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The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
In the process of re-checking the behavior of the pre-production K-mount adapter used in this review, we found the focus of the main test shot could be improved (as a result of the difficulty of assessing manual focus). This improved shot has now been added and the conclusions adjusted accordingly.
The idea of a mirrorless interchangeable lens camera had been circulating for many years before Panasonic and Olympus announced the Micro Four Thirds camera system in August 2008, so it's not surprising that they didn't have the market to themselves for very long. Back when there was still only one Micro Four Thirds camera on the market, electronics giant Samsung showed a prototype of what was to be the first mirrorless interchangeable camera with an APS-C sized sensor. Ten months later that prototype has evolved into a finished product in the form of the NX10.
While other large manufacturers are starting to talk about launching mirrorless systems, Samsung has become the third manufacturer to actually to turn talk into tangible product. However, while Samsung is only the third party to enter the fray, enough time has passed for the other mirrorless makers to have moved on to their second-generation of cameras, including the newly-launched Panasonic G2 and G10. Between them these two cameras (which like the NX take many of their styling ideas from DSLR designs) are likely to make life pretty difficult for the Samsung. The G10 doesn't match the NX's spec but is aggressively priced while the G2 offers smarter video compression and touch-screen cleverness, which will be attractive to some. And they have the advantage of being second-generation products, with the enhanced level of refinement that this tends to bring.
The big distinction is that Samsung has decided to use the larger APS-C sensor of the type that is the de facto standard size in DSLRs. This offers the potential of good low-light performance (its sensor has a 50% greater surface area than those used in Micro Four Thirds and that means more light for any given exposure) but the lenses are not likely to be smaller than those used on DSLRs.
|The NX10's closest competitor is the Panasonic G2 - both are 'SLR style' models with built-in viewfinders and proper external controls. Despite a slightly longer flange-back distance (25.5mm vs 20mm) the NX10 is a considerably more slimline affair. It has a smaller, lower-res viewfinder but offers a larger, higher resolution OLED display, rather than the G2's touch-sensitive, articulated LCD.|
Samsung NX10 Key Features
Samsung is a global electronics giant, able to draw on resources (and in-house technologies) most camera manufacturers can only dream of. And as one of the newer players in the camera market and crucially one of those without the burden (or blessing, depending on your point of view) of a legacy 35mm system to support, it's hardly surprising that Samsung is one of the pioneers of this new hybrid camera category.
Despite doing pretty well at grabbing a decent share of the compact camera market (mainly, it must be said, by undercutting its Japanese competitors) Samsung has struggled to gain any traction from its partnership with Pentax, which has seen it co-developing sensors (including the one inside the NX10) and slapping its logo on Pentax SLRs. At this year's PMA, Samsung told us that although relationship with Pentax remains one of 'close co-operation', the NX10 has been developed entirely in-house, independently of Pentax (or any other partner: Samsung claims the NX is 100% Samsung).
|The current pin-ups of the Micro Four Thirds crowd, the Olympus PEN series, created the biggest buzz of 2009 thanks to their unique retro styling (and by the mere fact that the PEN E-P1 was the first rangefinder style mirrorless interchangeable camera). Looked at from above you can see that the NX10 is considerably bulkier, but crucially (for future development) the body itself (forgetting the protruding bits) isn't a lot thicker - the flange-back distance is only 5mm more. The larger sensor doesn't by necessity mean larger cameras (the NX10 is smaller than the Panasonic G1), but - as you can see above - it does make for slightly larger lenses.|
As 2010 gets underway, Olympus and Panasonic no longer have the mirrorless interchangeable lens market to themselves. As well as the Samsung NX10, Sony recently announced (at this year's PMA show in Anaheim) its intention to create a mirrorless interchangeable-lens camera as well. The forthcoming Sony offering, like the NX10, will feature an APS-C sensor too. How the market evolves remains to be seen, but for now, it's all very exciting.
