Panasonic Lumix DMC-GX7 Review
Panasonic's Lumix DMC-GX7 is arguably the company's most enthusiast-focused mirrorless camera yet to hit the market. Back in 2011, Panasonic released the DMC-GX1 in a move to appease those who grew more and more disappointed as the promising GF-series got smaller and simpler, with fewer controls as the series progressed. The GX1, however, seemed like an interim move, adding minor enhancements to the original GF1 design and changing the badge, while fans watched as Sony's NEX-7 and the Olympus E-M5 offered more controls and sophisticated features, including built-in EVFs.
While few of the GX7's specifications stand out as innovative (aside, perhaps, from its built-in articulated electronic viewfinder), it's still comfortably the most enthusiast-orientated 'G' model, as well as the first to include in-body stabilization - key to shooting with non-native lenses. And beyond the headline specs it contains plenty of small tweaks and features sure to entice more advanced photographers.
- 16MP Live MOS sensor
- In-body image stabilization
- Tilting electronic viewfinder w/2.76M dots
- 3-inch tilting LCD
- Front and rear control dials
- Magnesium-alloy frame
- Built-in pop-up flash
- 3-level focus peaking
- 1/8000 second max shutter speed, 1/320th flash sync speed
- Highlight and shadow curve adjustments
- 1080 video at 60p/60i/24p in MP4 or AVCHD format
- Built-in Wi-Fi with NFC
It's hard to know whether to think of the GX7 as being a post-NEX-7 or a post-E-M5 camera - but to an extent that's the point: unlike the GX1, which appeared to be a rather-too-late, warmed-over GF1, the GX7 is a camera that has learned from the increasingly impressive cameras it will have to compete with.
Despite Panasonic producing an extensive range of image-stabilized lenses, the GX7 incorporates in-body stabilization. This will be a welcome move for anyone hoping to use either Olympus's Micro Four Thirds lenses, or legacy lenses via adapters. Combined the GX7's 'focus peaking' manual focus aid, it promises to make the GX7 one of the more capable options when it comes to shooting with adapted lenses.
The GX7 has a lot to offer keen photographers, including a maximum shutter speed of 1/8000 sec and a flash sync speed of 1/320 sec. The camera is also in unexpectedly exclusive company when it comes to offering a DSLR-like twin-dial control system. There are several mirrorless cameras with two control dials, but remarkably few that make it easy to simply set one to control aperture or shutter speed, and the other to control exposure compensation, which makes the semi-auto aperture and shutter priority modes enjoyable to shoot in.
Additional enthusiast-friendly features include tone curve adjustment, 3-level focus peaking, and a whopping seven customizable buttons. So is the GX7 the mirrorless camera that enthusiasts have been waiting for? Keep reading to find out.
If you're new to digital photography you may wish to read the Digital Photography Glossary before diving into this article (it may help you understand some of the terms used).
Conclusion / Recommendation / Ratings are based on the opinion of the reviewer, you should read the ENTIRE review before coming to your own conclusions.
Images which can be viewed at a larger size have a small magnifying glass icon in the bottom right corner of the image, clicking on the image will display a larger (typically VGA) image in a new window.
To navigate the review simply use the next / previous page buttons, to jump to a particular section either pick the section from the drop down or select it from the navigation bar at the top.
DPReview calibrate their monitors using Color Vision OptiCal at the (fairly well accepted) PC normal gamma 2.2, this means that on our monitors we can make out the difference between all of the (computer generated) grayscale blocks below. We recommend to make the most of this review you should be able to see the difference (at least) between X,Y and Z and ideally A,B and C.
This article is Copyright 2013 and may NOT in part or in whole be reproduced in any electronic or printed medium without prior permission from the author.
|Precious Past Dreams by Domenick Creaco|
from Your City - Industrial Landmark (rerun)
|Aurora by ALAziz|
from Best Photo of the Week...
|Cold rock by jr|
40 percent of Sony's new engineer hires in Japan will be allocated to the company's chip business.
We've had a little more time to shoot around with Panasonic's high-resolution full-framer and thus, top off our sample gallery. We've also had the chance to add a whole lot of Raw conversions.
Lens manufacturer Tokina has officially released details, price and on-sale dates for the Opera 16-28mm F2.8 lens it first showcased at Photokina in back in September. Expected to ship mid-March in Canon EF and Nikon F mounts, this wide-angle zoom will cost $699.
InukTech is planning to...well...kickstart its Kickstarter campaign for a unique take on a transformable tripod it calls Inuk.
