Nikon AF-S Nikkor 35mm 1:1.8G DX review
The AF-S Nikkor 35mm F1.8G DX is Nikon's latest lens, announced in February for PMA 2009. Its introduction came as something of a surprise to many observers, not because it's an updated 35mm lens with a built-in autofocus motor, but because the 'DX' designation indicates that it's designed for use on DX format bodies, and isn't fully compatible with Nikon's growing FX format camera range. According to Nikon, this has allowed the company to design a lens that is smaller, lighter and cheaper than it would have been had it offered full coverage of the FX image circle. In effect, the lens is primarily targeted as an inexpensive, large aperture option for users of the entry-level (D40 / D40X /D60) series of DSLRs.
The 35mm focal length is roughly equivalent to 50mm on an FX camera, and the lens therefore fits into the 'standard' category, with an angle of view offering none of the 'perspective distortion' associated with wideangle or telephoto lenses. The fast F1.8 maximum aperture admits more than four times as much light as the AF-S 18-55mm F3.5-5.6G VR DX kit lens, which is useful for shooting in low light while keeping shutter speeds reasonably high. The 'Silent Wave Motor' allows autofocus on all of Nikon's DSLR bodies, with the added bonus of allowing the user to tweak focus manually in AF mode if desired.
The 35mm F1.8G features an optical design of 8 elements in 6 groups, including an aspherical element for the correction of aberrations usually associated with large aperture prime lenses. However unlike the typical 50mm standard prime for the full frame (FX) format, this lens's focal length is rather shorter than the flange distance from the lens mount to the imager. This necessitates the use of a so-called 'retrofocal' design, which is more usually associated with wideangle lenses; unfortunately this often results in increased aberrations relative to traditional near-symmetric 50mm designs. So how does the 35mm F1.8 DX measure up?
- 35mm focal length; fast F1.8 maximum aperture
- Silent Wave Motor allows autofocusing on all Nikon DSLRs
- Full-time manual focus override
- For DX format cameras
Angle of view
The picture below illustrates the angle of view (click here for comparisons with the Nikon 50mm F1.4D):
35mm (DX format)
Nikon AF-S Nikkor 35mm 1:1.8G DX specifications
|Street price||• $200 (US)
• £200 (UK)
|Date introduced||February 2009|
|Maximum format size||DX|
|35mm equivalent focal length
|Diagonal Angle of view||47º|
|Lens Construction||• 8 elements / 6 groups
• 1 hybrid aspherical element
|Number of diaphragm blades||7, rounded|
|Minimum focus||0.3m (1.0 ft)|
|AF motor type||• Ring-type Silent Wave Motor (ultrasonic-type)
• Full-time manual focus
|Focus method||Internal (rear) focus|
|Image stabilization||• None|
|Filter thread||• 52mm
• Does not rotate on focus
|Supplied accessories||• Front and rear caps
• HB-46 hood
|Weight||210g (7.4 oz)|
|Dimensions||70mm diameter x 52.5mm length
(2.8 x 2.1 in)
|Lens Mount||Nikon F only|
* Supplied accessories may differ in each country or area
Photographers who fly frequently in the US may want to finally invest in that TSA Pre-check status: in standard security lines, cameras and all other electronics larger than a smartphone will need to be placed in a separate bin for screening.
Images have appeared which claim to show Nikon's forthcoming D850 DSLR, the development of which was announced this week. If genuine, the pictures indicate that the D850 will offer illuminated controls and a tilting LCD screen, but no built-in flash.
To celebrate the Daguerreotype Achromat 2.9/64 lens' successful Kickstarter campaign, Lomography has announced a chrome-plated version of the lens in Nikon and Canon DSLR mounts.
Nikon just released four new firmware updates, adding features and fixing bugs in the D600, D610, D750 and the KeyMission 80.
It probably hasn't made your landscape photography bucket list just yet, but there's a good reason to visit Idaho. Here are 9 must-visit locations in this beautiful state.
