Panasonic Lumix DMC-GH1 Review
Panasonic Lumix DMC-GH1 specifications
|Price (with 14-140 mm kit lens)||• US: $1499
• UK: £1299
|Sensor||• 4/3 type MOS ('Live MOS sensor')
• 14.0 million total pixels
• 12.1 million effective pixels
• RGB (Primary) color filter array
|Image sizes||• 4000 x 3000 (4:3)
• 2816 x 2112 (4:3)
• 2048 x 1536 (4:3)
• 4128 x 2752 (3:2)
• 2928 x 1952 (3:2)
• 2064 x 1376 (3:2)
• 4352 x 2448 (16:9)
• 3072 x 1728 (16:9)
• 1920 x 1080 (16:9)
• 2992 x 2992 (1:1)
• 2112 x 2112 (1:1)
• 1504 x 1504 (1:1)
|Image sizes (Motion)||• AVCHD :
1920 x 1080, 24fps (24 fps encapsulated in a 60i format)
1280 x 720 (60 fps)
• Motion JPEG:
1280 x 720, 30fps
848 x 480, 30fps
640 x 480, 30fps
320 x 240, 30fps
|Aspect ratios||• 4:3
|File formats||• RAW
• RAW + JPEG Standard
• RAW + JPEG Fine
• JPEG (EXIF 2.2) - Standard
• JPEG (EXIF 2.2) - Fine
|File formats (Movie)||• AVCHD
• QuickTime Motion JPEG
• Micro Four Thirds mount lenses
|Focus modes||• Auto Focus
• Manual focus
• Face Detection
• AF Tracking
• 23-Area-Focusing/1 Area Focusing
|AF assist lamp||Yes, dedicated lamp|
|Image stabilization||In-lens Optical Image Stabilization|
|Digital zoom|| Up to 4x
|Exposure modes||• Program AE
• Aperture priority AE
• Shutter priority AE
|Movie scene modes||• Portrait
• Low Light
• Close-up (Flower/Food/Objects/Macro)
• SCN (Sunset/Party/Portrait)
|Metering range||0 to 18 EV|
|Metering modes||• Intelligent Multiple
|AE Lock||• AEL/AFL button
• With shutter release half-press
|AE Bracketing||• 3,5,7 frames
• 1/3 or 2/3 , +/-2.0 EV steps
|Exposure compensation||• -3.0 to +3.0 EV
• 1/3 EV steps
|Shutter speed||• 60 -1/4000 sec
• Bulb (up to 8 mins)
• Flash X-sync 1/160 sec
|White balance||• Auto
• Custom 1
• Custom 2
• Kelvin temp (2500 - 10000 K, 100K steps)
|WB fine tuning||Yes (blue/amber bias, magenta/green bias)|
|WB Bracketing||• 3 shots
•+/-1 to +/-3 in either blue/amber or magenta/green axis
|Color space||• sRGB
• Adobe RGB
• Color mode (Standard, Dynamic, Nature, Smooth, Vibrant, Nostalgic)
|Drive modes||• Single
• Continuous H (3 fps)
• Continuous L (2 fps)
|Continuous buffer||• 7 RAW images
• Unlimited JPEG images with a fast card
|Self-timer||• 2 sec
• 10 sec
• 10 sec, 3 images
|Flash||• Manual pop-up
• TTL auto / manual
• Guide no. 10.5 (ISO 100, m)
• Sync modes: Auto, On, Off, Red-eye reduction, Slow syncro with red-eye reduction, Slow syncro
• Flash power: Up to +/- 2EV in 1/3 EV steps
|Flash X-sync speed||1/160 sec|
|External flash||• Hot shoe
• TTL Auto with FL220/FL360/FL500 (Optional)
|Viewfinder||• Electronic Viewfinder
• Color LCD Viewfinder
• Field of view 100%
• Eye point 14 mm at -1 dioptre
• Magnification 1.4x (equivalent to 0.7x on a 35mm camera / 50mm lens)
• Dioptre adjustment -4 to +4 dioptre
• 1,440,000 dots
• Field Sequential (RGB)
|LCD monitor||• 3.0" TFT LCD monitor
• Multi-angle swing and tilt (180°swing, 180° swivel)
• Low temperature Polycrystalline TFT LCD
• 460,000 dots
• 60 fps
• Approx 100% frame coverage
• Auto Power LCD (optional) adjusts brightness in bright light
|Playback functions||• Single
• Magnify (2 - 16x)
• Index (4-25 frames)
• Calendar view
• Aspect Conversion
|Connectivity||• USB 2.0 (High Speed)
• Video Out (NTSC / PAL)
• Wired remote control DMW-RSL1 (optional)
|Print compliance||• PictBridge
|Storage||SD / SDHC / MMC|
|Power||• 1250 mAh 7.2v Lithium-Ion rechargeable battery
• Supplied charger / AC adapter
|Dimensions||124 mm x 90mm x 45 mm|
|Weight (camera body)||Approx. 385g / 13.58 oz|
|Weight (inc supplied lens, card and battery)||Approx. 904 g / 31.89 oz|
- 1 Introduction
- 2 Specifications
- 3 Body & Design
- 4 Body & Design
- 5 Body & Design
- 6 Operation & Controls
- 7 Operation & Controls
- 8 Operation (Live View)
- 9 Displays
- 10 Menus
- 11 Menus
- 12 Performance & IS
- 13 Photographic tests (RAW)
- 14 Photographic tests (Noise)
- 15 Photographic tests (Noise)
- 16 Photographic tests (DR)
- 17 Photographic tests (Kit Lens)
- 18 Photographic tests
- 19 Movie Mode
- 20 Compared to
- 21 Compared to (JPEG)
- 22 Compared to (JPEG)
- 23 Compared to (JPEG)
- 24 Compared to (RAW)
- 25 Compared to (RAW)
- 26 Compared to (RAW)
- 27 Compared to (Higher ISO)
- 28 Compared to (Resolution)
- 29 Compared to (Resolution)
- 30 Conclusion
- 31 Samples
Jul 10, 2009
Mar 3, 2009
Jun 29, 2012
Jun 29, 2012
|Hot Air Balloons Over Bagan by User9320321874|
|Blue mood by darub|
from Fixed lens shootout.
