Nikon D2X Review
Top of camera controls (right)
On the top of the camera on the right side you will find the power switch, shutter release button, exposure mode dial and exposure compensation button. At the front and rear edges of this side of the camera, in line with the shutter release button are the two command dials (with a soft rubber coating). On the right edge of the viewfinder chamber is the metering mode selector. Note that CSM f5 allows you to swap the function of the front and rear command dials. The function of controls described below are for a camera with default settings.
Buttons combined with a dial turn are held while the dial is turned, however you can choose to simply have to press the button once and release, this is achieved via CSM f6.
Powers the camera off immediately, if there are images still buffered to be written the camera will remain on until the write has completed. When off the camera continues to display the remaining frames / frame count and CF status on the top LCD panel.
Switches the camera on, this is as fast as we can time it, instant. There is simply no perceptible delay between turning the the dial and the first shot (you can even hold the shutter release and turn the power dial to test this).
Flick the power switch to this position to illuminate the control panels backlight's (top and rear). The backlight stays on for the 'auto meter-off' time (CSM c3).
Buttons (combined with dial turn)
|MODE||Exposure mode (detail below)
Programmed Auto (flexible)
+/- 5 EV
0.3, 0.5 or 1 EV steps (CSM b4)
|P||Programmed Auto (flexible)
In this mode the camera automatically selects aperture and shutter speed based on the current metered exposure value, exposure compensation and selected ISO sensitivity. The D2X's flexible program allows you to select one of a range of identical exposures (using different combinations of aperture and shutter speed) by turning the main command dial. Example:
1/125 sec, F9 (turn left one click)
1/160 sec, F8.0 (turn left one click)
1/200 sec, F7.1 (metered)
1/250 sec, F6.3 (turn right one click)
1/320 sec, F5.6 (turn right one click)
In this mode you select the shutter speed and the camera will calculate the correct aperture depending on metered exposure, exposure compensation and ISO sensitivity. Turn the main command dial to select shutter speed (in 0.3, 0.5 or 1.0 EV exposure steps depending on CSM b3). You can protect the shutter speed from accidental change by holding the L button and rotating the main command dial.
1/8000, 1/6400, 1/5000, 1/4000, 1/3200, 1/2500, 1/2000, 1/1600, 1/1250, 1/1000, 1/800, 1/640, 1/500, 1/400, 1/320, 1/250, 1/200, 1/160, 1/125, 1/100, 1/80, 1/60, 1/50, 1/40, 1/30, 1/25, 1/20, 1/15, 1/13, 1/10, 1/8, 1/6, 1/5, 1/4, 1/3, 1/2.5, 1/2, 1/1.6, 1/1.3, 1, 1.3, 1.6, 2, 2.5, 3.2, 4, 5, 6, 8, 10, 13, 15, 20, 25, 30 sec, x250
In this mode you select the aperture and the camera will calculate the correct shutter speed depending on metered exposure, exposure compensation and ISO sensitivity. Turn the sub command dial to select aperture (in 0.3, 0.5 or 1.0 EV exposure steps depending on CSM b3). You can protect the shutter speed from accidental change by holding the L button and rotating the main command dial. The exact range of apertures will depend on the lens used.
|3D Color matrix metering II
3D Color matrix metering uses a 1005 pixel CCD to calculate the best exposure for the frame. 3D color matrix metering is only available with G type or D type lenses where the range information is used in conjunction with metered light. Color matrix metering is available with other CPU lenses or when focal length and aperture are entered manually using the 'Non-CPU lens data' menu item.
The camera uses the entire frame for light measurement but assigns a greater weight to an area in the center of the frame (by default an 8 mm circle indicated on the viewfinder focus screen). The size of the circle used to define the "center" of the frame can be set by CSM b6.
The camera measures light only in a circle 3 mm in diameter. This is tied to the currently selected AF area point unless dynamic AF or a non-CPU lens is used when it defaults to the center of the frame.
Top of camera controls (left)
The top left side of the camera has the mode dial which allows you to select the camera's drive mode, single, two continuous speeds, self-timer or mirror up. This dial is locked from accidental change and can only be turned by holding the lock release pin to the top left of the dial. On the top of this dial are three buttons for bracketing mode, flash mode and command lock.
|S||Single frame shooting
One frame is taken with one depression of the shutter release button. You can of course still 'pump' shots as quickly as you can re-press the shutter release.
Continuous low speed shooting
Continuous high speed shooting
Camera takes a shot after a predefined delay. This can be set to 2, 5, 10, or 20 seconds via CSM c4.
Press the shutter release once to raise the mirror, again to take the shot. Personally I would have liked mirror up to provide the option for an automatic 'self-timer' style delay between the mirror raising and the shot being taken, this removes the possibility of transferring any additional vibration to the camera. It would have been nice to have a way to combine this with a self-timer.