Oops... Adobe accidentally leaked their unfinished Lightroom-powered cloud-based photo editor 'Project Nimbus' to some Creative Cloud users yesterday.
Storm chaser and award-winning photographer Mike Oblinski just released his latest time-lapse, and it is absolutely stunning.
Looking to level up your video capture capabilities without buying a whole new camera? Blackmagic's Video Assist 4K is well worth considering, despite a few flaws and its lack of 4K/60p support.
We're big fans of Fujifilm's fast-growing GFX system, and the GF 110mm F2 lens is no exception. Positioned as the system's classic portrait lens, its optics are just as impressive with non-human subjects as well.
Nikon turns 100 years old today, and the company is celebrating with a wacky music video, some tributes to its history, and a new vision presented by president Kazuo Ushida.
Phottix just released the Premio Parabolic Umbrellas series, replacing their Para-Pro line with a stronger, deeper and better made set of parabolic umbrellas.
The Moto Z2 is Motorola's first dual-camera smartphone and, compared to its predecessor, comes with a number of improvements and new camera features.
Researchers at Stanford have revealed a new '4D camera system' built for robots. The system is based on the same light field tech that allowed Lytro cameras to refocus images after they were taken.
If you want 'beautiful rendition' from your lenses, follow this simple rule: only buy classic low-element prime lenses with lead glass elements—everything else is junk.
In an interview with CNBC, Leica Chairman Andreas Kaufmann said he dreams of a 'true Leica phone,' and hinted at what's next for the Leica and Huawei partnership.
Wildlife and nature photographer Peter Mather tells the story behind this exceptional shot of a mama grizzly and her cub searching for salmon in Yukon, Canada.
Popular YouTube channel TastyTuts has put together this 33-video Beginner's Guide to Adobe Photoshop—a godsend for anybody who wants to learn Photoshop from scratch.
The long anticipated replacement for the popular Rode VideoMic Pro is almost ready for shipping. The price of the upgraded VideoMic Pro+ will be £290/$300 when it goes on sale in mid-August.
A new iOS app called Explorest wants to help you find new locations to shoot. It's limited to Singapore for now, but the app is packed full of useful location scouting features.
Nikon's D850 development announcement is extremely light on details, so we assembled a wish list of upgrades and features we'd love to see.
Nikon has announced the development of the long-awaited replacement to its full-frame D810: the D850. Nikon says that the D850 will build on the strengths of its predecessor and offer 'new technologies, features and performance enhancements.'
Lens manufacturer Voigtlander has introduced a 65mm F2 macro lens for Sony E-mount that it says "rates as one of the finest in the history of Voigtländer."
The UK released a preview of their upcoming drone safety regulations, and it looks like drone pilots will have to both register their device and pass safety awareness tests.
National Geographic photographer Bob Holmes talks about light, and why you need to learn how to 'see' and not just 'look' at your subject.
Photographer Alessandro Barteletti shares the story behind his National Geographic Italia cover, shot with a 10-year-old DSLR and an iPhone flashlight.
Fashion catalog photographers in China have some next-level models to work with. In this video, you see one model hitting 30 poses in 15 seconds as the photographer snaps away.
Photographer Paul Adshead breaks down 11 photography-related smartphone apps he couldn't live without—from a pocket light meter to a lighting diagram app.
Fast-growing Chinese flash brand Godox is teasing a brand new flash trigger... for smartphones. The Godox A1 is a 'phone flash system' that can act as both flash and 2.4GHz trigger.
On July 12, Canon opened its newest Technology and Support Center, designed to serve the motion picture industry, in Burbank, CA. DPReview got a sneak peak and takes you behind the scenes.
The Sigma 14mm F1.8 Art is truly one-of-a-kind. It offers the fastest aperture of any lens that shares its focal length, produces beautiful sunstars and is incredibly sharp to boot. If you're in the market for a fast ultrawide prime, this looks to be the one to get.