Nikon D800 Review
June 2012: This review has been significantly expanded to include detailed analysis of the performance of the D800 alongside its closely-related stablemate the D800E. We have also added samples and analysis of the D800/E's uncompressed video feature. Except where specifically noted, any comments in the body of this review which reference the 'Nikon D800' actually refer to both models.
When the Nikon D800 and D800E were announced, the specification that got everyone's attention was - and to a large degree still is - the massive pixel count of their 36.3MP CMOS sensor. When a moderately-sized full-frame DSLR body aspires to go toe-to-toe with medium format cameras and backs at a fraction of their price, other attributes can seem secondary. But don't be misled. Coming as a successor to the now 3 1/2 year old D700, Nikon has updated much more than just the resolution. The D800 has a significantly more advanced feature set than its predecessor, particularly in terms of its video capabilities that make it, on paper at least, a viable and tempting option for professionals.
At the heart of the D800 is a brand new Nikon-developed sensor that boasts 36.8 million pixels in total, with a maximum effective output of 36.3MP. Its ISO span is 100-6400 natively, expandable to a range of 50 ('Lo1') to 25,600 ('Hi2') equivalent. Nikon's highest resolution DSLR to date, the D800/E more than doubles the pixel count of the flagship D4. The D800 is potentially very attractive to studio and landscape professionals, but should pique the interest of a great many enthusiast Nikon users too - many of whom may have been 'stuck' at 12MP for years, with a D300, D300s or D700.
Of course, the D800 faces a competitive field that has made significant gains as well. Arch-rival Canon has recently updated its best-selling full-frame model to the 22.3MP EOS 5D Mark III. That the D800 has to prove itself a compelling upgrade for current Nikon shooters is a given. Yet a glance at the specifications indicates that Nikon has clearly been paying attention to the success of the Canon EOS 5D Mark II, and its video performance in particular. The hope among the Nikon faithful is that the D800 matches or exceeds the impressive high ISO performance of recent Nikon DSLRs while providing the resolution benefits of a much higher pixel count.
Apart from their sensors, the D800 and D4 share many identical specifications. Although the D800 offers a much slower maximum frame rate at full resolution (4fps, compared to 11fps in the D4) and lacks some of the pro-oriented 'frills' like built-in Ethernet connectivity, it shares the same revamped 51-point AF system which is effective down to -2EV, the same processing engine and almost exactly the same highly advanced video mode.
Whereas the D4 is intended as a specialist tool for professionals that need to capture images quickly in all types of weather and light conditions, the D800 has been designed to appeal to a much broader user base. For most of us, D4-only features such as ultra-high ISO shooting, very fast frame rates, QXD card compatibility, 2000+ image battery life and built-in Ethernet, are simply not that high on the list of must-haves. The same goes for many pros who earn their livings with their camera.
Wedding, event and studio photographers, for example are likely to be far more concerned with resolution at low ISO sensitivities than shooting at 11 fps at ISO 204,000. To them, a camera with the D800's feature set, priced at less than half the cost of a D4 is an exciting prospect indeed.
And let's not forget videographers. The D4 is Nikon's most advanced video-enabled DSLR. And the D800 offers almost exactly the same video specification in a smaller, lighter, and significantly less expensive body, making it potentially much more attractive as either a primary or 'B' video camera on a low-budget shoot.
Compared to D700: Specification highlights
- 36.3MP CMOS sensor (compared to 12.1MP)
- 15.3MP DX-format capture mode (compared to 5MP)
- 25MP 1.2x Crop mode
- 51-point AF system with 15 cross-type sensors, rated to -2EV* (compared to -1EV)
- ISO 100-6400 extendable to ISO 25,600 equiv (same as D700)
- 1080p video at 30, 25 or 24 frames per second, up to 24Mbps, with uncompressed HDMI output and audio monitoring options*
- 3.2", 921,000 dot LCD with anti-fog layer* (compared to 3in, 921k-dot)
- Maximum 4fps continuous shooting in FX mode** (compared to 8fps in FX mode)
- Advanced Scene Recognition System with 91,000 pixel metering sensor* (compared to 1005-pixel)
- 'Expeed 3' Image Processing*
- Dual-axis Virtual Horizon (on LCD screen/viewfinder)* (compared to single-axis)
* Same or almost identical to Nikon D4
** Maximum frame rate in DX mode is dependant on power source
Compared to the Nikon D700
The D800 shares basically the same form factor as its predecessor the D700. Both models have a built-in flash and lack the integrated vertical grip of Nikon's top-end DSLRs, which is available instead via an accessory battery grip. There are differences though - some minor, some major.