|Yellow Warbler by LeeS|
from A Big Year - birds
|Waiting for the Parade by tcoker1103|
from - La Vida Loca - (Black and White Street Photography+ A Border)
The Pictar grip provides a number of customizable physical controls for your iPhone camera, but at its price point we would like to see better materials and build quality.
Peak Design's 'consider every detail' approach shines in the Everyday Backpack. While expensive, it's one of the best options out there for a photographer who needs to pack a lot of stuff in addition to gear.
If you're thinking of using Canon's sports glass on the Sony a9, think again. The ultra-fast camera slows way down when you attach off-brand glass.
The Polish town of Katowice is not known as an area of beauty, but as all photographers know, that doesn't mean that beauty can't be found if you know where to look. Mariusz Pietranek used a drone to look down on the colorful sedimentation tanks at an ironworks.
New York Times video journalist Ben Solomon spent a harrowing three weeks accompanying Iraqi Major Sajjad al-Hour as he and his men fought to retake Mosul from I.S. forces.
The 3D VR camera launched through a crowdfunding campaign in 2015 goes on sale beginning June 26.
Noctilucent clouds, a crescent moon and Venus were visible in the pre-dawn sky over Budapest yesterday. Photographer György Soponyai captured NASA's astronomy picture of the day.
Squirming pets won't sit still for photos? A Kickstarter campaign is looking to help.
Find out how Chris Burkard shifted from editorial photography to his true passions: landscapes, conservation and, of course, surfing.
The updated EyeEm app scans your camera roll and picks images that are composed particularly well, have the best quality, or highest chance of selling on EyeEm Market.
It's three years old but still a solid option for a Micro Four Thirds shooter looking for a high-quality, fast, wide-angle prime. Take a look at how we got along with it.
Tamron has announced the longest all-in-one zoom lens currently available, the 18-400mm F3.5-6.3 Di II VC HLD. Designed for Canon and Nikon crop-sensor cameras, the lens will be available in July.
When you're ready to step-up to full-frame from an entry-level or midrange camera, the choices can be overwhelming. Find out which models came out on top in our $1200-2000 enthusiast ILC roundup.
Just a guy wearing a VR headset, smashing invisible Goombas in Central Park.
NASA's Mars Reconnaissance Orbiter captured this gorgeous aerial photo of the Martian landscape. And if you look really close, you can actually see the Mars Curiosity rover in the very middle.
The city of Laguna Beach, California has provided some clarification around the kinds of photography permits it offers.
Later this year, a VR180 camera will be Joining Yi's Halo and 360 VR cameras, which will offer stereo 3D capture, yet be as easy to use and compact as a 2D camera.
Caltech researchers have developed an 'optical phased array' chip that uses time delays instead of a lens to focus the incoming light.
Pricing and shipping have finally been revealed for two highly anticipated lenses from Sigma, announced in February.
These macro photos of clouds of paint billowing through clear water might look like high-quality CGI, but they're real photographs. And photographer Alberto Seveso told us how they were made.
Facebook is testing a feature that prevents people from saving, sharing, or even taking a screenshot of your profile picture.
We've reshot the Sony a9 in our studio. The short story: it's sharper! The long story... well you can read it all here.
The collection will be officially launched during the Europeana Transcribathon Campus Berlin 2017 crowdsourcing event which will be held on 22 and 23 June at the Berlin State Library.
Light gives us some insight into the preparations for the launch of the pre-order shipments of its much anticipated L16 multi-lens camera.
OnePlus co-founder Carl Pei has confirmed in a tweet that the second lens on the back of the OnePlus 5 uses a 1.6x optical zoom and that digital zoom is used to reach the claimed 2x zoom factor.
Fujifilm recently unveiled the second in its series of affordable cine lenses, the MK50-135mm T2.9. We got our hands on it for a couple days and took it for a spin.
Leica's first attempt at an M-series digital rangefinder was rough around the edges, but set a pattern for all of the cameras that came after it. In this week's Throwback Thursday article, Barney remembers the M8.
No stranger to extreme situations, legendary climber and filmmaker Jimmy Chin talks to Outside Magazine about his career, and the challenge of filming Alex Honnold's rope-free solo climb of El Capitain.
A company backed by Android co-founder Andy Rubin is attempting to make video conferencing less terrible.
Rangefinder magazine asked five professional portrait and wedding photographers about posting on Instagram; no surprise, they got five different answers.