Nokia 808 PureView Review
Design & Operation
In use, the 808 PureView behaves much like a conventional cameraphone, purely because of its form factor. If you're used to a phone like Apple's iPhone 4S, or any recent high-end Android offering, you won't have any difficulty adjusting to the 808.
A dedicated focus/shutter button on the right side of the phone (with the screen held in the orientation shown below) acts as a shortcut to activate the camera app even when the phone is sleeping. A 'hard' press is required to open the app and wake the phone - a quick or light press will be ignored, preventing accidental operation of the camera. From sleep to image capture is roughly 2-3 seconds depending on AF acquisition time, which isn't bad at all. Unlike a lot of other smartphones with 'hard' shutter buttons, the 808's shutter release has a two-stage movement, which allows for half-pressing to focus before taking a picture.
The 808's camera controls are well thought-out and easy to access. A 'hard' button on the upper right side of the phone (when viewed with the LCD facing you) acts as a shutter button in the conventional way - half-press for focus, full press to take a picture. An on-screen shutter release is also available.
In 'Creative' mode, you'll see a panel along the left of the screen that provides access to key modes and features including ISO sensitivity, white balance and exposure compensation. Adjusting these settings is a simple matter of scrolling and selecting by touch, but we wish the icons were a little less obscure.
With the camera app running, autofocus performance is roughly in line with my expectations from a modern compact camera - a bit of hunting in low-contrast situations, but in normal shooting conditions the 808 focusses in less than a second (usually), and almost always with unerring accuracy. Unexpectedly, the only times I had real issues with focus were when shooting pictures of people, when the face detection would very occasionally just give me a blurry image for no obvious reason.
The 808's metering system is similarly, very reliable, although the match between live view brightness and final exposure can be pretty wide in especially dark and bright conditions. I've found that it's best to bracket around a little in very bright light to be sure of getting a pleasant exposure. An on-screen histogram would help a lot, but although a histogram appears when you're dialing in exposure compensation, it vanishes again when that screen is dismissed (see below).
Shutter lag is effectively non-existent once focus has been acquired. In poor light the 808's built-in AF illuminator kicks in and does a good job of providing enough light for focusing, but in this situation focus slows to usually at least a second for accurate acquisition.
In full 38MP mode, there's a pause of roughly three seconds after taking a photograph and being able to view it or take another one. In the reduced resolution 3/5/8MP modes this delay is much shorter - roughly one second, for 8MP files. Viewing captured images is quick and easy. Like most modern smartphones, the 808 allows you to flip through captured images by swiping the screen, and double-tapping magnifies the view for critical analysis of detail and focus accuracy.
I'm wary of making any definitive statements about the 808's battery life since I am using it almost exclusively as a camera, unconnected to a wireless or cell network. That said, in my use of the phone, its battery life has been outstanding, to the extent of being unbelieveably good. I'm used to giving smartphones a precautionary overnight charge before travelling for trips of longer than a day, and I do not, in general, expect much more than 24 hours of life with light to moderate use. The 808 greatly surpassed my expectations, and in fact, during my time with the phone, I was obliged to charge it less frequently than a couple of the compact cameras I was shoot with at the same time.
Oct 25, 2013
Oct 2, 2015
Jul 30, 2012
Oct 6, 2015
|Steamin' Mad by ahrensjt|
from Angered Subjects (Street Photography)
|Smile by Olymguy|
from Ultra Asian Indian Female Faces
|Space Shuttle Cockpit- by vbuhay|
from Aircraft Control Stick
The Polish town of Katowice is not known as an area of beauty, but as all photographers know, that doesn't mean that beauty can't be found if you know where to look. Mariusz Pietranek used a drone to look down on the colorful sedimentation tanks at an ironworks.
New York Times video journalist Ben Solomon spent a harrowing three weeks accompanying Iraqi Major Sajjad al-Hour as he and his men fought to retake Mosul from I.S. forces.
The 3D VR camera launched through a crowdfunding campaign in 2015 goes on sale beginning June 26.
Noctilucent clouds, a crescent moon and Venus were visible in the pre-dawn sky over Budapest yesterday. Photographer György Soponyai captured NASA's astronomy picture of the day.
Squirming pets won't sit still for photos? A Kickstarter campaign is looking to help.
Find out how Chris Burkard shifted from editorial photography to his true passions: landscapes, conservation and, of course, surfing.
The updated EyeEm app scans your camera roll and picks images that are composed particularly well, have the best quality, or highest chance of selling on EyeEm Market.
It's three years old but still a solid option for a Micro Four Thirds shooter looking for a high-quality, fast, wide-angle prime. Take a look at how we got along with it.
Tamron has announced the longest all-in-one zoom lens currently available, the 18-400mm F3.5-6.3 Di II VC HLD. Designed for Canon and Nikon crop-sensor cameras, the lens will be available in July.
When you're ready to step-up to full-frame from an entry-level or midrange camera, the choices can be overwhelming. Find out which models came out on top in our $1200-2000 enthusiast ILC roundup.
Just a guy wearing a VR headset, smashing invisible Goombas in Central Park.
NASA's Mars Reconnaissance Orbiter captured this gorgeous aerial photo of the Martian landscape. And if you look really close, you can actually see the Mars Curiosity rover in the very middle.
The city of Laguna Beach, California has provided some clarification around the kinds of photography permits it offers.
Later this year, a VR180 camera will be Joining Yi's Halo and 360 VR cameras, which will offer stereo 3D capture, yet be as easy to use and compact as a 2D camera.
Caltech researchers have developed an 'optical phased array' chip that uses time delays instead of a lens to focus the incoming light.
Pricing and shipping have finally been revealed for two highly anticipated lenses from Sigma, announced in February.
These macro photos of clouds of paint billowing through clear water might look like high-quality CGI, but they're real photographs. And photographer Alberto Seveso told us how they were made.
Facebook is testing a feature that prevents people from saving, sharing, or even taking a screenshot of your profile picture.
We've reshot the Sony a9 in our studio. The short story: it's sharper! The long story... well you can read it all here.
The collection will be officially launched during the Europeana Transcribathon Campus Berlin 2017 crowdsourcing event which will be held on 22 and 23 June at the Berlin State Library.
Light gives us some insight into the preparations for the launch of the pre-order shipments of its much anticipated L16 multi-lens camera.
OnePlus co-founder Carl Pei has confirmed in a tweet that the second lens on the back of the OnePlus 5 uses a 1.6x optical zoom and that digital zoom is used to reach the claimed 2x zoom factor.
Fujifilm recently unveiled the second in its series of affordable cine lenses, the MK50-135mm T2.9. We got our hands on it for a couple days and took it for a spin.
Leica's first attempt at an M-series digital rangefinder was rough around the edges, but set a pattern for all of the cameras that came after it. In this week's Throwback Thursday article, Barney remembers the M8.
No stranger to extreme situations, legendary climber and filmmaker Jimmy Chin talks to Outside Magazine about his career, and the challenge of filming Alex Honnold's rope-free solo climb of El Capitain.
A company backed by Android co-founder Andy Rubin is attempting to make video conferencing less terrible.
Rangefinder magazine asked five professional portrait and wedding photographers about posting on Instagram; no surprise, they got five different answers.
This captivating stop motion film was created by stripping away one layer of wood at a time. It's hard to look away.
It will enable users to simulate the presence of the sun, moon and Milky Way and see how they interact with an area's topography.
Since its introduction in November last year Instagram's live streaming feature has been used by millions, but videos could not be archived for watching at a later stage. A new update has now added the capability.