Latest sample galleries
Latest in-depth reviews
The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
Since the introduction of the Lumix DMC-GH1 back in 2009, the GH-series' place in Panasonic's Lumix lineup has been clear; a flagship stills and video model designed for enthusiasts who demand a well-handling, responsive and customizable camera with all the latest technology the company has to offer. The goal was to show that a camera did not need to be the size of a DSLR to perform like one. The enthusiastic and largely unanticipated response to the GH2's movie capabilities by working videographers (Google 'GH2 video hack' to get an idea for how keenly its capabilities are being exploited) has meant that Panasonic must now also consider that its camera is being integrated into professional video rigs.
With the announcement of the Panasonic Lumix DMC-GH3, it's clear that Panasonic believes accessible manual camera controls, durable build and video capability can sell a camera, without depending on the Micro Four Thirds advantage of smaller body sizes. If that sounds like a description of a mid-range DSLR then it probably should - this is the most DSLR-like Micro Four Thirds model yet, with dimensions that essentially match those of the APS-C Sony SLT-A65.
The GH3 gains a weather sealed (dust/splash proof) magnesium alloy body which now gives Panasonic a camera body to match their moisture- and dust-sealed Lumix G X Vario 12-35mm F2.8 ASPH OIS lens and Lumix G X Vario 35-100mm F2.8 ASPH OIS fast zooms. Additional highlights include 6 fps shooting (or 4fps with updating live view) and five customizable function buttons. While the camera's still image resolution remains at 16MP, the GH3 has a new Live MOS sensor, three-core Venus 7 FHD processing engine and a new low pass filter.
Panasonic claims improvements in high ISO shadow detail, color reproduction and white balance over its predecessor. The GH3 also offers in-camera HDR and multiple exposure image modes, as well as Wi-Fi connectivity that Panasonic hopes to leverage with its remote triggering and image transfer apps for iOS and Android phones. One thing the GH3 loses, however, is the multi-aspect ratio sensor size found on its predecessor, with 3:2 and 16:9 format images being a crop from the camera's 4:3 ratio chip.
There are pro-focused additions to the GH3's video capabilities, with timecode-supported broadcast quality video that is capable of bit rates as high as 72Mbps (for 1080p at 30, 25 or 24fps, depending on region). Only the US $3500 Canon EOS 5D Mark III offers higher bit rates (and Panasonic suggests its compression might offer better quality), though Blackmagic is promising compressed CinemaRaw from its newly-announced $1000 Pocket Cinema Camera.
The GH3 gains the ability to shoot in MOV (h.264) format, freeing it from the restrictive frame- and bit-rates laid out in the AVCHD standard. This means the camera can capture files natively as 30p, as well as 60i. There is also the choice of All-I or IPB compression, which Panasonic is hoping will further endear it to videographers currently using GH2s.
The GH3's new EVF is a 1.7 million dot equivalent OLED panel with a 16:9 ratio of 873 x 500 pixels. Panasonic lists a robust 1.34x magnification (equivalent to 0.67x on a full frame SLR), and says that because information is transmitted to the panel 8x faster than the GH2, the on-screen image will remain smooth and natural even while panning quickly across a scene.
The rear display panel is a 3" 614k dot resolution (640 x 480 pixels) OLED unit that, like that of its predecessor, is touch-sensitive, though it's now capacitive, rather than pressure-sensitive. For both stills and video shooters looking to extend the camera's abilities, the GH3 offers a 3.5mm mic input (GH2 users had to resort to a 2.5 - 3.5mm adapter), headphone jack, PC sync socket and a new optional battery grip that attaches to base plate providing the option for additional power.
With the GH2 having gained such a strong following among enthusiasts and videographers, Panasonic has clearly prioritized external controls and accessory compatibility. As such, the GH3 is a noticeably more bulky camera than its predecessor, comparable in size to the Sony SLT-A57. As you'll see in the image below, control points have been redesigned and much of the camera's layout has been re-adjusted for the larger body.