Samsung describes NX as a 'hybrid' system (there's still no consensus on nomenclature for this new category of camera) that (to quote the original press release) offers "the performance and image quality of a DSLR and the portability and convenience of a compact point-and-shoot". So far, so Micro Four Thirds with a bigger sensor.
As with Micro Four Thirds the key to NX is that it allows the cameras to be slimmer by removing the mirror box and optical viewfinder and replacing them with an all-live view system (using the sensor itself to display a preview image on the screen or electronic viewfinder). The flange-back (lens mount to sensor) distance is reduced by around 40% to 25.5mm, the lens mount itself is shrunk and the net result is a camera with an SLR-sized sensor and interchangeable lenses, but in a considerably smaller package.
For Samsung, a company with little experience in optics but an awful lot of experience in solid-state electronics it's also a way to make a system camera that contains little, if any legacy technology and very few moving parts. Digital SLRs use a sometimes awkward pairing of cutting edge electronics and decades-old mechanical systems harking back to the days of film, whereas these new 'hybrid' system cameras are designed and built from the bottom up as purely digital devices. It's our understanding that they're also a lot cheaper for a company like Samsung and Panasonic to make than anything requiring a precision engineered fast-moving mirror and reflex viewfinder.
At present, the NX system is fairly small, but five more lenses are on the way, including a 20mm pancake, a 60mm macro, and a new 18-200mm 'superzoom'. For now though, the NX system comprises the following:
Samsung may have exited the camera industry in 2016, but it achieved a lot. And it all started with the APS-C format NX10, the subject of this week's Throwback Thursday.
When the Fujifilm X-T2 arrived, it was more than just a modest upgrade to the already impressive X-T1. While the new X-T3 hasn't changed the overall design of the camera, this model is way more than an upgrade; rather, it's a quantum leap.
The Movie Maker is a compact, motorized slider designed for phones, action cams and small mirrorless cameras. We think it's a fun little kit and a good value proposition for the cost, provided you can work around a few of its weak points.
Nikon's Z7 is the first camera to use the all-new Z-mount, the company's first new full-frame mount since 1959. We've put together our first impressions based on quality shooting time with a pre-production camera - check out what we've found.
What's the best camera for a parent? The best cameras for shooting kids and family must have fast autofocus, good low-light image quality and great video. In this buying guide we've rounded-up several great cameras for parents, and recommended the best.
What's the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we've rounded-up several great cameras for shooting landscapes, and recommended the best.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
|Abstract bokeh by Minas_Eye|
from Your City - Bokeh in the City (Rerun)
|Green Tree Frog by BruceRH|
|Custom Red Roadster by Mitchmeister|
from Car Shows 2018
At Sony's press conference at Photokina the company announced that 12 more E-mount lenses will be arriving over the next two years. In addition, the company is working to utilize artificial intelligence in its technologies, with one application being Eye AF trained to detect animal eyes.
Sigma has said it will create a full-frame Foveon camera and will adopt the Leica L mount for its system. It will be able to adapt or convert SA mount lenses to the L mount, for existing users.
Hasselblad is expanding their X System with their announcement of three new lenses: the XCD 80mm F1.9, XCD 65mm F2.8 and XCD 135mm F2.8, along with a teleconverter. The 80mm F1.9 is the fastest in the system. Get all the details and check out Hasselblad's official sample images here.
Sigma has announced the 56mm F1.4 DC DN lens for Micro Four Thirds and Sony E mounts. The compact 56mm lens becomes the sixth DN lens for mirrorless cameras and will make a handy portrait lens on both systems.
Sigma has announced the 28mm F1.4 Art, 40mm F1.4 Art, 70-200mm F2.8 Sport and 60-600mm F4.5-6.3 Sport lenses for several full frame lens mounts, including Canon, Nikon and, in the first two instances, Sony E.
ON1 has announced the impending launch of ON1 Photo RAW 2019. The new version, due out in November, brings a handful of new tools and features in a revamped interface.
Fujifilm has said it is developing a 100MP GFX medium format camera that will include both phase detection autofocus and in-body image stabilization. The 4K-capable camera will sell for around $10,000.
