens is an affordable portrait-oriented lens with a 13-blade aperture diaphragm.
The Nikon Z 35mm F1.8 S is one of a trio of optics unveiled right at the start of the Z system – and with a classic focal length and usefully wide aperture, its appeal should be broad. But is it any good?
Though it lacks some of the bells and whistles offered by the G5 X II, the Canon PowerShot G7 X Mark III adds a newer 1" sensor design and some useful upgrades to an already impressive compact. Take a look at some of our first shots and keep an eye out for our full analysis soon.