The Ricoh GR series has long been a favorite of street photographers, and the latest iteration - the GR III - brings a new sensor, redesigned lens, in-body stabilization and on-sensor phase detection. We spent some time with a pre-production model in London and have some initial impressions to share.
The Ricoh GR III made its official debut today, and DPR contributor Damien Demolder got his hands on the camera for a quick photo walk through London. Take a look at the results.
Ross Lowell was a man of many talents who had more than 25 patents to his name, created a lighting company and created gaffer tape, a staple in the camera bags of photographers and cinematographers the world over.
Light has announced it's teaming up with Sony to combined experience and technology in their respective fields to create the next-generation of multi-camera smartphones.
The Ricoh GR III will be going on sale this March for $899. It has a 24MP APS-C sensor, newly designed 28mm equiv. F2.8 lens, in-body image stabilization and on-sensor phase detection.
Ricoh's new WG-6 is the company's latest waterproof camera, with a 20MP sensor, 28-140mm equiv. lens and the ability to go 20m/65ft underwater. If you need something that's both crushproof and chemical-resistant, there's the G900, which is designed for industrial use.
Version 6.0.0 of the open source image editing application digiKam is a major update and has been two years in the making.
Lomography has launched the Lomogon 32mm F2.5, a compact lens with full frame sensor coverage and a unique wheel of aperture stops that protrudes from the barrel.
At its Galaxy Unpacked event, Samsung has officially unveiled the Galaxy S10 and S10+ with a triple rear-camera array, as well as a more basic S10e model with a dual main camera unit. As expected, the S10 series' display is the center of attention with a hole-punch style front-facing camera embedded in the screen.
Picktorial for macOS gets a major 4.0 update with new DAM, improved search functionality and overall stability improvements.
Samsung wasted no time unveiling the Galaxy Fold at its Unpacked event today – a foldable device with a 4.6" display when folded, and 7.3" display when unfolded. The device contains a total of six cameras – three on the back, two inside and one front-facing camera.
The Mi 9 combines a 1/2" sensor in its primary camera with ultra-wide and tele options to cover a wide range of focal lengths.
Photographers Ben Horne is asking for help to find the owners of a battered Fujifilm camera that fell from the top of Angels Landing in Zion National Park.
Taiwanese lens manufacturer William Optics is proposing to make a flatfield Petzval lens aimed at star gazers and photographers that it claims is the world’s sharpest 250mm.
After a rare Seattle snowstorm finally subsided, DPReview editor Jeff Keller was able to escape the snow and spend some time with the impressive Fujifilm X-T30, a camera that offers a lot of bang for the buck.
Given that it uses the same sensor and processor as the X-T3, it's no surprise that the Fujifilm X-T30 is capable of producing some excellent photos. We took a pre-production X-T30 all over the Seattle area and have plenty of photos for your viewing pleasure.
Tamron has announced three new full-frame lenses slated to launch in the middle of 2019: an SP 35mm F1.4 Di USD and 35-150mm F2.8-4 Di VC OSD for DSLRs, as well as an ultra-wide 17-28mm F2.8 Di III RXD for Sony E-mount cameras.
Roger and his team at Lensrentals have switched things up and decided to build a lens rather than tearing it apart.
George Mendonsa, the gentleman kissing a woman believed to be Greta Zimmer Friedman in Alfred Eisenstaedt's iconic image titled 'V-J Day in Times Square,' has passed away at the age of 95.
Want to know more about the Canon EOS RP? We conducted a live Q&A that you can watch here. We'll be trying to address those comments we didn't get to in the comments.
Version 3.0.2 of Skylum's Luminar software has been improved for both Windows and macOS systems.
Until now, the word 'bokeh' has been a noun. But that may very well change with the help of Apple's recent video advertisement.
The EF-M 32mm F1.4 is a welcome addition to Canon's APS-C mirrorless lens lineup. It's a good performer all-around and enjoyable to use on the EOS M50, and we hope to see more like it introduced to the EF-M range.
The data breach we reported on last week did not only affect 500px but a total of 16 websites, including mobile image sharing platform EyeEm, Animoto, Artsy and Fotolog.
Camera Rescue, a Finnish organization determined to rescue more than 100K analog, has already saved 46,000 cameras and plans to more than double that number by 2020.
Independent lens manufacturer Sigma has announced that its new 28mm T1.5 cine lens for full frame sensor cameras will be available from the middle of March.