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The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
As you can see the *ist D has a fairly traditional SLR design, obviously the shape, size and control layout are pretty much defined by the *ist film SLR on which it is based. The body material is a tough plastic (reminds me of that used on the EOS-D60), beneath this is a strong metal subframe (the body feels very solid). The camera has a functional design with many external control buttons allowing you to make settings changes without diving into the menu system. The rear of the camera has a moulded area for thumb grip which helps with the grip and balance of the camera.
The *ist D is physically smaller than any other lens interchangeable digital SLR currently available. Interestingly it's the same height and weight as Canon's new EOS-300D but is not as wide nor as deep. Comparatively you can see how much bigger the Nikon D100 is than the *ist D.
|Left to right: Nikon D100, Canon EOS-300D, Pentax *ist D|
(inc. battery & CF)
|Canon EOS 300D||142 x 99 x 72 mm (5.6 x 3.9 x 2.8 in)||649 g (1.4 lb)|
|Pentax *ist D||129 x 95 x 60 mm (5.0 x 3.7 x 2.3 in)||650 g (1.4 lb)|
|Nikon D100||144 x 116 x 81 mm (5.7 x 4.6 x 3.2 in)||775 g (1.7 lb)|
|Fujifilm S2 Pro||142 x 131 x 80 mm (5.6 x 5.2 x 3.1 in)||870 g (1.9 lb)|
|Canon EOS 10D||150 x 107 x 75 mm (5.9 x 4.2 x 3.0 in)||879 g (1.9 lb)|
The *ist D is nicely balanced and comfortable to hold thanks to its light weight and thoughtful ergonomic design. That said the front hand grip is not as deep as some other digital SLR's. Weight balance is equalized by the batteries being located in the hand grip.
The *ist D has a fairly standard 1.8" 118,000 pixel LCD monitor with a thick protective plastic window but no anti-reflective coating. In use the screen was bright and relatively easy to see.
The camera's main menu provides fifteen levels (-7 to +7) of brightness control for the LCD monitor.
The top control panel LCD display provides a wide variety of information about both photographic and digital settings of the camera. Once nice touch is the indication of front or rear command dial control of shutter speed or aperture (both in the example below which was taken in manual exposure mode). Also note the white balance indicator (the arrow pointing down to a WB setting). The panel has a green backlight (not very bright and only from the right) which can be activated by flicking the power switch to the DOF preview position.
A detailed description of information displayed can be found on the diagram below.
The viewfinder eyepiece appears to be slightly larger than that found on the EOS-10D or Nikon D100 and also seems to have higher magnification, that is that the actual frame view appears larger. The viewfinder does have a dioptre adjustment and removable eyepiece, there is no eyepiece shutter.
The diagram below is exactly to scale (traced from an actual shot through the eyepiece). The status line along the bottom of the viewfinder shows: Flash status, AF area, AF lock, Shutter speed, Aperture, AE Lock. Down the right side is shown an exposure meter with either the current exposure compensation or meter difference as well as the number of frames remaining.
|Normal viewfinder view, here all AF points are highlighted, normally only active points will illuminate||Viewfinder view with 16-segment metering pattern overlaid (for reference only - not normally visible)|
A detailed description of information shown by the two viewfinder LCD status bars can be found on the diagram below.
Feb 8, 2005
Oct 28, 2003
Feb 26, 2003
Sep 21, 2006
When the Fujifilm X-T2 arrived, it was more than just a modest upgrade to the already impressive X-T1. While the new X-T3 hasn't changed the overall design of the camera, this model is way more than an upgrade; rather, it's a quantum leap.
The Movie Maker is a compact, motorized slider designed for phones, action cams and small mirrorless cameras. We think it's a fun little kit and a good value proposition for the cost, provided you can work around a few of its weak points.
Nikon's Z7 is the first camera to use the all-new Z-mount, the company's first new full-frame mount since 1959. We've put together our first impressions based on quality shooting time with a pre-production camera - check out what we've found.
What's the best camera for a parent? The best cameras for shooting kids and family must have fast autofocus, good low-light image quality and great video. In this buying guide we've rounded-up several great cameras for parents, and recommended the best.
What's the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we've rounded-up several great cameras for shooting landscapes, and recommended the best.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
|My Garden by Mitchmeister|
from The Secret Garden
|Crowded Skies by Rushlin|
from Seven types of aircraft - lighter than air
Hasselblad is expanding their X System with their announcement of three new lenses: the XCD 80mm F1.9, XCD 65mm F2.8 and XCD 135mm F2.8, along with a teleconverter. The 80mm F1.9 is the fastest in the system. Get all the details and check out Hasselblad's official sample images here.
Sigma has announced the 56mm F1.4 DC DN lens for Micro Four Thirds and Sony E mounts. The compact 56mm lens becomes the sixth DN lens for mirrorless cameras and will make a handy portrait lens on both systems.
