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The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
The D7000's software suite is fairly limited, although at its core is ViewNX 2 - a capable raw conversion platform, slightly improved over the previous generation View NX and vastly superior to Nikon's Picture Project, which shipped with earlier generation Nikon DSLRs. View NX 2 is not as sophisticated as Nikon's Capture NX 2 (available separately for �160/$180), but it offers most of the key functionality that a beginner will require when starting out on the DSLR road, including the ability to edit white balance and exposure in NEF files, and highlight/shadow recovery sliders as well as basic video editing functionality. In a nice touch, many of these parameters can be built into presets using the Picture Control Utility, meaning that presets you find yourself regularly applying can be uploaded to the camera. There's even an option to reduce axial chromatic aberration. Inexplicably absent, however, is any control over noise reduction.
As well as being free, ViewNX 2 has another advantage over Capture NX 2 in that it is a small program that does not require a huge amount of computing power to run. It's far from being as slick as Adobe's Camera Raw plug in for Photoshop, but much more forgiving of older, slower computers than NX2. As well as raw conversion, ViewNX 2 also allows you to geotag photographs using Google Maps, and to rate and label images with stars or colors for ease of organization. You can even modify the names of the color tags so that they show up as 'Work,' 'Holiday,' 'Portraits' or whatever best suits your needs.
|Although it doesn't give anything like the flexibility or functionality offered by Nikon's Capture NX 2, the bundled ViewNX 2 software is a huge improvement over the earlier generation Picture Project, and it easy to make basic adjustments to both raw and JPEG files from the D7000.||A thumbnail view does exactly what it sounds like it should - it arranges all of the images in a particular folder as thumbnails, for easy navigation.|
|When adjusting raw files, you can either apply an existing Picture Control preset (Standard, Vivid, etc.) or create and modify your own, which can be uploaded onto the camera for JPEG shots.||ViewNX 2 allows you to geotag your images by using Google Maps to find and record where you took your your photos. If you use Nikon's GP-1 GPS unit with the D7000, geotagging is automatic.|
|Creating video projects is a simple matter of opening the new video editor program, and importing clips into a playlist. From here you can add transitions between clips, and audio files.||
When you're ready to export your video project you can name it and specify the precise type of output that you want.
As is normal in our digital SLR reviews we like to compare the supplied RAW conversion software, any optional manufacturer RAW conversion software and some third party RAW converter. In the case of the D7000 we used the supplied View NX as well as Adobe Camera RAW 6.3 (release candidate).
Place your mouse over the label below the image to see the color from a GretagMacbeth ColorChecker chart produced using each RAW converter. There are subtle differences between the color response of the camera's JPEG engine and View NX, even though they're theoretically using the same Picture Control Styles. Adobe Camera RAW's default settings take a slightly more vivid approach to color response and has a more contrasty tone curve.
As expected more detail can be brought out of raw files from the Nikon D7000 compared to its JPEG output, but difference isn't enormous. Of the two raw conversion engines that we've used (support for the D7000's NEF files is currently very limited), Adobe's Camera RAW does a better job of resolving very fine detail,and gives slightly higher contrast results at its default parameters. In contrast, View NX 2 delivers a slightly softer, less contrasty image that stands up very well to further sharpening. As we'd expect, View NX 2 gives almost identical color and contrast rendering to the D7000's JPEG engine.
|Adobe ACR 6.3 RAW -> TIFF (Default output settings)
ISO 100 studio scene 100% crops
|Nikon View NX 2 RAW -> TIFF (Default output settings)
ISO 100 studio scene 100% crops
|JPEG out of camera, High quality setting, manual WB (all other settings default)
ISO 100 studio scene 100% crop
The differences between ACR and Nikon's View NX 2 are minimal when resolution shots are compared, as you can see. We'd stick our necks out and say that ACR gives fractionally better detail rendition than View NX 2 as the lines on our chart approach Nyquist, but there's very little in it. Both raw conversion engines have produced slightly better resolution than is possible from in-camera JPEGs, and both describe some lines up to and after Nyquist (although this is not 'genuine' detail).
|Adobe Camera RAW 6.3||View NX 2|
Here we provide RAW files from the sample shots we take, to allow you to apply your own workflow techniques and see whether your experiences match ours.
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People become interested in photography in many different ways, and at different stages of life. Some are hooked early on, while others discover the joy of making photos much later. For Kira Morris, it was the isolation and natural beauty of life in Antarctica that inspired her to take up photography. Read more
Like many of our site readers, Rajesh Bhattacharjee is a self-taught photographer who connected with other photographers online and in person to help improve his craft. He's a keen traveler, spending his free time in National Parks pursuing great landscapes. Based on his portfolio, we'd say he's found more than a few. Take a look at his images and read more in our Q&A. See gallery
When the Fujifilm X-T2 arrived, it was more than just a modest upgrade to the already impressive X-T1. While the new X-T3 hasn't changed the overall design of the camera, this model is way more than an upgrade; rather, it's a quantum leap.
The Movie Maker is a compact, motorized slider designed for phones, action cams and small mirrorless cameras. We think it's a fun little kit and a good value proposition for the cost, provided you can work around a few of its weak points.
