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The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
Now it's time to talk about the features on the K-01, starting with those found on the various buttons and dials on the camera. Let's start by getting into the features that you access with the mode dial. First, a list of what you'll find on it:
|Auto Picture mode||Point-and-shoot operation, with automatic scene selection. Some menu options are locked up.|
|Movie mode||While you can record movies at any time with the red button, here's a dedicated mode with a few more options.|
|Program mode||Still point-and-shoot, but with full menu access. Pressing the green button will allow you to use Program Shift, where you can move between various aperture/shutter speed combinations.|
|Shutter Priority mode||You pick the shutter speed, and the camera selects the proper aperture. The shutter speed range is 30 - 1/4000 sec.|
|Aperture Priority mode||You set the aperture, and the camera picks the appropriate shutter speed. The available apertures will depend on what lens is attached.|
|Full manual mode||You select both the aperture and the shutter speed, with the same ranges. as above.|
|Bulb mode||The camera will keep the shutter open for as long as the shutter release is held down. An option in the custom settings menu lets you use the shutter release as a toggle, which gives your finger a break. The optional AC adapter and remote control are helpful here.|
|Flash off mode||An auto mode with the flash disabled.|
|HDR mode||The camera takes three images - each at a different exposure - and combines them into a single photo with dramatically improved contrast.|
|Scene mode||The K-01 has a boatload of scene modes, which include: portrait, landscape, macro, moving object, night scene portrait, sunset, blue sky, forest, night scene, night scene HDR, night snap, food, pet, kids, surf & snow, backlight silhouette, candlelight, stage lighting, and museum.|
The K-01 has shooting modes for just about everyone. Beginners will find a capable auto mode and a metric ton of scene modes. Enthusiasts have the usual manual exposure controls - including a bulb mode - plus RAW support, white balance fine-tuning, customizable buttons, and plenty of custom settings. I'll have more on that later.
|The Info button usually toggles what's shown on the LCD, but it also opens a handy shortcut menu you see here. From here, you can adjust every important setting on the camera, without having to dive into the main menu.|
|We're going to move into the K-01's menu system now. Sadly, Marc Newson didn't touch the menus (aside from the background), which use the same antiquated design that Pentax has been using for who knows how long. While it's not pretty, it does get the job done though. Here are some of the highlights from the menu:|
|Custom image:||these are sets of image parameters that allow you to adjust saturation, high/low key, contrast, and sharpness; there are several presets available, including bright, portrait, landscape, bleach bypass, black and white, and cross-process|
|Digital filter:||special effects like extract color, toy camera, retro, and high contrast can be found here|
|Image capture setting:||here you can adjust the aspect ratio (16:9, 3:2, 4:3, 1:1), file format (JPEG, RAW, or both), resolution/quality, and color space|
|AF/MF settings:||choose the AF method (face detect, subject tracking, flexible spot, center), AF auto zoom (camera enlarges the focus point when you halfway-press the shutter release), and turn on focus peaking (discussed earlier)|
|Lens correction:||here you can turn on distortion correction (see example a bit later) and chromatic aberration correction (which is on by default)|
|Multi-exposure:||the K-01 can combine up to nine exposures into a single image, with auto EV adjustment|
|Interval (time-lapse) shooting:||the camera can take up to 999 images at intervals ranging from 1 second to 24 hours; you can set a start time, if you wish; tripod and AC adapter are essentially required for this; the K-01 can also do the same kind of things, but save the results as a Full HD movie instead of a bunch of stills|
|D-Range setting:||home of highlight and shadow correction; see below for examples of both|
|Noise reduction:||you can really fine-tune high ISO NR; slow shutter speed NR is auto/on/off|
|Live view:||turn on grid lines, a live histogram, or highlights for bright/dark areas|
|Button customization:||define what the green and red buttons do, as well as how the AE/AF lock button functions for both stills and movies; you can have the green/red buttons handle one-push file format switch, image previewing, focus peaking, and more|
|Memory:||choose what settings are stored when the camera is turned off|
|Dust removal:||remove dust now, or when the camera is turned on or off|
|In addition to the shooting and setup options, there are also sixteen custom settings. Some of the items of note here including EV/ISO steps, ISO expansion (which opens up ISO 25600), and shake reduction options.|
|Press 'down' on the four-way controller to access the 'real' playback menu||RAW editing tool|
The Pentax K-01 has a pretty nice playback mode for an interchangeable lens camera. Here are some of the highlights:
By default, the K-01 shows just basic information about your photos. However, press the Info button and you can choose from various other screens, which include tons of details about settings, plus your choice of histograms.
