Olympus Zuiko Digital ED 9-18mm 1:4-5.6 review
4 Conclusion & samples
Conclusion - Pros
- High image quality - decently sharp from centre to corner even wide open
- Extremely low distortion
- Essentially no falloff/vigmetting
- Small and lightweight
Conclusion - Cons
- Moderate chromatic aberration (although not excessive for an ultra-wide)
The Zuiko Digital ED 9-18mm 1:4-5.6 is without doubt a very good lens indeed, especially for a relatively inexpensive ultra-wideangle zoom. It's sharp even wide open, has negligible distortion, and shows practically no vignetting. Indeed it's a delight for pixel-peepers looking for high levels of sharpness right across the frame; there's little of the drop in sharpness towards the corners that is often encountered with wideangle zooms. The only visible optical flaw is lateral chromatic aberration, but this is pretty well inevitable for this type of lens, and while red/cyan fringing is visible in many circumstances it's not really any worse in than we'd expect.
Operationally there's little to complain about either. The 'focus-by-wire' system sits very firmly in the 'love it or hate it' category, but chances are you won't need to use manual focus much anyway. The lens does have a rather modest maximum aperture, but while with other Olympus 'Standard' grade lenses this can lead to issues with depth of field control, wideangle zooms by nature tend much more towards pan-focus than selective-focus, so it doesn't really matter. Larger maximum apertures also have the advantage of allowing the use of lower ISOs for longer as the light fades, but again this isn't much of an issue with the 9-18mm simply because shutter speeds don't have to be very high to avoid camera shake. Of course the lens is sharp wide open, so even the largest apertures are eminently usable - you don't have to stop down for best results. And let's not forget that it's precisely the slow maximum aperture that allows the lens to be so compact and lightweight.
Quite simply this is a lens which does the job asked of it extremely competently with the minimum of fuss. We've long said that the great strength of the E-system lies in the lenses, with Olympus taking advantage of the smaller area of the Four Thirds sensor to produce optics which are simply more consistent in overall image quality and edge-to-edge performance than those of its competitors. The company also provides arguably the most comprehensive and coherent range of digital-optimised zooms currently available (however if you're a prime shooter you really need to look elsewhere). The 9-18mm slots neatly into the last real gap in the line-up, providing a relatively inexpensive wide angle zoom with the image quality Olympus users have come to expect. It has only one real weakness, lateral chromatic aberration, and even then this is relatively easy to negate in post-processing when necessary. So despite this flaw, it earns our top award.
Rating (out of 10)
|Ergonomics & handling||7.5|
Highly Recommended (just)
There are 25 images in the samples gallery. Please do not reproduce any of these images on a website or any newsletter / magazine without prior permission (see our copyright page). We make the originals available for private users to download to their own machines for personal examination or printing (in conjunction with this review), we do so in good faith, please don't abuse it.
Unless otherwise noted images taken with no particular settings at full resolution. A reduced size image (within 1024 x 1024 bounds) is provided to be more easily viewed in your browser. As always the original untouched image is available by clicking on this reduced image.
Olympus 9-18mm F4-5.6 Review Samples
Feb 20, 2009
May 13, 2008
Feb 14, 2012
Feb 14, 2012
|Wood Panel Truck, Retired by Buzz Lightyear|
from Random Items - Challenge 22
|The Falls by jdaniels10|
from Show us LIQUIDS!
|Silence by JP Zanotti|
from Blown highlights