|The GH3 is both taller and wider than the GH2. Its more-prominent handgrip has a decidedly DSLR-like look-and-feel about it, and a textured grip surface now wraps around the right edge of the front plate. The GH3 also gains a control dial just behind its shutter button and a flash sync port on the front. The AF assist light has been moved to a more sensible location where you're far less likely to inadvertently block it with your finger.|
|The GH3 has a 610k dot OLED side-hinged rear panel display. The taller shoulder of the GH3 allows for a significantly revised control layout. There is a 4-way control dial as well as a larger-circumference thumb dial. The movie record button now sits on the rear camera plate, alongside four of the GH3's five Fn buttons and a focus mode switch.|
|The GH3 has a wider, deeper handgrip much more like that of an actual DSLR. The mode dial on the left is now dedicated to drive mode, with the GH2's focus modes moved to the rear of the camera (and AF area options relegated to the touchscreen). Three buttons dedicated to white balance, ISO and exposure compensation lie in a row in front of a re-designed Fn button. Stereo mics now sit behind, rather than atop the built-in flash.|
*In this review we've worked with Andrew Reid of EOSHD.com to get a videographer's perspective on the video quality and movie behaviour of the GH3.
CES 2014: We got our hands on the recently announced Leica DG Nocticron 42.5mm F1.2 ASPH OIS at the CES trade show in Las Vegas. It's an ultra-fast portrait prime for Micro Four Thirds that offers an 85mm equivalent field of view. We shot some quick samples mounted on the Panasonic Lumix DMC-GH3, including an aperture progression series. We've just added 16 more images to our previously-published gallery, taken with the new lens attached to an Olympus OM-D E-M5. See gallery
CES 2014: We got our hands on the recently announced Leica DG Nocticron 42.5mm F1.2 ASPH OIS at the CES trade show in Las Vegas. It's an ultra-fast portrait prime for Micro Four Thirds that offers an 85mm equivalent field of view. We shot some quick samples mounted on the Panasonic Lumix DMC-GH3, including an aperture progression series. See gallery
Panasonic has released firmware updates for its Lumix DMC-GH3 and DMC-G5 mirrorless cameras. Version 1.2 for the GH3 adds 'Low light AF' that works down to -3 EV, a 'Silent Mode', and an 'Exposure Compensation Reset' function. Meanwhile version 1.1 for the G5 only corrects wording of the Motion Picture menu on cameras sold in PAL broadcast regions, and therefore isn't required by US owners. Click through for download links.
Panasonic has posted the promised firmware updates for its movie-focused Lumix DMC-GH3 mirrorless camera, the 14-42mm and 45-175mm power zooms and the 45-150mm lens. The GH3 update adds the ability to shoot 1080p60 footage in MP4 format and lets users connect to a computer via Wi-Fi by entering the computer name (NetBIOS names for Mac). Meanwhile the lens updates promise improved autofocus performance in AF Continuous mode when mounted on the GH3.
Panasonic has announced firmware updates for its Lumix DMC-GH3 high-end movie-focused mirrorless camera, the 14-42mm and 45-175mm power zooms and the 45-150mm. The GH3 update will allow users to connect to a computer via Wi-Fi by entering the computer name (NetBIOS names for Mac). It also adds an MP4 1080p60, 28Mbps mode to video recording. Meanwhile the lens updates promise improved autofocus performance in AF Continuous mode when mounted on the GH3. The updates will be available at the end of this month.
The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
When the Fujifilm X-T2 arrived, it was more than just a modest upgrade to the already impressive X-T1. While the new X-T3 hasn't changed the overall design of the camera, this model is way more than an upgrade; rather, it's a quantum leap.
The Movie Maker is a compact, motorized slider designed for phones, action cams and small mirrorless cameras. We think it's a fun little kit and a good value proposition for the cost, provided you can work around a few of its weak points.
Nikon's Z7 is the first camera to use the all-new Z-mount, the company's first new full-frame mount since 1959. We've put together our first impressions based on quality shooting time with a pre-production camera - check out what we've found.
What's the best camera for a parent? The best cameras for shooting kids and family must have fast autofocus, good low-light image quality and great video. In this buying guide we've rounded-up several great cameras for parents, and recommended the best.
What's the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we've rounded-up several great cameras for shooting landscapes, and recommended the best.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
|My Garden by Mitchmeister|
from The Secret Garden
|Crowded Skies by Rushlin|
from Seven types of aircraft - lighter than air
The 'I'm Back' is now available for a range of old film-SLRs, such as Nikon's F-Series, the Olympus OM10 or the Canon AE-1.
IRIX has announced its latest lens, the 150mm F2.8 Macro 1:1. IRIX claims the lens features 'close to zero' distortion and stands out with its 150mm telephoto focal length.
