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The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
Pentax has a long history of being a little different from the 'big two' SLR makers, introducing features that would normally be found on cameras costing quite a bit more, such as weatherproofing and larger, pentaprism optical viewfinders. It's also created some products that seemingly came out of left field, such as the Q7 and K-01 mirrorless cameras.
The Pentax name is now owned by Ricoh (not a company scared to try new ideas itself), which has continued the tradition of innovation, no better illustrated than with the concept of a digital SLR that has an anti-aliasing effect that can be turned on at the push of a button (Nikon recently patented a concept that accomplishes the same thing, but in a different manner). However, it hasn't accomplished this by having the filter just drop into place. No, Pentax is using its sensor-shift image stabilizer to deliberately move the sensor during the exposure, slightly blurring the image to mimic the effects of an optical low-pass filter. Not only can this be turned on and off, Pentax is also offering two 'intensities' to choose from.
The name of the camera with this breakthrough feature: the Pentax K-3. This camera takes the rugged design of the K-5 II / K-5 IIs that came before it and bumps up the resolution, improves the AF system, speeds up the processor, and enlarges the LCD and viewfinder.
At first glance, the K-3 may look like the K-5 II with a higher resolution sensor, but that's far from the whole story. Ricoh has improved upon the K-5 II in every way, with special attention given to video recording. On the photo side, there's the new sensor (probably from Sony), improved autofocus and metering systems, larger optical viewfinder and LCD, and of course, the selectable AA filter. Performance-wise, the K-3 shoots at 8.3 fps, up from 7.0 fps on the K-5 II.
|The K-3 uses a new SAFOX 11 autofocus system, which has 27 points (25 of which are cross-type).||The metering system has been dramatically improved, going from 77-segment on the K-5 to 86,000 RGB pixels on the K-3.|
Movie lovers will find all kinds of new features. There's now a dedicated 'red button' for quick recording, mic and headphone inputs, and control over audio level. The frame rate has also been increased to 1080/60i, up from 1080/25p on the K-5 II.
Two features that photo and video enthusiasts will like are dual SD card slots and support for USB 3.0 (the K-3 is only the second camera to support this). Build quality remains top-notch, with the K-3 having a rugged, weatherproof body.
The biggest change to the K-3 isn't a feature at all, but it will probably garner the most discussion. There is now a prominent 'Ricoh' logo on the back of the camera, just below the LCD. Ricoh has stated that Pentax is a 'brand' now, similar to 'Lumix' on Panasonic cameras. We're curious to see how the very loyal Pentax audience will react to this change. With this in mind, it's interesting also to note that the K-3 gains the multi-area white balance feature (which aims to correct for different light sources in the same image) that we've seen on previous Ricohs.
One of the most interesting new features on the K-3 is its 'anti-aliasing simulator'. Like the K-5 IIs the camera has no anti-aliasing filter; this improves resolution, but with the trade-off of an increased risk of moiré. Pentax is using the K-3's sensor-shift IS system to simulate the effect of having the filter.
The AA simulator works by applying 'microscopic vibrations to the image sensor unit at the sub-pixel level during exposure', according to Pentax. Simply put, these tiny vibrations cause just enough blur to give the same effect as having an optical anti-aliasing filter. There are two options to choose from - Pentax calls them Mode 1 and Mode 2 - which we assume increases the 'strength' of the virtual filter. Pentax says that the AA simulator is most effective when the shutter speed is under 1/1000 sec.
We assess the real-world impact of the mode later in this review.
The K-3 is sold in three kits (at least in the US). The body-only option has a recommended price of $1299 / £1099, while a kit with the DA 18-135mm F3.5-5.6 WR lens has a list price of $1699 / £1449. The third kit is the 'premium silver edition' shown above, of which only 2000 will be made. This model includes a special battery grip and strap (but no lens), available from select retailers for $1599 / £1399.
