Panasonic Lumix DMC-GX1 Review
Panasonic's Lumix DMC-GX1 is the company's latest addition to its G-series lineup. And although the camera bears the '1' appendage in its model name, it is clear from even a cursory glance that with the GX1, Panasonic has provided the long-awaited spiritual successor to the highly regarded Lumix DMC-GF1. Of perhaps even greater significance, the move to introduce a separate GX product line (as opposed to releasing the camera as a 'GF4') would seem to suggest a long-term commitment by the camera maker to meet the demands of enthusiasts who embraced the GF1.
Launched back in 2009, the GF1 was, ironically, Panasonic's attempt to court compact-camera owners looking to upgrade, with what was then billed as, 'the world's smallest, lightest interchangeable lens camera'. Instead, the GF1's high quality Raw output and classic rangefinder aesthetic gained a strong and passionate following in the enthusiast market. DSLR owners looking for a second 'go-anywhere' camera with high image quality embraced the camera's comprehensive external controls and its relatively compact Micro Four Thirds lens offerings.
It is precisely these users who have been disappointed twice over with the Lumix DMC-GF2 and Lumix DMC-GF3 releases. These cameras departed from the GF1's retro styling and button-driven operation. Instead, they favored ever-smaller form factors, and design cues that pointed unambiguously to users who may be turned off by an overly complex (and expensive) camera, including increasing reliance on touchscreen controls. With the GX1 Panasonic is aiming squarely at more advanced users for whom the GF1 struck a pleasing balance between size and operability.
Of course, the competition for these users has grown much stiffer today, and Panasonic recognizes that if it wants to expand the camera's appeal, the GX1 must offer advantages not only to the GF series but to a crowded market that includes strong APS-C sensor competition from both Sony and Samsung. To this end, the GX1 employs the same 16MP sensor we first saw in the Lumix DMC-G3, although with image processing adjustments that allow for a top ISO of 12,800.
A brand new viewfinder, the DMW-LVF2 has been introduced alongside the GX1. With a higher magnification and resolution, the LVF2 is a noticeable improvement over its predecessor, the LVF1. Crucially though, a new spec and connector makes the LVF2 incompatible with any GF models; neither is it possible to fit the LVF1 on the GX1. Faster communication between the camera and lenses helps the GX1 focus even faster than the 120Hz sensor readout allowed in the preceding G3 and GF3 models, with Panasonic claiming a 10% improvement.
Panasonic's well-regarded touchscreen interface has also gotten some new tricks, with a level gauge and clever Touch Tab icon that allows you to hide, reveal (and of course activate) a small panel of menu options directly on-screen. Another very welcome feature is the inclusion of an orientation sensor that automatically rotates vertical images even when captured with non-OIS lenses.
The GX1 is being made available in both black and silver bodies. Unlike previous GF models, none of the GX1's kit options includes a fixed focal length lens. Instead, the kit lens options are limited to just two; the Lumix G X Vario PZ 14-42mm F3.5-5.6 ASPH Power OIS zoom lens and the more conventional (and less expensive) Lumix G Vario 14-42mm F3.5-5.6 ASPH OIS lens.
By creating a separate product line for the GX, Panasonic has made clear distinctions in its G-series offerings. The GF line is positioned as entry point for compact-camera upgraders. The GH2 is designed for users who shoot a lot of video and the G3 is aimed for (primarily) still shooters who desire a built-in EVF and articulated LCD. The GX1 then is rather sensibly positioned as an enthusiast offering for those who want the highest image quality from a Micro Four Thirds camera, in a form factor that comfortably accommodates a range of zoom lenses and does not skimp on external controls.
Panasonic GX1 specification highlights
- 16MP Micro Four Thirds sensor
- ISO 160-12,800
- Orientation sensor (providing information with non-OIS lenses)
- 3.0", 460k dot LCD
- Full AVCHD 1080/60i video (from 30fps sensor output)
- Continuous shooting up to 20fps (at reduced resolution)
- Electronic level gauge
- Four available Fn buttons (two onscreen)
Differences between the GX1 and the GF1
- Higher resolution sensor (16MP vs 12MP)
- Touchscreen interface
- Much-improved screen coatings for better visibility in bright light
- Faster AF acquisition times
- Top ISO of 12,800 (vs 3200)
- Continuous full resolution shooting at 4fps (vs 3fps)
- Higher burst depth in Raw mode (11 vs 5)
- AVCHD 1080/60i video (vs 720p AVCHD Lite format)
- Built-in stereo microphones
- Electronic level gauge
- Two additional Fn buttons
- No drive mode lever
Compared to the Samsung NX200
What's not evident in the images above is just how much more heft the GX1 has in comparison to the NX200. With a solid metal body construction that weighs in at nearly 320g without a lens, the GX1 feels in hand rather substantial, in a way that calls to mind not only the GF1, but classic film camera bodies.
