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The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
One of the biggest camera announcements at 2014's Consumer Electronics Show may well have been the little Nikon D3300 and its collapsible 18-55mm F3.5-5.6 VR II lens. It may not shoot 4K video or offer a curved LCD (those shows are all about the tech trends) but it does represent the next generation of Nikon's very popular entry-level DSLR line, and that in itself is noteworthy.
The D3300 sits at the bottom of Nikon's entry-level series, positioned as the friendliest of beginner-friendly DSLRs, just below the D5300. Don't be fooled by their class bearing though, both cameras use a powerful 24MP APS-C sensor. Opting for the D3300 rather than the D5300 means living with a fixed 3.0-inch LCD, rather than one that's fully articulated, and no built-in Wi-Fi.
The D3300's Expeed 4 branded processor is responsible for many of its gains over the previous model, the D3200. This model gets an upgrade to 1080/60p video recording, an extra frame per second in burst mode, and a higher ISO range up to 12800 (25600 with expansion).
The table below illustrates the differences between this model, its predecessor, and the step-up model. It should be noted that the D3300 appears to give better battery performance than the D5300, but actually they use the same EN-EL14a battery. The D5300's lower claimed battery life reflects a calculation for use of the camera's built-in Wi-Fi and GPS. By any measure, the D3300 is well above its peers in terms of battery capacity.
|Nikon D3300||Nikon D3200||Nikon D5300|
|Sensor||24.2 MP DX format CMOS (23.5 x 15.6 mm)||24.2 MP DX format CMOS (23.2 x 15.4 mm)||24.2 MP DX format CMOS (23.5 x 15.6 mm)|
|Image processing||Expeed 4||Expeed 3||Expeed 4|
|LCD||Fixed 3.0" 921k-dot LCD||Fixed 3.0" 921k-dot LCD||Vari-angle 3.2" 1037k-dot LCD|
|AF system||11-point (1 cross-type)||11-point (1 cross-type)||39-point (9 cross-type)|
|Viewfinder||0.85x (95% coverage)||0.80x (95% coverage)||0.82x (95% coverage)|
|ISO range||100-12800 (expansion to 25600)||100-6400 (expansion to 12800)||100-12800 (expansion to 25600)|
|Connectivity||With optional WU-1a Mobile Adapter||With optional WU-1a Mobile Adapter||Built-in|
|Video capture max. resolution||1080 60p||1080 30p||1080 60p|
|Continuous shooting||5 fps||4 fps||5 fps|
|Battery life||700 shots||540 shots||600 shots|
|Dimensions||124 x 98 x 76 mm (4.88 x 3.86 x 2.99″)||125 x 96 x 77 mm (4.92 x 3.78 x 3.03″)||125 x 98 x 76 mm (4.92 x 3.86 x 2.99″)|
|Weight||460 g (16.23 oz)||505 g (17.81 oz)||530 g (18.70 oz)|
Moving up the chain of Nikon's crop-frame DSLR line AF systems get increasingly sophisticated. The D3300 sits at the very bottom with an 11-point system and a single cross-type sensor at the middle - nothing that would tempt a sports photographer, but perfectly capable for its class. Outside of this, Wi-Fi and a vari-angle screen are the only other clear hardware advantages to the D5300 over the entry-level model.
The comparison paints a picture of a nicely specified entry-level model with excellent battery life, a new processor and a whole lot of resolution. Aside from the lack of Wi-Fi, there's not much to complain about here and we don't feel that there's anything that this camera is seriously lacking feature-wise.
However, the days when an entry-level Nikon only really had to worry about its latest rival from Canon have gone. So, although the D3300's specs are very impressive - especially in terms of battery life - it also has to hold its own against the smaller mirrorless cameras that match it for image quality and offer a more compact-camera-like live view shooting experience.
Though a little long in the tooth, the Panasonic Lumix GF6 offers a tilting touch screen, and the Olympus E-PM2 provides a fixed touch screen (and is a steal price-wise compared to the rest of the class). Elsewhere in the category the Pentax K-500 offers a 100% coverage optical viewfinder and 6 fps burst shooting, while the Fujifilm X-A1 offers twin command dials and built-in Wi-Fi.
The Nikon D3300 is available in black, grey and red variants, kitted in the US and UK with a collapsible 18-55mm F3.5-5.6 VR II lens with list prices of $649.95 and £599.99, respectively. In the UK there's also a £499.99 body-only option, not offered in the US.
Without the D5300's built-in Wi-Fi, D3300 owners will need to add Nikon's WU-1a mobile adapter for connectivity features. The adapter dangles from the camera's AV port, making it possible to wirelessly transfer images to an Android or iOS device. Read more about it in our review of the Nikon D3200. It's available separately for $59.95/£54.99.
