Panasonic Lumix DMC-GH3 Review
Since the introduction of the Lumix DMC-GH1 back in 2009, the GH-series' place in Panasonic's Lumix lineup has been clear; a flagship stills and video model designed for enthusiasts who demand a well-handling, responsive and customizable camera with all the latest technology the company has to offer. The goal was to show that a camera did not need to be the size of a DSLR to perform like one. The enthusiastic and largely unanticipated response to the GH2's movie capabilities by working videographers (Google 'GH2 video hack' to get an idea for how keenly its capabilities are being exploited) has meant that Panasonic must now also consider that its camera is being integrated into professional video rigs.
With the announcement of the Panasonic Lumix DMC-GH3, it's clear that Panasonic believes accessible manual camera controls, durable build and video capability can sell a camera, without depending on the Micro Four Thirds advantage of smaller body sizes. If that sounds like a description of a mid-range DSLR then it probably should - this is the most DSLR-like Micro Four Thirds model yet, with dimensions that essentially match those of the APS-C Sony SLT-A65.
Panasonic Lumix DMC-GH3 key features
- 16MP Live MOS sensor with three-core Venus 7 FHD engine
- Magnesium alloy body with weather sealing (dust and splash proof)
- ISO 200-12800 (extended range of ISO 125-25600)
- 6 fps continuous shooting
- AF speed of 0.07 seconds
- 1.7 million dot equiv. 16:9 ratio OLED viewfinder (1024 x 576 pixels)
- 614k dot 3" OLED rear screen (640 x 480 pixels)
- Full HD 60p/50p video with 30p/25p option
- MOV (h.264), MP4 and AVCHD formats
- Video bit rates of 50Mbps in IPB and 72Mbps in All-I compression modes
- Timecode support in MOV(H.264) and AVCHD formats
- 3.5mm mic socket and headphone socket
- Four channel wireless control for the optional DMW-FL360L external flash
- PC socket
- iOS and Android app control via Wi-Fi
Key differences from the DMC-GH2
- Improved sensor and latest Venus image processor
- Weather sealed magnesium alloy body
- OLED EVF and rear display (versus LCD)
- Capacitive touch screen (rather than pressure-sensitive)
- 60p video capture (versus 60i /30p)
- 72Mbps bit rate maximum (versus 24Mbps)
- 3.5mm mic socket (rather than 2.5mm)
- Headphone socket
- 6 fps continuous shooting (versus 5)
- Five custom Fn buttons (versus three) and a second control dial
- Compatible with new DMW-BGGH3 battery grip
- PC socket for external flash
- Interval shooting
- HDR and multiple exposure modes
The GH3 gains a weather sealed (dust/splash proof) magnesium alloy body which now gives Panasonic a camera body to match their moisture- and dust-sealed Lumix G X Vario 12-35mm F2.8 ASPH OIS lens and Lumix G X Vario 35-100mm F2.8 ASPH OIS fast zooms. Additional highlights include 6 fps shooting (or 4fps with updating live view) and five customizable function buttons. While the camera's still image resolution remains at 16MP, the GH3 has a new Live MOS sensor, three-core Venus 7 FHD processing engine and a new low pass filter.
Panasonic claims improvements in high ISO shadow detail, color reproduction and white balance over its predecessor. The GH3 also offers in-camera HDR and multiple exposure image modes, as well as Wi-Fi connectivity that Panasonic hopes to leverage with its remote triggering and image transfer apps for iOS and Android phones. One thing the GH3 loses, however, is the multi-aspect ratio sensor size found on its predecessor, with 3:2 and 16:9 format images being a crop from the camera's 4:3 ratio chip.
There are pro-focused additions to the GH3's video capabilities, with timecode-supported broadcast quality video that is capable of bit rates as high as 72Mbps (for 1080p at 30, 25 or 24fps, depending on region). Only the US $3500 Canon EOS 5D Mark III offers higher bit rates (and Panasonic suggests its compression might offer better quality), though Blackmagic is promising compressed CinemaRaw from its newly-announced $1000 Pocket Cinema Camera.
The GH3 gains the ability to shoot in MOV (h.264) format, freeing it from the restrictive frame- and bit-rates laid out in the AVCHD standard. This means the camera can capture files natively as 30p, as well as 60i. There is also the choice of All-I or IPB compression, which Panasonic is hoping will further endear it to videographers currently using GH2s.
The GH3's new EVF is a 1.7 million dot equivalent OLED panel with a 16:9 ratio of 873 x 500 pixels. Panasonic lists a robust 1.34x magnification (equivalent to 0.67x on a full frame SLR), and says that because information is transmitted to the panel 8x faster than the GH2, the on-screen image will remain smooth and natural even while panning quickly across a scene.
