Olympus E-P2 Quick Review
Rear of Camera Controls
The E-P2 has the same two-dial control system as the E-P1 (All its features are discussed in-depth in the original review). The top dial is well placed and comfortable but the second dial (around the four-way controller) is smaller and slightly more awkward to operate. You can select which function is assigned to each dial and set difference preferences for each shooting mode.
Personally I found it hard to consistently move the second dial by the amount I wanted to (regularly selecting 0.7EV of adjustment, rather than the desired 0.3EV). As a result, my favored setup was to have the thumb dial set to select aperture and then use it in combination with the exposure compensation button on the top of the camera if I wanted to apply some exposure compensation - cutting out the second dial entirely.
Olympus was the first manufacturer to introduce live view to its DSLRs and, while we still feel that most live view systems make slightly clunky additions to DSLRs, it has left the company in a strong position on this type of solely live view camera. Through their early adoption of live view, Olympus was one of the first to develop an interactive settings display which it calls its 'Super Control Panel.' Although perhaps a little daunting at first glance, it quickly becomes a reliable way both of checking and changing settings.
|The Super Control Panel shows all the camera's settings and allows you to scroll around and edit them.||Alternatively, pressing the INFO button brings up a more compact-camera-like icon menu.|
|Whichever mode you choose, editing the functions (or pressing the function buttons on the camera - ISO, AF, white balance, drive etc) brings up a small display of options along the bottom of the screen.|
Record Mode displays and operation
The E-P2, like the E-P1, gains its live view screens directly from the E-System DSLRs. This means there's a total of nine different live view modes. These can be enabled and disabled in the settings menu - option 8 in section D (except the level gauge, which is option 10 of section D). All the enabled views, plus the default view can be cycled through by using the INFO button.
|The default view (always available)||Image only|
|Exposure information + histogram||Magnified View Mode (enables free autofocus point selection and up to 10x magnification of the selected area)|
|One of three optional grid overlays||AE/WB compensation preview|
|Finally there's the 'level gauge,' enabled and disabled in a different part of the menu.||Switching modes (using the mode dial) brings up a small display so you don't need to take your eye off the screen.|
All the live view modes behave in the same manner with the exception of magnified live view and the AE/WB compensation view, in which the OK button is used to select, rather than bring up your chosen settings menu. This is an anomaly we've highlighted in the Olympus user interface for some time, and one that has been remedied in the newer E-PL1 and it's one that you're likely to encounter if you ever want to manually focus non-Micro Four Thirds lenses on the E-P2.
The E-P2 has no mirror and therefore, like the Panasonic G1/GH1, relies purely on contrast detect autofocus (using the main imaging sensor) - exactly the same system used on compact cameras, and increasingly offered as an option on live view capable SLRs (including recent Olympus models).
For the G1 and GH1 Panasonic developed an incredibly fast new imager AF system and has been praised for getting contrast detect AF speeds up to near those offered by entry-level phase detect focus systems (as used on all SLRs). The E-P1 didn't share that technology and, when released, was criticized for its noticeably slower AF times. There are, of course, types of shooting that do not require fast AF and it's possible to learn how to compensate for a camera you know won't focus in time (pre-focusing being the obvious technique), but it's undeniable that the majority of people would prefer the fastest system they can get.
The E-P2's performance is slightly improved, compared to the E-P1 that we tested. These same improvements were added to the E-P1 Firmware version 1.1, and a further firmware update leaves both cameras capable of matching the Panasonics, when used with the same lens. However, the Olympus 14-42mm kit lens with its comparatively heavy front element focusing, seems to be the main thing holding the E-P2 back - it's still noticeably slower to focus than the Panasonics if used with this lens.
Unlike the Panasonics, Olympus's PENs will autofocus conventional Four Thirds lenses though the results aren't exactly rapid. Although some of the Four Thirds range has been designed to allow contrast detection AF, none of them have been designed with it exclusively in mind. The result is that all Four Thirds lenses can be autofocused, eventually. Sadly the 50mm F2 Macro (a stand-out Four Thirds lens) is amongst the slowest to focus, pretty much ruling it out as a portrait lens. Generally, we feel Four Thirds compatibility is only of real value to existing Four Thirds lens owners - we wouldn't recommend buying new ones for use on the E-P2.
In normal shooting the E-P2 uses 11 large focus areas (which can be chosen manually or automatically), but if you switch face detection on this increases to 25 (across a wider area of the frame). If you switch to Magnified View mode you can pick a focus point anywhere in the frame (well, there's 225, but you can essentially put it anywhere). However, it is difficult to quickly, manually select an AF point - you either have to change it via the Super Control Panel or re-purpose the four-way controller to offer direct selection (meaning you have to use the Super Control Panel for the functions that would otherwise live there).
