Olympus was one of the first manufacturers to realize that building digicams around small sensors allows much longer zooms to be offered without the bulk of the camera becoming unmanageable. With its "Ultra zoom" range, starting back in 2000 with the 2.1MP C-2100UZ, Olympus almost single-handedly created a niche for digicams offering 10X optical zooms in relatively compact formats. Over the years, that niche has developed into a popular and fiercely fought market segment.
Realizing that the utility of a 10X zoom was great enough to make many users overlook the compromises that such a large zoom range entails, Olympus decided to investigate whether customers would put up with still more compromises if the zoom range was even greater. The result was the SP-550UZ with its astonishing 18X zoom range. And, just a few months later, the Olympus was joined on the market by similar offerings from Panasonic and Fuji, suggesting it wasn't alone in its thinking. So here we have Olympus' second-generation 18X zoom camera, the SP-560UZ. The question is, having lost its unique selling point, can the Olympus still make a convincing pitch for your money, and have the SP-550's shortcomings been overcome? Let's find out...
Headline features
- 18X optical zoom, giving a 27mm-486mm equiv. range
- Dual IS, combining sensor shift technology with high ISO settings
- 8.0 million pixel sensor
- ISO 6400 at 3.1MP
- ISO 3200 at full resolution
- RAW mode
- Face detection
- Face detection-combined In-camera red-eye reduction
- Rapid continuous shooting (up to 15fps at 2MP)
- 25 scene modes
- Smile mode (waits for subject to smile)
- Expression Edit
- Shadow Adjust
- Control of off-board flashguns, with latest firmware
SP-560UZ key specifications
| Street price |
• US: $375
• UK: £260 |
| Body Material |
Plastics |
| Sensor |
• 1/2.35" Type CCD
• 8.5 million pixels total
• 8.0 effective pixels |
| Image sizes |
• 3264 x 2448
• 3264 x 2176 (3:2)
• 2560 x 1920
• 2304 x 1728
• 2560 x 1920
• 2304 x 1728
• 2048 x 1536
• 1920 x 1080 (16:9)
• 1600 x 1200
•1280 x 960
• 1024 x 768
• 640 x 480 |
| Movie clips |
• 640 x 480 @ 30 fps
• 320 x 240 @ 15 fps
•160 x 120 @ 15 fps
• AVI Motion JPEG with WAVE monaural audio |
| Lens |
• 27 - 486 mm (35 mm equiv)
• F2.8 - F4.5
• 18x optical zoom |
| Focus |
• TTL contrast-type auto focus
• Single / Continuous AF
• Manual focus
• Center / Moveable area / Multi / Face Detect |
| Focus distance |
• Normal: 10 cm (wide) / 1.2 m (tele) - Infinity
• Macro: 10 cm (wide) / 1.2 m (tele) - Infinity
• Super macro (60mm equiv.) 1 cm - Infinity |
| Metering |
• 'ESP' metering
• Center weighted
• Spot |
| Shutter speed |
• 15-1/2000 sec (extremes depending on exposure mode)
|
| Aperture |
• F2.8-F8 (wide)
• F4.5-F8 (tele) |
| Shooting mode |
• Auto
• Picture Stabilization (auto High ISO)
• Natural Light
• Natural Light with Flash
• Movie
• Program
• Aperture Priority
• Shutter Priority
• Manual
• Scene modes |
| Scene modes |
• Portrait
• Landscape
• Landscape with portrait
• Sport
• Night
• Night with portrait
• Indoors
• Candle
• Self portrait
• Available Light
• Sunset
• Fireworks
• Cuisine
• Behind glass
• Document
• Auction
• Shoot and select (fast-moving subject)
• Shoot and select (constantly moving subject)
• Smile shot (Takes a photo when your subject smiles)
• Beach
• Snow
• Under water wide 1
• Under water wide 2
• Under water macro
• Quick shutter |
| Sensitivity |
• Auto (Up to ISO 400)
• High Auto (Up to ISO 800)
• ISO 64
• ISO 100
• ISO 200
• ISO 400
• ISO 800
• ISO 1600
• ISO 3200
• ISO 6400 (3.1 MP)
|
| White Balance |
• Auto
• Fine
• Shade
• Fluorescent (daylight)
• Fluorescent (warm white)
• Fluorescent (cool white)
• Incandescent
• Custom |
| Continuous |
• 1.1 fps for around
• 7 fps, ~28 frames at 3.1MP (ISO 400 or higher)
• 15 fps, ~40 frames at 1.2MP (ISO 400 or higher) |
| Flash |
• Built-in pop-up
• Range: 4.5 m (w), 2.3 m (t) (ISO 200), 6.4m (w), 4.0m (t) (ISO 400)
• Modes: Auto, On, Off, Slow Sync Front and Rear, Red eye reduction
• Optional off-board flash remote control
|
| Storage |
• 47 MB internal memory
• xD-Picture Card (not included) |
| Viewfinder |
• Electronic viewfinder (EVF)
|
| LCD monitor |
• 2.5" TFT LCD
• 230,000 pixels
• Brightness boost
• Approx. 97% coverage |
| Connectivity |
• USB 2.0 High speed
• A/V out (NTSC/PAL switchable) |
| Power |
• 4 x AA batteries alkaline or NiMH (alkaline included)
• Charger optional |
| Other features |
• DPOF
• PictBridge
• Index view
• Histogram
• 2 and 10 sec self-timer
• Hardware-based Face Detection AF/AE
|
| Optional accessories |
• Leather case SP-550UZ
• CLA-10 conversion lens adapter
• TCON-17 1.7x Teleconverter (requires CLA-10)
• Compact AC Power Adapter C-8AC
• PT-037 Underwater case
• Leather case
|
| Weight (no batt) |
460 g (16.2 oz) inc memory card and batteries, 365g without. |
| Dimensions |
116 x 78.5 x 78 mm (4.6 x 3.1 x 3.1 in) |
* Supplied accessories may differ in each country or area
|
|
|
|
|
Dec 21, 2007
|
Aug 23, 2007
|
Nov 16, 2010
|
Dec 18, 2010
|
The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
When the Fujifilm X-T2 arrived, it was more than just a modest upgrade to the already impressive X-T1. While the new X-T3 hasn't changed the overall design of the camera, this model is way more than an upgrade; rather, it's a quantum leap.
The Movie Maker is a compact, motorized slider designed for phones, action cams and small mirrorless cameras. We think it's a fun little kit and a good value proposition for the cost, provided you can work around a few of its weak points.
Nikon's Z7 is the first camera to use the all-new Z-mount, the company's first new full-frame mount since 1959. We've put together our first impressions based on quality shooting time with a pre-production camera - check out what we've found.
We got some hands-on time with a pre-production LX100 II to get a better feel for the improvements Panasonic's brought to the table. Here's a rundown of what's new – and what we think.
The instant camera market is heating up, and with four formats and 15+ cameras to choose from, we felt it was high time to examine them all and pick our favorite.
Whether you're hitting the beach in the Northern Hemisphere or the ski slopes in the Southern, a rugged compact camera makes a great companion. In this buying guide we've taken a look at seven current models and chosen our favorites.
What's the best camera for a parent? The best cameras for shooting kids and family must have fast autofocus, good low-light image quality and great video. In this buying guide we've rounded-up several great cameras for parents, and recommended the best.
What's the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we've rounded-up several great cameras for shooting landscapes, and recommended the best.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
Comments