Panasonic Lumix DMC-ZS15/TZ25 Review
Body & Design
The Lumix DMC-ZS15 is a compact ultra zoom which looks more like last year's DMC-ZS10 than its current, curvier sibling, the ZS20. The body is made almost entirely of metal, and feels quite solid, save for the cheap-feeling mode dial and flimsy door over the memory card/battery compartment. The ZS15 is easy to hold and operate with one hand, with the small grip giving you added confidence. The important controls are within each reach of your fingers, though many of the buttons are quite small. Unlike its more expensive sibling the ZS20, the DMC-ZS15 is only available in black and silver color options.
The defining feature of the ZS15 is its 16X optical zoom lens, which spans an equivalent range of 24-384mm. As you'd expect, a big lens like this has an optical image stabilization system attached to it. The ZS15 uses Panasonic's lens-shift Power OIS system, which reduces the risk of blurry photos. There's also an "active" mode, which reduces camera shake even further when you're recording movies.At the upper left of the ZS15's front plate is a small built-in flash (see more details below) and at upper-right you'll see the AF-assist lamp, which also serves as a visual countdown for the self-timer.
The rear of the ZS15 is domincated by its 3-inch LCD display, with the same 460,000 pixel resolution as the one on the ZS20. The screen has fairly good outdoor viewing characterisrtics (just make sure Power LCD mode is on), and it brightens up nicely in low light situations, as well. The ZS15 has a unique High Angle LCD mode that you can turn on, which makes viewing the screen when you're holding it above you a lot easier.
At the upper-right of the photo is the switch which toggles between record and playback mode. This sort of switch used to be common in compact cameras but has become unusual in recent years. Some people will appreciate the comfort of a modal control while others will be annoyed not to be able to exit image review mode with a simple press of the shutter button - something that will be second-nature to most digital photographers (except owners of Lumix compacts of course!)
There's plenty more to see on the top of the camera. At the far left, we have the speaker. Further to the right is the camera's monaural microphone (the ZS20's is stereo). Next to the speaker is the ZS15's mode dial, which is small and feels cheap. As you can see, it's loaded with options, and I'll tell you about them on the following pages of this review. Next to that we have the shutter release/zoom controller combo. The zoom controller works at two speeds, depending on how much pressure you apply to it. At full speed, the lens goes from wide-angle to telephoto in a leisurely 2.9 seconds. I counted around thirty-even steps in the ZS15's 16X zoom range, which allows for precise adjustments to the focal length.
|Camera||Dimensions (W x H x D, excluding protrusions)||Volume (bulk)||Mass (empty)|
|Canon PowerShot SX260 HS||4.2 x 2.4 x 1.3 in.||13.1 cu in.||208 g|
|Fujifilm FinePix F750EXR||4.1 x 2.4 x 1.4 in.||13.8 cu in.||209 g|
|Nikon Coolpix S9300||4.3 x 2.5 x 1.3 in.||14 cu in.||215 g|
|Olympus SZ-31MR iHS||4.2 x 2.7 x 1.6 in.||18.1 cu in.||226 g|
|Panasonic Lumix DMC-ZS15||4.1 x 2.3 x 1.3 in.||12.3 cu in.||185 g|
|Pentax Optio VS20||4.4 x 2.4 x 1.5 in.||15.8 cu in.||213 g|
|Sony Cyber-shot DSC-HX10V||4.1 x 2.4 x 1.4 in.||13.8 cu in.||204 g|
As you can see, the DMC-ZS15 the smallest and lightest camera among this group of compact ultra zooms. It'll fit into most of your pockets - no shoe horn necessary.
|splat by Eb Swarbrick|
from Album cover for a rock band
|Madagascar1 by Jaklab|
from Mind and matter - the creations of humanity.
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