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The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
Olympus was one of the instigators of the mirrorless uprising, having formulated the Micro Four Thirds standard with Panasonic. At first it looked like Olympus might be overshadowed by Panasonic's technical prowess but a combination of its class-leading JPEG processing and pretty heritage-inspired designs meant they were able to offer something interesting. With the first PEN Mini it was also able to offer the least-expensive mirrorless model on the market, but the camera that really made us sit up was the Olympus OM-D.
When we gave the OM-D EM-5 our Gold Award we said it was arguably the most capable and likeable mirrorless camera we'd then seen, and there's not been a real challenge for that crown (though the Fujifilm X-E1 might change that). Now, with the arrival of the fourth PEN Lite (the PL5) and the second PEN Mini (PM2), Olympus looks set to bring E-M5 image quality down to mass-market prices. And that's a big step forward - if these offer the E-M5's genuinely DSLR-standard image quality in a smaller, more compact-camera-like body.
As with the previous generation of PENs, both cameras are very similar, with the PEN Lite offering a flip-up screen, exposure mode dial and two more buttons on the back of the camera than the Mini. On top of this, the PL5 gains a removable front hand grip. The articulation of the rear screen has been improved, meaning it now flips all the way up for self-portraits or into a flat position for waist-level shooting, using its touch screen to focus or fire the shutter.
There have been additions to the PEN Mini too. Whereas the PM1 always felt it had one button too few for anything more than point-and-shoot use, the PM2 adds another two, one of which is a user-customizable function button. It also gains a fixed hand grip on the front of the camera and a touch sensitive screen.
Finer focus point option
Both camera still feature the 35 autofocus points seen on their predecessors but, as well as being able to over-ride these by pressing on the screen, it's also possible to refine them down to finer points. Pressing the INFO button while you're in AF point selection mode allows you to cycle between the camera's different AF area sizes (all 35 points, a 9-point square, single point or single small point). This makes it easy to select where you wish to focus with great precision.
Lens IS priority
Another addition to both cameras, to help them work more happily with Panasonic's range of stabilized lenses for the Micro Four Thirds system is new 'Lens IS Priority' option in the menus (which is set to 'on' by default). It means the cameras will make use of the lens' stabilization system, rather than using their in-body systems when available.
In-camera Raw processing
Olympus was one of the first manufacturers to provide the option to re-process a Raw file, if you decided you wanted to apply different processing parameters or if you needed a JPEG of a Raw shot you'd just taken. This feature gave the ability to adjust the noise reduction, fine-tune the white balance or change the gradation settings to optimize your image using the rather good Olympus JPEG engine, without having to boot up your computer. It extended to providing the chance to apply different art filters, after you'd taken the shot or apply a different one if you didn't like the one you first chose.
The E-PL5 and E-PM2 become the first Olympus models to allow you to create and edit two presets, making it faster to make quick JPEG copies of your images. Now, when you hit 'OK' to confirm that you want to process the selected Raw file, you are presented with a dialogue that gives you the choice of applying the current settings, Custom 1, Custom 2 or to not bother. The two custom options can be edited just before you apply them, by pressing right on the four-way controller. This gives a range of options including the new options to push or pull exposure and boost or suppress the highlights or shadows. It's pretty powerful stuff for a camera at this (or any) level.
Sep 12, 2015
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Jun 18, 2013
We've just posted our review of the The Olympus PEN Mini E-PM2. The E-PM2 is an entry-level Micro Four Thirds system camera, with a 16MP CMOS sensor and full 1080 HD video. It's one of the smallest mirrorless cameras on the market and boasts 8 frames per second continuous shooting. This second generation 'Mini' is effectively the image quality 'guts' of the OM-D in a compact, lightweight, novice-friendly form. Click through to find out what we think of it.
Just Posted: Our hands-on preview of the Olympus PEN E-PL5 and PEN E-PM2. The two baby PENs, the Lite and Mini have done a good job of offering some of the least exensive mirrorless cameras on the market but have, until now, relied on an ageing 12MP sensor. Now the OM-D's 16MP sensor makes its way into both the latest PEN Lite (the E-PL5) and the PEN Mini (the E-PM2). They also gain touch screens and a series of other updates. Read our preview to find out more, which includes a small gallery of real-world samples from the E-PL5.
Photokina 2012: Olympus has refreshed its PEN series with the PEN Lite E-PL5 and PEN Mini E-PM2 16MP touch-screen mirrorless cameras. Both models feature the 16MP sensor and TruePic VI image processor first seen in the OM-D E-M5. Both cameras also gain 460,000 dot, touch-sensitive rear LCDs, with the ability to focus and shoot by touching the screen. They can also shoot at 8 frames per second. The E-PL5 offers a mode dial, an extra button, flip-up LCD and E-P3-style screw-on front grip over the PEN Mini. The E-PL5 will cost $699 with the 14-42mm retractable zoom, while the E-PM2 will cost $599 with the same lens.
When the Fujifilm X-T2 arrived, it was more than just a modest upgrade to the already impressive X-T1. While the new X-T3 hasn't changed the overall design of the camera, this model is way more than an upgrade; rather, it's a quantum leap.