The RF 24-105mm F4L IS USM is one of four lenses to launch with Canon's new full-frame mirrorless system, and it boasts the longest reach of the range. Take a look at some of the samples we've gathered thus far as our EOS R testing continues.
Nikon's Sendai factory in the Tōhoku region North of Japan has been churning out cameras and lenses since 1971. We had the opportunity recently to visit Sendai during events to mark the launch of Nikon's new Z mount.
There's no mistaking the Nikon Coolpix P1000 – with a 24-3000mm equivalent zoom, it really is in a class of its own. It's a conspicuous-looking superzoom with one main job: getting you really close to far away subjects. We've put together a gallery showing the kind of results you can expect from it.
A new report from The Verge claims Instagram is currently testing a feature that allows users to re-share posts to their own account feeds.
GoPro has announced its HERO7 camera lineup. The updated action cameras feature new HyperSmooth and TimeWarp modes, as well as improved video and photo specs.
The latest Samsung midrange smartphone offers a super-wide-angle lens in its triple-camera setup.
The Sony 24mm F1.4 is the latest lens to join the company's premium G Master lineup. We've been shooting with one for a couple of days - here's what you need to know.
Apple released iOS 12 a few days ago and some iPhone X users are less than happy with how the new operating system has made their phones look.
Camera bag manufacturer Lowepro has introduced mark II backpacks for its ProTactic AW range with models that are said to feature an improved handling experience as well as a collection of accessories that can be attached to the outside.
Canon has announced its latest superzoom camera, the PowerShot SX70 HS. Compared to the SX60 that came before it, the SX70 has the same lens but offers a higher resolution EVF, 4K video capture and support for Canon's new CR3 Raw format.
Cosina has announced its eighth lens designed specifically for Sony's E-mount system. The Voigtlander 21mm F3.5 lens is due out October 2018.
Sony has taken the wraps off of its new 24mm F1.4 GM full-frame lens, which the company claims is the lightest in its class. Despite its fast aperture, the 24mm F1.4 is remarkably light, weighing just 445 grams (15.7 ounces). The lens will set you back $1400 when it ships next month.
In this episode of DPReview TV we take a look at Sony's brand new 24mm F1.4 GM lens, a desirable focal length for many photographers. How does it perform? Chris and Jordan give us their first impressions.
We've had a little time to shoot with Sony's new wide/fast prime, both close to home and on the water in San Francisco. Check out our initial sample images.
Fujifilm released a firmware upgrade for its X-T3 mirrorless camera that addresses issues with distortion compensation and the mechanical lock on SD cards.
The app's algorithms have been trained using using 200 million cropping data points from real photographers.
Thanks to a software update, the Loupedeck+ editing console can now be used for video editing.
British photographic engineer MTF Services is claiming the world’s first third-party lens adapters for the new Nikon Z system with a collection of four units designed to allow cinema lenses to be mounted on the mirrorless full frame bodies.
Think Tank Photo has updated its line of heavy-duty rain covers and introduced a new, compact version for emergency situations.
The X-T3 is our first opportunity to analyze what's likely to be Fujifilm's next generation image sensor. Take a look at how it performs next to the competition in our studio test scene.
Canon's new normal is seriously sharp wide open. After shooting with it for a few days, we've prepared a gallery of real-world sample images.
Nikon will cease offering Brazil-based customer service and technical support, though the company stresses that it will still offer technical assistance and warranty repairs for valid warranties.
Two years ago, CatLABS of JP announced a plan to save Packfilm from the dead. Now, it's announced it's giving up its efforts to better focus its resources elsewhere.
The GoPro Fusion is designed to make it easy to capture 360-degree video and stills. We took it out recently on a typically hot Seattle summer day to see what it can do.
We've got our hands on a full-production Nikon Z7 camera and have updated our gallery with additional samples.
A new Kickstarter campaign seeks funding for Chroma Chrono, a programmable RGB camera flash that emits multiple colors during long exposures.
Think Tank Photo has launched a new lineup of six dual-access, water-resistant protective lens cases it calls Lens Case Duo.
Canon and Nikon finally entered the full-frame mirrorless market this summer with the brand-new RF and Z mounts. Now that we've had some time with the cameras, we wanted to revisit our earlier predictions and take stock.