Buttons (combined with a command dial)
The D2X provides four different types of bracketing; exposure and flash bracketing, just exposure bracketing, just flash bracketing and white balance bracketing. WB bracketing mode can be selected through CSM e5, other bracketing settings are set by CSM e6, CSM e7 and CSM e8.
|BKT||Auto Bracketing number shots *
+3F (+2x, +x, 0)
-3F (-2x, -x, 0)
+2F (+x, 0)
-2F (-x, 0)
3F (3 frames +x to -x)
5F (5 frames +2x to +2x)
7F (7 frames +3x to +3x)
9F (9 frames +4x to +4x)
(Where x = bracketing increment)
|Auto Bracketing EV increment
|Auto Bracketing WB increment
|Flash sync mode
Front-curtain sync (normal)
Red-eye reduction with slow sync
|Shutter speed lock
(Only available in shutter-priority or manual exposure modes)
(Only available in aperture-priority or manual exposure modes)
* Example: Number of shots set to 5F, increment set to 0.7 EV and an exposure compensation of 0.0 EV the camera would take five frames with the following exposure difference: +1.3 EV, +0.7 EV, 0 EV, -0.7 EV, -1.3 EV.
|The Lone Photographer by ed rader|
from My Best Photo of the Week
|_ERN9064 by ernesto juarez|
from Shoot yourself ! (with your camera)
|Neighbourhood Watch by Stevie Boy Blue|
from Zoo trip ~ Cute...
The Sony 24mm F1.4 is the latest lens to join the company's premium G Master lineup. We've been shooting with one for a couple of days - here's what you need to know.
Apple released iOS 12 a few days ago and some iPhone X users are less than happy with how the new operating system has made their phones look.
Camera bag manufacturer Lowepro has introduced mark II backpacks for its ProTactic AW range with models that are said to feature an improved handling experience as well as a collection of accessories that can be attached to the outside.
Canon has announced its latest superzoom camera, the PowerShot SX70 HS. Compared to the SX60 that came before it, the SX70 has a longer lens, higher resolution EVF, 4K video capture and support for Canon's new CR3 Raw format.
Cosina has announced its eighth lens designed specifically for Sony's E-mount system. The Voigtlander 21mm F3.5 lens is due out October 2018.
Sony has taken the wraps off of its new 24mm F1.4 GM full-frame lens, which the company claims is the lightest in its class. Despite its fast aperture, the 24mm F1.4 is remarkably light, weighing just 445 grams (15.7 ounces). The lens will set you back $1400 when it ships next month.
In this episode of DPReview TV we take a look at Sony's brand new 24mm F1.4 GM lens, a desirable focal length for many photographers. How does it perform? Chris and Jordan give us their first impressions.
We've had a little time to shoot with Sony's new wide/fast prime, both close to home and on the water in San Francisco. Check out our initial sample images.
Fujifilm released a firmware upgrade for its X-T3 mirrorless camera that addresses issues with distortion compensation and the mechanical lock on SD cards.
The app's algorithms have been trained using using 200 million cropping data points from real photographers.
Thanks to a software update, the Loupedeck+ editing console can now be used for video editing.
British photographic engineer MTF Services is claiming the world’s first third-party lens adapters for the new Nikon Z system with a collection of four units designed to allow cinema lenses to be mounted on the mirrorless full frame bodies.
Think Tank Photo has updated its line of heavy-duty rain covers and introduced a new, compact version for emergency situations.
The X-T3 is our first opportunity to analyze what's likely to be Fujifilm's next generation image sensor. Take a look at how it performs next to the competition in our studio test scene.
Canon's new normal is seriously sharp wide open. After shooting with it for a few days, we've prepared a gallery of real-world sample images.
Nikon will cease offering Brazil-based customer service and technical support, though the company stresses that it will still offer technical assistance and warranty repairs for valid warranties.
Two years ago, CatLABS of JP announced a plan to save Packfilm from the dead. Now, it's announced it's giving up its efforts to better focus its resources elsewhere.
The GoPro Fusion is designed to make it easy to capture 360-degree video and stills. We took it out recently on a typically hot Seattle summer day to see what it can do.
We've got our hands on a full-production Nikon Z7 camera and have updated our gallery with additional samples.
A new Kickstarter campaign seeks funding for Chroma Chrono, a programmable RGB camera flash that emits multiple colors during long exposures.
Think Tank Photo has launched a new lineup of six dual-access, water-resistant protective lens cases it calls Lens Case Duo.
Canon and Nikon finally entered the full-frame mirrorless market this summer with the brand-new RF and Z mounts. Now that we've had some time with the cameras, we wanted to revisit our earlier predictions and take stock.
The devices' camera specs look pretty much identical to last year's iPhone X but under the hood a number of important improvements have been made.
Blackmagic Design has announced the public beta of its new Blackmagic RAW video codec. The company says the new format combines the benefits of shooting Raw video with the ease of use and smaller file sizes usually associated with non-Raw video files.
Serif, the company behind the Affinity suite, has announced the latest update for its mobile Photoshop competitor Affinity Photo for iPad.
The Atomos Ninja V external video recorder and monitor will be ready to ship at the end of this month. The 5.2in Ninja V is designed to provide a smaller option, while still offering many of the features of the larger 7-inch models.
Having shot with the camera, spoken to Canon and read the tea leaves, here's what DPR Technical Editor Richard Butler thinks the EOS R tells us about Canon and the RF's mount's future.
After last week's teaser, lighting manufacturer Profoto has announced its 'small big' new product. The B10 is designed to be used as studio flash head but in a very small body, and has a powerful continuous light source for videographers as well.
Konseen has launched Photo Studio, a new light box tent large enough to photograph people, as well as objects.
Seagate has introduced new high-capacity hard drives for Network Attached Storage (NAS) devices: the 14TB IronWolf and 14TB IronWolf Pro HDDs.