Olympus E-30 Review
One of the E-30's headline features - and the one most heavily pushed in the marketing material - is its 'Art Filters'; six built-in special effects that are applied at the point of capture. The ability to apply image effects in-camera is by no means a new one, though this is the first time such radical effects have been offered in a digital SLR.
The Art Filters are accessed via their own mode on the main mode dial and they are all full program modes (you can't combine them with any other exposure mode), though you do still get full control of ISO, white balance, exposure compensation and so on. The effects are only applied to JPEG images (you can shoot in RAW+JPEG mode, in which case the RAW file will be unaffected by the filter).
The six filters offered are:
- Pop art
- Soft Focus
- Pale & Light Color
- Light Tone
- Grainy Film
- Pin Hole
Three of the six filters (Pop Art, Pale & Light Color and Light Tone) are purely tonal, affecting only the color and contrast of the shot, with the remainder (Soft focus, Pinhole and Grainy B&W) having a more dramatic effect that goes down to a pixel level. These three also come with quite a serious performance hit, as the effects take between 5 and 12 seconds to apply, during which time the camera cannot be used.
Below are samples of (roughly) the same shot using each of the six Art Filters (plus the same scene shot in normal program mode).
|Pop Art||Soft Focus||Light Tone|
|Pale & Light Color||Pinhole||Grainy Black & White|
|Normal (no art filter)|
Art Filters: creative boost or block?
As digital SLRs get more and more difficult to differentiate on the basis of image quality or specification it is perhaps inevitable that features such as this will become more common, and it comes as no surprise that it is Olympus, no stranger to innovation, that tried it first.
Initial reactions to the Art Filters concept have been rather muted, due in part I suspect to the fact that they made their debut on what is a pretty high-end enthusiast camera, one designed to be used by the sort of people who prefer to apply effects in post processing.
I was initially skeptical about the value of the E-30's Art Filters, and to be honest I struggled to summon up a strong opinion on them either way; sure they're a bit of fun, but they're hardly a reason to buy one camera over another. Having played with the filters for a couple of months now I'm still not sure how much they actually bring to the creative process.
On the plus side they're definitely fun and the six effects chosen are pretty cool. Olympus has obviously done some research into current trends as a couple of them are very contemporary (the slightly retro 'Pinhole' effect is particularly popular at the moment), and they do allow the Photoshop-challenged to recreate image effects seen in trendy magazines at the touch of a button. I often shoot pictures of unpromising subjects knowing exactly what I'm going to do to improve them later in Photoshop (this is one of the defining differences between the analog and digital shooting process), but if you're not au fait enough with post processing to be able to previsualize the end results then the Art Filters - especially in live view mode - make it easy as pie.
Less impressive is the fact that you can't tweak the effects at all - you're stuck with the six baked-in effects, and in truth there's only a couple that I liked enough to actually use on a regular basis (Pinhole and Grainy B&W), which means that the novelty starts to wane fairly quickly (either that or your pictures are doomed forever to all look exactly the same, and you start to mistake a cool effect for a good photo).
Ultimately Filters that I can't tweak, and that take up to 12 seconds to apply, simply don't suit my style of photography. I tend to shoot several minor variations of the same scene in fairly rapid succession, which makes the processing delay frustrating, to say the least. Personally, I'm also a big post-processing nut, and I prefer to fine-tune any effect I'm applying to the picture I'm working on - it's something I enjoy doing, and - for me - it's at least half the creative process. I also crop my images in post-processing very regularly (something you can't do if you want to preserve the vignetting effect applied by the Pin Hole filter). All the Art Filters are easy to recreate in Photoshop if you know what you're doing (and involve no effort if you save them as Actions) - and even if you're not a post-processing expert you can easily pick up free or cheap software that will give you a considerably larger palette of effects to play with.
And so, whilst I applaud Olympus for adding a fun feature that actually produces pretty cool results - and gives novices access to professional looking effects - I can't get that excited about the first implementation of Art Filters. My complaints are simple:
- There's no control over the effects
- The limited number of filters means you soon tire of them
- A couple of the filters (Pop Art and Pale Tone) seem to be little more than saturation changes
- You can't use them in manual exposure modes
- You can't flip between them in live view to compare the effects (you have to choose from a menu)
- They can't be applied to raw files in-camera
- They can't be applied to raw files in Studio or Master
- The good ones take far too long to apply
- There's no way to add new filters - they're baked into the hardware
My feeling is that Olympus is onto a good thing here, and if they can work out a way to allow the filters to be tweaked, to create your own filters (or to get new ones from Olympus for upload to the camera from your PC) and to speed up the process they will have a powerful creative tool for people who aren't interested in fiddling around with post-processing to get cool effects. As it stands the Art Filters are - for us - something of a novelty feature that you'll find yourself using a lot in the first few weeks until you get sick of seeing the same effect on everything, at which point you'll probably never touch them again.
Art Filter samples gallery
Below is a small gallery of E-30 JPEGs shot with various Art Filters (mostly Pin Hole, Grainy B&W and Pop Art as they're the most useful for non-portrait photography).
There are 19 images in this sample galleries. Please do not reproduce any of these images on a website or any newsletter / magazine without prior permission (see our copyright page). We make the originals available for private users to download to their own machines for personal examination or printing (in conjunction with this review), we do so in good faith, please don't abuse it.
A reduced size image (within 1024 x 1024 bounds) is provided to be more easily viewed in your browser. As always the original untouched image is available by clicking on this reduced image.
|Olympus E-30 Art Filter Samples Gallery|
- 19 Features
- 20 Software
- 21 Photographic tests (Noise)
- 22 Photographic tests (Noise)
- 23 Photographic tests (Noise)
- 24 Photographic tests (Dynamic Range)
- 25 Photographic tests
- 26 Compared to...
