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The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
Olympus was the first manufacturer to offer in-camera processing filters with the E-30 DSLR back in 2008. The idea of these is to offer a range of pre-baked 'artistic' effects which the users can apply directly to images as they shoot without having to mess around later on in Photoshop.
Like it's predecessor, the E-PL2, the PEN Lite offers six basic filters, several of which have multiple variants. These filters can also be combined with a range of 'effects' that have been expanded in the E-PL3 to include 'pin-hole', 'white edge' (similar to pin-hole, but with white rather than black vignetting) and 'starlight' which mimics the effect of a cross-screen filter. The rollover below shows how these look - click here to see the same image processed normally, using the default 'Natural' Picture Mode. In the bottom row we're illustrating the various Effects in combination with the Pop Art I filter. Needless to say, not every filter works well with every image.
Because the PEN Lite has identical image quality as the E-P3 and also shares the same processing algorithms for filters and effects common to both cameras, the rollover image comparison below is comprised of photographs shot with the E-P3.
|Pop Art I||Pop Art II||Soft Focus||Grainy Film I||Grainy Film II|
|Pin Hole I||Pin Hole II||Pin Hole III||Diorama||Dramatic Tone|
|PA I + Soft Focus||PA I + Pin Hole||PA I + White Edge||PA I + Frame||PA I + Star Light|
The full range of available variants and effects is detailed in the table below. Overall there's a huge array of options (by our reckoning, 53 in total), so even the most sceptical of owners is likely to find something here that they find appealing.
|Art 1 - Pop Art||I ( Lighter)
II ( Darker)
| • Soft Focus
• White Edge
• Star Light
|Art 2 - Soft Focus||n/a|| • White Edge
• Star Light
|Art 3 - Grainy Film||I (Higher Contrast)
II (Lower Contrast)
| • Pin-Hole
• White Edge
|Art 4 - Pin Hole||I (Greenish)
|Art 5 - Diorama||n/a||n/a|
|Art 6 - Dramatic Tone||n/a|| • Frame
• Star Light
• White Edge
The PEN Lite offers two ways of shooting with Art Filters. The simpler is to switch the mode dial to the ART position - you can then select the filter you wish to use by pressing the OK button, with the 'right' key of the 4-way controller providing access to the variants and effects. The filter is previewed live in real time; you can select from two preview modes in the Custom menu, one of which prioritizes preview accuracy over frame rate, and the other vice versa.
In the ART position the E-PL3 essentially works in program exposure mode, allowing both exposure compensation and program shift via the control dials. You get full control over all of the camera's settings, and can record raw files if you choose (handy if you later decide that an image would look better with different processing).
Art Filters are also available in the PASM exposure modes, in this case under the guise of Picture Modes. They can be set very quickly using the Super Control Panel, but you can't tweak the settings from here - to change the effect you have to go through the menu system (Shooting Menu 1), which involves a lot more button pressing.
It's also possible to apply Art Filters to raw files, using either the in-camera raw processing, or the supplied Olympus [ib] software (Windows only). Olympus Viewer 2 is a cross-platform editing application available as a free download. One benefit of using one of Olympus' software options is that you gain access to four additional filters (Pale&Light Color, Light Tone, Gentle Sepia and Cross-Process) that are included in the filter menu of the E-P3, but not in that of the E-PL3. And unlike with the in-camera adjustments, you can combine multiple effects with a single filter.
|While shot from an intersting perspective, the dull overcast sky robs this image of contrast and drama.||Using Olympus Viewer 2, the raw file was reprocessed using Dramatic Tone in combination with the White Edge and Frame effects for a more surreal result.|
It's possible to record movies using art filters, but some limitations apply for those which require more extensive processing. Using the Soft Focus, Grainy Film, Pinhole or Dramatic Tone filters, movies are recorded at a reduced frame rate, and then played-back in real time in what can be a visibly jerky fashion. The precise frame rate varies between filters, ranging from 6fps for Soft Focus, Grainy Film, and Dramatic Tone, to just 2fps for Pinhole.
In Diorama mode, the camera records at about 2fps but without sound, and then plays back the movie back sped-up to 15fps. This is surprisingly effective, giving something resembling a stop-motion animation. But it really does demand the use of a tripod for best results, as speeding up the playback really accentuates the inevitable movement you get between frames when shooting hand-held.
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When the Fujifilm X-T2 arrived, it was more than just a modest upgrade to the already impressive X-T1. While the new X-T3 hasn't changed the overall design of the camera, this model is way more than an upgrade; rather, it's a quantum leap.
The Movie Maker is a compact, motorized slider designed for phones, action cams and small mirrorless cameras. We think it's a fun little kit and a good value proposition for the cost, provided you can work around a few of its weak points.
Nikon's Z7 is the first camera to use the all-new Z-mount, the company's first new full-frame mount since 1959. We've put together our first impressions based on quality shooting time with a pre-production camera - check out what we've found.