Nikon's Z7 is the first camera to use the all-new Z-mount, the company's first new full-frame mount since 1959. We've put together our first impressions based on quality shooting time with a pre-production camera - check out what we've found.
What's the best camera for a parent? The best cameras for shooting kids and family must have fast autofocus, good low-light image quality and great video. In this buying guide we've rounded-up several great cameras for parents, and recommended the best.
What's the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we've rounded-up several great cameras for shooting landscapes, and recommended the best.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
|_ERN9064 by ernesto juarez|
from Shoot yourself ! (with your camera)
|walkersons fields by George Veltchev|
from -Waiting for Autumn- (in Full Colours Only)
Nikon's Sendai factory in the Tōhoku region North of Japan has been churning out cameras and lenses since 1971. We had the opportunity recently to visit Sendai during events to mark the launch of Nikon's new Z mount.
There's no mistaking the Nikon Coolpix P1000 – with a 24-3000mm equivalent zoom, it really is in a class of its own. It's a conspicuous-looking superzoom with one main job: getting you really close to far away subjects. We've put together a gallery showing the kind of results you can expect from it.
A new report from The Verge claims Instagram is currently testing a feature that allows users to re-share posts to their own account feeds.
GoPro has announced its HERO7 camera lineup. The updated action cameras feature new HyperSmooth and TimeWarp modes, as well as improved video and photo specs.
The latest Samsung midrange smartphone offers a super-wide-angle lens in its triple-camera setup.
The Sony 24mm F1.4 is the latest lens to join the company's premium G Master lineup. We've been shooting with one for a couple of days - here's what you need to know.
Apple released iOS 12 a few days ago and some iPhone X users are less than happy with how the new operating system has made their phones look.
Camera bag manufacturer Lowepro has introduced mark II backpacks for its ProTactic AW range with models that are said to feature an improved handling experience as well as a collection of accessories that can be attached to the outside.
Canon has announced its latest superzoom camera, the PowerShot SX70 HS. Compared to the SX60 that came before it, the SX70 has the same lens but offers a higher resolution EVF, 4K video capture and support for Canon's new CR3 Raw format.
Cosina has announced its eighth lens designed specifically for Sony's E-mount system. The Voigtlander 21mm F3.5 lens is due out October 2018.
Sony has taken the wraps off of its new 24mm F1.4 GM full-frame lens, which the company claims is the lightest in its class. Despite its fast aperture, the 24mm F1.4 is remarkably light, weighing just 445 grams (15.7 ounces). The lens will set you back $1400 when it ships next month.
In this episode of DPReview TV we take a look at Sony's brand new 24mm F1.4 GM lens, a desirable focal length for many photographers. How does it perform? Chris and Jordan give us their first impressions.
We've had a little time to shoot with Sony's new wide/fast prime, both close to home and on the water in San Francisco. Check out our initial sample images.
Fujifilm released a firmware upgrade for its X-T3 mirrorless camera that addresses issues with distortion compensation and the mechanical lock on SD cards.
The app's algorithms have been trained using using 200 million cropping data points from real photographers.
Thanks to a software update, the Loupedeck+ editing console can now be used for video editing.
British photographic engineer MTF Services is claiming the world’s first third-party lens adapters for the new Nikon Z system with a collection of four units designed to allow cinema lenses to be mounted on the mirrorless full frame bodies.
Think Tank Photo has updated its line of heavy-duty rain covers and introduced a new, compact version for emergency situations.
The X-T3 is our first opportunity to analyze what's likely to be Fujifilm's next generation image sensor. Take a look at how it performs next to the competition in our studio test scene.
Canon's new normal is seriously sharp wide open. After shooting with it for a few days, we've prepared a gallery of real-world sample images.
Nikon will cease offering Brazil-based customer service and technical support, though the company stresses that it will still offer technical assistance and warranty repairs for valid warranties.
Two years ago, CatLABS of JP announced a plan to save Packfilm from the dead. Now, it's announced it's giving up its efforts to better focus its resources elsewhere.
The GoPro Fusion is designed to make it easy to capture 360-degree video and stills. We took it out recently on a typically hot Seattle summer day to see what it can do.
We've got our hands on a full-production Nikon Z7 camera and have updated our gallery with additional samples.
A new Kickstarter campaign seeks funding for Chroma Chrono, a programmable RGB camera flash that emits multiple colors during long exposures.
Think Tank Photo has launched a new lineup of six dual-access, water-resistant protective lens cases it calls Lens Case Duo.
Canon and Nikon finally entered the full-frame mirrorless market this summer with the brand-new RF and Z mounts. Now that we've had some time with the cameras, we wanted to revisit our earlier predictions and take stock.
The devices' camera specs look pretty much identical to last year's iPhone X but under the hood a number of important improvements have been made.
Blackmagic Design has announced the public beta of its new Blackmagic RAW video codec. The company says the new format combines the benefits of shooting Raw video with the ease of use and smaller file sizes usually associated with non-Raw video files.
Serif, the company behind the Affinity suite, has announced the latest update for its mobile Photoshop competitor Affinity Photo for iPad.