Nikon's DSLRs aren't by any means the cheapest in their respective classes, and that's true of the D3300. It's about $100 US more than a comparable Canon kit, and costs well over twice as much as the (very aggresively priced) Sony a3000. For that premium, you get one of the highest resolution APS-C sensors on the market, a very good 1080/60p video spec, and exceptional battery life among other things. It's slightly pricier, but does the feature set justify the tag? Or would your entry-level dollars be better spent elsewhere?
|Nikon D3300 24.2 MP CMOS Digital SLR with Auto Focus-S DX NIKKOR 18-55mm f/3.5-5.6G VR II Zoom Lens (Black)|
In stockUsually ships in 3-4 business days
|Nikon D3300 24.2 MP CMOS Digital SLR with Auto Focus-S DX NIKKOR 18-55mm f/3.5-5.6G VR II Zoom Lens (Red)|
In stockUsually ships in 24 hours
|Nikon D3300 24.2 MP CMOS Digital SLR with AF-S DX NIKKOR 18-55mm f/3.5-5.6G VR II Zoom Lens (Grey)||See price on Amazon.com »|
|Nikon D3300 24.2 MP CMOS Digital SLR with AF-S DX NIKKOR 18-55mm Lens (Black) + Adobe PhotoShop Elements 13||See price on Amazon.com »|
Jun 29, 2016
Mar 6, 2015
Jan 6, 2015
May 26, 2015
Plenty of sixteen-year-olds have extracurricular interests, but we're willing to bet John Kraus is one of very few who are juggling school with duties as a rocket launch photojournalist. Read more
Nikon's introduction of the D3300 at this year's CES didn't shake up the industry, but it was still a noteworthy launch. The entry-level 3000 series have been popular with consumers looking to making a first step into more advanced photography, and the 24 megapixel D3300 is the latest generation in that popular line. With 1080/60p HD video capture, 5 fps burst shooting and 700-shot battery life it provides a beginner with some useful tools to experiment with. Is it a clear winner in the entry-level class? Read our full review
The Nikon D3300 continues on the path of its entry-level DSLR predecessors, with plenty of built-in shooting and retouch modes, a small footprint, and beginner-friendly user interface. It has a 24.2 megapixel CMOS sensor with no optical low-pass filter, as well as an Expeed 4 image processor. The camera's ISO range tops out at 25,600 and with continuous shooting up to 5 fps. We've been out and about with the D3300, shooting everyday situations and family life. See gallery
We're at the (currently very snowy) CP+ show in Japan and we've been checking out the Nikon stand, getting a feel for the latest products and exploring the various demonstrations. Click through for a look at what we found. trust us - it's worth it just for the scale model of Yokohama...
CES 2014: Nikon's booth, near the back of the Central Hall, showed off their latest products, and also had a live demo of their 'HD SLR' cameras, replete with models. We've already had some hands-on time with the new D3300, 35mm F1.8G lens and a behind-glass D4S, and we spent our time at the booth checking out the new Coolpix lineup. Tour Nikon's CES 2014 booth
When the Fujifilm X-T2 arrived, it was more than just a modest upgrade to the already impressive X-T1. While the new X-T3 hasn't changed the overall design of the camera, this model is way more than an upgrade; rather, it's a quantum leap.
The Movie Maker is a compact, motorized slider designed for phones, action cams and small mirrorless cameras. We think it's a fun little kit and a good value proposition for the cost, provided you can work around a few of its weak points.
Nikon's Z7 is the first camera to use the all-new Z-mount, the company's first new full-frame mount since 1959. We've put together our first impressions based on quality shooting time with a pre-production camera - check out what we've found.
What's the best camera for a parent? The best cameras for shooting kids and family must have fast autofocus, good low-light image quality and great video. In this buying guide we've rounded-up several great cameras for parents, and recommended the best.
What's the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we've rounded-up several great cameras for shooting landscapes, and recommended the best.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
|Abstract bokeh by Minas_Eye|
from Your City - Bokeh in the City (Rerun)
|Green Tree Frog by BruceRH|
|Custom Red Roadster by Mitchmeister|
from Car Shows 2018
At Sony's press conference at Photokina the company announced that 12 more E-mount lenses will be arriving over the next two years. In addition, the company is working to utilize artificial intelligence in its technologies, with one application being Eye AF trained to detect animal eyes.
Sigma has said it will create a full-frame Foveon camera and will adopt the Leica L mount for its system. It will be able to adapt or convert SA mount lenses to the L mount, for existing users.
Hasselblad is expanding their X System with their announcement of three new lenses: the XCD 80mm F1.9, XCD 65mm F2.8 and XCD 135mm F2.8, along with a teleconverter. The 80mm F1.9 is the fastest in the system. Get all the details and check out Hasselblad's official sample images here.