May 4, 2010
Nov 5, 2009
May 2, 2013
May 1, 2013
This simple photograph of a seahorse and Q-tip has taken the internet by storm. We spoke to photographer Justin Hofman about how it was captured, and what it means to him.
After a massive leak last week, Profoto has officially debuted the Profoto A1: the company's first on-camera flash system that they're calling "the world's smallest studio flash."
"When the first hyperfocal distance charts were designed, someone decided that an acceptably sharp background contained some blur — enough to notice in a medium-sized print [...] After that point, nearly every other hyperfocal chart followed suit."
The Canon EOS Rebel SL2 (also known as the EOS 200D) is the company's impressively compact entry-level DSLR. Packing a 24MP APS-C sensor, DIGIC 7 processor and Dual Pixel AF, it promises a lot of bang for the buck. And while not mind-blowing, it handles most tasks very well.
Correct these four common composition mistakes and your photos will be more balanced, tell a better story, and lead your viewer's eye where you want it to go.
The rugged, compact 360° action camera Kodak unveiled at Photokina in 2016, the Kodak PixPro Orbit 360, is finally available in the United States.
iOS 11 launches tomorrow, and it'll save all of your pictures in a new high efficiency image format called HEIC. Fortunately, there's now a converter that will let you turn those photos back into JPEGs.
Photo protection company ImageRights recently released a new service that lets non-subscribers take advantage of their streamlined copyright registration system that checks for errors and fills out all the required forms for you.
What's the difference between a $200 circular polarizing filter and a $100 circular polarizing filter? Roger Cicala at Lens Rentals put six different filters through a few tests to find out.
A flurry of leaks reveal that GoPro's upcoming Hero6 will shoot 4K at 60fps, 1080p at 240fps, will cost $500, and is scheduled for announcement/release on September 28th.
Before he became the iconic director whose name we've all heard, a teenage Stanley Kubrick struck up a business relationship with New York’s Look magazine. No surprise: he was an incredibly talented photographer.
WD's new G-Technology G-Drive mobile SSD R-Series is a portable solid state option for photographers who want the reliability of an SSD in a rugged water and dust-resistant package.
Fast, stabilized and affordable is an appealing combination when it comes to lenses. With its latest 24-70mm F2.8, Tamron aims to upgrade autofocus speed and stabilization. We've got a full gallery from this updated full-frame zoom.
Photographer Clay Cook tells the story of his most ambitious photographic dream and career goal coming true: photographing A-list actress Jennifer Lawrence.
In an interview with a Chinese website, Nikon Japan's Director of Development dropped a bombshell, saying that a Nikon mirrorless camera "must be full-frame."
Here's a side-by-side spec comparison of two flagship devices with particular attention to the things that really matter – at least to people who prioritize photography features.
A month and a half after revealing the finalists of the 2017 EyeEm Awards, the photo sharing community and licensing marketplace has finally revealed the winners.
Photographer Josselin Cornou tells the breathtaking story behind two beautiful photos captured while snorkeling with humpback whales in Tonga.
The Sony RX10 IV is a fixed lens camera with a 1"-type sensor and 24-600mm equivalent lens that can shoot 4K video or stills at 24 fps, but that's not what we think is interesting about it. The addition of phase detection autofocus is pivotal to all those features.
The announcement date is set! Google will reveal their next generation Pixel phones—their response to Apple's shiny new iPhone X—on October 4th. Let the smartphone camera wars begin.
Sony just debuted three palm-style 4K camcorders that steal a bit of speedy phase detect autofocus technology from the company's RX10 IV. In fact, they kind of improve on it.
Earlier today, NASA's Cassini spacecraft plunged into Saturn's atmosphere, ending a 20 year long mission. Here are 21 of our favorite photographs captured by this incredible machine and its makers.
Fans of film photography should keep an eye out for the widespread theatrical release of Kodachrome, a movie staring Jason Sudeikis about the final days of the iconic film stock.
Photographer Manny Ortiz breaks down the pros and cons of shooting natural light vs off-camera flash, and explains why he chooses to shoot one, the other, or both in any given situation.
A leaked product page and a bunch of leaked photos shows Profoto is preparing to release its first ever speedlight: the Profoto A1 Air TTL
The Yashica camera brand disappeared in 2003, but a new teaser video and website hint at a comeback. Excited?
Western Digital just debuted a new, higher capacity WD Gold internal hard drive. The new drive offers 12TB of storage and class-leading reliability to the tune of a 550TB/year workload rating.
The new Godox XPRO-C is an affordable, highly capable flash trigger for Canon users that boasts a lot of useful features at a very reasonable price.
Tamron is working on a lightweight, durable and compact 100-400mm tele-zoom lens that will be available for Canon and Nikon cameras by the end of the year.
The Nikon D850 promises equal parts resolution and speed. On a trip to Bend, Oregon, we had the chance to try it out with fashion, sports, landscapes, and more. Check out our updated sample gallery to see how it fared.