The most obvious differences from the perspective of core functionality are a massive increase in resolution - from 12 to 36MP - which comes with a significant boost in processing power, and the addition of video mode. The D800's video mode is lifted almost completely from the professional D4 and boasts 1080p30 resolution with the option to output uncompressed footage via HDMI.
The ergonomic changes that have resulted from the inclusion of video are the addition of a video/stills live view mode control on the rear, plus a direct movie shooting button on the top plate. Among other refinements, a D7000/D4-style integrated AF mode/function control can be found on the front of the camera, and the door covering the ports on the side of the D800 is now hinged, and stays open when opened rather than flapping annoyingly against your fingers when you try to plug in accessories. The D800's LCD screen is slightly larger than the D700's, at 3.2 inches, but resolution remains unchanged. A Picture Control button now sits on the D800's rear plate.
Compared to the Canon EOS 5D Mark III
One of the few obvious physical differences between the D800 and the Canon EOS 5D Mark III is that the D800 has a built-in flash whereas the 5D Mark III doesn't. Both cameras share very similar proportions and the D800 weighs only 50 grams less. Both have 3.2 inch rear LCDs, with the 5D Mark III boasting a higher screen resolution of 1.04 million versus 921,000 pixels in the D800.
Under the hood of course is where the most notable difference lies. The D800's 36.3MP sensor surpasses the pixel count of the 22.3MP 5D Mark III, as well as every other 35mm-format DSLR currently on the market. The D800 also offers a useful DX (APS-C) crop mode which captures 15.3MP stills. While the D800 inherits the 51-point AF system of the D4 with 15 cross-type points, the 5D Mark III sports a 61-point AF system shared with the EOS-1D X, in which 41 of these are cross-type points. The D800 has an edge in flexibility, however, when it comes to the aperture required for these cross-type points to function. While the 5D Mark III requires a minimum aperture of f/4, the D800 can utilize 9 of its center cross-type points at an aperture as narrow as f/8.
- 1 Introduction
- 2 Specifications
- 3 D800E
- 4 Body & Design
- 5 Body Elements
- 6 Viewfinder
- 7 Operation & Controls
- 8 Displays
- 9 Live View
- 10 Menus: Playback & Shooting
- 11 Menus: Custom Settings
- 12 Menus: Setup, Retouch & 'My'
- 13 Handling
- 14 Performance (Speed)
- 15 Performance (Autofocus)
- 16 Features
- 17 ADL & HDR modes
- 18 Noise & Noise Reduction
- 19 Dynamic Range
- 20 Resolution (D800)
- 21 Resolution (D800E)
- 22 Raw Resolution (D800 v D800E)
- 23 Raw Mode
- 24 High ISO noise comparisons
- 25 Image Quality Tests
- 26 Image Quality Tests
- 27 Image Quality Tests (D800 v D800E)
- 28 Image Quality Tests (D800 v D800E)
- 29 Image Quality Tests (D800 v D800E)
- 30 Movie Mode
- 31 Image Q. Compared (JPEG)
- 32 Image Q. Compared (Hi ISO)
- 33 Image Q. Compared (RAW)
- 34 Conclusion
- 35 Samples Galleries
Jun 3, 2015
Apr 25, 2015
Jun 8, 2015
Jun 5, 2015
|.....the ROYAL LOTUS 2017/08/25-NEW YORK..... by Chiwat|
from Wild flowers
|Coffee and Mango cake by clicker88|
from Another cup of coffee
The venerable Canon PowerShot G1 was announced seventeen years ago this week, marking the start of a line of enthusiast-focused compacts that's still alive and kicking.
Super macro photographer Can Tuncer captured these incredible close-ups of a single peacock feather using a special setup and three different microscope lenses.
After successfully crowdfunding the Biotar 75mm F1.5, Oprema Jena is at it again. This time they're bringing back the Biotar 58mm F2: the world's only lens with a 17-blade aperture.