Ricoh has released firmware updates for its K-3 and K-50 DSLRs which add support for the company's K-AF4 lenses. Read more
We recently returned from the CP+ show in Yokohama, Japan, where we sat down with Kazunobu Saiki - General Manager of the Marketing Communication Department, in the Global Marketing Division of Ricoh Imaging. We spoke to Mr Saiki about Ricoh's forthcoming full-frame DSLR, the success of the 645Z and about his desire to improve AF performance in Pentax's DSLRs and lenses. Click through to read the interview
Ricoh has announced a new 'Prestige' version of its Pentax K-3 DSLR. This special edition camera, which 'commemorates the many awards bestowed upon the K-3' (including from this website), comes in a special gunmetal gray color. The Prestige edition includes a matching battery grip, two batteries, and an 'exclusive' camera strap. If you want your K-3 to stand out from the crowd you'd better hurry, as only 2,000 kits will be sold worldwide.
Pentax has released new firmware for its flagship K-3 DSLR, adding a new function - diffraction correction to the lens corrections menu. Firmware v1.10 also improves processing times when Digital Filters and Color Fringe Correction are applied, tweaks exposure bracketing in TAv mode, offers improved AWB performance and the usual 'improved stability for general performance'. Click through for more details and a download link.
Pentax cameras have always been innovative, and Ricoh has upped the ante with the K-3. Its image stabilization system not only reduces shake, but it can also simulate an anti-aliasing filter. The K-3 marks the latest evolution of one of the best-handling DSLRs in its class. It features a new autofocus system, 24 megapixel CMOS sensor, 8.3 fps continuous shooting, and USB 3.0 support. Has Ricoh put together a top-notch DSLR in the K-3? Read our review to find out
When the Fujifilm X-T2 arrived, it was more than just a modest upgrade to the already impressive X-T1. While the new X-T3 hasn't changed the overall design of the camera, this model is way more than an upgrade; rather, it's a quantum leap.
The Movie Maker is a compact, motorized slider designed for phones, action cams and small mirrorless cameras. We think it's a fun little kit and a good value proposition for the cost, provided you can work around a few of its weak points.
Nikon's Z7 is the first camera to use the all-new Z-mount, the company's first new full-frame mount since 1959. We've put together our first impressions based on quality shooting time with a pre-production camera - check out what we've found.
What's the best camera for a parent? The best cameras for shooting kids and family must have fast autofocus, good low-light image quality and great video. In this buying guide we've rounded-up several great cameras for parents, and recommended the best.
What's the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we've rounded-up several great cameras for shooting landscapes, and recommended the best.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
|Abstract bokeh by Minas_Eye|
from Your City - Bokeh in the City (Rerun)
|Green Tree Frog by BruceRH|
|Custom Red Roadster by Mitchmeister|
from Car Shows 2018
At Sony's press conference at Photokina the company announced that 12 more E-mount lenses will be arriving over the next two years. In addition, the company is working to utilize artificial intelligence in its technologies, with one application being Eye AF trained to detect animal eyes.
Sigma has said it will create a full-frame Foveon camera and will adopt the Leica L mount for its system. It will be able to adapt or convert SA mount lenses to the L mount, for existing users.
Hasselblad is expanding their X System with their announcement of three new lenses: the XCD 80mm F1.9, XCD 65mm F2.8 and XCD 135mm F2.8, along with a teleconverter. The 80mm F1.9 is the fastest in the system. Get all the details and check out Hasselblad's official sample images here.
Sigma has announced the 56mm F1.4 DC DN lens for Micro Four Thirds and Sony E mounts. The compact 56mm lens becomes the sixth DN lens for mirrorless cameras and will make a handy portrait lens on both systems.
Sigma has announced the 28mm F1.4 Art, 40mm F1.4 Art, 70-200mm F2.8 Sport and 60-600mm F4.5-6.3 Sport lenses for several full frame lens mounts, including Canon, Nikon and, in the first two instances, Sony E.
ON1 has announced the impending launch of ON1 Photo RAW 2019. The new version, due out in November, brings a handful of new tools and features in a revamped interface.
Fujifilm has said it is developing a 100MP GFX medium format camera that will include both phase detection autofocus and in-body image stabilization. The 4K-capable camera will sell for around $10,000.
