The Pentax MX-1 is a 12MP high-end compact camera with a fast 28-112mm equivalent zoom lens - the first camera of its type that Pentax has created. With a rich history in camera design, it seems fair that Pentax would seek to recapture the two-tone camera designs of the last century with its MX-1 enthusiast compact (the MX-1 is also available in an all-black model as well). A metal top and bottom and a leather-like band around the middle provide a gripable surface as well as a classic look. Thanks to the painted brass top and bottom plates, we're told users will enjoy that old tendency toward 'brassing' exhibited in well-used vintage cameras as the MX-1 accumulates wear. We haven't yet bashed the Pentax MX-1 around enough to test this feature, but there's still time.
Following the near extinction of the standard pocket digital camera in the wake of the smartphone juggernaut, camera manufacturers are aiming more squarely at the enthusiast market, and the MX-1 is a clear sign that Pentax considers it an important segment to serve. Dominated largely by cameras like the Panasonic Lumix DMC-LX7 and Canon Powershot S110, and more recently by the Sony Cyber-Shot RX-100, the enthusiast pocket camera market consists of cameras with larger sensors, premium lenses, raw capture and a bias toward manual controls and modes, in addition to the usual auto and semi-auto modes.
The MX-1 shares a lens (and probably sensor) with the Olympus XZ-2: a 28-112mm equivalent zoom with a relatively bright F1.8-2.5 aperture across the zoom range. Physically though, they're very different cameras. The MX-1 is both wider and thicker, lacks a hot shoe, and surprisingly has only one control dial, skipping the trend toward a customizable control ring around the lens. In the MX1's favor are a slightly larger LCD (thanks to its 4:3 aspect ratio), that flips up and down in the same way as the XZ-2, and an EV adjustment dial that hangs over the right rear edge ever so slightly, for quick changes to the auto and semi-auto capture modes; it's also stiff enough that it doesn't turn by accident.
We were a little disappointed to see no hint of Ricoh's influence on the interface (Ricoh purchased Pentax 18 months ago, so we'd expect to see some of the fruits of that deal appearing soon). In particular, some of the GRD and GXR's control features, with customizable access to key menus and simple, smart controls would have been welcome. But several other omissions show that Pentax isn't aiming the MX-1 at quite the same market as some other premium compacts.
Built as much as a premium camera for the casual snapshooter as it is for the photographer craving more control, the Pentax MX-1 makes accessing its high quality optic and potentially good sensor less intimidating. It looks cool, and if it measures up to expectations, particularly from its lens and sensor, it will make a good street camera for semi-auto shooters, and a reasonable substitute for carrying an SLR everywhere.
Pentax MX-1 key features
- 12MP backlit CMOS sensor
- 4x 28-112mm equivalent F1.8-2.5 lens
- ISO 100-12800
- 3.0 inch, 920K dot LCD screen
- JPEG, Raw (DNG), Raw+JPEG capture
- 1080p 30fps video recording with stereo microphones
- Rear control dial and EV dial
- Pentax SLR-like interface
- HDR mode
The Pentax MX-1's 1/1.7" backlit CMOS sensor has a total resolution of 12.76MP, outputting a 12-megapixel image measuring 4,000 x 3,000 pixels. Many of the Pentax's rivals, including the Olympus XZ-2, Nikon P7700 and Samsung EX2F also use 1/1.7" 12MP BSI CMOS sensors. It seems likely that most of them share a single sensor, possibly the one Sony published details of in October.
Sensor sizes compared
The diagram below compares the size of the MX-1's 1/1.7" sensor to those in its nearest competitors - in general larger sensors potentially offer better image quality. The MX-1's sensor is equal to most of its direct competitors, like the S110, XZ-2, and LX7.
|The MX-1's sensor is smaller than recent premium pocket leaders, but on par with most premium pocket category competitors.|
Enthusiast compacts: lenses, sensors and background blur
The table below compares the MX-1's lens specifications and sensor size against its main competitors and the X20. Along with the familiar 35mm-equivalent focal length, we've also included a 35mm-equivalent aperture range, which gives some idea of the control over depth of field offered by each camera's lens.
|Sensor area, mm2
|Focal length range||Focal length range (equiv.)||Aperture range||Aperture range (equiv)*||Dimensions (mm)|
* Equivalent aperture, in 135 film terms - this gives an idea of the depth of field control offered by the lenses when the sensor size is taken into account.
** Panasonic DMC-LX7 sensor area figures based on 4:3 aspect ratio mode
Photographers tend to be interested in how well a lens can blur backgrounds when shooting portraits at full telephoto, and in this respect the MX-1 is among the best in its class - matching exactly the ability offered by the Olympus XZ-2. This isn't the sort of shallow depth-of-field that a DSLR will offer with a specialized lens, but at the long end of the lens it'll give about the same flexibility as most DSLR kit lenses will offer.
The equivalent apertures also give a rough idea of how the cameras might compare in low light; to a degree they indicate how far a larger sensor should be offset by a faster lens. Obviously this isn't the whole story; the characteristics of the individual sensors matters too, as does the quality of in-camera processing for JPEG shooters. But the story is essentially the same - the MX-1 should do a bit better than most small-sensor cameras, but not as well as the RX100 over most of its lens range.
The MX-1's larger lens and articulating screen means it's a little thicker than most cameras in this category, as well as a little wider. It's also thicker than the XZ-2. The Pentax MX-1 is still small enough to slip into a shorts or jacket pocket, and there's enough space on the back for a few extra buttons and controls. We have a feeling many users are likely to want to take advantage of the camera strap to show off this good-looking camera (though unfortunately we found it doesn't hang as well as we'd like with the strap lugs mounted in the front).