Adobe's move to a subscription model is treating it very well indeed. The company has posted record revenue for the second quarter in a row, hauling in a mind-boggling $1.84 billion.
More details have emerged about the potential sale of Blackstone's 45% stake in iconic camera brand Leica.
Popular mobile editing app Snapseed just got a major update that includes a new interface and 11 new presets for both Android and iOS, as well as adding the Perspective tool to the iOS version.
It might sound like a strange idea, but taking macro photos of boiling water can actually result in some really cool photographs. A good photo experiment for a rainy day.
The database was created to "break with the narrow lens through which history… has been recorded" by equipping those who commission photography with "the resources to discover photographers of color available for assignments.
Lensbaby has released two new optics for their special "optic swap system." The Lensbaby Sweet 80 Optic gives you that trademark sweet spot of focus, while the Creative Bokeh optic gives you 9 different drop in aperture plate options to play with.
TechCrunch has already posted their review of the upcoming iPhone 8 (not yet the iPhone X), and they're calling it "a look into the augmented future of photography."
Affinity Photo is a $50 photo editing software with no subscriptions. That's it – pay for it once and you're done. And we think it's actually pretty darn good.
Instagram is currently testing a major change to the app's profile layout: replacing the 3-photo across grid with a 4-photo grid... and some users are NOT taking the news well.
A report by USSRPhoto is shedding some light on the return of the famed Zenit camera brand. It seems the full-frame mirrorless camera they're working on will be made in part by Leica using components from the Leica SL.
According to a reliable Korean report, Samsung is developing a smartphone sensor that's capable of super slow motion. Translation: Samsung's next batch of Galaxy smartphones may be able to shoot 1,000fps.
This simple photograph of a seahorse and Q-tip has taken the internet by storm. We spoke to photographer Justin Hofman about how it was captured, and what it means to him.
After a massive leak last week, Profoto has officially debuted the Profoto A1: the company's first on-camera flash system that they're calling "the world's smallest studio flash."
"When the first hyperfocal distance charts were designed, someone decided that an acceptably sharp background contained some blur — enough to notice in a medium-sized print [...] After that point, nearly every other hyperfocal chart followed suit."
The Canon EOS Rebel SL2 (also known as the EOS 200D) is the company's impressively compact entry-level DSLR. Packing a 24MP APS-C sensor, DIGIC 7 processor and Dual Pixel AF, it promises a lot of bang for the buck. And while not mind-blowing, it handles most tasks very well.
Correct these four common composition mistakes and your photos will be more balanced, tell a better story, and lead your viewer's eye where you want it to go.
The rugged, compact 360° action camera Kodak unveiled at Photokina in 2016, the Kodak PixPro Orbit 360, is finally available in the United States.
iOS 11 launches tomorrow, and it'll save all of your pictures in a new high efficiency image format called HEIC. Fortunately, there's now a converter that will let you turn those photos back into JPEGs.
Photo protection company ImageRights recently released a new service that lets non-subscribers take advantage of their streamlined copyright registration system that checks for errors and fills out all the required forms for you.
What's the difference between a $200 circular polarizing filter and a $100 circular polarizing filter? Roger Cicala at Lens Rentals put six different filters through a few tests to find out.
A flurry of leaks reveal that GoPro's upcoming Hero6 will shoot 4K at 60fps, 1080p at 240fps, will cost $500, and is scheduled for announcement/release on September 28th.
Before he became the iconic director whose name we've all heard, a teenage Stanley Kubrick struck up a business relationship with New York’s Look magazine. No surprise: he was an incredibly talented photographer.
WD's new G-Technology G-Drive mobile SSD R-Series is a portable solid state option for photographers who want the reliability of an SSD in a rugged water and dust-resistant package.
Fast, stabilized and affordable is an appealing combination when it comes to lenses. With its latest 24-70mm F2.8, Tamron aims to upgrade autofocus speed and stabilization. We've got a full gallery from this updated full-frame zoom.
Photographer Clay Cook tells the story of his most ambitious photographic dream and career goal coming true: photographing A-list actress Jennifer Lawrence.
In an interview with a Chinese website, Nikon Japan's Director of Development dropped a bombshell, saying that a Nikon mirrorless camera "must be full-frame."
Here's a side-by-side spec comparison of two flagship devices with particular attention to the things that really matter – at least to people who prioritize photography features.