Sigma has announced the 28mm F1.4 Art, 40mm F1.4 Art, 70-200mm F2.8 Sport and 60-600mm F4.5-6.3 Sport lenses for several full frame lens mounts, including Canon, Nikon and, in the first two instances, Sony E.
ON1 has announced the impending launch of ON1 Photo RAW 2019. The new version, due out in November, brings a handful of new tools and features in a revamped interface.
Fujifilm has said it is developing a 100MP GFX medium format camera that will include both phase detection autofocus and in-body image stabilization. The 4K-capable camera will sell for around $10,000.
Leica has announced the S3 medium-format camera – an S2 successor with a 64MP sensor capable of 4K video.
The GFX 50R is a 50MP rangefinder-style mirrorless camera. It borrows heavily from the existing 50S model but in a smaller body and at a lower price. How does it differ?
Fujifilm has announced its GFX 50R, a rangefinder-styled version of the company's GFX 50S medium-format camera. The 'guts' of the two cameras are the same, with the difference being the design, weight and Bluetooth, all at a considerably lower price.
In this episode of DPReview TV, we get our hands on Fujifilm's GFX 50R which hides a medium-format sensor in a new, more compact body. Watch to get Chris and Jordan's first impressions on image quality, video and more.
Fujifilm is adding a trio of new medium-format lenses to its G-mount roadmap. GFX owners will soon be able to get their hands on 100-200mm F5.6, 45-100mm F4 and compact 50mm F3.5 lenses. Pricing and availability have not been announced.
Micro Four Thirds users will soon get a super fast, constant aperture wide angle zoom.
Panasonic has announced it is developing two full frame mirrorless cameras: the 47MP S1R and the 24MP S1. We've been shown fairly advanced-looking but non-functional prototype cameras, and have been able to squeeze a few details from Panasonic.
Panasonic is developing a pair of full-frame mirrorless cameras that use Leica's L-mount. The S1R will feature a 47MP sensor, while the S1 will be 24MP. Both cameras will support Dual IS shake reduction 4K/60p video capture and will have XQD and SD card slots.
Leica, Panasonic and Sigma are teaming up. Expect L-mount cameras from Panasonic as well as L-mount glass from Sigma.
Ricoh has announced the development of the GR III enthusiast compact, due to ship in early 2019. The camera gains sensor-shift image stabilization and an updated 24MP sensor with phase-detection. The 28mm equivalent F2.8 lens has also been redesigned and a touchscreen added.
The 'I'm Back' is now available for a range of old film-SLRs, such as Nikon's F-Series, the Olympus OM10 or the Canon AE-1.
IRIX has announced its latest lens, the 150mm F2.8 Macro 1:1. IRIX claims the lens features 'close to zero' distortion and stands out with its 150mm telephoto focal length.
The RF 24-105mm F4L IS USM is one of four lenses to launch with Canon's new full-frame mirrorless system, and it boasts the longest reach of the range. Take a look at some of the samples we've gathered thus far as our EOS R testing continues.
Nikon's Sendai factory in the Tōhoku region North of Japan has been churning out cameras and lenses since 1971. We had the opportunity recently to visit Sendai during events to mark the launch of Nikon's new Z mount.
There's no mistaking the Nikon Coolpix P1000 – with a 24-3000mm equivalent zoom, it really is in a class of its own. It's a conspicuous-looking superzoom with one main job: getting you really close to far away subjects. We've put together a gallery showing the kind of results you can expect from it.
A new report from The Verge claims Instagram is currently testing a feature that allows users to re-share posts to their own account feeds.
GoPro has announced its HERO7 camera lineup. The updated action cameras feature new HyperSmooth and TimeWarp modes, as well as improved video and photo specs.
The latest Samsung midrange smartphone offers a super-wide-angle lens in its triple-camera setup.
The Sony 24mm F1.4 is the latest lens to join the company's premium G Master lineup. We've been shooting with one for a couple of days - here's what you need to know.
Apple released iOS 12 a few days ago and some iPhone X users are less than happy with how the new operating system has made their phones look.
Camera bag manufacturer Lowepro has introduced mark II backpacks for its ProTactic AW range with models that are said to feature an improved handling experience as well as a collection of accessories that can be attached to the outside.
Canon has announced its latest superzoom camera, the PowerShot SX70 HS. Compared to the SX60 that came before it, the SX70 has the same lens but offers a higher resolution EVF, 4K video capture and support for Canon's new CR3 Raw format.
Cosina has announced its eighth lens designed specifically for Sony's E-mount system. The Voigtlander 21mm F3.5 lens is due out October 2018.
Sony has taken the wraps off of its new 24mm F1.4 GM full-frame lens, which the company claims is the lightest in its class. Despite its fast aperture, the 24mm F1.4 is remarkably light, weighing just 445 grams (15.7 ounces). The lens will set you back $1400 when it ships next month.
In this episode of DPReview TV we take a look at Sony's brand new 24mm F1.4 GM lens, a desirable focal length for many photographers. How does it perform? Chris and Jordan give us their first impressions.