What's the best camera for a parent? The best cameras for shooting kids and family must have fast autofocus, good low-light image quality and great video. In this buying guide we've rounded-up several great cameras for parents, and recommended the best.
What's the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we've rounded-up several great cameras for shooting landscapes, and recommended the best.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
|The Lone Photographer by ed rader|
from My Best Photo of the Week
|_ERN9064 by ernesto juarez|
from Shoot yourself ! (with your camera)
|Neighbourhood Watch by Stevie Boy Blue|
from Zoo trip ~ Cute...
There's no mistaking the Nikon Coolpix P1000 – with a 24-3000mm equivalent zoom, it really is in a class of its own. It's a conspicuous-looking superzoom with one main job: getting you really close to far away subjects. We've put together a gallery showing the kind of results you can expect from it.
A new report from The Verge claims Instagram is currently testing a feature that allows users to re-share posts to their own account feeds.
GoPro has announced its HERO7 camera lineup. The updated action cameras feature new HyperSmooth and TimeWarp modes, as well as improved video and photo specs.
The latest Samsung midrange smartphone offers a super-wide-angle lens in its triple-camera setup.
The Sony 24mm F1.4 is the latest lens to join the company's premium G Master lineup. We've been shooting with one for a couple of days - here's what you need to know.
Apple released iOS 12 a few days ago and some iPhone X users are less than happy with how the new operating system has made their phones look.
Camera bag manufacturer Lowepro has introduced mark II backpacks for its ProTactic AW range with models that are said to feature an improved handling experience as well as a collection of accessories that can be attached to the outside.
Canon has announced its latest superzoom camera, the PowerShot SX70 HS. Compared to the SX60 that came before it, the SX70 has the same lens but offers a higher resolution EVF, 4K video capture and support for Canon's new CR3 Raw format.
Cosina has announced its eighth lens designed specifically for Sony's E-mount system. The Voigtlander 21mm F3.5 lens is due out October 2018.
Sony has taken the wraps off of its new 24mm F1.4 GM full-frame lens, which the company claims is the lightest in its class. Despite its fast aperture, the 24mm F1.4 is remarkably light, weighing just 445 grams (15.7 ounces). The lens will set you back $1400 when it ships next month.
In this episode of DPReview TV we take a look at Sony's brand new 24mm F1.4 GM lens, a desirable focal length for many photographers. How does it perform? Chris and Jordan give us their first impressions.
We've had a little time to shoot with Sony's new wide/fast prime, both close to home and on the water in San Francisco. Check out our initial sample images.
Fujifilm released a firmware upgrade for its X-T3 mirrorless camera that addresses issues with distortion compensation and the mechanical lock on SD cards.
The app's algorithms have been trained using using 200 million cropping data points from real photographers.
Thanks to a software update, the Loupedeck+ editing console can now be used for video editing.
British photographic engineer MTF Services is claiming the world’s first third-party lens adapters for the new Nikon Z system with a collection of four units designed to allow cinema lenses to be mounted on the mirrorless full frame bodies.
Think Tank Photo has updated its line of heavy-duty rain covers and introduced a new, compact version for emergency situations.
The X-T3 is our first opportunity to analyze what's likely to be Fujifilm's next generation image sensor. Take a look at how it performs next to the competition in our studio test scene.
Canon's new normal is seriously sharp wide open. After shooting with it for a few days, we've prepared a gallery of real-world sample images.
Nikon will cease offering Brazil-based customer service and technical support, though the company stresses that it will still offer technical assistance and warranty repairs for valid warranties.
Two years ago, CatLABS of JP announced a plan to save Packfilm from the dead. Now, it's announced it's giving up its efforts to better focus its resources elsewhere.
The GoPro Fusion is designed to make it easy to capture 360-degree video and stills. We took it out recently on a typically hot Seattle summer day to see what it can do.
We've got our hands on a full-production Nikon Z7 camera and have updated our gallery with additional samples.
A new Kickstarter campaign seeks funding for Chroma Chrono, a programmable RGB camera flash that emits multiple colors during long exposures.
Think Tank Photo has launched a new lineup of six dual-access, water-resistant protective lens cases it calls Lens Case Duo.
Canon and Nikon finally entered the full-frame mirrorless market this summer with the brand-new RF and Z mounts. Now that we've had some time with the cameras, we wanted to revisit our earlier predictions and take stock.
The devices' camera specs look pretty much identical to last year's iPhone X but under the hood a number of important improvements have been made.
Blackmagic Design has announced the public beta of its new Blackmagic RAW video codec. The company says the new format combines the benefits of shooting Raw video with the ease of use and smaller file sizes usually associated with non-Raw video files.
Serif, the company behind the Affinity suite, has announced the latest update for its mobile Photoshop competitor Affinity Photo for iPad.
The Atomos Ninja V external video recorder and monitor will be ready to ship at the end of this month. The 5.2in Ninja V is designed to provide a smaller option, while still offering many of the features of the larger 7-inch models.