Sigma has announced the 56mm F1.4 DC DN lens for Micro Four Thirds and Sony E mounts. The compact 56mm lens becomes the sixth DN lens for mirrorless cameras and will make a handy portrait lens on both systems.
Sigma has announced the 28mm F1.4 Art, 40mm F1.4 Art, 70-200mm F2.8 Sport and 60-600mm F4.5-6.3 Sport lenses for several full frame lens mounts, including Canon, Nikon and, in the first two instances, Sony E.
ON1 has announced the impending launch of ON1 Photo RAW 2019. The new version, due out in November, brings a handful of new tools and features in a revamped interface.
Fujifilm has said it is developing a 100MP GFX medium format camera that will include both phase detection autofocus and in-body image stabilization. The 4K-capable camera will sell for around $10,000.
Leica has announced the S3 medium-format camera – an S2 successor with a 64MP sensor capable of 4K video.
The GFX 50R is a 50MP rangefinder-style mirrorless camera. It borrows heavily from the existing 50S model but in a smaller body and at a lower price. How does it differ?
Fujifilm has announced its GFX 50R, a rangefinder-styled version of the company's GFX 50S medium-format camera. The 'guts' of the two cameras are the same, with the difference being the design, weight and Bluetooth, all at a considerably lower price.
In this episode of DPReview TV, we get our hands on Fujifilm's GFX 50R which hides a medium-format sensor in a new, more compact body. Watch to get Chris and Jordan's first impressions on image quality, video and more.
Fujifilm is adding a trio of new medium-format lenses to its G-mount roadmap. GFX owners will soon be able to get their hands on 100-200mm F5.6, 45-100mm F4 and compact 50mm F3.5 lenses. Pricing and availability have not been announced.
Micro Four Thirds users will soon get a super fast, constant aperture wide angle zoom.
Panasonic has announced it is developing two full frame mirrorless cameras: the 47MP S1R and the 24MP S1. We've been shown fairly advanced-looking but non-functional prototype cameras, and have been able to squeeze a few details from Panasonic.
Panasonic is developing a pair of full-frame mirrorless cameras that use Leica's L-mount. The S1R will feature a 47MP sensor, while the S1 will be 24MP. Both cameras will support Dual IS shake reduction 4K/60p video capture and will have XQD and SD card slots.
Leica, Panasonic and Sigma are teaming up. Expect L-mount cameras from Panasonic as well as L-mount glass from Sigma.
Ricoh has announced the development of the GR III enthusiast compact, due to ship in early 2019. The camera gains sensor-shift image stabilization and an updated 24MP sensor with phase-detection. The 28mm equivalent F2.8 lens has also been redesigned and a touchscreen added.
The 'I'm Back' is now available for a range of old film-SLRs, such as Nikon's F-Series, the Olympus OM10 or the Canon AE-1.
IRIX has announced its latest lens, the 150mm F2.8 Macro 1:1. IRIX claims the lens features 'close to zero' distortion and stands out with its 150mm telephoto focal length.
The RF 24-105mm F4L IS USM is one of four lenses to launch with Canon's new full-frame mirrorless system, and it boasts the longest reach of the range. Take a look at some of the samples we've gathered thus far as our EOS R testing continues.
Nikon's Sendai factory in the Tōhoku region North of Japan has been churning out cameras and lenses since 1971. We had the opportunity recently to visit Sendai during events to mark the launch of Nikon's new Z mount.
There's no mistaking the Nikon Coolpix P1000 – with a 24-3000mm equivalent zoom, it really is in a class of its own. It's a conspicuous-looking superzoom with one main job: getting you really close to far away subjects. We've put together a gallery showing the kind of results you can expect from it.
A new report from The Verge claims Instagram is currently testing a feature that allows users to re-share posts to their own account feeds.
GoPro has announced its HERO7 camera lineup. The updated action cameras feature new HyperSmooth and TimeWarp modes, as well as improved video and photo specs.
The latest Samsung midrange smartphone offers a super-wide-angle lens in its triple-camera setup.
The Sony 24mm F1.4 is the latest lens to join the company's premium G Master lineup. We've been shooting with one for a couple of days - here's what you need to know.
Apple released iOS 12 a few days ago and some iPhone X users are less than happy with how the new operating system has made their phones look.
Camera bag manufacturer Lowepro has introduced mark II backpacks for its ProTactic AW range with models that are said to feature an improved handling experience as well as a collection of accessories that can be attached to the outside.
Canon has announced its latest superzoom camera, the PowerShot SX70 HS. Compared to the SX60 that came before it, the SX70 has the same lens but offers a higher resolution EVF, 4K video capture and support for Canon's new CR3 Raw format.
Cosina has announced its eighth lens designed specifically for Sony's E-mount system. The Voigtlander 21mm F3.5 lens is due out October 2018.