The camera moves from photo-to-photo without delay.
May 27, 2015
May 22, 2015
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May 30, 2012
Pentax Japan has unveiled a new colour variation of its Marc Newson-designed K-01 mirrorless camera, with a white body shell, blue grip covering, and black accents. There are no spec changes or updates compared to the existing K-01, which was announced early in 2012 and available in black, silver, or yellow. So the camera sports a 16MP APS-C CMOS sensor, in-body image stabilisation, 3" 921k dot LCD, and the same K-mount as the company's SLRs. It comes with the ultra-slim smc PENTAX-DA 40mm F2.8 XS pancake lens, and will go on sale in late July.
Pentax has released firmware updates for its K-5, K-5 II, K-5 IIs, K-30 and K-r digital SLRs. With these latest firmware versions, all cameras gain improved overall stability and enhanced contrast AF performance when using the 560mm f/5.6ED AW lens. The updates are available for immediate download from the company's website - click through for download links.
Just posted: Pentax K-01 studio sample shots. We're in the process of running a production K-01 through our studio tests, so wanted to present the results of our standard test scene. The K-01 fits a lot of the excellent K-5 into a somewhat avant-garde mirrorless body. Retaining a similar 16MP APS-C sensor to the K-5, we expect great things from it, in terms of image quality, so does it live up to those expectations? Raw shots corrected following the discovery of a processing error.
Pentax has formally announced the K-01 K-mount mirrorless interchangable lens camera and a revised 40mm F2.8 pancake lens to match. Built around a 16MP APS-C sensor, the camera can mount most of the lenses the company has ever made. It features sensor-shift image stabilization, a 920k dot rear LCD and can shoot at up to 6 frames per second. The rather interesting design is the work of respected product designer Marc Newson and features a logo of his signature on the base of the camera. The K-01 (which the company says should be pronounced 'kay-zero-one'), will cost around $749 body-only and $899 with the 'XS' version of the 40mm lens.
When the Fujifilm X-T2 arrived, it was more than just a modest upgrade to the already impressive X-T1. While the new X-T3 hasn't changed the overall design of the camera, this model is way more than an upgrade; rather, it's a quantum leap.
The Movie Maker is a compact, motorized slider designed for phones, action cams and small mirrorless cameras. We think it's a fun little kit and a good value proposition for the cost, provided you can work around a few of its weak points.
Nikon's Z7 is the first camera to use the all-new Z-mount, the company's first new full-frame mount since 1959. We've put together our first impressions based on quality shooting time with a pre-production camera - check out what we've found.
What's the best camera for a parent? The best cameras for shooting kids and family must have fast autofocus, good low-light image quality and great video. In this buying guide we've rounded-up several great cameras for parents, and recommended the best.
What's the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we've rounded-up several great cameras for shooting landscapes, and recommended the best.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
|walkersons fields by George Veltchev|
from -Waiting for Autumn- (in Full Colours Only)
|A smile is worth a thousand words by alberto_b|
from Fill the frame
Nikon's Sendai factory in the Tōhoku region North of Japan has been churning out cameras and lenses since 1971. We had the opportunity recently to visit Sendai during events to mark the launch of Nikon's new Z mount.
There's no mistaking the Nikon Coolpix P1000 – with a 24-3000mm equivalent zoom, it really is in a class of its own. It's a conspicuous-looking superzoom with one main job: getting you really close to far away subjects. We've put together a gallery showing the kind of results you can expect from it.
