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The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
Nikon caused quite a stir with the teaser campaign for the Df, mainly because it is a camera a lot of people have been asking for, for a long time. Sadly, the reality of using the camera doesn't always vindicate that enthusiasm. To a great extent, Nikon has done a good job of combining the control logic of one of its film-era SLRs with the underpinnings of one of its contemporary models (or, at least, as well as could be expected). The problems come with the fact that those underpinnings come from the budget full frame model, the D610, and not the D800.
The Df is a pleasure to shoot with in good light and is capable of producing image quality consistent with its looks, pedigree and price tag. Metering is generally fairly reliable and white balance is really dependable. It's also built around an excellent sensor that offers a useful balance of low-ISO dynamic range, low noise at high ISO and sufficient resolution. However, the question that presents itself is: 'is this a half-price D4 or a D610 with a 50% markup?'
Image quality is the Df's strong suit - it combines an excellent sensor with a well worked-out JPEG engine, such that it can be depended on to take really strong images. Dynamic range is impressive, particularly at low ISO, while the high ISO performance is currently unsurpassed.
The Df shares the flagship D4's image quality, making it one of the most adaptable cameras on the market. That said, its advantage over other contemporary full frame cameras is pretty subtle, and some users may find they'd rather accept a fractional loss of high ISO performance for the increased flexibility that a higher pixel count can bring.
The Df isn't designed to be an always-to-your-eye, catch-the-moment modern DSLR, it's designed to be camera that you play with and engage with the controls of. And it does a good job of integrating its external, traditional controls with its modern command dials, encouraging the use of the dedicated controls (with all the at-a-glance settings confirmation they bring), but making things optional or customizable where appropriate. For example, the ability to choose whether to use the command dial or lens aperture ring means you can tailor your shooting experience to taste, or to provide the greatest possible consistency across different lens types.
The Auto ISO system is also sophisticated enough that, other than setting one of the front buttons to engage and disengage it, you rarely have to think too much about it, but being able to look across at the shoulder dial to check the baseline setting you've chosen is handy. The spring-locked exposure compensation dial doesn't work so well - its position on the left shoulder is a clear nod to historic Nikon SLRs, but it's awkward to change with the camera to your eye, and downright impractical if you're already using your left hand to cradle a large lens.
Autofocus performance is also disappointing, as is the decision to use a non-replaceable AF-orientated focusing screen on a camera designed in part for use with manual focus lenses. The live view magnification allows for more consistent and accurate focusing than even a good viewfinder could, but it's still plagued by the niggling faults seen in other recent Nikon DSLRs. The lack of any useful exposure information in live view means you're quite likely to find yourself using the viewfinder for setting exposure and the rear screen for setting focus - hardly a fluid experience.
Sadly, on top of all of this, the body just doesn't quite feel as solid or impressive as you might expect, for so much money. Although much of the body is made of magnesium alloy, the use of so many slightly mismatched materials and finishes means it neither looks nor feels particularly special when you get up-close. Our impression wasn't helped by the needlessly-removable battery door falling off the camera most times we tried to access the memory card (and we've seen reports that suggest it's not just a problem with the example we've tested).
So does the Df fulfill Nikon's promise of 'Pure Photography'? Not quite, in our experience. No matter how well the controls have been integrated, that promise needed more than some traditional dials stuck on top of what is essentially an enthusiast-grade Nikon with the video mode disengaged.
In our review of the D600, we noted several shortcomings that had resulted from the need to keep the costs down. But the difference is that the Df costs considerably more, yet shares much of the same cost-cutting. With the Df, it was clear Nikon wasn't aiming to build the best camera it could (that's what the D4 is), but we think it might have benefited from a more committed approach to the 'classic' concept. A split prism focusing screen option and a lower price tag might have made more sense than combining the company's best low-light sensor with an autofocus system that starts to struggle as soon as you take the camera indoors.
The image quality is excellent, though. In terms of its output, whether in Raw and JPEG, you really are getting a D4 for around half price. But just looking at the camera, you quickly realize that you've got the shutter mechanism and AF of a D610 with a 50% 'retro tax' added. And while you may get the D4's high ISO image quality, you don't get its low-light autofocus or backlit controls, both of which contribute hugely to its shooting capability in poor light.
