Panasonic Lumix DMC-FZ7 Review
Compared to... Olympus SP-500UZ
Below you will find a studio comparison between the Panasonic DMC-FZ7 and the 6 megapixel 10x zoom Olympus SP-500UZ. We have included samples each camera's highest and lowest standard ISO settings (ISO 80 and 400).
See later in the review for the FZ7's special 'high sensitivity' ISO 800 and 1600 modes.
Studio scene comparison (@ ISO 80)
- Panasonic DMC-FZ7 : Aperture Priority mode (F5.0), ISO 80, Default Image Parameters,
Manual white balance, +0.7 EV compensation
- Olympus SP-500UZ: Aperture Priority mode (F5.0), ISO 80, Default Image Parameters,
Manual white balance, +1.0 EV compensation
- Lighting: Daylight simulation, >98% CRI
Panasonic DMC-FZ7 |
Olympus SP-500UZ |
ISO 80, 1/60 sec, F5.0 |
ISO 80, 1/50 sec, F5 |
  |
1,817 KB JPEG |
3,221 KB JPEG |
  |
Once again Panasonic is saved by the quality of the Leica-badged lens, which pulls an impressive amount of detail out of our studio scene and has admirable edge-to-edge consistency and good contrast / sharpness. On the digital side it's mostly good news too; color is excellent; natural and vivid without being overblown; there isn't any evidence of over-sharpening and the noise reduction is low enough to retain plenty of low contrast detail (in this well-lit scene). On the downside, there is some visible noise (especially in the watch face, which doesn't bode well for blue skies), as well as some (admittedly mild) artefacts / jaggies on diagonal lines - neither are serious enough to mar prints unless you intend to go bigger than A4.
|
|
|
|
Feb 20, 2006
|
Jan 23, 2006
|
Feb 9, 2009
|
Feb 20, 2009
|
The DJI Air 2S is exactly what many drone enthusiasts have been asking for: a consumerdrone with a 1"-type camera sensor that's budget-friendly. Does it live up to the hype? In our opinion, yes.
DxO has just released PureRaw, a simple, standalone program that can automatically apply its high-quality lens corrections and impressive noise-reduction algorithms to your Raw files, and then pass those Raw files off to your favorite editing app. We're pretty impressed by it – find out why in our review.
The Fujifilm Fujinon XF 70-300mm F4-5.6 R LM OIS WR is a very versatile, compact telephoto zoom lens. But how does it perform? Read our review to find out.
The X-E4 is going to make a lot of photographers happy, especially those craving a near-pocket-size X-mount body with Fujifilm's latest IQ performance.
In our latest software shootout, we pit Adobe's Camera Raw against Capture One Express Fujifilm, included for free with every Fujifilm camera. Can you get all you need with the free option? For a lot of people, it looks like the answer could be yes.
If you want a camera that you can pick up and use without having to page through the manual first, then this guide is for you. We've selected seven cameras ranging from compacts to full-frame, all of which are easy to operate.
Family moments are precious and sometimes you want to capture that time spent with friends or loved-ones in better quality than your phone can manage. We've selected a group of cameras that are easy to keep with you, and that can adapt to take photos wherever and whenever something memorable happens.
If you're looking for a high-quality camera, you don't need to spend a ton of cash, nor do you need to buy the latest and greatest new product on the market. In our latest buying guide we've selected some cameras that might be a bit older but still offer a lot of bang for the buck.
Although a lot of people only upload images to Instagram from their smartphones, the app is much more than just a mobile photography platform. In this guide we've chosen a selection of cameras that make it easy to shoot compelling lifestyle images, ideal for sharing on social media.
Whether you make a living out of taking professional portraits, or are the weekend warrior who knows their way around flashes and reflectors, you'll want a camera with high resolution, exceptional autofocus and a good selection of portrait prime lenses. Click through to see our picks.
Comments