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The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
Review and conclusions based on use with Firmware v1.0. A list of the changes added in firmware v2.0 is included and we hope to test these features soon.
The Panasonic Lumix DC-GH5 is the fifth in the company's industry-changing video and stills 'hybrid' lineup. With its 20MP Four Thirds sensor and deep video-centric feature set, it looks likely to pick up where the GH4 left off as a favorite of indie filmmakers and photographers whose interests venture into the realm of motion picture work.
The GH5's feature set moves on suitably far from its predecessor that the company says the GH4 will remain in its lineup as a lower-cost option for users who don't need the additional capability that the GH5 brings.
For many users, the addition of in-body stabilization and 4K video without cropping might be enough to make the camera a worthwhile upgrade, but Panasonic has revised and improved almost every aspect of the camera's behavior and performance.
It's worth noting that Panasonic already has two firmware updates planned for the camera, one expected around April, which will bring 10-bit 4:2:2 1080p capture, and a second at some point during the summer.
The summer firmware update promises some very big improvements, including DCI/UHD 4K 4:2:2 10-bit recording at 400Mbps, and 1080/60p 4:2:2 10-bit recording at 200Mbps, both using All-Intra compression. Support for anamorphic 4K capture will also be added at that point.
|With attachments such as the DMW-XLR1 accessory microphone unit, the GH5 promises to be a great tool for video enthusiasts and pros.|
The eye-catching feature on the GH5 is its ability to shoot 4K footage at up to 59.94p and 48p (or 50p if you're shooting for PAL). Footage is oversampled from 5.1K, thanks to full sensor readout, meaning sharp footage that takes advantage of the full size of the sensor. Internal recording will be limited to 8-bit 4:2:0 IPB encoding at up to 150Mbps but with higher quality available if an external recorder is used. 4K video is shot using the full width of the sensor and has no time restrictions.
At lower frame rates, the camera can capture 10-bit, 4:2:2 footage internally: the kind of quality you needed an external recorder to capture from the GH4.
To understand the distinction (and much of what is significant about the GH5), read our basic explanation of video capture terminology.
The GH5 features the latest iteration of Panasonic's Depth From Defocus autofocus system, which uses pairs of images and an understanding of a lens's out-of-focus rendering to create a depth map of the scene, to speed up focusing. The latest version samples the scene more often and builds up a higher-resolution depth map, for faster, more decisive focus.
The GH5 also gains a more advanced algorithm for interpreting movement within the scene, to reduce the risk of the camera getting confused by movement as it builds its depth map. This, combined with faster sensor readout, should mean faster and more accurate autofocus. Further to this, Panasonic has added more AF configuration options to help the camera understand subject movement and the correct response to it.
Panasonic is keen to stress the GH5 is intended for stills as well as video. The greater processing power of the GH5 allows the camera to consider a wider area of the image when calculating the color values from each pixel. Panasonic says this makes it possible to extract greater JPEG resolution from the captured image.
The GH5's greater processing power also allows more sophisticated sharpening, promising reduced over-shoot that can cause unnatural-looking 'halos' on high-contrast edges.
Updated noise reduction is also supposed to be better at distinguishing between noise and detail, meaning that detail is better preserved during the noise reduction process.
Also on the stills side of things, the GH5 offers higher resolution versions of its video-derived stills features such as 4K Photo, Post Focus and Focus Stacking. The GH5 uses its higher pixel count sensor and more powerful processor to add '6K Photo' modes at up to 30 fps, in addition to 4K Photo at up to 60 fps. As before, there are various ways of triggering the mode to ensure you have a short video clip from which you can extract exactly the moment you wanted to capture.
However, don't go assuming that '6K Photo' mode is taking images from an area of the sensor 6000 pixels across: it isn't. Instead it's capturing images with the roughly the same number of pixels as a very widescreen 6000 x 3000 video clip would have. It's not the most misleading marketing statement we've ever seen, but be aware that 6K may not mean quite what you might expect.
The Panasonic GH5 will be available in late March for $1999 (body only).
Panasonic's latest firmware update for its GH5S, GH5 and G9 series of cameras was leaked in Japan earlier today and is now being officially announced a week early. But don't get too excited – you still won't be able to download it until May 30th.
At this year's CP+ show in Yokohama, Japan, we talked in-depth with Panasonic about the company's new Lumix G9 and GH5S cameras and its increased emphasis on stills capture as well as high-quality 4K video.
Ahh, April: the beginning of Spring. The sun starts to come out after a long winter, flowers are blooming and bears come out of hibernation. April was a pretty busy month in the camera industry, including some real blockbuster announcements.
When the Fujifilm X-T2 arrived, it was more than just a modest upgrade to the already impressive X-T1. While the new X-T3 hasn't changed the overall design of the camera, this model is way more than an upgrade; rather, it's a quantum leap.
The Movie Maker is a compact, motorized slider designed for phones, action cams and small mirrorless cameras. We think it's a fun little kit and a good value proposition for the cost, provided you can work around a few of its weak points.