The Df is rather pretty, of course, and that D4 sensor is extremely capable. Add to this the ability to use classic lenses and it's still got considerable appeal. If you like the way it looks, have some Pre-AI lenses you want to use, or hanker for the chance to use traditional dedicated control dials, then it's a camera you should seriously look at. But, unless you take 'Pure Photography' to mean that only the pictures matter and the camera itself doesn't, the Df doesn't quite live up to its billing.
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Category: Mid Range Full Frame Camera
Ergonomics & handling
Metering & focus accuracy
Image quality (raw)
Image quality (jpeg)
Low light / high ISO performance
Viewfinder / screen rating
Movie / video mode
The Nikon Df isn't for everyone. This is a product that's as much about invoking nostalgia as it is about capturing the moment. Its control setup is slower than a modern DSLR, but should appeal to those photographers who want a camera that feels more like a camera than an electronic device, and its 16MP imaging sensor is excellent.
Nikon is celebrating its 100th anniversary this year, and as part of the celebrations, the company has unveiled special editions of its professional D5 and D500, alongside the 'holy trinity' of F2.8 zooms. Feast your eyes
Nikon Japan has announced a limited edition version of its Df DSLR with gold embellishments where the standard version has bare metal. Produced as a limited edition to mark the first anniversary of the Df's launch, the gold model will come in two forms – body only, or paired with a gold-ringed AF-S Nikkor 50mm f/1.8G. There will be 600 units of the body-only form, and 1000 of the kit with the lens. Read more
Luxury goods brand Brikk has released the price of its forthcoming 'Lux Nikon kit' that has been finished in its trademark yellow gold and which will be on sale this month. Set to cost $41,395, the kit will include a gold plated Nikon Df body, a Nikkor 14-24mm f/2.8 lens with gold plated lens cap and lens hood, together with the usual charger, cables and software, and will come in a specially made gold plated Zero Haliburton hard case. Read more
Nikon has posted firmware updates for the Df, D5200 and D3200. As well as a number of minor bugs and performance issues, support has been added to the D3200 and D5200 for the new collapsible AF-S DX 18-55mm F3.5–5.6G VR II, allowing them to display an error message if the camera is turned on with the lens in its collapsed state. Read more and get the updates
The Nikon Df is, at first appearance, the camera many people have been wanting for years - a classically styled DSLR with traditional external controls. A lot of what's under the Df's retro skin is pretty familiar with the 16MP full-frame D4 sensor and the AF system from the D610. But does the Df bring together the best of the old and the new for a compelling shooting experience? Find out. Read our full review
When the Fujifilm X-T2 arrived, it was more than just a modest upgrade to the already impressive X-T1. While the new X-T3 hasn't changed the overall design of the camera, this model is way more than an upgrade; rather, it's a quantum leap.
The Movie Maker is a compact, motorized slider designed for phones, action cams and small mirrorless cameras. We think it's a fun little kit and a good value proposition for the cost, provided you can work around a few of its weak points.
Nikon's Z7 is the first camera to use the all-new Z-mount, the company's first new full-frame mount since 1959. We've put together our first impressions based on quality shooting time with a pre-production camera - check out what we've found.
What's the best camera for a parent? The best cameras for shooting kids and family must have fast autofocus, good low-light image quality and great video. In this buying guide we've rounded-up several great cameras for parents, and recommended the best.
What's the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we've rounded-up several great cameras for shooting landscapes, and recommended the best.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
|Abstract bokeh by Minas_Eye|
from Your City - Bokeh in the City (Rerun)
|Green Tree Frog by BruceRH|
|Custom Red Roadster by Mitchmeister|
from Car Shows 2018
At Sony's press conference at Photokina the company announced that 12 more E-mount lenses will be arriving over the next two years. In addition, the company is working to utilize artificial intelligence in its technologies, with one application being Eye AF trained to detect animal eyes.
Sigma has said it will create a full-frame Foveon camera and will adopt the Leica L mount for its system. It will be able to adapt or convert SA mount lenses to the L mount, for existing users.
Hasselblad is expanding their X System with their announcement of three new lenses: the XCD 80mm F1.9, XCD 65mm F2.8 and XCD 135mm F2.8, along with a teleconverter. The 80mm F1.9 is the fastest in the system. Get all the details and check out Hasselblad's official sample images here.
Sigma has announced give new lenses at Photokina, including a 'Sport' series 70-200mm F2.8 and a 56mm F1.4 for Micro Four Thirds and Sony E mounts.
Sigma has announced the 28mm F1.4 Art, 40mm F1.4 Art, 70-200mm F2.8 Sport and 60-600mm F4.5-6.3 Sport lenses for several full frame lens mounts, including Canon, Nikon and, in the first two instances, Sony E.
