Nikon D700 Review
Top of camera controls (right)
The control layout on the right side on the top of the camera is identical to the D300. On the right side you will find the power switch, shutter release button, exposure mode and exposure compensation buttons. At the front and rear edges of this side of the camera, in line with the shutter release button are the two command dials (with a soft rubber coating). On the rear of the camera surrounding the AE-L/AF-L button is the metering mode selector, to the right of this the AF-ON button. Note that CSM f9 allows you define the exact function of the command dials including their rotation, which sets aperture / shutter speed and whether they can be used in menus and playback mode. The function of controls described below are for a camera with default settings.
Buttons combined with a dial turn are held while the dial is turned, however you can choose to simply have to press the button once and release, this is achieved via CSM f10 (like a Canon).
Powers the camera off immediately, if there are images still buffered to be written the camera will remain on until the write has completed. When off the camera continues to display the remaining frames / frame count and CF status on the top LCD panel.
Switches the camera on, this is as fast as we can time it, as good as instant. There is simply no perceptible delay between turning the the dial and the first shot (you can even hold the shutter release and turn the power dial to test this).
Flick the power switch to this position to illuminate the control panels backlight's (top and rear). The backlight stays on for the 'auto meter-off' time (CSM c2).
Buttons (combined with dial turn)
|MODE||Exposure mode (detail below)
Programmed Auto (flexible)
+/- 5 EV
0.3, 0.5 or 1 EV steps (CSM b2)
Buttons (single press)
The AF-ON button is an alternative to half-pressing the shutter release, it triggers the camera's auto focus system. You can if you wish have the camera set to that AF is not triggered by a shutter release half-press (CSM a5) and only by the AF-ON button (useful for fast action photography where continuous AF tracking is required).
AE / AF Lock
|3D Color matrix metering II / Color Matrix II / Color Matrix
3D Color matrix metering uses a 1005 pixel CCD to calculate the best exposure for the frame. 3D color matrix metering is only available with G type or D type lenses where the range information is used in conjunction with metered light. Color matrix II metering is used with other CPU lenses. Color matrix metering is used when focal length and aperture are entered manually using the 'Non-CPU lens data' menu item.
The camera uses the entire frame for light measurement but assigns a greater weight to an area in the center of the frame (by default an 8 mm circle indicated on the viewfinder focus screen). The size of the circle used to define the "center" of the frame can be set by CSM b5.
The camera measures light only in a circle 3 mm in diameter. This is tied to the currently selected AF area point unless dynamic AF or a non-CPU lens is used when it defaults to the center of the frame.
|P||Programmed Auto (flexible)
In this mode the camera automatically selects aperture and shutter speed based on the current metered exposure value, exposure compensation and selected ISO sensitivity. Flexible program allows you to select one of a range of identical exposures (using different combinations of aperture and shutter speed) by turning the main command dial. Example:
1/125 sec, F9 (turn left one click)
1/160 sec, F8.0 (turn left one click)
1/200 sec, F7.1 (metered)
1/250 sec, F6.3 (turn right one click)
1/320 sec, F5.6 (turn right one click)
In this mode you select the shutter speed and the camera will calculate the correct aperture depending on metered exposure, exposure compensation and ISO sensitivity. Turn the main command dial to select shutter speed in the range of 30 to 1/8000 sec (in 0.3, 0.5 or 1.0 EV exposure steps depending on CSM b3).
In this mode you select the aperture and the camera will calculate the correct shutter speed depending on metered exposure, exposure compensation and ISO sensitivity. Turn the sub command dial to select aperture (in 0.3, 0.5 or 1.0 EV exposure steps depending on CSM b3). The exact range of apertures will depend on the lens used.
Top of camera controls (left)
The top left side of the camera has the mode dial which allows you to select the camera's drive mode, with a choice of single frame, two continuous speeds, live view, self-timer or mirror up. This dial is locked from accidental change and can only be turned by holding the lock release pin to the top left of the dial. On the top of this dial are three buttons for quality, white balance and ISO sensitivity.
|S||Single frame shooting
One frame is taken with one depression of the shutter release button. You can of course still 'pump' shots as quickly as you can re-press the shutter release. The D700's shutter release button is the soft-press type which easily facilitates quick re-press.
Continuous low speed shooting
Continuous high speed shooting
Camera takes a shot after a predefined delay. This can be set to 2, 5, 10, or 20 seconds via CSM c3.
Buttons (combined with a command dial)
RAW + Fine JPEG
RAW + Normal JPEG
RAW + Basic JPEG
Image size (all except RAW quality)
|WB||White balance mode
Color temperature (Kelvin)
White balance preset
|White balance adjustment
- Fine tune A6 to B6 (A=Amber, B=Blue)
- Fine tune A6 to B6
- Fine tune A6 to B6
- Fine tune A6 to B6
- Fine tune A6 to B6
- Fine tune A6 to B6
- Fine tune A6 to B6
- Temperature 2500 K to 10000 K
- Preset 0 to 4
L 1.0 (100 equiv.)
L 0.7 (125 equiv.)
L 0.3 (160 equiv.)
H 0.3 (8000 equiv.)
H 0.7 (10000 equiv.)
H 1.0 (12800 equiv.)
H 2.0 (25600 equiv.)