The Movie Maker is a compact, motorized slider designed for phones, action cams and small mirrorless cameras. We think it's a fun little kit and a good value proposition for the cost, provided you can work around a few of its weak points.
Nikon's Z7 is the first camera to use the all-new Z-mount, the company's first new full-frame mount since 1959. We've put together our first impressions based on quality shooting time with a pre-production camera - check out what we've found.
What's the best camera for a parent? The best cameras for shooting kids and family must have fast autofocus, good low-light image quality and great video. In this buying guide we've rounded-up several great cameras for parents, and recommended the best.
What's the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we've rounded-up several great cameras for shooting landscapes, and recommended the best.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
|The Lone Photographer by ed rader|
from My Best Photo of the Week
|Neighbourhood Watch by Stevie Boy Blue|
from Zoo trip ~ Cute...
Fujifilm released a firmware upgrade for its X-T3 mirrorless camera that addresses issues with distortion compensation and the mechanical lock on SD cards.
The app's algorithms have been trained using using 200 million cropping data points from real photographers.
Thanks to a software update, the Loupedeck+ editing console can now be used for video editing.
British photographic engineer MTF Services is claiming the world’s first third-party lens adapters for the new Nikon Z system with a collection of four units designed to allow cinema lenses to be mounted on the mirrorless full frame bodies.
Think Tank Photo has updated its line of heavy-duty rain covers and introduced a new, compact version for emergency situations.
The X-T3 is our first opportunity to analyze what's likely to be Fujifilm's next generation image sensor. Take a look at how it performs next to the competition in our studio test scene.
Canon's new normal is seriously sharp wide open. After shooting with it for a few days, we've prepared a gallery of real-world sample images.
Nikon will cease offering Brazil-based customer service and technical support, though the company stresses that it will still offer technical assistance and warranty repairs for valid warranties.
Two years ago, CatLABS of JP announced a plan to save Packfilm from the dead. Now, it's announced it's giving up its efforts to better focus its resources elsewhere.
The GoPro Fusion is designed to make it easy to capture 360-degree video and stills. We took it out recently on a typically hot Seattle summer day to see what it can do.
We've got our hands on a full-production Nikon Z7 camera and have updated our gallery with additional samples.
A new Kickstarter campaign seeks funding for Chroma Chrono, a programmable RGB camera flash that emits multiple colors during long exposures.
Think Tank Photo has launched a new lineup of six dual-access, water-resistant protective lens cases it calls Lens Case Duo.
Canon and Nikon finally entered the full-frame mirrorless market this summer with the brand-new RF and Z mounts. Now that we've had some time with the cameras, we wanted to revisit our earlier predictions and take stock.
The devices' camera specs look pretty much identical to last year's iPhone X but under the hood a number of important improvements have been made.
Blackmagic Design has announced the public beta of its new Blackmagic RAW video codec. The company says the new format combines the benefits of shooting Raw video with the ease of use and smaller file sizes usually associated with non-Raw video files.
Serif, the company behind the Affinity suite, has announced the latest update for its mobile Photoshop competitor Affinity Photo for iPad.
The Atomos Ninja V external video recorder and monitor will be ready to ship at the end of this month. The 5.2in Ninja V is designed to provide a smaller option, while still offering many of the features of the larger 7-inch models.
Having shot with the camera, spoken to Canon and read the tea leaves, here's what DPR Technical Editor Richard Butler thinks the EOS R tells us about Canon and the RF's mount's future.
After last week's teaser, lighting manufacturer Profoto has announced its 'small big' new product. The B10 is designed to be used as studio flash head but in a very small body, and has a powerful continuous light source for videographers as well.
Konseen has launched Photo Studio, a new light box tent large enough to photograph people, as well as objects.
Seagate has introduced new high-capacity hard drives for Network Attached Storage (NAS) devices: the 14TB IronWolf and 14TB IronWolf Pro HDDs.
The case was first announced earlier this year as a Kickstarter campaign and comes with a range of features aimed at iPhone photographers.
Manfrotto has introduced a new two-in-one tripod to its Befree lineup. Called the Befree 2N1, this new addition is both a tripod and monopod in one and is available with both of Manfrotto's locking mechanisms.
This new high dynamic range editing software comes with an AI-powered Quantum HDR Engine for improved photo merging.
Apple has unveiled the next generation of its iPhone X in the form of three variants: the 5.8" iPhone XS and 6.5" iPhone XS Max with OLED screens, and the 6.1" iPhone XR with an LCD and single rear camera.
Ahead of the launch of the CamRanger II the company has announced a mini version of its wireless remote control system that it says has a longer range than the original in a body half the size.
Lens manufacturer Sigma has announced a trio of fast cinema lenses for full-frame camera systems, that it says will also be available in the future in the LPL mount for Arri’s large format camera system.
LumaPod is a a new tripod being funded on Kickstarter that takes just four seconds to set up and uses patented tension technology to keep your shots steady in a compact design.