Jul 1, 2013
Jul 1, 2016
Dec 18, 2013
Jun 29, 2016
|I see you by Phocal|
from Animal eye reflection
|Apocalyptic Sunset by Impact Photo|
from A wheel good photo!
|AU4_6418_BB-35 by DaveInHouston|
LEE has released a new series of Reverse ND filters that are most opaque in the middle and become progressively clearer towards the top. This makes them ideal for capturing scenes where the sun is close to the horizon.
A former New York Times photographer is suing both the newspaper and its photography director Michele McNally for over $500,000 for age discrimination and unfair classification as a freelancer for nearly a decade.
"CPS Platinum members will now enjoy next-day service, with equipment serviced and shipped the business day after an estimate is approved. For repairs that will take longer, Canon will offer next-day loaner equipment."
Irix is introducing a new filter system called the Irix Edge 100. The ultra-light, ultra-thin system is build specifically for wide angle lenses like Irix's own 15mm F2.4.
After conducting a series of safety tests, the FAA is recommending that all airlines ban cameras and other electronics with Lithium Ion batteries from checked baggage. The agency believe the risk of a catastrophic fire and explosion is too great.
The Pixentu jackets keep you and your gear warm and dry, offering useful features like lens and tripod pockets, in addition to some quirky ones like an extended hood to protect your camera from the rain.
Adobe gave the audience at MAX a sneak peek at some exciting new technology its developing. It's called Adobe Cloak: a highly capable Content Aware Fill-like feature for video editors.
Earlier today, Flickr moved its photo book printing service over to a third party services, and stopped offering any wall art options entirely.
The patent details a flipping rear LCD screen so large, Canon has had to hide the rear dial and several buttons underneath.
We've added a selection of extra images to our Nikon D850 gallery. As part of the process of rounding off the review we made sure a number of us had shot the camera in a variety of situations, we've added those shots to the gallery to give a broad cross section of how the camera performs.
Wiral LITE is an affordable, easy-to-use cable cam system that can do things a portable slider simply can't do, and go places no slider would dare go.
Not happy with the recent demise of Lightroom as a stand-alone, subscription free service? Macphun's got your back... or they will in 2018.
Once connected to a PC, Mac, tablet or smartphone, Pholio automatically searches through the device storage and backs up all images and videos—complete with auto-tagging and intelligent search capabilities.
The 360 Round uses eight horizontally positioned camera pairs and one upward-pointing single lens to capture and livestream panoramic 4K 3D content.
Introduced just three years ago, the Samsung NX1 was both a technological tour-de-force and a great camera to use, earning one of the highest scores we've ever awarded and winning our 2015 Innovation Award. But its short-lived run in the photo world leaves us wondering what could have been.
The Fujifilm X-E3 is styled like a classic rangefinder, but features a built-in touchscreen, AF joystick, and electronic viewfinder – truly an old school meets new type of camera. Lay some eyes on our sample gallery to see how it performs in the real world.
Like it or not, Adobe is embracing a cloud-centric, AI-rich future with the introduction of Lightroom CC. And that's a great thing, though you may not see it now, argues Rishi Sanyal.
The announcement of a more cloud-integrated Lightroom product sees the death of the company's standalone version. This need to make payments in perpetuity (whether you choose Lightroom Classic or CC), chips away at the idea that your Lightroom library is a long-term solution, argues Richard Butler.
The XPro-C 2.4GHz wireless flash trigger that Godox released for Canon users last month now has a Nikon equivalent—the aptly named XPro-N. Sony, Fujifilm and MFT versions are in the works.
In the aftermath of hurricanes Harvey, Irma and Maria, camera and lens maker Sigma is extending its standard product warranty to cover damage caused by these three natural disasters.
The F4 Plus can can capture 360° stills, videos and broadcast livestream footage at 8K resolution... that's 7680 x 3840 pixels!
Lightroom is hogging the spotlight at Adobe MAX, but Photoshop CC got some substantial improvements as well. Find out what's new in the latest version of Photoshop CC.
The aptly-named 'Nude' app automatically detects NSFW images on your iPhone, moves them to a protected vault and deletes the original files in the camera roll and on iCloud.
The Zeiss Milvus family of manual-focus full-frame lenses just gained a new member. Meet the Zeiss Milvus 24mm F1.4: a fast, rugged new lens designed primarily for landscape and architecture photography.
Lightroom has built a brand new Lightroom CC from the ground up to be faster, easier to use, and cloud-based. The application formerly known as Lightroom CC will continue to exist, and will go by "Lightroom Classic CC."
Google Research did a deep dive on the Pixel 2 smartphone's background-blurring portrait mode that uses neural networking and dual-pixel technology instead of a dual-camera setup.
With the arrival of the PowerShot G1 X III, there are now seven Canon cameras built around the 24MP Dual Pixel sensor and Digic 7 processor. We take a look at the differences and what might prompt you to choose one over the others.
Meet the HP ZBook x2. The so-called 'world's most powerful and first detachable PC workstation,' it was built with creative professionals in mind, and is being debuted at Adobe MAX.
PDN sat down with Ahmed Fakhr, director of photography at RollingStone.com, to talk about how the famed publication is adapting to the changing photo and video needs of the modern era and how he 'evaluates the skills of potential contributors.'
Kudos to Canon. Earlier today, the camera giant announced that it had produced its 90 millionth EOS camera and 130 millionth EF-series lens.