(You can choose 0.3, 0.5 or 1.0 EV steps for ISO selection via CSM b2)
- 18 Photographic tests (Noise)
- 19 Photographic tests (DR)
- 20 Photographic tests (DR)
- 21 Photographic tests (Falloff)
- 22 Photographic tests
- 23 Compared to
- 24 Compared to (JPEG)
- 25 Compared to (JPEG)
- 26 Compared to (JPEG)
- 27 Compared to (RAW)
- 28 Compared to (RAW)
- 29 Compared to (RAW)
- 30 Compared to (Higher ISO)
- 31 Compared to (Resolution)
- 32 Conclusion
- 33 Samples
|Autumn by valenttin|
from Harvest Festivals
|Cardinal, Male by paul katinas|
from A Big Year - birds
|.. by Amar Vignesh|
from Unintentional Blur
|Sir Mick Jagger by HetFotoAtelier|
from - Concerts : When The Lights Come On -
Adobe's experimental Project 'Deep Fill' is an incredibly powerful and impressive, AI-powered version of Content Aware Fill. Watch the demo to see this amazing tool in action.
LEE has released a new series of Reverse ND filters that are most opaque in the middle and become progressively clearer towards the top. This makes them ideal for capturing scenes where the sun is close to the horizon.
A former New York Times photographer is suing both the newspaper and its photography director Michele McNally for over $500,000 for age discrimination and unfair classification as a freelancer for nearly a decade.
"CPS Platinum members will now enjoy next-day service, with equipment serviced and shipped the business day after an estimate is approved. For repairs that will take longer, Canon will offer next-day loaner equipment."
Irix is introducing a new filter system called the Irix Edge 100. The ultra-light, ultra-thin system is build specifically for wide angle lenses like Irix's own 15mm F2.4.
After conducting a series of safety tests, the FAA is recommending that all airlines ban cameras and other electronics with Lithium Ion batteries from checked baggage. The agency believe the risk of a catastrophic fire and explosion is too great.
The Pixentu jackets keep you and your gear warm and dry, offering useful features like lens and tripod pockets, in addition to some quirky ones like an extended hood to protect your camera from the rain.
Adobe gave the audience at MAX a sneak peek at some exciting new technology its developing. It's called Adobe Cloak: a highly capable Content Aware Fill-like feature for video editors.
Earlier today, Flickr moved its photo book printing service over to a third party services, and stopped offering any wall art options entirely.
The patent details a flipping rear LCD screen so large, Canon has had to hide the rear dial and several buttons underneath.
We've added a selection of extra images to our Nikon D850 gallery. As part of the process of rounding off the review we made sure a number of us had shot the camera in a variety of situations, we've added those shots to the gallery to give a broad cross section of how the camera performs.
Wiral LITE is an affordable, easy-to-use cable cam system that can do things a portable slider simply can't do, and go places no slider would dare go.
Not happy with the recent demise of Lightroom as a stand-alone, subscription free service? Macphun's got your back... or they will in 2018.
Once connected to a PC, Mac, tablet or smartphone, Pholio automatically searches through the device storage and backs up all images and videos—complete with auto-tagging and intelligent search capabilities.
The 360 Round uses eight horizontally positioned camera pairs and one upward-pointing single lens to capture and livestream panoramic 4K 3D content.
Introduced just three years ago, the Samsung NX1 was both a technological tour-de-force and a great camera to use, earning one of the highest scores we've ever awarded and winning our 2015 Innovation Award. But its short-lived run in the photo world leaves us wondering what could have been.
The Fujifilm X-E3 is styled like a classic rangefinder, but features a built-in touchscreen, AF joystick, and electronic viewfinder – truly an old school meets new type of camera. Lay some eyes on our sample gallery to see how it performs in the real world.
Like it or not, Adobe is embracing a cloud-centric, AI-rich future with the introduction of Lightroom CC. And that's a great thing, though you may not see it now, argues Rishi Sanyal.
The announcement of a more cloud-integrated Lightroom product sees the death of the company's standalone version. This need to make payments in perpetuity (whether you choose Lightroom Classic or CC), chips away at the idea that your Lightroom library is a long-term solution, argues Richard Butler.
The XPro-C 2.4GHz wireless flash trigger that Godox released for Canon users last month now has a Nikon equivalent—the aptly named XPro-N. Sony, Fujifilm and MFT versions are in the works.
In the aftermath of hurricanes Harvey, Irma and Maria, camera and lens maker Sigma is extending its standard product warranty to cover damage caused by these three natural disasters.
The F4 Plus can can capture 360° stills, videos and broadcast livestream footage at 8K resolution... that's 7680 x 3840 pixels!
Lightroom is hogging the spotlight at Adobe MAX, but Photoshop CC got some substantial improvements as well. Find out what's new in the latest version of Photoshop CC.
The aptly-named 'Nude' app automatically detects NSFW images on your iPhone, moves them to a protected vault and deletes the original files in the camera roll and on iCloud.
The Zeiss Milvus family of manual-focus full-frame lenses just gained a new member. Meet the Zeiss Milvus 24mm F1.4: a fast, rugged new lens designed primarily for landscape and architecture photography.
Lightroom has built a brand new Lightroom CC from the ground up to be faster, easier to use, and cloud-based. The application formerly known as Lightroom CC will continue to exist, and will go by "Lightroom Classic CC."
Google Research did a deep dive on the Pixel 2 smartphone's background-blurring portrait mode that uses neural networking and dual-pixel technology instead of a dual-camera setup.
With the arrival of the PowerShot G1 X III, there are now seven Canon cameras built around the 24MP Dual Pixel sensor and Digic 7 processor. We take a look at the differences and what might prompt you to choose one over the others.
Meet the HP ZBook x2. The so-called 'world's most powerful and first detachable PC workstation,' it was built with creative professionals in mind, and is being debuted at Adobe MAX.
PDN sat down with Ahmed Fakhr, director of photography at RollingStone.com, to talk about how the famed publication is adapting to the changing photo and video needs of the modern era and how he 'evaluates the skills of potential contributors.'