ON1 has announced the impending launch of ON1 Photo RAW 2019. The new version, due out in November, brings a handful of new tools and features in a revamped interface.
Fujifilm has said it is developing a 100MP GFX medium format camera that will include both phase detection autofocus and in-body image stabilization. The 4K-capable camera will sell for around $10,000.
Leica has announced the S3 medium-format camera – an S2 successor with a 64MP sensor capable of 4K video.
The GFX 50R is a 50MP rangefinder-style mirrorless camera. It borrows heavily from the existing 50S model but in a smaller body and at a lower price. How does it differ?
Fujifilm has announced its GFX 50R, a rangefinder-styled version of the company's GFX 50S medium-format camera. The 'guts' of the two cameras are the same, with the difference being the design, weight and Bluetooth, all at a considerably lower price.
In this episode of DPReview TV, we get our hands on Fujifilm's GFX 50R which hides a medium-format sensor in a new, more compact body. Watch to get Chris and Jordan's first impressions on image quality, video and more.
Fujifilm is adding a trio of new medium-format lenses to its G-mount roadmap. GFX owners will soon be able to get their hands on 100-200mm F5.6, 45-100mm F4 and compact 50mm F3.5 lenses. Pricing and availability have not been announced.
Micro Four Thirds users will soon get a super fast, constant aperture wide angle zoom.
Panasonic has announced it is developing two full frame mirrorless cameras: the 47MP S1R and the 24MP S1. We've been shown fairly advanced-looking but non-functional prototype cameras, and have been able to squeeze a few details from Panasonic.
Panasonic is developing a pair of full-frame mirrorless cameras that use Leica's L-mount. The S1R will feature a 47MP sensor, while the S1 will be 24MP. Both cameras will support Dual IS shake reduction 4K/60p video capture and will have XQD and SD card slots.
Leica, Panasonic and Sigma are teaming up. Expect L-mount cameras from Panasonic as well as L-mount glass from Sigma.
Ricoh has announced the development of the GR III enthusiast compact, due to ship in early 2019. The camera gains sensor-shift image stabilization and an updated 24MP sensor with phase-detection. The 28mm equivalent F2.8 lens has also been redesigned and a touchscreen added.
The 'I'm Back' is now available for a range of old film-SLRs, such as Nikon's F-Series, the Olympus OM10 or the Canon AE-1.
IRIX has announced its latest lens, the 150mm F2.8 Macro 1:1. IRIX claims the lens features 'close to zero' distortion and stands out with its 150mm telephoto focal length.
The RF 24-105mm F4L IS USM is one of four lenses to launch with Canon's new full-frame mirrorless system, and it boasts the longest reach of the range. Take a look at some of the samples we've gathered thus far as our EOS R testing continues.
Nikon's Sendai factory in the Tōhoku region North of Japan has been churning out cameras and lenses since 1971. We had the opportunity recently to visit Sendai during events to mark the launch of Nikon's new Z mount.
There's no mistaking the Nikon Coolpix P1000 – with a 24-3000mm equivalent zoom, it really is in a class of its own. It's a conspicuous-looking superzoom with one main job: getting you really close to far away subjects. We've put together a gallery showing the kind of results you can expect from it.
A new report from The Verge claims Instagram is currently testing a feature that allows users to re-share posts to their own account feeds.
GoPro has announced its HERO7 camera lineup. The updated action cameras feature new HyperSmooth and TimeWarp modes, as well as improved video and photo specs.
The latest Samsung midrange smartphone offers a super-wide-angle lens in its triple-camera setup.
The Sony 24mm F1.4 is the latest lens to join the company's premium G Master lineup. We've been shooting with one for a couple of days - here's what you need to know.
Apple released iOS 12 a few days ago and some iPhone X users are less than happy with how the new operating system has made their phones look.
Camera bag manufacturer Lowepro has introduced mark II backpacks for its ProTactic AW range with models that are said to feature an improved handling experience as well as a collection of accessories that can be attached to the outside.
Canon has announced its latest superzoom camera, the PowerShot SX70 HS. Compared to the SX60 that came before it, the SX70 has the same lens but offers a higher resolution EVF, 4K video capture and support for Canon's new CR3 Raw format.
Cosina has announced its eighth lens designed specifically for Sony's E-mount system. The Voigtlander 21mm F3.5 lens is due out October 2018.