- 27 Compared to...(JPEG)
- 28 Compared to...(JPEG)
- 29 Compared to...(JPEG)
- 30 Compared to...(JPEG)
- 31 Compared to...(RAW)
- 32 Compared to...(High ISO)
- 33 Compared to...(Resolution)
- 34 Conclusion
- 35 Samples
The software uses computational imaging techniques to boost detail and dynamic range in your images, and reduce noise levels.
As part of a promotional giveaway, Fujifilm Korea has released kimchi-flavored instant noodles wrapped in branding inspired by Fujifilm Provia 100 color reversal film.
The Leica Noctilux-M 75mm F1.25 ASPH is a fast, high-quality and decidedly heavyweight short telephoto prime lens, designed for use with Leica's digital M-series rangefinders. We've been grappling with it for a little while - take a look at our sample images.
70-200mm F4 zoom lenses may not get as much attention as their faster F2.8 siblings, but for many photographers these lenses hit the perfect sweet spot of price, performance, and weight. This week, we shoot the new Tamron 70-210mm F4 alongside the equivalent Canon and Nikon models to see how they stack up.
Blackmagic recently worked with Apple to develop Blackmagic eGPU, an external GPU that brings "desktop-class graphics performance" to the new MacBook Pro laptops with Thunderbolt 3 ports.
Lightroom alternative Luminar has received numerous updates across both its Mac and Windows versions, primarily improvements to existing features, as well as support for additional cameras from Fujifilm, Sony, Olympus, Panasonic, Canon, and Pentax.
Sony has quietly updated its RX100 V, bringing a couple of the goodies from the RX100 VI travel zoom. The updated RX100 VA gains a new processor and various firmware tweaks but misses out on the VI's other hardware improvements.
Apple has updated its MacBook Pro series of notebooks with 15in and 13in models that are claimed to be better for intense image and video editing. The company says the new models are the most advanced ever, and that they feature 8th generation Intel Core processors for faster performance.
According to sources familiar with the matter, Adobe will announce a full-fledged Photoshop version for the iPad at its annual conference in October.
The last day to place an order for Apple photo prints and related products is September 30th.
Manfrotto has launched its new Noreg camera bag series with the Backpack-30 and Messenger-30 models. Both bags are designed for premium mirrorless camera systems, each featuring internal camera units that can be removed and used independently of the larger bags.
Industrial designer Thomas Müller has created a concept device that attempts to democratize film development using an all-in-one device that sits on your countertop.
Mastin Labs has released its latest set of presets titled 'Kodak Everyday.' The pack includes film emulation presets for iconic Kodak films, including Ektar, Gold and Tri-X.
Canon has released firmware update 1.0.4 for the EOS 6D Mark II, adding important bug fixes for "rare instances" of issues with the touch panel and operation buttons.
In an email to DPReview, Nikon Inc. has confirmed ''The Nikon 1 series cameras, lenses and accessories are no longer in production'.
Nikon's new Coolpix P1000 boasts an extraordinary zoom range and a suite of powerful stills and video features in a (relatively) compact body. We're taking a detailed look at this powerful compact's key features.
PhotoMirage, a new Windows application from software company Corel, transforms images into "mirages" by adding movement to elements like water or clouds. Unlike a cinemagraph, it does not require video footage – instead animating a single static image.
Tamron's version 2.0 firmware update for its 28-75mm F2.8 Di III RXD claims to have addressed reported issues with autofocus during video shooting.
Lens maker Moment is leaning into the software sector, launching a newly-revamped smartphone camera app targeted at enthusiast photographers.
A groups of researchers from NVIDIA, MIT, and Aalto University have developed an AI capable of removing noise and grain from images with incredible accuracy.
If the 24-2000mm equiv. zoom range on Nikon's Coolpix P900 just wasn't enough then you'll be excited about today's announcement of the Coolpix P1000. This camera has a once unthinkable 24-3000mm equivalent F2.8-F8 lens, though it's anything but light and will set you back $999.
Hong Kong flash system manufacturer Cactus has released new firmware for its V6 II Transceiver that will allow it to wirelessly communicate TTL information between a Canon or Cactus flash and a Canon camera. The X-TTL update makes it possible to trigger Canon flashes and retain full TTL control with that flash either on or off camera.
Want to create pro quality lighting for your videos, but don't have thousands of dollars to spend on expensive video lights? In this video, our friends over at ShareGrid demonstrate how to professionally light a model with some work lights, a bit of poster board and even a shower curtain.
Phase One has launched its new Latitude processing presets series, the latest addition to the company's Capture One Style Packs product launched last year. Both Latitude style packs contain eight presets, each with original, bright, and dark variations, for a total of 24 styles per pack.
Godox has announced the impending launch of its upcoming AD400Pro, a 400WS monolight with wireless shooting capabilities and a battery life of 390 full-powered flashes.
The instant camera market is heating up, and with four formats and 15+ cameras to choose from, we felt it was high time to examine them all and pick our favorite.
There's an old axiom in filmmaking which states that an audience will forgive a poor quality picture, but not poor quality sound. This week, Chris and Jordan bring in an audio pro to demonstrate why a cheap microphone positioned correctly will outperform an expensive model placed incorrectly.
With enough reach to land itself in 'travel zoom' territory, the Sony RX100 VI is well suited for a wide range of shooting situations. We've made a significant update to our initial sample gallery with plenty of samples from the past few weeks.
Hamm Camera Company has launched its second crowdfunding campaign to bring a fun, affordable pinhole camera to life.