Nikon D3 In-depth Review
Nikon D3 specifications
|Price (body only)|| US: $ 4999
UK: £ 3399
EU: € 5180
|Body material||Magnesium alloy|
|Sensor|| 36 x 23.9 mm CMOS sensor
RGB Color Filter Array
Built-in fixed low-pass filter
12.9 million total pixels
12.1 million effective pixels
3:2 aspect ratio
|Image processor||Nikon EXPEED|
|A/D conversion||14 bit|
| 4256 x 2832 [L; 12.1 MP]
3184 x 2120 [M; 6.8 MP]
2128 x 1416 [S; 3.0 MP]
| 2784 x 1848 [L; 5.1 MP]
2080 x 1384 [M; 2.9 MP]
1392 x 920 [S; 1.3 MP]]
| 3552 x 2832 [L; 10.0 MP]
2656 x 2120 [M; 5.6 MP]
1776 x 1416 [S; 2.5 MP]
|File formats|| NEF (12-bit or 14-bit, compressed or lossless compressed RAW)
NEF + JPEG
JPEG (EXIF 2.21)
|NEF compression|| Compressed 12/14-bit NEF (RAW, Lossless compressed): approx. 60-80%
Compressed 12/14-bit NEF (RAW, Compressed): approx. 45-60%
|Lens mount|| Nikon F mount with AF coupling and AF contacts
No field of view crop (full-frame)
When using DX lenses / DX mode 1.5x FOV crop
Type G or D AF NIKKOR: All functions supported
|Auto Focus|| 51 focus points (15 cross-type sensors)
AF working range: -1 to +19 EV (ISO 100, normal temperature)
Contrast Detect in Live View (Tripod) mode
|Lens Servo|| Single Servo AF [S]
Continuous Servo AF [C]
Manual focus [M]
Focus Tracking automatically activated by subject's status in [S] or [C] AF
|Focus Point|| Single point from 51 or 11 focus points
Liveview (Tripod mode): Contrast AF on a desired point anywhere within frame
|AF Area Mode||
Single point AF
Focus can be locked by pressing shutter-release button halfway (single-servo AF) or by pressing AE-L/AF-L button
|AF assist||External Speedlite only|
|Exposure modes|| Program Auto [P] with flexible program
Shutter-Priority Auto [S]
Aperture-Priority Auto [A]
TTL full-aperture exposure metering using 1005-pixel RGB sensor
|Metering range|| 3D Color Matrix Metering: 0 to 20 EV
Center-Weighted Metering: 0 to 20 EV
Spot Metering: 2 to 20 EV
At normal temperature (20°C/68°F), ISO 100 equivalent, f/1.4 lens
|Meter coupling||CPU and AI|
|Exposure lock||Locked using AE-L/AF-L button|
2 to 9 frames
|Exposure compen.|| +/-5.0 EV
1/3, 1/2 or 1 EV steps
Default: ISO 200 - 6400 in 1/3, 1/2 or 1.0 EV steps
|Shutter|| Electronically-controlled vertical-travel focal plane shutter
30 to 1/8000 sec (1/3, 1/2 or 1.0 EV steps)
Flash X-Sync: 1/250 sec
|DOF Preview|| Stop-down lens aperture by pressing button
Activates modeling flash
|White balance|| Auto (1005-pixel CCD, image sensor)
Presets (seven) with fine tuning
Manual presets (four)
Color temperature in Kelvin (2500 - 10000 K, 31 steps)
White balance bracketing (2 to 9 frames, 10,20,30 MIRED steps)
|Picture Control|| Standard
|Image parameters|| Sharpening: Auto, 7 levels
Contrast: Auto, 5 levels, Custom tone curve
Brightness: 3 levels
Saturation: Auto, 5 levels
Hue: 5 levels
|Color space|| sRGB (Standard and Vivid modes)
Adobe RGB (Neutral mode)
|Viewfinder|| Optical-type fixed eye-level pentaprism
Built-in diopter adjustment (-3 to +1m-1)
Eyepoint: 18 mm (at -1.0m-1)
Focusing screen: Type B BriteView Clear Matte VI screen
Frame coverage 100%
Viewfinder magnification approx 0.7x with 50 mm f/1.4 lens
|Focusing screen|| B-type BrightView Clear Matte Screen II
Superimposed focus brackets
On-demand grid lines