The rear display panel is a 3" 614k dot resolution (640 x 480 pixels) OLED unit that, like that of its predecessor, is touch-sensitive, though it's now capacitive, rather than pressure-sensitive. For both stills and video shooters looking to extend the camera's abilities, the GH3 offers a 3.5mm mic input (GH2 users had to resort to a 2.5 - 3.5mm adapter), headphone jack, PC sync socket and a new optional battery grip that attaches to base plate providing the option for additional power.
Compared to the Panasonic Lumix DMC-GH2
With the GH2 having gained such a strong following among enthusiasts and videographers, Panasonic has clearly prioritized external controls and accessory compatibility. As such, the GH3 is a noticeably more bulky camera than its predecessor, comparable in size to the Sony SLT-A57. As you'll see in the image below, control points have been redesigned and much of the camera's layout has been re-adjusted for the larger body.
*In this review we've worked with Andrew Reid of EOSHD.com to get a videographer's perspective on the video quality and movie behaviour of the GH3.
|EveningOut by catastrophe|
from Your City - A Night Out
|The Colorado River and Henry Mountains, Utah by wam7|
from Through the port hole (aircraft)
|The Queen by TheGlennPalacio|
National Geographic has shared a collection of entries hand-selected from editors showing off some of the best entries so far.
Rhino has launched a Kickstarter campaign for its new Arc II 4-axis robotic camera system.
Skylum Software will be supporting 10 artists on the EyeEm platform with $10,000 to help them focus on their photography.
Researchers have been able to exploit an iOS vulnerability in order to access photos stored in the Photo app's Recently Deleted folder.
Nikon's D3500 may be an inexpensive DSLR, but the company didn't cut corners when it comes to image quality. See how it handled fall colors and tropical seas in our sample gallery.
Nikon has released firmware version 1.02 that resolves a flickering issue when scrolling through images, an ISO limitation problem, and an occasional crash that could occur when displaying certain Raw files.
500px has announced an update to its Home Feed that's aimed at getting more photographers more exposure.
DxO announces the latest update to Nik Collection (version 1.1) that brings better compatibility, fewer bugs to the plugin suite it acquired from Google a year ago
The Nikon Z6's oversampled 4K video impresses in both our studio scene and real world shooting. See for yourself.
Bailey Richardson, one of the original 13 employees at Instagram, has deleted the app, saying it's lost its identity.
Fujifilm says firmware updates for its GFX 50S, X-T3, and X-H1 cameras are around the corner, with plenty of new features and functionality to boot.
NASA has shared satellite imagery of the wildfire that's been confirmed as the deadliest in California history.
Google has published a post, explaining the technologies behind its new Night Sight feature in detail, on the company's Research blog.
The new Lume Cube Air is a small, lightweight and affordable portable light source aimed at vloggers, casual photographers and other content creators.
Nikon USA has announced that its Z6 full-frame mirrorless camera will be shipping Friday, November 16th at a price of $1999 body-only and $2599 with the Nikkor Z 24-70 F4 S lens.
The Insta360 One X is the company's latest consumer 360-degree camera, supporting 5.7K video, including excellent image stabilization, as well as 18MP photos. And, in our experience, it's a really fun camera to use.
The New York Times has opened up applications for its 7th annual portfolio review. Applications are due December 10, 2018, less than a month from now.
Picfair has announced Picfair Plus, a paid version of its service that adds custom domains, template options, and more to its Picfair Store platform.
ON1 Photo RAW 2019 brings an updated interface, more powerful Lightroom migration, better camera/lens support, and more to ON1's flagship editing program.
We've just started shooting with version two of Tamron's SP-series 15-30mm F2.8 – take a look at how we're getting along with it so far.
Gear Offer is an online marketplace for selling and buying used camera gear with fees lower than both Amazon and eBay.
Experiencing life through the lens of a camera might mean you miss out on special moments, warns Casey Cavanaugh as he shoots a short film through the viewfinder of his Hasselblad 500CM
The New York Times has teamed up with Google to start the process of digitizing more than five million photos stored in a vault nicknamed "the morgue."
Lastolite has announced HaloCompact, a new collapsible lighting tool with a patent-pending design.
Ambitious goals, new challenges and looking ahead to 100 years of the Z mount – we spoke with senior executives and engineers at Nikon about what lies ahead.
After years focused primarily on landscapes, Erez Marom leapt on an opportunity to return to his roots in wildlife photography. A trip to the mountains of Uganda photographing endangered mountain gorillas yielded some stunning photos – and an experience of a lifetime.
YouTube channel I Did A Thing has shared a satirical video showing off five camera tricks for getting the most from your camera on a budget.
Digital cameras have made it incredibly easy to do time-lapse photography, thanks to the ability to take hundreds—or even thousands—of photos without interruption. This week, Chris and Jordan walk us through the process of planning and shooting compelling time-lapse videos.
Mexico City architect and photographer Moises Levy uses composition and timing to create surreal beachside street photography.
Cinematographer Casey Cavanaugh shares how he created a DIY Hasselblad XPan camera with a Hasselblad 500CM and an anamorphic lens.