Leica has announced the S3 medium-format camera – an S2 successor with a 64MP sensor capable of 4K video.
The GFX 50R is a 50MP rangefinder-style mirrorless camera. It borrows heavily from the existing 50S model but in a smaller body and at a lower price. How does it differ?
Fujifilm has announced its GFX 50R, a rangefinder-styled version of the company's GFX 50S medium-format camera. The 'guts' of the two cameras are the same, with the difference being the design, weight and Bluetooth, all at a considerably lower price.
In this episode of DPReview TV, we get our hands on Fujifilm's GFX 50R which hides a medium-format sensor in a new, more compact body. Watch to get Chris and Jordan's first impressions on image quality, video and more.
Fujifilm is adding a trio of new medium-format lenses to its G-mount roadmap. GFX owners will soon be able to get their hands on 100-200mm F5.6, 45-100mm F4 and compact 50mm F3.5 lenses. Pricing and availability have not been announced.
Micro Four Thirds users will soon get a super fast, constant aperture wide angle zoom.
Panasonic has announced it is developing two full frame mirrorless cameras: the 47MP S1R and the 24MP S1. We've been shown fairly advanced-looking but non-functional prototype cameras, and have been able to squeeze a few details from Panasonic.
Panasonic is developing a pair of full-frame mirrorless cameras that use Leica's L-mount. The S1R will feature a 47MP sensor, while the S1 will be 24MP. Both cameras will support Dual IS shake reduction 4K/60p video capture and will have XQD and SD card slots.
Leica, Panasonic and Sigma are teaming up. Expect L-mount cameras from Panasonic as well as L-mount glass from Sigma.
Ricoh has announced the development of the GR III enthusiast compact, due to ship in early 2019. The camera gains sensor-shift image stabilization and an updated 24MP sensor with phase-detection. The 28mm equivalent F2.8 lens has also been redesigned and a touchscreen added.
The 'I'm Back' is now available for a range of old film-SLRs, such as Nikon's F-Series, the Olympus OM10 or the Canon AE-1.
IRIX has announced its latest lens, the 150mm F2.8 Macro 1:1. IRIX claims the lens features 'close to zero' distortion and stands out with its 150mm telephoto focal length.
The RF 24-105mm F4L IS USM is one of four lenses to launch with Canon's new full-frame mirrorless system, and it boasts the longest reach of the range. Take a look at some of the samples we've gathered thus far as our EOS R testing continues.
Nikon's Sendai factory in the Tōhoku region North of Japan has been churning out cameras and lenses since 1971. We had the opportunity recently to visit Sendai during events to mark the launch of Nikon's new Z mount.
There's no mistaking the Nikon Coolpix P1000 – with a 24-3000mm equivalent zoom, it really is in a class of its own. It's a conspicuous-looking superzoom with one main job: getting you really close to far away subjects. We've put together a gallery showing the kind of results you can expect from it.
A new report from The Verge claims Instagram is currently testing a feature that allows users to re-share posts to their own account feeds.
GoPro has announced its HERO7 camera lineup. The updated action cameras feature new HyperSmooth and TimeWarp modes, as well as improved video and photo specs.
The latest Samsung midrange smartphone offers a super-wide-angle lens in its triple-camera setup.
The Sony 24mm F1.4 is the latest lens to join the company's premium G Master lineup. We've been shooting with one for a couple of days - here's what you need to know.
Apple released iOS 12 a few days ago and some iPhone X users are less than happy with how the new operating system has made their phones look.
Camera bag manufacturer Lowepro has introduced mark II backpacks for its ProTactic AW range with models that are said to feature an improved handling experience as well as a collection of accessories that can be attached to the outside.
Canon has announced its latest superzoom camera, the PowerShot SX70 HS. Compared to the SX60 that came before it, the SX70 has the same lens but offers a higher resolution EVF, 4K video capture and support for Canon's new CR3 Raw format.
Cosina has announced its eighth lens designed specifically for Sony's E-mount system. The Voigtlander 21mm F3.5 lens is due out October 2018.