Nikon's Z7 is the first camera to use the all-new Z-mount, the company's first new full-frame mount since 1959. We've put together our first impressions based on quality shooting time with a pre-production camera - check out what we've found.
What's the best camera for a parent? The best cameras for shooting kids and family must have fast autofocus, good low-light image quality and great video. In this buying guide we've rounded-up several great cameras for parents, and recommended the best.
What's the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we've rounded-up several great cameras for shooting landscapes, and recommended the best.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
|The Lone Photographer by ed rader|
from My Best Photo of the Week
|_ERN9064 by ernesto juarez|
from Shoot yourself ! (with your camera)
|Neighbourhood Watch by Stevie Boy Blue|
from Zoo trip ~ Cute...
Canon has announced its latest superzoom camera, the PowerShot SX70 HS. Compared to the SX60 that came before it, the SX70 has a longer lens, higher resolution EVF, 4K video capture and support for Canon's new CR3 Raw format.
Cosina has announced its eighth lens designed specifically for Sony's E-mount system. The Voigtlander 21mm F3.5 lens is due out October 2018.
Sony has taken the wraps off of its new 24mm F1.4 GM full-frame lens, which the company claims is the lightest in its class. Despite its fast aperture, the 24mm F1.4 is remarkably light, weighing just 445 grams (15.7 ounces). The lens will set you back $1400 when it ships next month.
In this episode of DPReview TV we take a look at Sony's brand new 24mm F1.4 GM lens, a desirable focal length for many photographers. How does it perform? Chris and Jordan give us their first impressions.
We've had a little time to shoot with Sony's new wide/fast prime, both close to home and on the water in San Francisco. Check out our initial sample images.
Fujifilm released a firmware upgrade for its X-T3 mirrorless camera that addresses issues with distortion compensation and the mechanical lock on SD cards.
The app's algorithms have been trained using using 200 million cropping data points from real photographers.
Thanks to a software update, the Loupedeck+ editing console can now be used for video editing.
British photographic engineer MTF Services is claiming the world’s first third-party lens adapters for the new Nikon Z system with a collection of four units designed to allow cinema lenses to be mounted on the mirrorless full frame bodies.
Think Tank Photo has updated its line of heavy-duty rain covers and introduced a new, compact version for emergency situations.
The X-T3 is our first opportunity to analyze what's likely to be Fujifilm's next generation image sensor. Take a look at how it performs next to the competition in our studio test scene.
Canon's new normal is seriously sharp wide open. After shooting with it for a few days, we've prepared a gallery of real-world sample images.
Nikon will cease offering Brazil-based customer service and technical support, though the company stresses that it will still offer technical assistance and warranty repairs for valid warranties.
Two years ago, CatLABS of JP announced a plan to save Packfilm from the dead. Now, it's announced it's giving up its efforts to better focus its resources elsewhere.
The GoPro Fusion is designed to make it easy to capture 360-degree video and stills. We took it out recently on a typically hot Seattle summer day to see what it can do.
We've got our hands on a full-production Nikon Z7 camera and have updated our gallery with additional samples.
A new Kickstarter campaign seeks funding for Chroma Chrono, a programmable RGB camera flash that emits multiple colors during long exposures.
Think Tank Photo has launched a new lineup of six dual-access, water-resistant protective lens cases it calls Lens Case Duo.
Canon and Nikon finally entered the full-frame mirrorless market this summer with the brand-new RF and Z mounts. Now that we've had some time with the cameras, we wanted to revisit our earlier predictions and take stock.
The devices' camera specs look pretty much identical to last year's iPhone X but under the hood a number of important improvements have been made.
Blackmagic Design has announced the public beta of its new Blackmagic RAW video codec. The company says the new format combines the benefits of shooting Raw video with the ease of use and smaller file sizes usually associated with non-Raw video files.
Serif, the company behind the Affinity suite, has announced the latest update for its mobile Photoshop competitor Affinity Photo for iPad.
The Atomos Ninja V external video recorder and monitor will be ready to ship at the end of this month. The 5.2in Ninja V is designed to provide a smaller option, while still offering many of the features of the larger 7-inch models.
Having shot with the camera, spoken to Canon and read the tea leaves, here's what DPR Technical Editor Richard Butler thinks the EOS R tells us about Canon and the RF's mount's future.
After last week's teaser, lighting manufacturer Profoto has announced its 'small big' new product. The B10 is designed to be used as studio flash head but in a very small body, and has a powerful continuous light source for videographers as well.
Konseen has launched Photo Studio, a new light box tent large enough to photograph people, as well as objects.
Seagate has introduced new high-capacity hard drives for Network Attached Storage (NAS) devices: the 14TB IronWolf and 14TB IronWolf Pro HDDs.
The case was first announced earlier this year as a Kickstarter campaign and comes with a range of features aimed at iPhone photographers.
Manfrotto has introduced a new two-in-one tripod to its Befree lineup. Called the Befree 2N1, this new addition is both a tripod and monopod in one and is available with both of Manfrotto's locking mechanisms.