|LCD monitor|| 3.0 " TFT LCD
922,000 pixels (VGA; 640 x 480 x 3 colors)
170° viewing angle
Handheld mode: TLL phase-difference AF with 51 focus areas (15 cross-type sensors)
|Shooting modes|| Single frame
Continuous Low [CL]: 1 - 9 fps
Continuous High [CH]: 9 fps (9 - 11 fps with DX format)
|Continuous buffer|| JPEG Large/Normal: 64 shots (at 9 fps)
RAW: no data yet
|Self-timer|| 2 to 20 sec custom|
TTL flash control with 1,005-pixel RGB sensor; i-TTL balanced fill-flash and standard i-TTL fill-flash available with SB-800, 600 or 400
|Flash Sync Mode|| Front-curtain Sync (normal)
Red-Eye Reduction with Slow Sync
|Flash Accessory Shoe||ISO 518 standard-type hot shoe contact; Safety lock mechanism provided|
|Flash Sync Terminal||ISO 519 standard terminal, lock screw provided|
|Flash compensation|| -3 to +1 EV
1/3, 1/2 or 1 EV steps
|Creative Lighting System||
With Speedlights such as SB-800, SB-600, SB-400, SB-R200, supports Advanced Wireless Lighting, Auto FP High-Speed Sync, Flash Color Information Communication, modeling flash and FV lock
|Orientation sensor||Tags images with camera orientation|
|Playback mode|| Full frame
Thumbnail (4 or 9 images)
Auto image rotation
Chinese (Simplified and Traditional)
|Custom functions||48 custom functions|
USB 2.0 (Hi-Speed) Mini-B connector
GPS: NMEA 0183 (Ver. 2.01 and 3.01) interface standard supported with 9-pin D-sub cable and GPS Cable MC-35 (optional)
|Communications||FTP and PTP/IP file transfer with optional Wireless Transmitter WT-3 (IEEE 802.11 b/g)|
|Storage|| Dual Compact Flash Type I or II
UDMA, Microdrive and FAT32 supported
36 characters of text can be input and stored in EXIF header
|Power|| Lithium-Ion EN-EL4a/EL4
Included dual battery charger MH-22
Optional AC adapter EH-6
|Battery monitoring||The LCD monitor on the camera back displays the following information
about the EN-EL3e battery:
Remaining charge (%)
No. of shots taken since last charge
Battery life (5 stages)
|Dimensions||160 x 157 x 88 mm (6.3 x 6.2 x 3.4 in)|
|Weight (no batt)||1240 g (2.7 lb)|
Temperature: 0 - 40 °C / 32 - 104 °F, Humidity: under 85% (no condensation)
Rechargeable Li-ion Battery EN-EL4a, Quick Charger MH-22, USB Cable UC-E4, Audio Video Cable EG-D2, Camera Strap AN-D3, Body Cap BF-1A, Accessory Shoe Cap BS-2, Eyepiece DK-17, Battery Chamber Cover BL-4, USB Cable Clip, Software Suite CD-ROM
Wireless Transmitter WT-4, Magnifying Eyepiece DK-17M, AC Adapter EH-6, Capture NX Software, Camera Control Pro 2 Software, Image Authentication Software
- 19 Photographic tests
- 20 Photographic tests
- 21 Photographic tests
- 22 Photographic tests
- 23 Compared to...
- 24 Compared to...
- 25 Compared to...
- 26 Compared to...
- 27 Compared to...
- 28 Compared to...
- 29 Compared to...
- 30 Compared to...
- 31 Compared to...
- 32 Compared to...
- 33 Compared to...
- 34 Conclusion
- 35 Samples
Apr 18, 2008
Aug 23, 2007
Apr 14, 2011
Apr 14, 2011
|Steamin' Mad by ahrensjt|
from Angered Subjects (Street Photography)
|Smile by Olymguy|
from Ultra Asian Indian Female Faces
|Space Shuttle Cockpit- by vbuhay|
from Aircraft Control Stick
If you're thinking of using Canon's sports glass on the Sony a9, think again. The ultra-fast camera slows way down when you attach off-brand glass.