Compared to the Sony NEX-7
Although the GX1 has slightly smaller dimensions in both width and depth, it's worth remembering that that Sony has managed to pack a built-in EVF, articulating LCD and of course an APS-C sensor into the NEX-7. The GX1's more conventional control point layout stands in sharp contrast to the sleek, hewn-from-a block-of-granite design of the NEX-7. Both cameras offer a sure, firm grip, although users with larger hands may find one-handed shooting slightly less comfortable with the lower profile handgrip of the GX1.
|scrum break away by al booth|
from Sport competition
|Parking Deck by Olaf R|
from Your City - Parking Garage
|Communication Tech by alberto_b|
|With & without by OBellini|
from Empty - Full
Glassware is one of the most challenging subjects to photograph, especially against a white background. This tutorial shows you how to do it with hardly any gear.
Handevision is now shipping its all-metal Iberit 90mm F2.4 short telephoto lens for Leica M-mount 35mm and full-frame cameras.
Isocell comprises four sub-brands: Bright, Fast, Slim and Dual which are tailored to specific mobile device market demands.
The new store will be located at the Fotografiska center for contemporary photography in Stockhom, Sweden and carry the full range of Hasselblad products.
A recent vacation gave Richard a chance to think about the needs of travel photography – and how our reviews might recognize the perfect travel camera.
Need more evidence that 2017 is the year analog begins its comeback? Well, welcome another new film stock to the world.
The winners of the 10th annual iPhone Photography Awards have been announced, and they're striking.
If you were disappointed by reports that the Sony a9 struggles with adapted Canon glass, you might be able to take some comfort from Metabones' latest update.
Blackmagic Design has dropped the prices of its Video Assist external monitor/recorders for a limited time. Prices of the SD card-based recorders will be reduced in all markets, while supplies last.
Instagram has started testing a new feature called 'favorites' that enables users to share photos with only certain people. Only a small number of users have access to the feature at this time, though it may roll out to everyone in the future.
Lensbaby has announced the Velvet 85 F1.8 for interchangeable lens cameras. The lens is available in Canon, Nikon, Sony E, Sony A, Pentax K, Samsung NX, Fuji X and Micro 4/3 mounts.
It's the end of an era. Parent company Micron has announced that they are discontinuing the Lexar retail brand. This includes 'memory cards, USB flash drives, readers, and storage drives.'
Youthful trainspotter turned adult photographer, John Sanderson has traveled across the United States, documenting the country's railroads. But you won't find any trains in his pictures.
Sony's new CMOS sensor is backside-illuminated and offers an all-pixel global reset function which should drastically reduce rolling shutter effect when panning.
Shoulderpod has converted its offerings into a lego-like modular system by offering all individual parts of existing products separately, allowing users to build exactly the rig they need for a specific project or simply replace a damaged part.
Photographer Felix AAA has spent the past ten years touring the world with a variety of musicians, capturing behind the scenes shots and portraits. He talks about some of his favorite images on the FujiFilm Blog.
A roll of film discovered in an Argus C2 from an Oregon Goodwill turned out to contain some incredible images – and has been re-united with the original owner's family.
Nikon's 28mm F1.4E ED appears to roundly complete the company's updated lineup of fast, professional prime lenses. We've already seen some initial images from a Nikon ambassador, but we've worked through a gallery of our own, with a lens of our own over the past week. Take a look.
Google is holding a competition that could see your Pixel photos gracing millions of screens.
Nikon's 100th birthday party continues worldwide as a distributor in Italy organized a one-of-a-kind feat: assembling the world's largest 'human camera' from over a thousand volunteers.
Ricoh has dropped the price of its Theta SC 360 spherical camera by to $199, a reduction of roughly $50. The camera features two 12MP sensors and can record Full HD video in addition to stills.
Photojournalist Pete Souza served as the presidential photographer for both Ronald Reagan and Barack Obama. In an interview with fellow photographer Marcia Nighswander, he discusses several of his most noteworthy images.
Photographer Michael Wolf has been documenting the crowded conditions of Tokyo's subway trains since the 1990s. The photos have gone viral regularly in the years since he started the project, and he just published the final edition in the series.
The just-launched OnePlus 5 is getting a minor update that should improve camera function.
A Belgian camera shop is showing off an extremely rare, limited 'Rex Edition' Nikon D500. The cosmetic alterations were provided by a customer's German Shepherd Rex, who got ahold of the camera within a day of its purchase.
Adobe says that many of its users have been relying on SkyBox for VR editing and it therefore made sense to make the plug-ins available to all subscribers through Creative Cloud.
The Pictar grip provides a number of customizable physical controls for your iPhone camera, but at its price point we would like to see better materials and build quality.
Peak Design's 'consider every detail' approach shines in the Everyday Backpack. While expensive, it's one of the best options out there for a photographer who needs to pack a lot of stuff in addition to gear.
If you're thinking of using Canon's sports glass on the Sony a9, think again. The ultra-fast camera slows way down when you attach off-brand glass.
The Polish town of Katowice is not famed as an area of beauty, but as all photographers know, that doesn't mean that beauty can't be found if you look in the right places. Mariusz Pietranek used a drone to look down on the colorful sedimentation tanks at an ironworks.