Leica has announced the S3 medium-format camera – an S2 successor with a 64MP sensor capable of 4K video.
The GFX 50R is a 50MP rangefinder-style mirrorless camera. It borrows heavily from the existing 50S model but in a smaller body and at a lower price. How does it differ?
Fujifilm has announced its GFX 50R, a rangefinder-styled version of the company's GFX 50S medium-format camera. The 'guts' of the two cameras are the same, with the difference being the design, weight and Bluetooth, all at a considerably lower price.
In this episode of DPReview TV, we get our hands on Fujifilm's GFX 50R which hides a medium-format sensor in a new, more compact body. Watch to get Chris and Jordan's first impressions on image quality, video and more.
Fujifilm is adding a trio of new medium-format lenses to its G-mount roadmap. GFX owners will soon be able to get their hands on 100-200mm F5.6, 45-100mm F4 and compact 50mm F3.5 lenses. Pricing and availability have not been announced.
Micro Four Thirds users will soon get a super fast, constant aperture wide angle zoom.
Panasonic has announced it is developing two full frame mirrorless cameras: the 47MP S1R and the 24MP S1. We've been shown fairly advanced-looking but non-functional prototype cameras, and have been able to squeeze a few details from Panasonic.
Panasonic is developing a pair of full-frame mirrorless cameras that use Leica's L-mount. The S1R will feature a 47MP sensor, while the S1 will be 24MP. Both cameras will support Dual IS shake reduction 4K/60p video capture and will have XQD and SD card slots.
Leica, Panasonic and Sigma are teaming up. Expect L-mount cameras from Panasonic as well as L-mount glass from Sigma.
Ricoh has announced the development of the GR III enthusiast compact, due to ship in early 2019. The camera gains sensor-shift image stabilization and an updated 24MP sensor with phase-detection. The 28mm equivalent F2.8 lens has also been redesigned and a touchscreen added.
The 'I'm Back' is now available for a range of old film-SLRs, such as Nikon's F-Series, the Olympus OM10 or the Canon AE-1.
IRIX has announced its latest lens, the 150mm F2.8 Macro 1:1. IRIX claims the lens features 'close to zero' distortion and stands out with its 150mm telephoto focal length.
The RF 24-105mm F4L IS USM is one of four lenses to launch with Canon's new full-frame mirrorless system, and it boasts the longest reach of the range. Take a look at some of the samples we've gathered thus far as our EOS R testing continues.
Nikon's Sendai factory in the Tōhoku region North of Japan has been churning out cameras and lenses since 1971. We had the opportunity recently to visit Sendai during events to mark the launch of Nikon's new Z mount.
There's no mistaking the Nikon Coolpix P1000 – with a 24-3000mm equivalent zoom, it really is in a class of its own. It's a conspicuous-looking superzoom with one main job: getting you really close to far away subjects. We've put together a gallery showing the kind of results you can expect from it.
A new report from The Verge claims Instagram is currently testing a feature that allows users to re-share posts to their own account feeds.
GoPro has announced its HERO7 camera lineup. The updated action cameras feature new HyperSmooth and TimeWarp modes, as well as improved video and photo specs.
The latest Samsung midrange smartphone offers a super-wide-angle lens in its triple-camera setup.
The Sony 24mm F1.4 is the latest lens to join the company's premium G Master lineup. We've been shooting with one for a couple of days - here's what you need to know.
Apple released iOS 12 a few days ago and some iPhone X users are less than happy with how the new operating system has made their phones look.
Camera bag manufacturer Lowepro has introduced mark II backpacks for its ProTactic AW range with models that are said to feature an improved handling experience as well as a collection of accessories that can be attached to the outside.
Canon has announced its latest superzoom camera, the PowerShot SX70 HS. Compared to the SX60 that came before it, the SX70 has the same lens but offers a higher resolution EVF, 4K video capture and support for Canon's new CR3 Raw format.
Cosina has announced its eighth lens designed specifically for Sony's E-mount system. The Voigtlander 21mm F3.5 lens is due out October 2018.