The Polish town of Katowice is not known as an area of beauty, but as all photographers know, that doesn't mean that beauty can't be found if you know where to look. Mariusz Pietranek used a drone to look down on the colorful sedimentation tanks at an ironworks.
New York Times video journalist Ben Solomon spent a harrowing three weeks accompanying Iraqi Major Sajjad al-Hour as he and his men fought to retake Mosul from I.S. forces.
The 3D VR camera launched through a crowdfunding campaign in 2015 goes on sale beginning June 26.
Noctilucent clouds, a crescent moon and Venus were visible in the pre-dawn sky over Budapest yesterday. Photographer György Soponyai captured NASA's astronomy picture of the day.
Squirming pets won't sit still for photos? A Kickstarter campaign is looking to help.
Find out how Chris Burkard shifted from editorial photography to his true passions: landscapes, conservation and, of course, surfing.
The updated EyeEm app scans your camera roll and picks images that are composed particularly well, have the best quality, or highest chance of selling on EyeEm Market.
It's three years old but still a solid option for a Micro Four Thirds shooter looking for a high-quality, fast, wide-angle prime. Take a look at how we got along with it.
Tamron has announced the longest all-in-one zoom lens currently available, the 18-400mm F3.5-6.3 Di II VC HLD. Designed for Canon and Nikon crop-sensor cameras, the lens will be available in July.
When you're ready to step-up to full-frame from an entry-level or midrange camera, the choices can be overwhelming. Find out which models came out on top in our $1200-2000 enthusiast ILC roundup.
Just a guy wearing a VR headset, smashing invisible Goombas in Central Park.
NASA's Mars Reconnaissance Orbiter captured this gorgeous aerial photo of the Martian landscape. And if you look really close, you can actually see the Mars Curiosity rover in the very middle.
The city of Laguna Beach, California has provided some clarification around the kinds of photography permits it offers.
Later this year, a VR180 camera will be Joining Yi's Halo and 360 VR cameras, which will offer stereo 3D capture, yet be as easy to use and compact as a 2D camera.
Caltech researchers have developed an 'optical phased array' chip that uses time delays instead of a lens to focus the incoming light.
Pricing and shipping have finally been revealed for two highly anticipated lenses from Sigma, announced in February.
These macro photos of clouds of paint billowing through clear water might look like high-quality CGI, but they're real photographs. And photographer Alberto Seveso told us how they were made.
Facebook is testing a feature that prevents people from saving, sharing, or even taking a screenshot of your profile picture.
We've reshot the Sony a9 in our studio. The short story: it's sharper! The long story... well you can read it all here.
The collection will be officially launched during the Europeana Transcribathon Campus Berlin 2017 crowdsourcing event which will be held on 22 and 23 June at the Berlin State Library.
Light gives us some insight into the preparations for the launch of the pre-order shipments of its much anticipated L16 multi-lens camera.
OnePlus co-founder Carl Pei has confirmed in a tweet that the second lens on the back of the OnePlus 5 uses a 1.6x optical zoom and that digital zoom is used to reach the claimed 2x zoom factor.
Fujifilm recently unveiled the second in its series of affordable cine lenses, the MK50-135mm T2.9. We got our hands on it for a couple days and took it for a spin.
Leica's first attempt at an M-series digital rangefinder was rough around the edges, but set a pattern for all of the cameras that came after it. In this week's Throwback Thursday article, Barney remembers the M8.
No stranger to extreme situations, legendary climber and filmmaker Jimmy Chin talks to Outside Magazine about his career, and the challenge of filming Alex Honnold's rope-free solo climb of El Capitain.
A company backed by Android co-founder Andy Rubin is attempting to make video conferencing less terrible.
Rangefinder magazine asked five professional portrait and wedding photographers about posting on Instagram; no surprise, they got five different answers.
This captivating stop motion film was created by stripping away one layer of wood at a time. It's hard to look away.
It will enable users to simulate the presence of the sun, moon and Milky Way and see how they interact with an area's topography.