A new report from The Verge claims Instagram is currently testing a feature that allows users to re-share posts to their own account feeds.
GoPro has announced its HERO7 camera lineup. The updated action cameras feature new HyperSmooth and TimeWarp modes, as well as improved video and photo specs.
The latest Samsung midrange smartphone offers a super-wide-angle lens in its triple-camera setup.
The Sony 24mm F1.4 is the latest lens to join the company's premium G Master lineup. We've been shooting with one for a couple of days - here's what you need to know.
Apple released iOS 12 a few days ago and some iPhone X users are less than happy with how the new operating system has made their phones look.
Camera bag manufacturer Lowepro has introduced mark II backpacks for its ProTactic AW range with models that are said to feature an improved handling experience as well as a collection of accessories that can be attached to the outside.
Canon has announced its latest superzoom camera, the PowerShot SX70 HS. Compared to the SX60 that came before it, the SX70 has the same lens but offers a higher resolution EVF, 4K video capture and support for Canon's new CR3 Raw format.
Cosina has announced its eighth lens designed specifically for Sony's E-mount system. The Voigtlander 21mm F3.5 lens is due out October 2018.
Sony has taken the wraps off of its new 24mm F1.4 GM full-frame lens, which the company claims is the lightest in its class. Despite its fast aperture, the 24mm F1.4 is remarkably light, weighing just 445 grams (15.7 ounces). The lens will set you back $1400 when it ships next month.
In this episode of DPReview TV we take a look at Sony's brand new 24mm F1.4 GM lens, a desirable focal length for many photographers. How does it perform? Chris and Jordan give us their first impressions.
We've had a little time to shoot with Sony's new wide/fast prime, both close to home and on the water in San Francisco. Check out our initial sample images.
Fujifilm released a firmware upgrade for its X-T3 mirrorless camera that addresses issues with distortion compensation and the mechanical lock on SD cards.
The app's algorithms have been trained using using 200 million cropping data points from real photographers.
Thanks to a software update, the Loupedeck+ editing console can now be used for video editing.
British photographic engineer MTF Services is claiming the world’s first third-party lens adapters for the new Nikon Z system with a collection of four units designed to allow cinema lenses to be mounted on the mirrorless full frame bodies.
Think Tank Photo has updated its line of heavy-duty rain covers and introduced a new, compact version for emergency situations.
The X-T3 is our first opportunity to analyze what's likely to be Fujifilm's next generation image sensor. Take a look at how it performs next to the competition in our studio test scene.
Canon's new normal is seriously sharp wide open. After shooting with it for a few days, we've prepared a gallery of real-world sample images.
Nikon will cease offering Brazil-based customer service and technical support, though the company stresses that it will still offer technical assistance and warranty repairs for valid warranties.
Two years ago, CatLABS of JP announced a plan to save Packfilm from the dead. Now, it's announced it's giving up its efforts to better focus its resources elsewhere.
The GoPro Fusion is designed to make it easy to capture 360-degree video and stills. We took it out recently on a typically hot Seattle summer day to see what it can do.
We've got our hands on a full-production Nikon Z7 camera and have updated our gallery with additional samples.
A new Kickstarter campaign seeks funding for Chroma Chrono, a programmable RGB camera flash that emits multiple colors during long exposures.
Think Tank Photo has launched a new lineup of six dual-access, water-resistant protective lens cases it calls Lens Case Duo.
Canon and Nikon finally entered the full-frame mirrorless market this summer with the brand-new RF and Z mounts. Now that we've had some time with the cameras, we wanted to revisit our earlier predictions and take stock.
The devices' camera specs look pretty much identical to last year's iPhone X but under the hood a number of important improvements have been made.
Blackmagic Design has announced the public beta of its new Blackmagic RAW video codec. The company says the new format combines the benefits of shooting Raw video with the ease of use and smaller file sizes usually associated with non-Raw video files.
Serif, the company behind the Affinity suite, has announced the latest update for its mobile Photoshop competitor Affinity Photo for iPad.